Marie L. McLaughlin delivers a memorable selection of Native American stories infused with folklore and oral traditions passed on from one generation to the next. This book features vivid stories with larger-than-life characters and unforgettable adventures. Myths and Legends of the Sioux is a collection of vast stories rooted in indigenous culture. The tales are striking and memorable, featuring both human and animal protagonists. In one story, a small rabbit uses its wits to outsmart a large bear. In another tale, a crane saves a family from an unfortunate circumstance. Each legend delivers a powerful message that's applicable to children and adults. With nearly 40 titles to choose from, it's a robust display of classic lore. Myths and Legends of the Sioux is filled with notable figures and remarkable creatures. These stories have stood the test of time and continue to reach new and unexpected heights. McLaughlin's collection is a brilliant observation of Native American culture and identity. With an eye-catching new cover, and professionally typeset manuscript, this edition of Myths and Legends of the Sioux is both modern and readable.

"A deeply spiritual book...She honors what is tough, smart and untamed in women. She venerates the female soul."
--The Washington Post Book World
Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society's attempt to "civilize" us into rigid roles has muffled the deep, life-giving messages of our own souls. In Women Who Run with the Wolves, Dr. Estés unfolds rich intercultural myths, fairy tales, folk tales, and stories, many from her own traditions, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.
"The work of Clarissa Pinkola Estés, rooted in old and deep family rites and in archetypal psychology, recognizes that the soul is not lost, but has been put to sleep....This volume reminds us that we are nature for all our sophistication, that we are still wild, and the recovery of that vitality will itself set us right in the world."
--Thomas Moore
Author of Care of the Soul

The Musical Playground is a new and fascinating account of the musical play of school-aged children. Based on fifteen years of ethnomusicological field research in urban and rural school playgrounds around the globe, Kathryn Marsh provides unique insights into children's musical playground activities across a comprehensive scope of social, cultural, and national contexts.
With a sophisticated synthesis of ethnomusicological and music education approaches, Marsh examines sung and chanted games, singing and dance routines associated with popular music and sports chants, and more improvised and spontaneous chants, taunts, and rhythmic movements. The book's index of more than 300 game genres is a valuable reference to readers in the field of children's folklore, providing a unique map of game distribution across an array of cultures and geographical locations. On the companion website, readers will be able to view on streamed video, field recordings of children's musical play throughout the wide range of locations and cultures that form the core of Marsh's study, allowing them to better understand the music, movement, and textual characteristics of musical games and interactions. Copious notated musical examples throughout the book and the website demonstrate characteristics of game genres, children's generative practices, and reflections of cultural influences on game practice, and valuable, practical recommendations are made for developing pedagogies which reflect more child-centred and less Eurocentric views of children's play, musical learning, and musical creativity.
Marsh brings readers to playgrounds in Australia, Norway, the USA, the United Kingdom, and Korea, offering them an important and innovative study of how children transmit, maintain, and transform the games of the playground. The Musical Playground will appeal to practitioners and researchers in music education, ethnomusicology, and folklore.

Bilingual editions of the Scandinavian versions of the Tristan legend, themselves derived from Old French originals. This three-volume set of editions and translations celebrates the literary and cultural connections between the Nordic countries and France that helped to bring Tristan and the Arthurian romances northward... thus the entire set of texts can be read as a study in Norse literary patronage, of literary renewal and transformation... A major contribution, not only to the Old Norse field, but to the broader world of medieval literature and culture. Norse Romance will endure for years to come. SPECULUM Norse Romances comprises a three-volume set, making available for the first time critical editions and translations of important medieval Arthurian texts from Iceland, Norway and Sweden, under the general editorship of Marianne Kalinke. This volume is devoted to the Tristan legend. It contains Geitarlauf and Janual, Old Norse translations of the French lais Lanval and Chevrefeuil; Tristrams saga ok Isoendar, Brother Thomas's Old Norse translationof Thomas's Tristan, dated 1226 and commissioned by King Hakon Hakonarson the Old of Norway; "Tristrams kvaedi", a fourteenth-century Icelandic "Tristan" ballad; and the Saga af Tristram ok Isodd, a fourteenth-century Icelandic version of the Old Norse Tristrams saga ok Isoendar. The translators are: ROBERT COOK, PETER JORGENSEN, JOYCE HILL, MARIANNE E. KALINKE. Professor MARIANNE KALINKE teaches in the Department of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign.

Only a few decades ago, American folklore research focused primarily on narrative folklore with obvious literary connections, such as the ballad and the folktale. In the past twenty years, however, folklore studies have veered sharply away from literature and even from text-based products to focus largely on oral folkloric process. In this thoughtful work, a distinguished scholar describes key ways in which theories and methodologies developed in such oral folklore studies have benefited literary criticism and analysis. Vladimir Propp devised a theory of structuralism to examine folktales. Popularized versions of Propp's theory were used in literary theory for nearly twenty years. Parry and Lord, using folkloric techniques to study Yugoslavian folksingers as a means of learning how Homeric epics were composed, established principles since employed by thousands of literary critics. Folk narratives persist in contemporary life and literature in such forms as "urban legends." Knowledge of folk custom, ritual, and belief can enhance aesthetic understanding. And analyzing lineality and simultaneity in literature and folklore yields fruitful insights. In addition to summarizing extant ideas and studies, Bruce Rosenberg offers surprising new interpretations and discoveries that expand the boundaries of both folklore and literature. Illustrating his contentions with examples from widely varying periods and cultures, the author affirms the unique potential of interdisciplinary inquiry.

Why are the names of the chief characters in the biblical Book of Esther those of Mesopotamian deities? Stephanie Dalley argues that the narrative reflects real happenings in seventh-century Assyria, where the widespread belief that revenge belongs to the gods explains why Assyrian kings described punitive campaigns as divine acts, leading to the mythologizing of certain historical events. Ashurbanipal's sack of Susa, led by the deities Ishtar and Marduk, underlies the Hebrew story of Esther, and that story contains traces of the cultic calendar of Ishtar-of-Nineveh. Dalley traces the way in which the long-term settlement of lost tribes' in Assyria, revealed by the fruits of excavation in Iraq and Syria, inspired a blend of pagan and Jewish traditions.

Laurence Coupe offers students a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This introductory volume: illustrates the relation between myth, culture and literature with discussions of poetry, fiction, film and popular song explores uses made of the term 'myth' within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis discusses the association between modernism, postmodernism, myth and history familiarizes the reader with themes such as the dying god, the quest for the Grail, the relation between 'chaos' and 'cosmos', and the vision of the end of time demonstrates the growing importance of the green dimension of myth. Fully updated and revised in this new edition, Myth is both a concise introduction and a useful tool to students first approaching the topic, while also a valuable contribution to the study of myth.

Following the success of Black Sci-Fi Short Stories comes a powerful new addition to the Flame Tree short story collections: the first peoples in Africa, Asia, Oceania and the Americas, the first migration, the first exploration, the discovery of land and landscape without the footprint of humankind. Stories of injustice sit with memories of hope and wonder, dreamtime tales of creation and joy highlight the enduring spirit of humanity. These stories, selected from submissions by new writers and cast alongside ancient stories and oral traditions from around the world bring new perspectives to the legacy of First Nations, of First Peoples. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

"An illuminating contribution to scholarship on the vampire figure."-Slavic Review Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires-whose various incarnations originally emerged from folk traditions from all over the world-became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.

This book shows you how to access the wisdom of the Nakshatras in your personal life and for society. Through it the modern reader can understand the energies of their stars and learn how to utilize these to bring their lives into harmony with the great forces of the universe. This book is must reading not only for any students of astrology but for anyone interested in self-development or spiritual growth.

A cultural history of the representations of Sir Francis Drake, from contemporary accounts to the present day. For four hundred years Sir Francis Drake's exploits have fascinated, inspired and entertained. Every age has sought to reconstruct the narrative of the great Elizabethan seafarer: the basis of his fame has shifted continually overthe years, from single-handed victor over the Spanish Armada, to hero of commerce, explorer, and ruthless entrepreneur. In each incarnation, however, he has always been portrayed to answer the demands and anxieties of each new era. Here, for the first time, the history of Drake as a cultural icon, and of his myth, is explored, from his appearances in west-country folklore to Elizabethan poetry, from eighteenth-century garden architecture to Victorianpageants and twentieth-century films. There is a particular focus on the "long" nineteenth century, during which Drake's reputation underwent a rigorous reconstruction to present him as a hero of empire. BRUCE WATHEN gained his PhD from Exeter University.

In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana's remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state's folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana's major ethnic groups-slavery, the grand d? (R)rangement, linguistic discrimination-resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero's ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana's folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state's cultural landscape, apparent in humor, popular culture, regional branding, and children's books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.

Goddesses In You illuminates how archetypal patterns are the doorway into a hidden universe, the key to who you truly are. From Greta Thunberg to Jacqueline Kennedy, influential women of today can be understood by looking at the 12 ancient goddess archetypes. Together, they span the panorama of features, the fullness of femininity, that exists in human imagination and the collective unconscious. Using an intuitive blend of mythology, psychology, feminism and spirituality and as a psychic lens, Goddesses In You reveals how you can better connect with these powerful inner forces that shape our lives. With profiles of sixty well-known women from celebrities to activists, creatives to pioneers, Goddesses In You highlights how these underlying archetypes are the powerful invisible threads, the DNA, that shape the roles and govern the beliefs, drives, motivations, actions and emotions of most women at some stage in their lives. Discovering how these mythological goddesses from a patriarchal past and their feminine archetypes shape behaviour and personality, influence emotions and relationships, and are responsible for the major differences in women, can awaken us to a new way of seeing ourselves and the world around us. The truth is every woman is a goddess, and therefore innately divine. Goddesses In You will help you discover the myths and archetypes that are your reality.

Hawaiian Legends of Volcanoes (1916) explores Hawaiian folktales and myths collected by W. D. Westervelt. Connecting the origin story of Hawaii to the traditions of other Polynesian cultures, Westervelt provides an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Beginning with the origin story of Pele, the goddess of volcanoes, Westervelt introduces his groundbreaking collection of legends on the volcanic nature of the Hawaiian Islands. When the goddess Pele comes to the island of Hawaii seeking a permanent home, she finds Ai-laau, another god of fire, already in possession of the territory. Despite his fearsome power over creation and destruction, Ai-laau disappeared the moment he became aware of Pele's presence. Having traveled across the limitless ocean, her name was already known far and wide, along with her reputation for strength, anger, and envy. Establishing herself within the crater of Kilauea, Pele quickly took command over the gods, ghost-gods, and the people inhabiting the islands. Central to Hawaiian history and religion, Pele continues to be celebrated in Hawaii and across the Pacific today. With a professionally designed cover and manuscript, this edition of W. D. Westervelt's Hawaiian Legends of Volcanoes is a classic of Hawaiian literature reimagined for modern readers. Add this beautiful edition to your bookshelf, or enjoy the digital edition on any e-book device.

Placing heroes from a wide range of medieval traditions shoulder to shoulder, this title provides the opportunity to examine what is common across medieval mythic, legendary, and folkloric traditions, as well as what seems unique. Myths of gods, legends of battles, and folktales of magic abound in the heroic narratives of the Middle Ages. Mythology in the Middle Ages: Heroic Tales of Monsters, Magic, and Might describes how Medieval heroes were developed from a variety of source materials: Early pagan gods become euhemerized through a Christian lens, and an older epic heroic sensibility was exchanged for a Christian typological and figural representation of saints. Most startlingly, the faces of Christian martyrs were refracted through a heroic lens in the battles between Christian standard-bearers and their opponents, who were at times explicitly described in demonic terms. The book treats readers to a fantastic adventure as author Christopher R. Fee guides them on the trail of some of the greatest heroes of medieval literature. Discussing the meanings of medieval mythology, legend, and folklore through a wide variety of fantastic episodes, themes, and motifs, the journey takes readers across centuries and through the mythic, legendary, and folkloric imaginations of different peoples. Coverage ranges from the Atlantic and Baltic coasts of Europe, south into the Holy Roman Empire, west through the Iberian peninsula, and into North Africa. From there, it is east to Byzantium, Russia, and even the far reaches of Persia. Each chapter begins with historical context, includes examination of key terms, and ends with suggestions for further reading A chronology and bibliography are also included

A colorful illustration of Hawaii's most cherished origin story, the myth of Pele and Hiiaka. Pele and Hiiaka: A Myth From Hawaii (1915) is a collection of folktales by Nathaniel B. Emerson. Drawing from written histories, personal experience, and extensive interviews, Emerson provides a lyrical account of the myth surrounding these goddess sisters. Pele, the goddess of volcanoes and ruler of Kilauea, and her sister Hiiaka encounter adventure, tragedy, and love during their respective journeys. These stories are not only appreciated for their beauty, but also their deep religious and cultural impact. With a professionally designed cover and manuscript, this edition of Nathaniel B. Emerson's Pele and Hiiaka: A Myth From Hawaii is a classic of Hawaiian literature reimagined for modern readers.

'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan 'Brilliant and unputdownable' Salman Rushdie He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here! In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam. When he comes out, he will never be the same. Tyll will escape the ordinary villages. In the mines he will defy death. On the battlefield he will run faster than cannonballs. In the courts he will trick the heads of state. As a travelling entertainer, his journey will take him across the land and into the heart of a never-ending war. A prince's doomed acceptance of the Bohemian throne has European armies lurching brutally for dominion and now the Winter King casts a sunless pall. Between the quests of fat counts, witch-hunters and scheming queens, Tyll dances his mocking fugue; exposing the folly of kings and the wisdom of fools. With macabre humour and moving humanity, Daniel Kehlmann lifts this legend from medieval German folklore and enters him on the stage of the Thirty Years' War. When citizens become the playthings of politics and puppetry, Tyll, in his demonic grace and his thirst for freedom, is the very spirit of rebellion - a cork in water, a laugh in the dark, a hero for all time.

This volume comprises selected papers from a Tristan symposium held at the Institute of Germanic Studies in London. The symposium was conceived by the organizers as an experiment in transatlantic dialogue and the papers represent the views of scholars from a variety of North American and British universities. The main focus of attention is Gottfried's Tristan. Familiar assumptions about the text are questioned and fresh perspectives are offered on many contentious issues: those disagreements which persist are themselves a reflection posed by Gottfried's masterpiece. In addition, new light is thrown on the treatment of the Tristan theme in medieval and modern times.Contributors are: MICHAEL CURSCHMANN, W.J. MCCANN, MARGARET BROWN, C. STEPHEN JAEGER, M.H. JONES, ADRIAN STEVENS, ARTHUR GROOS, THOMAS KERTH, MICHAEL BATTS, MARIANNE WYNN, JANET WHARTON, GEORGE GILLESPIE, JOAN M. FERRANTE, LESLIE SEIFFERT, SIDNEY M. JOHNSON, PETRUS W. TAX, AUGUST CLOSS, H.B. WILLSON, ROY WISBEY.