The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure's early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career - beginning officially in 1937 - as the symbol of West Virginia University. Alternately a rabble-rouser and a romantic embodiment of the state's history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway's account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the University) to tame or contain it.

Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.

Galilee has been a crossroads of cultures, religions, and languages for centuries, as illustrated in these fascinating Bedouin folktales, which offer excellent examples of the Arabic narrative tradition of the Middle East. Bedouin Folktales from the North of Israel collects nearly 60 traditional folktales, told mostly by women, that have been carefully translated in the same colloquial style in which they were told. These stories are grouped into themes of love and devotion, ghouls and demons, and animal stories. The work also includes phonetic transcription and linguistic annotation. Accompanying each folktale is a comprehensive ethnographic, folkloristic, and linguistic commentary, placing the tales in context with details on Galilee Bedouin dialects and the tribes themselves. A rich, multifaceted collection, Bedouin Folktales from the North of Israel is an invaluable resource for linguists, folklorists, anthropologists, and any reader interested in a tradition of storytelling handed down through the centuries.

As President Barack Obama outlined his promise for change during the presidential campaign, he made effective use of proverbs and proverbial phrases, and invented many quotable epithets that have all the makings of future proverbs. This book examines how Obama's natural and authentic reliance on traditional metaphors enhances his impressive rhetoric, rather than reducing it to mere sound bites. Proverbs, with their often colorful metaphors, add expressiveness and emotion to his communications, giving people the opportunity to follow his pragmatic or philosophical arguments through common language. No matter the subject, Obama's prose contains metaphorical language that makes his rhetoric and oratory universally accessible. This book contains detailed analyses of the proverbial rhetoric in Obama's books Dreams from My Father (1995) and The Audacity of Hope (2006). A section looks at his proverbial language in 229 speeches, news conferences, interviews, and radio addresses, and the final section presents in-depth studies of his seven most significant addresses. It includes a comprehensive contextualized index of 1714 proverbial texts found within the writings and speeches from Obama's political beginnings to his memorable inaugural address.

Fritz Graf here presents a survey of a god once thought of as the most powerful of gods, and capable of great wrath should he be crossed: Apollo the sun god.

From his first attestations in Homer, through the complex question of pre-Homeric Apollo, to the opposition between Apollo and Dionysos in nineteenth and twentieth-century thinking, Graf examines Greek religion and myth to provide a full account of Apollo in the ancient world.

For students of Greek religion and culture, of myth and legend, and in the fields of art and literature, Apollo will provide an informative and enlightening introduction to this powerful figure from the past.

The Trickster Revisited: Deception as a Motif in the Pentateuch explores the use of deception in the Pentateuch and uncovers a new understanding of the trickster's function in the Hebrew Bible. While traditional readings often «whitewash the biblical characters, exonerating them of any wrongdoing, modern scholars often explain these tales as significant at some earlier point in Israelite tradition. But this study asks the question: what role does the trickster have in the later pentateuchal setting? Considering the work of Victor Turner and the mythic function of the trickster, The Trickster Revisited explores the connections between tricksters, the rite de passage pattern, marginalization, and liminality. Marginalized individuals and communities often find trickster tales significant, therefore trickster stories often follow a similar literary pattern. After tracing this pattern throughout the Pentateuch, specifically the patriarchal narratives and Moses' interaction with Pharaoh in the Exodus, the book discusses the meaning these stories had for the canonizers of the Pentateuch. The author argues that in the Exile and post-exilic period, as the canon was forming, the trickster was the perfect manifestation of Israel's self-perception. The cognitive dissonance of prophetic words of hope and grandeur, in light of a meager socio-economic and political reality, caused the nation to identify itself as the trickster. In this way, Israel could explain its lowly state as a temporary (but still significant) «betwixt and between, on the threshold of a rise in status, i.e. the great imminent kingdom predicted by the prophets.

With more than one hundred-fifty books and three hundred published articles on proverb studies that have attracted wide attention of folklorists around the world, it is little wonder that international scholars look upon Wolfgang Mieder as the modern-day Pied Piper of paremiology. For this festschrift, some of the world's leading proverb and folklore scholars have come together to commemorate Mieder's sixty-fifth birthday. Authors from Russia, Eastern and Western Europe, Israel, and the United States have contributed essays representative of the scope and breadth of Mieder's own impressive scholarship. The Proverbial «Pied Piper honors Wolfgang Mieder's legendary contributions to the study of proverbs and contains new scholarship by some of the best paremiologists in the world.

This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitre, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitre's tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

Celebrations of the seasons of life, based on the history, myths, and pageantry of ancient festivals for Isis, Hathor, and other Egyptian goddesses. Illustrations.

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth (with a capital 'T'), revelation and the 'history of ourselves'; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and 'wishful thinking'. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many ways of 'world making'. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study.

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth (with a capital 'T'), revelation and the 'history of ourselves'; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and 'wishful thinking'. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many ways of 'world making'. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study.

For folklorists, students, as well as general readers, this is the most comprehensive survey of American folktales and legends currently available. It offers an amazing variety of American legend and lore - everything from Appalachian Jack tales, African American folklore, riddles, trickster tales, tall tales, tales of the supernatural, legends of crime and criminals, tales of women, and even urban legends.The anthology is divided into three main sections - Native American and Hawaiian Narratives, Folktales, and Legends - and within each section the individual stories explore the myriad narrative traditions and genres from various geographic regions of the United States. Each section and tale genre is introduced and placed in its narrative context by noted folklorist Frank de Caro. Tale type and motif indexes complete the work.

This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitre, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitre's tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

The Brahan Seer is a legendary figure known throughout Scotland and the Scottish Diaspora and indeed anywhere there is an interest in looking into the future. This book traces the legend of the Seer between the sixteenth and twenty-first centuries. It considers the seer figure in relation to aspects of Scottish Highland culture and society that shaped its development during this period. These include the practice and prosecution of witchcraft, the reporting and scientific investigation of instances of second sight, and the perennial belief in and use of prophecy as a means of predicting events. In so doing the book pro-vides a set of historicised contexts for understanding the genesis of the legend and how it changed over time through a synthesis of historical events, oral tradition, folklore and literary Romanticism. It makes a contribution to the debates not only about witchcraft, second sight and prophecy but also about the relationship between 'popular' and 'elite' culture in Scotland. By taking the Brahan Seer as a case study it argues that 'popular' culture is not antithetical to 'elite' culture but rather in constant (and complex) interaction with it.

This is the history of the development through the ages of Plato's "Atlantis" story - the imperialist island state that disappeared in a cataclysm, leaving Athens to survive it...Instead of simply focusing on the various attempts to 'find' Atlantis - all of which are futile for the very good reason that Plato made the island up - the author re-examines the very different uses made of the myth in different contexts and periods. He shows how Plato's myth was reinterpreted in the medieval period and after through conflation with the search for the lost tribes of Israel; how it became involved with the debate about whether Europe should look back to its origins in the Classical or Biblical worlds; how the myth was reinterpreted with a more geographical emphasis following Columbus' discovery of America; and how it was used in the "Enlightenment" to add colour to nationalist attempts to claim antiquity by finding unrecognised origins. Written in a clear and interesting way, Pierre Vidal-Naquet's original ideas rest on deep knowledge supported by primary references and illustrations.

A good ghost story can make your hair stand on end, your palms sweat, and your heart race. The bone-chilling collection Tales of Kentucky Ghosts presents more than 250 stories that do just that. In his new book, William Lynwood Montell has assembled an entertaining and diverse array of tales from across the commonwealth that will keep you checking under the bed every night. The first-person accounts in this collection showcase folklore that Montell has drawn from archives, family stories, and oral traditions throughout Kentucky. The stories include that of the ghost bride of Laurel County, who appears each year on the anniversary of her wedding day; the tale of the murdered worker who haunts the Simpson County home of his killer and former employer; and the account of the lost mandolin that plays itself in a house in Graves County. These and many other chilling stories haunt the pages of Tales of Kentucky Ghosts. In the tradition of Montell's previous Kentucky ghost books ( Ghosts across Kentucky and Haunted Houses and Family Ghosts of Kentucky), Tales of Kentucky Ghosts brings together a variety of terrifying narratives that not only entertain and frighten but also serve as a unique record of Kentucky's rich heritage of storytelling.

Fritz Graf here presents a survey of a god once thought of as the most powerful of gods, and capable of great wrath should he be crossed: Apollo the sun god.

From his first attestations in Homer, through the complex question of pre-Homeric Apollo, to the opposition between Apollo and Dionysos in nineteenth and twentieth-century thinking, Graf examines Greek religion and myth to provide a full account of Apollo in the ancient world.

For students of Greek religion and culture, of myth and legend, and in the fields of art and literature, Apollo will provide an informative and enlightening introduction to this powerful figure from the past.

This timeless collection brings together three hundred of the most enduringly popular of Aesop's fables in a volume that will delight young and old readers alike. Here are all the age-old favourites - the wily fox, the vain peacock, the predatory cat and the steady tortoise - just as endearingly vivid and relevant now as they were for their very first audience. This elegant Macmillan Collector's Library edition of Aesop's Fables features illustrations by Arthur Rackham, the leading decorative illustrator of the Edwardian period, which have been beautifully and sensitively coloured by Barbara Frith. With an afterword by publisher and editor Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Through the lens of expressive culture, Performing Folklore tracks Portugal s transition from fascism to democracy, and from imperial metropole to EEC member state. Kimberly DaCosta Holton examines the evolution and significance of ranchos folcloricos, groups of amateur musicians and dancers who perform turn-of-the-century popular tradition and have acted as cultural barometers of change throughout 20th-century Portugal. She investigates the role that these folklore groups played in the mid-twentieth-century dictatorship, how they fell out of official favor with the advent of democracy, and why they remain so popular in Portugal s post-authoritarian state, especially in emigrant and diasporic communities. Holton looks at music, dance, costume, repertoire, venue, and social interplay in both local and global contexts. She considers the importance of revivalist folklore in the construction and preservation of national identity in the face of globalization. This book embraces "invented tradition" as process rather than event, presenting an ethnography not only of folkloric revivalism but also of sweeping cultural transformation, promoted alternately by authoritarianism, democracy, emigration, and European unification."

The stories and legends of the Lushootseed-speaking people of Puget Sound represent an important part of the oral tradition by which one generation hands down beliefs, values, and customs to another. Vi Hilbert grew up when many of the old social patterns survived and everyone spoke the ancestral language. Haboo, Hilbert's collection of thirty-three stories, features tales mostly set in the Myth Age, before the world transformed. Animals, plants, trees, and even rocks had human attributes. Prominent characters like Wolf, Salmon, and Changer and tricksters like Mink, Raven, and Coyote populate humorous, earthy stories that reflect foibles of human nature, convey serious moral instruction, and comically detail the unfortunate, even disastrous consequences of breaking taboos. Beautifully redesigned and with a new foreword by Jill La Pointe, Haboo offers a vivid and invaluable resource for linguists, anthropologists, folklorists, future generations of Lushootseed-speaking people, and others interested in Native languages and cultures.

The mythical werewolf is known for its sudden transformation under the full moon, but the creature also underwent a narrative evolution from bloodthirsty creature to antihero. Beginning with ""The Epic of Gilgamesh"", Ovid's ""Metamorphoses"", and accounts in Petronius' ""Satyricon"", the book analyzes the context that created the traditional image of the werewolf as a savage beast. The Catholic Church's response to the popular belief in were wolves and medieval literature's sympathetic depiction of the werewolf as victim are presented to support a modern view of the werewolf not only as 'the beast within', but as a complex and varied cultural symbol.

For many, birds represent freedom and spirituality since they are created to be free. Although this may be true for people as well, we are of course not able to be as truly free as our winged friends. Looking out of his office window and seeing the birds flying, emphasising his confinement indoors and the unnecessary complexities of life in general, the author regrets his lost freedom. Life tends to be over-complicated and many would advocate following a simpler life. Birds, on the other hand, live the life they are destined for and this book shows how a common love of birds bridges cultures and distance. The Birds are our Friends is a wonderful and enlightening collection of essential information, curiosities, myths and folklore of birds and people. The author has discovered the role that birds play in people's imagination, and their significance for various cultures. People's accounts of birds give an insight to themselves - what they strive for, what they are afraid of and what they find important. Some birds predict the weather and construct unbelievably sophisticated nests or engage in elegant mating rituals. The author provides new insights on these facts and myths which confound some widely-held assumptions of their activities. Yessengali has a deeply personal connection and relationship with some birds. His fondest memories from childhood or young adulthood are associated with cuckoos, storks, and other birds that remind him of love and friendship. He hopes that these stories will interest readers, remind them of their spirituality and also evoke fine memories. In any event, it is a book that illuminates the world of birds from a slightly different viewpoint.

Many a book has been written about Key West, but there has never been anything like Stetson Kennedy's "Grits & Grunts," a portrait of the Key West that was. Neither a history (though you will learn a lot about Key West's unique past) nor a guidebook (though you will learn more about Key West than any guides offer), "Grits & Grunts" is a treasure trove gleaned from the rich multiculture that came to full-flower on "The Rock" during the first half of the twentieth century, "when Key West was Key West."

You'll find an abundant sampling of the inimitable art of Mario Sanchez, whose carved bas-relief paintings of Key West street scenes are in great demand around the world, as well as many never-before-published photographs. The overflowing Key West songbag is also here in all its abundance, from lullabies to traditional ballads, as well as games and folktales.

Western interpretations of poverty proverbs in the Old Testament Book of Proverbs have tended to see a status quo acceptance in the ancient texts, thus neglecting existential challenges of the poverty issue. In contrast, Lechion Peter Kimilike argues that African proverbial material on poverty may - when used comparatively to interpret the corresponding Old Testament poverty proverbs - create a more dynamic analysis. The author's new and thought-provoking interpretation suggests "an African transformational hermeneutic" that balances between the questions and methodology of the "global [i.e., western] guild" and the concerns of the African interpretative context.

This dictionary contains 2,375 Russian sayings and proverbs and their English counterparts. Variants of each saying are included, and careful attention is given to the differences in British and American versions. For example, the Russian saying that is interpreted as ""Children behave in a childish way, and they cannot be expected to act like grown-up people,"" is first given in Russian (in the Cyrillic alphabet) and then in English, and is then followed by the nearest English-language equivalent sayings in Britain and the United States: ""Young colts will canter"" (British) and ""Boys will be boys"" (American).The proverbs and sayings are arranged alphabetically by the first Russian word (in the Cyrillic alphabet) and are cross-referenced so the reader can find analogous Russian versions of English sayings. There is a keyword index for each language (one in English, one in Russian in the Cyrillic alphabet), which allows the reader to find a proverb or a saying without knowing the first word. Proverbs and sayings are current and include those popular in both spoken Russian and literature. The prefatory matter is in both English and Russian, for readers who have a command of either language.