Of all the countless legendary beasts that have been conjured forth from the seemingly limitless capacity of the human imagination, none can remotely compare with the dragon for its sheer diversity of form, its symbolic significance, and its cross-cultural presence. Dragons are everywhere-still glimpsed in the living, breathing beasts around us that inspired and engendered their birth in our far-distant ancestors' dreams, and nightmares; perennially encountered in the myriad of traditional myths and folklore woven into the fabric of every creed and culture around the world; and ever-visible within the innumerable outpourings of artistic creation that have graced and enhanced our species' existence across all temporal, political, social, and geographical boundaries. So from where, and from what, has such widespread-indeed, worldwide-belief in these creatures stemmed? There can be no doubt that a major factor influencing the origin of the dragon is early humanity's observations and interactions with various distinctive and potentially inimical creatures of reality sharing our world. Equally thought-provoking is how and why the dragon has become so intimately associated with our own species. This multi-faceted monster of mythology is more than amply represented visually, for example, by artwork of every conceivable style, age, and category. And the dragon's status in religion, dreams, alchemy, psychology, astrology, literature, movies, and music is as compelling as it is complex. These many diverse but equally captivating themes are all fully explored in this spellbinding book's uniquely comprehensive coverage, and provide ample confirmation that there is no sign whatsoever of waning interest for what must surely be the most vibrant, tenacious, and fascinating creature that has never existed-the dragon.

An encyclopedic A-to-Z guide, this beautifully illustrated volume offers hundreds of rich, fascinating definitions of 700 major and minor characters, creatures, and places of classical mythology. Classical Mythology A-to-Z is a comprehensive and engrossing guide to Greek and Roman mythology. Written by Annette Giesecke, PhD, Professor of Classics and Chair of Ancient Greek and Roman Studies at the University of Delaware, this brilliant reference offers clear explanations of every character and locale, and captures the essence of these timeless tales. From the gods and goddesses of Mount Olympus and the heroes of the Trojan War to the nymphs, monsters, and other mythical creatures that populate these ancient stories, Giesecke recounts, with clarity and energy, the details of more than 700 characters and places. Each definition includes cross-references to related characters, locations, and myths, as well their equivalent in Roman mythology and cult. In addition to being an important standalone work, Classical Mythology A-to-Z is also written, designed, and illustrated to serve as an essential companion to the bestselling illustrated 75th-anniversary edition of Mythology by Edith Hamilton, including 10 full-color plates and 2-color illustrations throughout by artist Jim Tierney.

Stephen Headley translates and studies a Javanese ritual and myth, the birth of the man-eating demon, Kala. He shows that this genesis myth, with its movement from cosmogony to exorcism, constitutes the basis of networks of circulating values in contemporary Javanese society.

The islands of Britain and Ireland hold a rich heritage of plant folklore and wisdom, from the magical yew tree to the bad-tempered dandelion. Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns. Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.

SAYINGS OF TIME-HONORED TRUTH AND CONTEMPORARY WISDOM FROM THE NATIVE AMERICAN TRIBES

Why will you take by force what you may obtain by love?

We will be known forever by the tracks we leave.

He who serves his fellows is the greatest of all.

If a man is as wise as a serpent, he can be as gentle as a dove.

The life of a man is a circle from childhood to childhood, and so it is in everything where power moves.

A sin against a neighbor is an offense against the Great Spirit.

Did you know that the father of psychoanalysis believed in ghosts, or that Frederick Engels attended seances? Ghosts: Deconstruction, Psychoanalysis, History is the first collection of theoretical essays to evaluate these facts and consider the importance of the metaphor of haunting as it has appeared in literature, culture, and philosophy. Haunting is considered as both a literal and figurative term that encapsulates social anxieties and concerns. The collection includes discussions of nineteenth-century spiritualism, gothic and postcolonial ghost stories, and popular film, with essays on important theoretical writers including Freud, Derrida, Adorno, and Walter Benjamin.

More than 19 millions years ago, a single Being of Light made a fatal mistake. Now, millions of years later, his Brethren of higher-dimensional Realms must rescue trillions of suffering humans living on a hundred planets of his expanding Orion Empire a black cloud of control and oppression threatening the entire Milky Way They ve sent an Emissary into the worlds of flesh a Liberator. His name is Dalos.

Influenced by the writings of visionary Ernest L. Norman and the personal mentorship of Ruth Norman, author Lianne Downey has woven interdimensional concepts of life into her space fantasy, The Liberator: A Psychic-Spiritual History of the Orion Empire. The book was voiced on audiotape as the author witnessed the scenes like a movie unfolding, then transcribed verbatim 33 chapters in 33 days.

Enchanting tales of the gods, kings, and monsters that populated the Anglo-Saxon world. An atmospheric collection of 30 folk tales exploring stories of cosmology, monsters, conflicts and courtship from the Seven Kingdoms to Middle Earth. This is an entertaining portal into a world overflowing with mythology, magic and all manner of beguiling creatures, which has inspired everything from the Lord of the Rings to Game of Thrones. The book is divided into 3 parts: * Scop is a set of stories told by the Anglo-Saxon storyteller Scop, from the creation to the destruction of the world. It explores what remains of the gods and monsters of the Anglo-Saxon cosmology. * Wreccan is pagan stories exploring self-discovery and development through exile. Variations of these tales would have told by the Anglo-Saxons themselves, including Sigemund's rebellion and the trials of Beowulf. * Bretwalda stories revolve around Bretwalda the chief Anglo-Saxon king who ruled over the majority of the Seven Kingdoms. These stories reflect a period when both the old gods and Christianity existed simultaneously. Remarkable illustrations by Jesus Sotes breathe new life into these tales of the past.

In the ancient myth, Oedipus ceased to be king when he discovered his crimes. Nonetheless, since the Renaissance, he has ruled the kingdom of the imagination. The twentieth century begins with the Oedipus complex in Freud's "The Interpretation of Dreams" and the power of the Oedipus myth continued to manifest itself in an astonishing range of artistic and intellectual work.
As a volume in the "Gods and Heroes" series, this book explores a key figure in ancient myth incisively and accessibly, yet with enough scholarly detail to be an 'all-you-need-to-know' for lower level courses, a platform for further study at a more advanced level or as a reference book of key information for researchers/academics.

A good book, a good friend. (Italian)
Neither love nor a cough can be hidden. (Roman)
Knowledge is a treasure, but practice is the key to it. (Arabian)
One enemy is too many, one hundred friends is not enough. (Indian)
The Routledge Book of World Proverbs invites the reader to travel the globe in search of the origins of such words of wisdom, experiencing the rich cultural traditions reflected in each nation's proverbs. This collection contains over 16,000 gems of humor and pathos that draw upon themes from our shared experiences of life. And we are not just invited to learn about other cultures; proverbs are 'bits of ancient wisdom' and thus teach us about our shared histories.
This book draws together proverbs that transcend culture, time and space to offer a collection that is both useful and enjoyable, making this book one of enduring interest.

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos - one of the most studied figures of the ancient Greek gods.

Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before.

As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.

The hill of Uisneach lies almost exactly at the geographical center of Ireland. Remarkably, a fraction at least of the ancient Irish population was aware of that fact. There is no doubt that the place of Uisneach in Irish mythology, and more broadly speaking the Celtic world, was of utmost importance: Uisneach was - and probably still is - best defined as a sacred hill at the center of Ireland, possibly the sacred hill of the center of Ireland. Uisneach or the Center of Ireland explores the medieval documents connected with the hill and compares them with both archeological data and modern Irish folklore. In the early 21st century, a Fire Festival started being held on Uisneach in connection with the festival of Bealtaine, in early May, arguably in an attempt to echo more ancient traditions: the celebration was attended by Michael D. Higgins, the current president of Ireland, who lit the fire of Uisneach on 6 May 2017. This book argues that the symbolic significance of the hill has echoed the evolution of Irish society through time, be it in political, spiritual and religious terms or, perhaps more accurately, in terms of identity and Irishness. It is relevant for scholars and advanced students in the fields of cultural history, Irish history and cultural studies.

Prepare to be spellbound by Chris Riddell's dazzling full-colour illustrations in this stunning new collector's edition of The Tales of Beedle the Bard, J.K. Rowling's glorious fairytale classic. This beautiful, deluxe edition features an opulent page size and a pull-out double gatefold; intricate foiled artwork by Chris Riddell on the real cloth cover and slipcase; an exclusive print of Albus Dumbledore; and a luxurious ribbon marker and head and tail band. The ultimate must-have edition for any Potter fan, collector or bibliophile, it is set to become a firm favourite at bedtime in non-magical households the world over. Much loved by generations of witches and wizards since they first appeared in the fifteenth century, these five rollicking and mischievous tales are a deeply satisfying read in the tradition of all great fables and fairytales. Kindnesses are rewarded and selfishness shown to be the ruin of many a wizard. Burping cauldrons, hairy hearts and cackling stumps are met along the way. Translated from the runes by Hermione Granger, each of the tales is accompanied by a deliciously subversive and insightful commentary by Professor Albus Dumbledore, all brought vividly to life with Riddell's trademark wit and elegance. Former Waterstones Children's Laureate Chris Riddell is the only illustrator to have won the Kate Greenaway Medal three times, and is brought together here for the first time with one of the world's best loved storytellers in this magical new edition.The Tales of Beedle the Bard is published in aid of Lumos, an international children's charity founded in 2005 by J.K. Rowling.

In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) "Adone," published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.

The book analyses the work of R.G. Collingwood and Romantic thinkers, taking an interdisciplinary approach to mythology The book traces the changing relationship between history and myth and argues for new methodological approaches The book brings forward the broader perspective of idealism, where history is viewed as a form of knowledge, to bear upon a discussion of the nature of myths

Myths and legends of this rebellious god, who defied Zeus to steal fire for mankind, thrive in art and literature from ancient Greece to the present day. Prometheus' gifts to mortals of the raw materials of culture and technological advancement, along with the curse of despair that followed the enlightenment of humankind, have formed the basis of a poetic and powerful embodiment of the human condition.
Seeking to locate the nature of this compelling tale's continuing relevance throughout history, Carol Dougherty traces a history of the myth from its origins in ancient Greece to its resurgence in the works of the Romantic age and beyond. A Prometheus emerges that was a rebel against Zeus's tyranny to Aeschylus, a defender of political and artistic integrity to Shelley and a symbol of technological innovation during the industrial revolution, his resilience and adaptability illuminating his power and importance in Western culture.
This book provides a comprehensive introduction to the Prometheus myth, emphasizing the vitality and flexibility of his myth in a variety of historical, literary, and artistic contexts of the ancient Greeks, the Romantics, and twentieth-century English poet, Tony Harrison. It is an essential introduction to the Promethean myth for readers interested in Classics, the arts and literature alike.

Drawing on previous research and her own original fieldwork, the author develops a definition of the tall tale as a genre of folklore, and she then explores how tall tale methods and meanings have been translated into literary humor. The work moves from the Crockett Almanacs, sketches, newspaper hoaxes, and frontier frame tales to present new readings of such standard works as George Washington Harris' Sut Lovingood and Mark Twain's Autobiography. Brown views the tall tale as a challenge and an entertainment as well as a story that identifies and binds a folk group and helps people to cope with a stressful world.