Stephen Headley translates and studies a Javanese ritual and myth, the birth of the man-eating demon, Kala. He shows that this genesis myth, with its movement from cosmogony to exorcism, constitutes the basis of networks of circulating values in contemporary Javanese society.

A magnificent exploration of Scotland's legendary past. cotland's rich past and varied landscape have inspired an extraordinary array of legends and beliefs, and in The Lore of Scotland Jennifer Westwood and Sophia Kingshill bring together many of the finest and most intriguing: stories of heroes and bloody feuds, tales of giants, fairies, and witches, and accounts of local customs and traditions. Their range extends right across the country, from the Borders with their haunting ballads, via Glasgow, site of St Mungo's miracles, to the fateful battlefield of Culloden, and finally to the Shetlands, home of the seal-people.
More than simply retelling these stories, The Lore of Scotland explores their origins, showing how and when they arose and investigating what basis -- if any -- they have in historical fact. In the process, it uncovers the events that inspired Shakespeare's Macbeth, probes the claim that Mary King's Close is the most haunted street in Edinburgh, and examines the surprising truth behind the fame of the MacCrimmons, Skye's unsurpassed bagpipers. Moreover, it reveals how generations of Picts, Vikings, Celtic saints and Presbyterian reformers shaped the myriad tales that still circulate, and, from across the country, it gathers together legends of such renowned figures as Sir William Wallace, St Columba, and the great warrior Fingal. The result is a thrilling journey through Scotland's legendary past and an endlessly fascinating account of the traditions and beliefs that play such an important role in its heritage.

'James Crowden is Britain's best cider writer ... Cider Country is the book we've all been waiting for.' Oz Clarke Join James Crowden as he embarks on a journey to distil the ancient origins of cider, uncovering a rich culture and philosophy that has united farmer, maker and drinker for millennia. LONGLISTED FOR THE 2021 ANDRE SIMON FOOD AND DRINK AWARD Cidermaking has been at the heart of country life for hundreds of years. But the fascinating story of how this drink came into existence and why it became so deeply rooted in the nation's psyche has never been told. In order to answer these questions, James Crowden traces an elusive history stretching back to the ancient, myth-infused civilisations of the Mediterranean and the wild apple forests of Kazakhstan. Meeting cider experts, farmers and historians, he unearths the surprising story of an apple that travelled from east to west and proved irresistible to everyone who tasted it. Upon its arrival in Britain, monks, pirates and politicians formed a pioneering and evangelical fan base, all seeking the company of a drink that might guide them through uncertain times. But the nation's love-affair with cider didn't fully blossom until after the reformation, when the thirst for knowledge about the drink was at its peak. This infatuation with experimentation would lead to remarkable innovations and the creation of a 'sparkling cider', a technique that pre-dated Dom Perignon's champagne by forty years. Turning to the present day, Crowden meets the next generation of cider makers and unearths a unique philosophy that has been shared through the ages. In the face of real challenges, these enterprising cider makers are still finding new ways to produce this golden drink that is enjoyed by so many. Spanning centuries and continents, Cider Country tells the story of our country through the culture, craft and consumption of our most iconic rural drink.

Fearless heroes, feisty princesses, sly magicians, terrifying dragons, talking foxes and miniature dogs. They all feature in this enthralling compendium of Chinese fairy tales and legends, along with an array of equally colourful characters and captivating plots. Although largely unknown in the West, the 73 stories in this volume are just as beguiling as the more familiar Grimms' Fairy Tales or Arabian Nights. They were collected in the early 20th century by Richard Wilhelm and first translated into English by Frederick H Martens. This beautifully produced revised and edited new edition includes updated notes which not only provide background on the tales, but also offer a fascinating insight into ancient Chinese folk lore and culture. These are stories to return to time and time again. From awesome adventures to quirky allegories, from the exploits of the gods to fables about beggars who outwit their betters, Chinese Fairy Tales and Legends is extraordinarily diverse and endlessly engaging. These wonderful stories have enduring and universal appeal, and will intrigue both children and adults.

Did you know that the father of psychoanalysis believed in ghosts, or that Frederick Engels attended seances? Ghosts: Deconstruction, Psychoanalysis, History is the first collection of theoretical essays to evaluate these facts and consider the importance of the metaphor of haunting as it has appeared in literature, culture, and philosophy. Haunting is considered as both a literal and figurative term that encapsulates social anxieties and concerns. The collection includes discussions of nineteenth-century spiritualism, gothic and postcolonial ghost stories, and popular film, with essays on important theoretical writers including Freud, Derrida, Adorno, and Walter Benjamin.

SAYINGS OF TIME-HONORED TRUTH AND CONTEMPORARY WISDOM FROM THE NATIVE AMERICAN TRIBES

Why will you take by force what you may obtain by love?

We will be known forever by the tracks we leave.

He who serves his fellows is the greatest of all.

If a man is as wise as a serpent, he can be as gentle as a dove.

The life of a man is a circle from childhood to childhood, and so it is in everything where power moves.

A sin against a neighbor is an offense against the Great Spirit.

Covering 30,000 years of goddess worship, this fascinating book is the first and most comprehensive biographical dictionary devoted exclusively to mythological deities. Spanning 30,000 years of goddess worship, Goddesses in World Mythology provides access to nearly 11,500 entries from many cultures: Greek, Celtic, Indian, African, Chinese, Slavic, Mesoamerican, Japanese, and more. Organized alphabetically within geographical regions such as Egypt, the Far East, Oceania, North America, and the Himalayan region, entries identify each goddess by her most common anthropological, mythological, or religious name, then identifies the culture recognizing that goddess, summarizing her powers or attributes, often providing a brief story characterizing her personality and motivations. The most comprehensive and comprehensible work of its kind, Goddesses in World Mythology features two indexes that divide the goddesses by name and attribute, over 2,000 cross references that guide the reader to other entries, and an extensive bibliography. This unique and easy to use guide shows that goddesses were not just wives, sisters, mothers, or fertility figures, but supreme deities themselves. Includes two indexes, arranged by name and attribute, and an extensive bibliography for further research Extensive cross references show the surprisingly intricate relationship of certain goddesses across cultures, regions, and time Nearly 11,500 entries with coverage of goddesses from countries and legend across the globe

In the ancient myth, Oedipus ceased to be king when he discovered his crimes. Nonetheless, since the Renaissance, he has ruled the kingdom of the imagination. The twentieth century begins with the Oedipus complex in Freud's "The Interpretation of Dreams" and the power of the Oedipus myth continued to manifest itself in an astonishing range of artistic and intellectual work.
As a volume in the "Gods and Heroes" series, this book explores a key figure in ancient myth incisively and accessibly, yet with enough scholarly detail to be an 'all-you-need-to-know' for lower level courses, a platform for further study at a more advanced level or as a reference book of key information for researchers/academics.

A good book, a good friend. (Italian)
Neither love nor a cough can be hidden. (Roman)
Knowledge is a treasure, but practice is the key to it. (Arabian)
One enemy is too many, one hundred friends is not enough. (Indian)
The Routledge Book of World Proverbs invites the reader to travel the globe in search of the origins of such words of wisdom, experiencing the rich cultural traditions reflected in each nation's proverbs. This collection contains over 16,000 gems of humor and pathos that draw upon themes from our shared experiences of life. And we are not just invited to learn about other cultures; proverbs are 'bits of ancient wisdom' and thus teach us about our shared histories.
This book draws together proverbs that transcend culture, time and space to offer a collection that is both useful and enjoyable, making this book one of enduring interest.

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos - one of the most studied figures of the ancient Greek gods.

Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before.

As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.

In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) "Adone," published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.

Myths and legends of this rebellious god, who defied Zeus to steal fire for mankind, thrive in art and literature from ancient Greece to the present day. Prometheus' gifts to mortals of the raw materials of culture and technological advancement, along with the curse of despair that followed the enlightenment of humankind, have formed the basis of a poetic and powerful embodiment of the human condition.
Seeking to locate the nature of this compelling tale's continuing relevance throughout history, Carol Dougherty traces a history of the myth from its origins in ancient Greece to its resurgence in the works of the Romantic age and beyond. A Prometheus emerges that was a rebel against Zeus's tyranny to Aeschylus, a defender of political and artistic integrity to Shelley and a symbol of technological innovation during the industrial revolution, his resilience and adaptability illuminating his power and importance in Western culture.
This book provides a comprehensive introduction to the Prometheus myth, emphasizing the vitality and flexibility of his myth in a variety of historical, literary, and artistic contexts of the ancient Greeks, the Romantics, and twentieth-century English poet, Tony Harrison. It is an essential introduction to the Promethean myth for readers interested in Classics, the arts and literature alike.

Drawing on previous research and her own original fieldwork, the author develops a definition of the tall tale as a genre of folklore, and she then explores how tall tale methods and meanings have been translated into literary humor. The work moves from the Crockett Almanacs, sketches, newspaper hoaxes, and frontier frame tales to present new readings of such standard works as George Washington Harris' Sut Lovingood and Mark Twain's Autobiography. Brown views the tall tale as a challenge and an entertainment as well as a story that identifies and binds a folk group and helps people to cope with a stressful world.

Folk tales of Burma (now known as Myanmar) have been preserved for centuries as part of a long folk tradition reflecting Burmese humor, romance, and wisdom. This book provides the first in-depth overview of the narrative structures in Burmese folk tales. Earlier studies of Myanmar folk tales have focused on the narrative motifs or contents and the ethnic or geographical areas, but have left out the study of the structural patterns that make up the storylines in different types of tales. In this book, besides identifying the functional events in Burmese folk tales, how these events are linked into various plot structures resulting in different types of tales is examined. The functional events identified in the tales are classified into different models, such as reward/punishment, interdiction/violation, problem/solution, trickster tales, and fairy tales. The degree of linearity in terms of the temporal and/or causal relations between functional events of a tale is also examined. Drawing on the concept of sequential meaning, this study aims to explain how a linear coherent storyline is developed for a well-organized narrative structure, even though the sequence of events in a tale may not be identical to that of the other. In cases where a sequence of events does not follow a familiar trajectory, the analysis in this book explains how special effects, such as humor, are created. This book contributes not only to the appreciation of Burmese folk tales and the Burmese culture, but it also aids in the understanding of the relationship between the form (narrative structure), function (social purpose), and field (narrative content) of folk tales with oral storytelling in general. It also highlights a structural analysis of folk tales as a means, rather than an end, by identifying the areas in which further research can be done. Narrative Structures in Burmese Folk Tales is an important and useful reference for anyone working in the fields of narrative studies, classification of tales, folklore, and oral storytelling.