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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
Following the success of Black Sci-Fi Short Stories comes a powerful new addition to the Flame Tree short story collections: the first peoples in Africa, Asia, Oceania and the Americas, the first migration, the first exploration, the discovery of land and landscape without the footprint of humankind. Stories of injustice sit with memories of hope and wonder, dreamtime tales of creation and joy highlight the enduring spirit of humanity. These stories, selected from submissions by new writers and cast alongside ancient stories and oral traditions from around the world bring new perspectives to the legacy of First Nations, of First Peoples. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.
From the international bestselling creator of Lost Ocean comes a beautiful new colouring book that takes you on a wondrous expedition through the jungle. Follow ink evangelist and queen of colouring, Johanna Basford down an inky trail through Magical Jungle and discover a forgotten world of flora and fauna just waiting to be coloured in. Through intricate pen and ink illustrations, colour-inners of all ages are invited to explore an exotic rainforest teeming with creatures large and small. Encounter speckled tree frogs and dainty hummingbirds, prowling tigers and playful monkeys. Let your imagination run wild in the leafy treetop canopy or find yourself drawn to the delicate world of sensational blossoms and tropical plants below. There are ancient relics to be found along the way, each one leading toward the mystical treasure hidden at the heart of the magical jungle. Only the bravest, most inquisitive colourers will discover what lies hidden at the end of this inky quest. For Magical Jungle Johanna has picked a crisp ivory paper that accentuates and compliments your chosen colour palette. The smooth, untextured pages allows for beautiful blending or gradient techniques with coloured pencils, or are perfect for pens, allowing the nib to glide evenly over the surface without feathering.
"A deeply spiritual book...She honors what is tough, smart and untamed in women. She venerates the female soul."
"An illuminating contribution to scholarship on the vampire figure."-Slavic Review Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires-whose various incarnations originally emerged from folk traditions from all over the world-became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.
This book shows you how to access the wisdom of the Nakshatras in your personal life and for society. Through it the modern reader can understand the energies of their stars and learn how to utilize these to bring their lives into harmony with the great forces of the universe. This book is must reading not only for any students of astrology but for anyone interested in self-development or spiritual growth.
A cultural history of the representations of Sir Francis Drake, from contemporary accounts to the present day. For four hundred years Sir Francis Drake's exploits have fascinated, inspired and entertained. Every age has sought to reconstruct the narrative of the great Elizabethan seafarer: the basis of his fame has shifted continually overthe years, from single-handed victor over the Spanish Armada, to hero of commerce, explorer, and ruthless entrepreneur. In each incarnation, however, he has always been portrayed to answer the demands and anxieties of each new era. Here, for the first time, the history of Drake as a cultural icon, and of his myth, is explored, from his appearances in west-country folklore to Elizabethan poetry, from eighteenth-century garden architecture to Victorianpageants and twentieth-century films. There is a particular focus on the "long" nineteenth century, during which Drake's reputation underwent a rigorous reconstruction to present him as a hero of empire. BRUCE WATHEN gained his PhD from Exeter University.
Step into a magical world of fanciful characters, animals, and landscapes that will delight adult coloring fans of fairy tales, landscapes, and whimsical drawings. Inspired by fairy tales and magical realism, artist Renata Krawczyk has created illustrations that will delight fans of coloring intricate scenes of fantasy and wonder. The beautiful drawings include such charming scenes as cottages adorned with fairy lights, delicate flowers, paper sailboats, tiny teacups, toadstools, hot-air balloons, unicorns, and more.
In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana's remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state's folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana's major ethnic groups-slavery, the grand d? (R)rangement, linguistic discrimination-resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero's ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana's folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state's cultural landscape, apparent in humor, popular culture, regional branding, and children's books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.
Goddesses In You illuminates how archetypal patterns are the doorway into a hidden universe, the key to who you truly are. From Greta Thunberg to Jacqueline Kennedy, influential women of today can be understood by looking at the 12 ancient goddess archetypes. Together, they span the panorama of features, the fullness of femininity, that exists in human imagination and the collective unconscious. Using an intuitive blend of mythology, psychology, feminism and spirituality and as a psychic lens, Goddesses In You reveals how you can better connect with these powerful inner forces that shape our lives. With profiles of sixty well-known women from celebrities to activists, creatives to pioneers, Goddesses In You highlights how these underlying archetypes are the powerful invisible threads, the DNA, that shape the roles and govern the beliefs, drives, motivations, actions and emotions of most women at some stage in their lives. Discovering how these mythological goddesses from a patriarchal past and their feminine archetypes shape behaviour and personality, influence emotions and relationships, and are responsible for the major differences in women, can awaken us to a new way of seeing ourselves and the world around us. The truth is every woman is a goddess, and therefore innately divine. Goddesses In You will help you discover the myths and archetypes that are your reality.
Hawaiian Legends of Volcanoes (1916) explores Hawaiian folktales and myths collected by W. D. Westervelt. Connecting the origin story of Hawaii to the traditions of other Polynesian cultures, Westervelt provides an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Beginning with the origin story of Pele, the goddess of volcanoes, Westervelt introduces his groundbreaking collection of legends on the volcanic nature of the Hawaiian Islands. When the goddess Pele comes to the island of Hawaii seeking a permanent home, she finds Ai-laau, another god of fire, already in possession of the territory. Despite his fearsome power over creation and destruction, Ai-laau disappeared the moment he became aware of Pele's presence. Having traveled across the limitless ocean, her name was already known far and wide, along with her reputation for strength, anger, and envy. Establishing herself within the crater of Kilauea, Pele quickly took command over the gods, ghost-gods, and the people inhabiting the islands. Central to Hawaiian history and religion, Pele continues to be celebrated in Hawaii and across the Pacific today. With a professionally designed cover and manuscript, this edition of W. D. Westervelt's Hawaiian Legends of Volcanoes is a classic of Hawaiian literature reimagined for modern readers. Add this beautiful edition to your bookshelf, or enjoy the digital edition on any e-book device.
Placing heroes from a wide range of medieval traditions shoulder to shoulder, this title provides the opportunity to examine what is common across medieval mythic, legendary, and folkloric traditions, as well as what seems unique. Myths of gods, legends of battles, and folktales of magic abound in the heroic narratives of the Middle Ages. Mythology in the Middle Ages: Heroic Tales of Monsters, Magic, and Might describes how Medieval heroes were developed from a variety of source materials: Early pagan gods become euhemerized through a Christian lens, and an older epic heroic sensibility was exchanged for a Christian typological and figural representation of saints. Most startlingly, the faces of Christian martyrs were refracted through a heroic lens in the battles between Christian standard-bearers and their opponents, who were at times explicitly described in demonic terms. The book treats readers to a fantastic adventure as author Christopher R. Fee guides them on the trail of some of the greatest heroes of medieval literature. Discussing the meanings of medieval mythology, legend, and folklore through a wide variety of fantastic episodes, themes, and motifs, the journey takes readers across centuries and through the mythic, legendary, and folkloric imaginations of different peoples. Coverage ranges from the Atlantic and Baltic coasts of Europe, south into the Holy Roman Empire, west through the Iberian peninsula, and into North Africa. From there, it is east to Byzantium, Russia, and even the far reaches of Persia. Each chapter begins with historical context, includes examination of key terms, and ends with suggestions for further reading A chronology and bibliography are also included
A colorful illustration of Hawaii's most cherished origin story, the myth of Pele and Hiiaka. Pele and Hiiaka: A Myth From Hawaii (1915) is a collection of folktales by Nathaniel B. Emerson. Drawing from written histories, personal experience, and extensive interviews, Emerson provides a lyrical account of the myth surrounding these goddess sisters. Pele, the goddess of volcanoes and ruler of Kilauea, and her sister Hiiaka encounter adventure, tragedy, and love during their respective journeys. These stories are not only appreciated for their beauty, but also their deep religious and cultural impact. With a professionally designed cover and manuscript, this edition of Nathaniel B. Emerson's Pele and Hiiaka: A Myth From Hawaii is a classic of Hawaiian literature reimagined for modern readers.
This volume comprises selected papers from a Tristan symposium held at the Institute of Germanic Studies in London. The symposium was conceived by the organizers as an experiment in transatlantic dialogue and the papers represent the views of scholars from a variety of North American and British universities. The main focus of attention is Gottfried's Tristan. Familiar assumptions about the text are questioned and fresh perspectives are offered on many contentious issues: those disagreements which persist are themselves a reflection posed by Gottfried's masterpiece. In addition, new light is thrown on the treatment of the Tristan theme in medieval and modern times.Contributors are: MICHAEL CURSCHMANN, W.J. MCCANN, MARGARET BROWN, C. STEPHEN JAEGER, M.H. JONES, ADRIAN STEVENS, ARTHUR GROOS, THOMAS KERTH, MICHAEL BATTS, MARIANNE WYNN, JANET WHARTON, GEORGE GILLESPIE, JOAN M. FERRANTE, LESLIE SEIFFERT, SIDNEY M. JOHNSON, PETRUS W. TAX, AUGUST CLOSS, H.B. WILLSON, ROY WISBEY.
In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them, Kate Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.
Comprising three parts, this book is a companion volume to The Boggart: Folklore, History, Place-Names and Dialect. Part one, 'Boggart Ephemera', is a selection of about 40,000 words of nineteenth-century boggart writing (particularly material that is difficult to find in libraries). Part two presents a catalogue of 'Boggart Names' (place-names and personal names, totalling over 10,000 words). Finally, part three contains the entire 'Boggart Census' - a compendium of ground-breaking grassroots research. This census includes more than a thousand responses, totalling some 80,000 words, from older respondents in the north-west of England, to the question: 'What is a boggart?' The Boggart Sourcebook will be of interest to folklorists, historians and dialect scholars. It provides the three corpora on which the innovative monograph, The Boggart, is based.
Monsters, Law, Crime, an edited collection composed of essays written by prominent U.S. and international experts in Law, Criminology, Sociology, Anthropology, Communication and Film, constitutes a rigorous attempt to explore fertile interdisciplinary inquiries into "monsters" and "monster-talk," and law and crime. "Monsters" may refer to allegorical or symbolic fantastic beings (as in literature, film, legends, myths, etc.), or actual or real life monsters, as well as the interplay/ambiguity between the two general types of "monsters." This edited collection thus explores and updates contemporary discussions of the emergent and evolving fronts of monster theory in relation to cutting-edge research on law and crime, and may be seen as extensions of a Gothic Criminology, generally construed. Gothic Criminology refers to a theoretical framework initially developed by Caroline Joan "Kay" S. Picart, a Philosophy and Film professor turned Attorney and Law professor, and Cecil Greek, a Sociologist (Picart and Greek 2008). Succinctly paraphrased, noting the proliferation of Gothic modes of narration and visualization in American popular culture, academia and even public policy, Picart and Greek proposed a framework, which they described as a "Gothic Criminology" to attempt to analyze the fertile lacunae connecting the "real" and the "reel" in the flow of Gothic metaphors and narratives that abound around criminological phenomena that populate not only popular culture but also academic and public policy discourses.
Pull up a chair or gather round the campfire and get ready for thirty creepy tales of ghostly hauntings, eerie happenings, and other strange occurrences in Pennsylvania. Set in the Keystone State's big cites, rural communities, rugged mountains, and vast woodlands, the stories in this entertaining and compelling collection will have readers looking over their shoulders again and again. Pennsylvania's folklore is kept alive in these expert retellings by master storyteller S. E. Schlosser and in artist Paul Hoffman's evocative illustrations. Readers will meet the phantom drummer of Valley Forge, cheer on the ghost who haunts a bowling alley in Allentown, search for the mysterious jail cell handprint in Carbon County, and feel an icy wind on the back of their necks on a warm Pennsylvania evening. Whether read around the campfire on a dark and stormy night or from the backseat of the family van on the way to grandma's, this is a collection to treasure.
Dictionary of Authentic American Proverbs offers a comprehensive reference guide for distinctly American proverbs. Compiled by Wolfgang Mieder, a key figure in the field of proverb studies, this compendium features nearly 1,500 proverbs with American origins, spanning the 17th century to present day, including a scholarly introduction exploring the history of proverbs in America, the structure and variants of these proverbs, known authors and sources, and cultural values expressed in these proverbs. Along with a comprehensive bibliography of proverb collections and interpretive scholarship, this dictionary offers a glimpse into the history of American social and cultural attitudes through uniquely American language.
Sir James George Frazer originally set out to discover the origins of one ancient custom in Classical Rome - the plucking of the Golden Bough from a tree in the sacred grove of Diana, and the murderous succession of the priesthood there - and was led by his invetigations into a twenty-five year study of primitive customs, superstitions, magic and myth throughout the world. The monumental thirteen-volume work which resulted has been a rich source of anthropological material and a literary masterpiece for more than half a century. Both the wealth of his illustrative material and the broad sweep of his argument can be appreciated in this very readable single volume.
What's in a name? Using the example of a famous monster from Greek myth, this book challenges the dominant view that a mythical symbol denotes a single, clear-cut 'figure' and proposes instead to define the name 'Scylla' as a combination of three concepts - sea, dog and woman - whose articulation changes over time. While archaic and classical Greek versions usually emphasize the metaphorical coherence of Scylla's components, the name is increasingly treated as a well-defined but also paradoxical construct from the late fourth century BCE onward. Proceeding through detailed analyses of Greek and Roman texts and images, Professor Hopman shows how the same name can variously express anxieties about the sea, dogs, aggressive women and shy maidens, thus offering an empirical response to the semiotic puzzle raised by non-referential proper names. |
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