Ever since the Middle Ages the Otherworld of Faerie has been the object of serious intellectual scrutiny. What science in the end dismissed as airy nothings was given a local habitation and a name by art. This book presents some of the main chapters from the history and tradition of otherworldly spirits and fairies in the folklore and literature of the British Isles and Northern Europe. In eleven contributions different experts deal with some of the main problems posed by the scholarly and artistic confrontation with the Otherworld, which not only fuelled the imagination, but also led to the ultimate redundancy of learned perceptions of that Otherworld as it was finally obfuscated by the clarity of an enlightened age. Contributors include: Henk Dragstra, John Flood, Julian Goodare, Tette Hofstra, Robert Maslen, Richard North, Karin E. Olsen, David J. Parkinson, Rudolf Suntrup, Jan R. Veenstra, and Helen Wilcox.

Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of Psychical Research, and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).

A pioneer in the strange art and ambiguous science of zophagy-that is, of studying animals by eating them-British natural historian FRANCIS TREVELYAN BUCKLAND (1826-1880) was a wildly popular speaker and writer of the Victorian era. In his classic four-volume Curiosities of Natural History, published between 1857 and 1872, he shared his love of creatures exotic and mysterious with readers who devoured his charming and erudite essays much in the same way he devoured his animal subjects. If there is one person that I would have expected to have captured a sea serpent in the 19th century for the sole purpose of eating it, it would be Frank Buckland, writes cryptozoologist Loren Coleman in his new introduction to Buckland's series. One of the founding grandfathers of cryptozoology, the discipline that investigates animal mysteries, Buckland was not a wild-eyed 'true believer' in anything strange, insists Coleman, but brought, instead, a skeptical, open-minded approach to his work. Indeed, here, in the first series of Curiosities of Natural History, Buckland's erudition is clear in his animated discussions of, among many other things, the stupidity of newts, French sailors eating rats, skinning a boa constrictor, how a fish might drown, and the cunning of monkeys. This new edition, a replica of the original 1858 third edition, is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot : The True Story of Apes in America and Mothman and Other Curious Encounters.

Mind-boggling Tales from the Old Dominion Part of our new and growing Myths, Mysteries and Legends series, Myths, Mysteries and Legends of Virginia explores unusual phenomena, strange events, and mysteries in Virginia's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in Virginia history. Stories include the mystery of why the gentle giant Peter Francisco, the strongest man in the Revolution, was kidnapped as a child in his native land before being abandoned by a ship along the Appomattox River; the suspicious (or natural?) death of eighty-year-old George Wythe, a professor, patriot, and signer of the Declaration of Independence; and rumors of a vampire-caused tragedy in the Church Hill Tunnel in Richmond on October 2, 1925.

From Ritual to Romance is a 1920 landmark study of anthropology and folklore that examines the roots of the King Arthur-Holy Grail legends. Jessie Weston's revolutionary theory holds that most elements of the Grail story are actually the remnants of incredibly old fertility rites -- with the lance and the cup serving as sexual symbols.Drawing on James George Frazer's seminal works on folklore, magic, and religion, Weston seeks to make connections between the legend's early pagan elements and its later Christian influences, uniting the quest for fertility with the striving for mystical oneness with God. T.S. Elliot cited this work as a major influence for his famous epic poem, "The Waste Land." JESSIE LAIDLAY WESTON (1850-1928) was an independent scholar and folklorist who specialized in mediaeval Arthurian texts.

At the beginning of the twentieth century, many perceived American Jewry to be in a state of crisis as traditions of faith faced modern sensibilities. Published beginning in 1909, Rabbi and Professor Louis Ginzberg's seven-volume The Legends of the Jews appeared at this crucial time and offered a landmark synthesis of aggadah from classical Rabbinic literature and ancient folk legends from a number of cultures. It remains a hugely influential work of scholarship from a man who shaped American Conservative Judaism. In Louis Ginzberg's Legends of the Jews: Ancient Jewish Folk Literature Reconsidered, editors Galit Hasan-Rokem and Ithamar Gruenwald present a range of reflections on the Legends, inspired by two plenary sessions devoted to its centennial at the Fifteenth Congress of the World Association of Jewish Studies in August 2009. In order to provide readers with the broadest possible view of Ginzberg's colossal project and its repercussions in contemporary scholarship, the editors present leading scholars to address it from a variety of historical, philological, philosophical, and methodological perspectives. Contributors give special regard to the academic expertise and professional identity of the author of the Legends as a folklore scholar and include discussions on the folkloristic underpinnings of The Legends of the Jews. They also investigate, each according to her or his disciplinary framework, the uniqueness, strengths, and weakness of the project. An introduction by Rebecca Schorsch and a preface by Galit Hasan-Rokem further highlight the folk narrative aspects of the work in addition to the articles themselves. The present volume makes clear the historical and scholarly context of Ginzberg's milestone work as well as the methodological and theoretical issues that emerge from studying it and other forms of aggadic literature. Scholars of Jewish folklore as well as of Talmudic-Midrashic literature will find this volume to be invaluable reading. Contributors Include: David Golinkin, Daniel Boyarin, Hillel I. Newman, Jacob Elbaum, Galit Hasan-Rokem, Johannes Sabel, Ithamar Gruenwald, Rebecca Schorsch.

North Carolina Myths and Legends explores unusual phenomena, strange events, and mysteries in North Carolina's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in North Carolina history. Read about the Cherokee legend of the Judaculla rock. Try to figure out if Tom Dula, subject of many a local myth and a popular folk song, really did murder his wife. Speculate as to what really caused the Carolina Bays indentations.

'When an afflicted person is believed to be a victim of nazar, or the glance of the evil eye, a particular kind of incense, which is made of seeds of the wild rue, mixed with myrtle and frankincense, is burned at sunset; and while the smoke is curling about the head of the victim the following incantation is repeated...' The Wild Rue is a unique study of magic, myth and folklore in Iran. In this classic work, Bess Donaldson records the beliefs and superstitions of the country at a time when they were increasingly threatened by the Shah's programme of modernisation. This earlier way of life, with its belief in angels and the evil eye, and with its age-old rituals surrounding childbirth and burial, is recounted in a highly readable text. Among the wide variety of topics covered are cosmology, dreams, names and numbers, talismans and signs, oaths and curses, childbirth, angels, trees and plants, the evil eye, and the calendar. Long unavailable, The Wild Rue is indispensable to any serious student of Iran and will be welcomed by all with an interest in the country's culture and history.

Part of our new and growing Myths, Mysteries and Legends series, Myths, Mysteries and Legends of New Mexico explores unusual phenomena, strange events, and mysteries in the Land of Enchantment's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in New Mexico history. Stories include the mysterious disappearance of lawyer and civic leader Albert J. Fountain-a man known both for defending Billy the Kid and for taking on cattle rustlers-and his little boy, Henry; the near discovery of when humans first came to America by George McJunkin, a black cowboy, born a slave; and the unsolved murders of an old mining town that lies at the depths of Bonito Lake.

The Book of Black Magic is Arthur Edward Waite's magnum opus of occult lore; this edition contains the author's original icons, symbols, seals and drawings. This supreme guide to occultist history, lore, magick, and ceremony is split into two parts: The first is entitled ""The Literature of Ceremonial Magic."" Here, Waite examines the ritualistic traditions which surrounding the occult movement for centuries. He notes various texts, and how these had a bearing upon the practice of the occult and of magical ceremony. The second part, ""The Complete Grimoire,"" concerns how those who practice black magic and occult ritual become versed in the craft. The stringent physical and mental requirements, and the need to practice a spiritual attunement and inner ablution, is detailed. Astronomical knowledge of the planets and their movements is a necessity, as is possession of a variety of instruments, plus a deep knowledge of the various symbols and scripts used in occultism.

Georgia Myths and Legends explores unusual phenomena, strange events, and mysteries in Georgia's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in Georgia history. From the puzzle of lost confederate gold to a woman who mysteriously spent her life waving at more than 50,000 passing ships, this selection of stories from Georgia's past explores some of the Peach State's most compelling mysteries and debunks some of its most famous myths.

In the second haft of the nineteenth century, Jewish nationalism developed in Europe. One vital form of this nationalism that took root at the beginning of the twentieth century in Eastern Europe was the Yiddishist movement, which held that the Yiddish language and culture should be at the center of any Jewish nationalist efforts. As with most European concepts of folklore, the romantic-nationalist ideas of J. G. Herder on the volk were crucial in the formulation of the study and collection of Yiddish folklore.

Herder's volk, however, denoted the peasantry, whereas Polish Jewry were an urban population. This difference determined the focus and pioneering work that this group of collectors accomplished. Defining the Yiddish Nation examines how these folklorists sought to connect their identity with the Jewish past but simultaneously develop Yiddishism, a movement whose eventual outcome would be an autonomous Jewish national culture and a break with the biblical past.

Itzik Nakhmen Gottesman analyzes the evolution of Yiddish folklore and its role in the creation of Yiddish nationalism in Poland between the two world wars. Gottesman studies three important folklore circles in Poland: the Warsaw group led by Noyekh Prilutski, the S. Ansky Vilne Jewish Historic-Ethnographic Society, and the Ethnographic Commission d the Yivo Institute in Vilne.

This book is much more than a study of the evolution of one particular folklore tradition, it is a look into the formation of a nationalist movement. Defining the Yiddish Nation will prove invaluable for scholars of Jewish studies and Yiddish folklore.

This highly engaging volume by one of Korea's leading scholars of comparative mythology - the the first study of its kind in English - provides a valuable introduction to centuries-old beliefs, myths and folk tales relating to Cosmology and Flood, Birth and Agriculture, Messengers of the Underworld, Shamans, Disease, Good Fortune, Love and Family, Gods of Village Shrines, and Heroes. Containing thirty traditional stories, the book is fully illustrated throughout and contains a wide variety of Korean art, including rare shamanist paintings, as well as the work of some contemporary Korean artists. All the stories, based on Korean oral tradition, have been retold by the author according to their main plot and meaning because the original texts' songs by shamans, containing many obsolete words and obscure idioms, are not easily understood today. The original title and source, including text notes, are provided at the end of each story. The author's Introduction sets out the historical background and significance of the myths that appear here. He also provides full details of each of the Korean gods and their roles in mythology. While being a welcome addition to the literature on Korean culture for the non-specialist, An Illustrated Guide to Korean Mythology also provides an invaluable reference source for scholars and researchers in the fields of East Asian Mythology and Anthropology, as well as Korean History, Religion and Literature.

An important reintroduction to this literature, this compilation of Thomas Crane's original translations of Italian folk stories includes new critical analysis. For 19th-century folklorist Thomas Crane, the value of collecting, translating, and reproducing folktales lay in their "internationalism"-their capacity to reveal how the customs of a particular group, no matter how unique, are linked to many others. In his classic collection, edited and updated by contemporary folklorist Jack Zipes, Crane traces the roots of Italian folktales to their origins, often in the Orient, then shows how they diffused in unpredictable and marvelous ways throughout Italy and over the centuries. A contemporary of the brothers Grimm, Crane offers a richer, more complex selection of oral and literary tales. Unlike the Grimms, he doesn't edit or modify the tales, which deal openly with surprisingly contemporary subjects: murder, adultery, incest, child abuse, and brutal vengeance. The first English translations of Italian folktales, now available after more than a century of neglect Critical analysis and notes by the original editor, 19th-century folklorist Thomas Crane

This comprehensive collection of Italian tales in English encourages a revisitation of the fairy-tale canon in light of some of the most fascinating material that has often been excluded from it. In the United States, we tend to associate fairy tales with children and are most familiar with the tales of the Brothers Grimm, Hans Christian Anderson, and Disney. But the first literary fairy tales appeared in Renaissance Italy, and long before the Grimms there was already a rich and sophisticated tradition that included hundreds of tales, including many of those today considered "classic." The authors featured in this volume have, over the centuries, explored and interrogated the intersections between elite and popular cultures and oral and literary narratives, just as they have investigated the ways in which fairy tales have been and continue to be rewritten as expressions of both collective identities and individual sensibilities. The fairy tale in its Italian incarnations provides a striking example of how this genre is a potent vehicle for expressing cultural aspirations and anxieties as well as for imagining different ways of narrating shared futures.

In order to learn the fascinating story of plants and the development of human civilisation. No other book covers so much - from sacred mushrooms to GM crops, from the religions of the seasons and harvest to the hobby of gardening - and is able to convey both the mysterious and the practical with equal ease and in an accessible, intelligent style. The future of the planet depends upon such knowledge and empathy.