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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
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aPersuasively argued...A fascinating study that makes a real
contribution to discussions of health, wellness and faith in
America.a
--"Publishers Weekly"
"An exploration of the history and practices of black healers
and healing illuminating the vital cultural, intellectual, and
spiritual expression of a people. This fine multidisciplinary work
draws deeply and thoughtfully from the experiences and words of its
subjects, offering alternative visions of human creativity,
resistance, and community."
--Yvonne Chireau, author of "Black Magic: Religion and the
African-American Conjuring Tradition"
Cure a nosebleed by holding a silver quarter on the back of the
neck. Treat an earache with sweet oil drops. Wear plant roots to
keep from catching colds. Within many African American families,
these kinds of practices continue today, woven into the fabric of
black culture, often communicated through women. Such folk
practices shape the concepts about healing that are diffused
throughout African American communities and are expressed in myriad
ways, from faith healing to making a mojo.
Stephanie Y. Mitchem presents a fascinating study of African
American healing. She sheds light on a variety of folk practices
and traces their development from the time of slavery through the
Great Migrations. She explores how they have continued into the
present and their relationship with alternative medicines. Through
conversations with black Americans, she demonstrates how herbs,
charms, and rituals continue folk healing performances. Mitchem
shows that these practices are not simply about healing; they are
linked to expressions of faith, delineating aspects of a holistic
epistemology and pointing to disjunctures between African American
views of wellness and illness and those of the culture of
institutional medicine.
Werewolf Histories is the first academic book in English to address
European werewolf history and folklore from antiquity to the
twentieth century. It covers the most important werewolf
territories, ranging from Scandinavia to Germany, France and Italy,
and from Croatia to Estonia.
An entertaining and enthralling collection of myths, tales and
traditions surrounding our trees, woodlands and forests from around
the world.From the dark, gnarled woodlands of the north, to the
humid jungles of the southern lands, trees have captured humanity's
imagination for millennia. Filled with primal gods and goddesses,
dryads and the fairy tales of old, the forests still beckon to us,
offering sanctuary, mystery and more than a little mischievous
trickery. From insatiable cannibalistic children hewn from logs, to
lumberjack lore, and the spine-chilling legend of Bloody Mary,
there is much to be found between the branches. Come into the
trees; witches, seductive spirits and big, bad wolves await
you.With this book, Folklore Thursday aim to encourage a sense of
belonging across all cultures by showing how much we all have in
common.
The supernatural lore of Ancient Greece and Rome is vividly brought
to life in these pages.The literature of Classical antiquity
bristles with horrible witches, mysterious wizards, terrifying
ghosts, magic books, curses, voodoo-dolls, even werewolves,
vampires and Frankenstein's monsters. Many of these tales have
directly shaped our own culture's lore of magic and ghosts, and
consequently, these tales speak to us today with great
immediacy.This book covers a period of over a thousand years that
witnessed some massive historical and cultural changes, including
the advent of Christianity. Ancient culture was generally
conservative and this is particularly true of its notions of ghosts
and witches, which are strongly bound up with traditional tales and
folklore of various kinds. Such tales preserve and conserve ideas
about ghosts and witchcraft, and they survive to achieve this
effect precisely because they are wonderfully engaging.
This book chronicles the rise of goddess worship in the region of Bengal from the middle of the eighteenth century to the present. Focusing on the goddesses Kali and Uma, McDermott examines lyrical poems written by devotees from Ramprasad Sen (ca. 1718-1775) to Kazi Nazrul Islam (1899-1976).
In recent years, there has been a noticeable and enthusiastic
increase of interest in Buddhist temples and Shinto shrines in
Japan. The legends of these temples and shrines are recorded in
many historical manuscripts and these genealogies have such great
significance that some of them have been registered as national
treasures of Japan. They are indispensable to elucidate the history
of these temples and shrines, in addition to the formation process
of the ancient Japanese nation. This book provides a comprehensive
examination of the genealogies and legends of ancient Japanese
clans. It advances the study of ancient Japanese history by
utilizing new analytical perspective from not only the well-known
historical manuscripts relied upon by previous researchers, but
also valuable genealogies and legends that previous researchers
largely neglected.
The Truth of Myth is a thorough and accessible introduction to the
study of myth, surveying the intellectual history of the topic,
methods for studying myth cross-culturally, and emerging trends.
Readers will encounter insightful commentaries on such questions
as: What is the relation of mythology to religion? To science? To
popular culture? Did the events recounted in myths actually occur?
Why does the term "myth" have so many contradictory definitions and
connotations? Offering serious students with an intellectual
"toolkit" for launching into this fascinating field, the book is
especially useful in conjunction with case studies of individual
mythological traditions.
Folklore is the cultural expression of a people, and it makes up
key elements of the stories they tell. Using easily accessible
language, this book defines, separates, and gracefully weaves
together story and folklore. From the ancient world of traveling
bards in Europe, Asia, Africa, and South America, to the
contemporary world of storytelling festivals, fan fiction, and
digital story conferences, this reference unravels confusion
between concepts of folklore and story, and demonstrates how they
are linked. Included are numerous examples and texts, a review of
critical approaches, and a discussion of story in literature and
popular culture. Story informs folklore, and folklore informs
story. The complex relationship between them is compounded by many
definitions and points of view generated by scholars over time.
Humans construct their sense of the world through story, vernacular
transmission, and folklore. Folklore is the cultural expression of
people, and it makes up the key elements of the stories they tell.
Written for high school students and general readers, this
reference conveniently overviews story as a folklore genre.
Mythology flows like a subterranean stream throughout Hawai'i. Rita
Knipe has selected a number of characteristic myths and
mythological figures from the rich pantheon of Hawaiian deities. As
she retells their stories, illustrated by Hawaii artist Dietrich
Varez, the transposition of such primal drama to the pages of this
book becomes poetic theater. The dramatic plots are myths and
legends chosen from the oral traditions of unique island people,
but the underlying themes and symbols are archetypal and eternal.
Drawing parallels between Hawaiian mythology, universal patterns,
and individual behavior, the author illustrates certain basic
Jungian concepts and explains how we express them in the drama of
our own lives.
Wherever vampires existed in the imaginations of different
peoples, they adapted themselves to the customs of the local
culture. As a result, vampire lore is extremely diverse. So too,
representations of the vampire in creative works have been marked
by much originality. In "The Vampyre" (1819), John Polidori
introduced Lord Ruthven and established the vampire craze of the
19th century that resulted in a flood of German vampire poetry,
French vampire drama, and British vampire fiction. This tradition
culminated in Bram Stoker's "Dracula" (1897), which fixed the
character of the Transylvanian nobleman as the archetypal vampire
firmly in the public imagination. Numerous films drew from Stoker's
novel to varying degrees, with each emphasizing different elements
of his vampire character. And more recent writers have created
works in which vampirism is used to explore contemporary social
concerns.
The contributors to this volume discuss representations of the
vampire in fiction, folklore, film, and popular culture. The first
section includes chapters on Stoker and his works, with attention
to such figures as Oscar Wilde and Edvard Munch. The second section
explores the vampire in film and popular culture from Bela Lugosi
to "Blacula." The volume then looks at such modern writers as Anne
Rice and Chelsea Quinn Yarbro who have adapted the vampire legend
to meet their artistic needs. A final section studies contemporary
issues, such as vampirism as a metaphor for AIDS in ""Killing
Zoe."
Robinson Crusoe explores Defoe's story, the legend it captured, the
universal desire which underlies the myth and a range of modern
re-writings which reveal a continued fascination with the
problematic character of this narrative. Whether envisaged as an
heroic rejection of the old world order, a piece of pre-colonialist
propaganda or a tale raising archetypal problems of 'otherness' and
'inequality', the mythic value of Crusoe has become a pretext over
many centuries for an examination of some of the fundamental
problems of existence. This collection of essays examines, from a
wide range of critical and philosophical perspectives, the cultural
manifestations of Robinson Crusoe in different centuries, in
different media, in different genres.
Boldly illustrated and superbly translated, Folk Legends from Tono
captures the spirit of Japanese peasant culture undergoing rapid
transformation into the modern era. This is the first time these
299 tales have been published in English. Morse's insightful
interpretation of the tales, his rich cultural annotations, and the
evocative original illustrations make this book unforgettable. In
2008, a companion volume of 118 tales was published by Rowman &
Littlefield as the The Legends of Tono. Taken together, these two
books have the same content (417 tales) as the Japanese language
book Tono monogatari. Reminiscent of Japanese woodblocks, the ink
illustrations commissioned for the Folk Legends from Tono, mirror
the imagery that Japanese villagers envisioned as they listened to
a storyteller recite the tales.The stories capture the
extraordinary experiences of real people in a singular folk
community. The tales read like fiction but touch the core of human
emotion and social psychology. Thus, the reader is taken on a
magical tour through the psychic landscape of the Japanese "spirit
world" that was a part of its oral folk tradition for hundreds of
years. All of this is made possible by the translator's insightful
interpretation of the tales, his sensitive cultural annotations,
and the visual charm of the book's illustrations. The cast of
characters is rich and varied, as we encounter yokai monsters,
shape-shifting foxes, witches, grave robbers, ghosts, heavenly
princesses, roaming priests, shamans, quasi-human mountain spirits,
murderers, and much more.
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