Meet the monsters in our midst, from bigfoot to Mothman and beyond! Welcome to the United States of Cryptids, where mysterious monsters lurk in the dark forests, deep lakes, and sticky swamps of all fifty states. From the infamous Jersey Devil to the obscure Snallygaster, travel writer and chronicler of the strange J. W. Ocker uncovers the bizarre stories of these creatures and investigates the ways in which communities embrace and celebrate their local cryptids. Readers will learn about: Batsquatch of Washington, a winged bigfoot that is said to have emerged from the eruption of Mount Saint Helens Nain Rouge of Michigan, a fierce red goblin that has been spotted before every major city disaster in Detroit Flatwoods Monster of West Virginia, a robotic extraterrestrial that crash-landed in rural Appalachia Lizard Man of South Carolina, a reptilian mutant that attacked a teenager in the summer of 1988 Glocester Ghoul of Rhode Island, a fire-breathing dragon that guards a hoard of pirate treasure And many more! Whether you believe in bigfoot or not, this fully illustrated compendium is a fun, frightening, fascinating tour through American folklore and history, exploring the stories we tell about monsters and what those stories say about us.

In "Trickster Makes This World," Lewis Hyde brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first visits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the lives and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Twelve years after its first publication, "Trickster Makes This World"--authoritative in its scholarship, loose-limbed in its style--has taken its place among the great works of modern cultural criticism.
This new edition includes an introduction by Michael Chabon.

Recording Oral History, now available in its third edition, provides a comprehensive guide to oral history for researchers and students in diverse fields including history, sociology, anthropology, education, psychology, social work, and ethnographic methods. Writing in a clear, accessible style, Valerie Yow builds on the foundations laid in prior editions of her widely used and highly regarded text to tackle not just the practicalities of interviewing but also the varied ethical, legal, and philosophical questions that can arise. The text-now twelve chapters-allows for dedicated discussion of both legalities and ethics. Other new material include recent research on how brain functions affect memory, more comprehensive demonstration of how to analyze an interview, and details on making the most of technology, both old and new. Each chapter concludes with updated and annotated Recommended Readings and tailored appendixes address new developments, such as institutional review boards and the Oral History Association's new Principles and Best Practices.

..". splendid and innovative ethnography ... highly topical, well written, intellectually highly interesting, and often avant-garde ... sophisticated and honest discussions ..." . Joanna Overing, London School of Economics The Arakmbut are an indigenous people who live in the Madre de Dios region of thesoutheastern Peruvian rain forest. Since their first encounters with missionaries in the 1950s, they have shown resilience and a determination to affirm their identity in the face of many difficulties. During the last fifteen years, Arakmbut survival has been under threat from a goldrush that has attracted hundreds of colonists onto their territories. This trilogy of books traces the ways in which the Arakmbut overcome the dangers that surround them: their mythology and cultural strength; their social flexibility; and their capacity to incorporate non-indigenous concepts and activities into their defence strategies. Each area is punctuated by the constant presence of the invisible spirit, which provides a seamless theme connecting the books to each other. Following the Arakmbuts' recommendation, the author uses their three greatest myths to introduce social, cultural and historical aspects of their lives. He ends with a discussion of the relationship between myth and history showing how the Arakmbut recreate their myths at the dramatic moments of their history.

The legend of Prester John has received much scholarly attention over the last hundred years, but never before have the sources been collected and coherently presented to readers. This book now brings together a fully-representative set of texts setting out the many and various sources from which we get our knowledge of the legend. These texts, spanning a time period from the Crusades to the Enlightenment, are presented in their original languages and in English translation (for many it is the first time they have been available in English). The story of the mysterious oriental leader Prester John, ruler of a land teeming with marvels who may come to the aid of Christians in the Levant, held an intense grip on the medieval mind from the first references in twelfth-century Crusader literature and into the early-modern period. But Prester John was a man of shifting identity, being at different times and for different reasons associated with Chingis Khan and the Mongols, with the Christian kingdom of Ethiopia, with China, Tibet, South Africa and West Africa. In order to orient the reader, each of these iterations is explained in the comprehensive introduction, and in the introductions to texts and sections. The introduction also raises a thorny question not often considered: whether or not medieval audiences believed in the reality of Prester John and the Prester John Letter. The book is completed with three valuable appendices: a list of all known references to Prester John in medieval and early modern sources, a thorough description of the manuscript traditions of the all-important Prester John Letter, and a brief description of Prester John in the history of cartography.

When our lives fall apart, we often feel broken, ashamed and deeply alone. What if you knew that, despite the uniqueness of your own experiences, each stage of the process was universal, that it was mapped out in a myth thousands of years old?

"The heroine is one who has remembered, reclaimed and reconnected with her unfettered red thread. She has been initiated into the spirit of the depths by her dark sister, and walks with newfound, embodied authority into the upperworld."

What if, despite the uniqueness of your own life and experiences, each stage of the process of descent was universal? The journey of Descent & Rising is the core initiation of the feminine – the heroine's journey – one travelled by billions of women before you.

Descent & Rising explores real stories of women's descents into the underworld of the psyche – journeys of dissolution, grief and breakdown precipitated by trauma, fertility issues, loss of loved ones, mental health struggles, FGM, sexual abuse, birthing experiences, illness, war, burnout...

This is territory that Carly Mountain, psychotherapist and women's initiatory guide, knows intimately, and guides us through with exquisite care and insight, using the ancient Sumerian myth of the goddess Inanna as a blueprint. She maps not only the descent but the rising and familiarises us with a process of female psycho-spiritual growth overlooked in patriarchal culture.

"The heroine's journey is an erotic, mystical initiation that revivifies our place in the shape of things...The fodder of our descents provides the compost from which the richest fruits of our lives can grow. If only we can turn towards our pain and let it work in us."

This book explores graphic narratives and comics in India and demonstrates how these forms serve as sites on which myths are enacted and recast. It uses the case studies of a comics version of the Mahabharata War, a folk artist's rendition of a comic book story, and a commercial project to re-imagine two of India's most famous epics - the Ramayana and the Mahabharata - as science fiction and superhero tales. It discusses comic books and self-published graphic novels; bardic performance aided with painted scrolls and commercial superhero comics; myths, folklore, and science fiction; and different pictorial styles and genres of graphic narration and storytelling. It also examines the actual process of the creation of comics besides discussions with artists on the tools and location of the comics medium as well as the method and impact of translation and crossover genres in such narratives. With its clear, lucid style and rich illustrations, the book will be useful to scholars and researchers of sociology, anthropology, visual culture and media, and South Asian studies, as well as those working on art history, religion, popular culture, graphic novels, art and design, folk culture, literature, and performing arts.

German scholars were early pioneers in folklore and historical linguistics. As the Nazis rose to power, however, these disciplines were distorted into racist pseudoscience. Under the direction of Heinrich Himmler's SS-Ahnenerbe (Ancestral Inheritance), folklore became a tool for constructing a unified German realm and a manufactured lineage from ancient and ""pure"" Germanic and Nordic blood. Drawing on extensive research in public and private archives and interviews with family members of fieldworkers, James R. Dow uncovers both details of the SS cultural commissions' work and the continuing vestiges of the materials they assembled. Teams of poorly qualified and ideologically motivated collectors were sent to South Tyrol in Italy and Gottschee in Slovenian Yugoslavia, from which ethnically German communities were to be resettled in the German Reich. Although a mass of information on narratives, songs and dances, beliefs, customs, local clothing and architecture, and folk speech was collected, the research was deeply tainted and skewed by racialist and nationalist preconditions. Dow sharply critiques the continued use of these ersatz archives.

The first collection of major scholarly studies of aspects of the Robin Hood tradition. The legends of Robin Hood are very familiar, but scholarship and criticism dealing with the long and varied tradition of the famous outlaw is as elusive as the identity of Robin himself, and is scattered in a wide range of sources, many difficult of access. This book is the first to bring together major studies of aspects of the tradition. The thirty-one studies take a variety of approaches, from archival exploration in quest of a real Robin Hood, to a political angle seeking the social meaning of the texts across time, to literary scholars concerned with origin, structures and generic variation, or moral and social significance; also included are considerations of theatre and filmstudies, and folklore and children's literature. Overall, the collection provides a valuable basis for further study. STEPHEN KNIGHT is Professor of English Literature at the University of Wales, Cardiff; he is well-known as an authority on the Robin Hood tradition, and has edited the recently-discovered Robin Hood Forresters Manuscript.

Of all the different sub-genres of oral prose fiction developed by the Yoruba of Nigeria, the trickster tale is the most popular, especially among the nonruling stratum of society. Sekoni describes and explains literally what makes the trickster tale a trickster tale. The focus is to establish the phenomenology of the trickster tale discourse from a sociosemiotic perspective. More specifically, Sekoni attempts to investigate the sociological and narratological conditions that govern the formation, transformation, and persistence of the trickster tale primarily among the Yoruba common people.

At the same time Sekoni shows the uses made of the trickster among such contemporary writers as Soyinka, Achebe, Osofisan, and others. This study will be of particular interest to students and scholars of African folklore and literature, cultural semiotics, anthropology, and African-American literature.

Once upon a time, most of Britain and Ireland was covered in woodland. Many of the trees have been cleared, but our connection with the wildwood remains. It is a place of danger, adventure and transformation, where anything could happen. Here is a collection of traditional folk tales of oak, ash and thorn; of hunting forests and rebellion, timber and triumph in battle, wild ghosts and woodwoses. Lisa Schneidau retells some of the old stories and relates them to the trees and forests in the landscape of our islands today.