Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, this collection focuses on discussion of literature written in English, French, Latin, and German. Its 16 essays, four published here for the first time, deal with such matters as the search for the historical Arthur; the depiction of Arthur in the romances "Erec" and "Iwein" of Hartmann von Aue; the way Arthur is depicted in 19th-century art and the Victorian view of manhood; and conceptions of King Arthur in 20th-century literature. Six of the essays, originally published in French and German, are translated into English especially for this book. Two essays have been substantially revised. An introduction offers a general discussion of the development of the legends in the countries of Europe.
Works discussed include medieval and Renaissance chronicles (Geoffrey of Monmouth's "Historia Regum Britanniae," Wace's "Roman de Brut," Polydore Vergil's Anglica Historia, Scottish vernacular and Latin chronicles), medieval romances (the "Lancelot en prose," the "Mort Artu," the Post-Vulgate "Roman du" "Graal," and works of Chretien de Troyes, Hartmann von Aue, and Sir Thomas Malory), Spenser's "Faerie Queene," Tennyson's "Idylls of the King," and T.H. White's "Once and Future King." A bibliography lists selected major secondary studies of King Arthur as well as major reference works.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

A magical and captivating coming of age novel set in medieval Russia - perfect for fans of Erin Morgenstern's The Night Circus and Philip Pullman's His Dark Materials.

One girl can make a difference...

Moscow is in flames, leaving its people searching for answers – and someone to blame. Vasilisa, a girl with extraordinary gifts, must flee for her life, pursued by those who blame their misfortune on her magic.

Then a vengeful demon returns, stronger than ever. Determined to engulf the world in chaos, he finds allies among men and spirits. Mankind and magical creatures alike find their fates resting on Vasya's shoulders.

But she may not be able to save them all.

'heart-stoppingly good...beautifully written, this adventure shimmers and shines with magic of all kinds. Unmissable.' Sunday Express

'If you're a lover of fairytales you are in for an absolute treat. It's truly magical' The Pool

'Katherine Arden’s Winternight Trilogy isn’t just good―it’s hug-to-your-chest, straight-to-the-favourites-shelf, reread-immediately good, and each book just gets better. 'Laini Taylor

The examination and evaluation of folk psychology and lay cognition has been carried out predominantly in two domains: personality and social psychology, and the philosophy of psychology. Yet, work in these two areas has largely proceeded independently. The assumption on which this volume is founded is that a proper comparison between scientific cognition and folk ways of thought rests on an adequate study of both science and folk psychology. With this in mind, the author provides an analysis of the intricate, and often hidden, links between these two spheres. In doing so, the book poses two related questions. First, what is the nature of folk psychology and how is it related to scientific psychology? Second, of what should the relationship between folk psychology and scientific psychology consist? In answering these two questions, the author draws extensively from research and arguments in social psychology and social cognition, cognitive science, and the philosophy of science.
The interdisciplinary approach gives the book a unique perspective that will be of interest to scholars working in social psychology, cognitive science, and philosophy of science. Written in a concise and accessible style, this volume is suitable for undergraduate and graduate students as well as a general psychological audience.

The examination and evaluation of folk psychology and lay cognition has been carried out predominantly in two domains: personality and social psychology, and the philosophy of psychology. Yet, work in these two areas has largely proceeded independently. The assumption on which this volume is founded is that a proper comparison between scientific cognition and folk ways of thought rests on an adequate study of both science and folk psychology. With this in mind, the author provides an analysis of the intricate, and often hidden, links between these two spheres. In doing so, the book poses two related questions. First, what is the nature of folk psychology and how is it related to scientific psychology? Second, of what should the relationship between folk psychology and scientific psychology consist? In answering these two questions, the author draws extensively from research and arguments in social psychology and social cognition, cognitive science, and the philosophy of science.
The interdisciplinary approach gives the book a unique perspective that will be of interest to scholars working in social psychology, cognitive science, and philosophy of science. Written in a concise and accessible style, this volume is suitable for undergraduate and graduate students as well as a general psychological audience.

A groundbreaking collection of essays on a hitherto underexplored subject that challenges the existing stereotypical views of the trivial and innocent nature of children's culture, this work reveals for the first time the artistic and complex interactions among children. Based on research of scholars from such diverse fields as American studies, anthropology, education, folklore, psychology, and sociology, this volume represents a radical new attempt to redefine and reinterpret the expressive behaviors of children. The book is divided into four major sections: history, methodology, genres, and setting, with a concluding chapter on theory. Each section is introduced by an overview by Brian Sutton-Smith. The accompanying bibliography lists historical references through the present, representing works by scholars for over 100 years.

A stunningly original adventure from the acclaimed author of The Mask of Aribella, Anna Hoghton. 'The story moves at a great pace and the author depicts the loss and anger of grief in an accessible way for readers.' THE SCHOOL LIBRARIAN Orla and her brother go to stay with their gran in Ireland. Grieving the death of their mum, the children revel in the comfort of their grandmother's house and her magical storytelling. But soon after they arrive, Gran vanishes. Helped by a local boy - and a peculiar creature found in the garden shed - they set out to find her. Shadowed by a shape-shifting darkness known as the Wild Hunt, the children - and especially Orla - must put their sadness behind them if they're to rescue their beloved gran ... The second novel by mesmerising middle-grade writer, Anna Hoghton, author of magical Venetian adventure The Mask of Aribella The novel follows two siblings in a quest to overcome their grief and find their missing gran - a tale brimming with peril, warmth and hope Incorporates real Irish mythology and folklore

First published in 1964, Indaba, My Children is an internationally acclaimed collection of African folk tales that chart the story of African tribal life since the time of the Phoenicians. It is these stories that have shaped Africa as we know it.

This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century.

Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth.

eBook available with sample pages: 0203415035

This book summarizes and evaluates the contribution of Martin Buber as a theorist of myth. It offers a coherent and unified study focusing on Buber's approach to myth as part of his entire system of philosophy. The book analyzes whether Buber's use of myth contributes to modern appreciation of myth.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Fragments of ancient belief mingle with folklore and Christian dogma until the original tenets are lost in the myths and psychologies of the intervening years. Hilda Ellis Davidson illustrates how pagan beliefs have been represented and misinterpreted by the Christian tradition, and throws light on the nature of pre-Christian beliefs and how they have been preserved. The Lost Beliefs of Northern Europe stresses both the possibilities and the difficulties of investigating the lost religious beliefs of Northern Europe.

Opening with a critical appreciation of Alan Dundes (M. Carroll) and Dundes's own cross-cultural study of the cockfight, Volume 18 includes chapters on psychoanalysis and Hindu sexual fantasies (W. Doniger); the modern folk tale "The Boyfriend's Death" (M. Carroll); a gruesome Eskimo bedtime story (R. Boyer); the homosexual implications of Argentinean soccer (M. Suarez-Orozco); and the symbolism of a Malaysian religious festival (E. Fuller).

Folklore: The Basics is an engaging guide to the practice and interpretation of folklore. Taking examples from around the world, it explores the role of folklore in expressing fundamental human needs, desires, and anxieties that often are often not revealed through other means. Providing a clear framework for approaching the study of folklore, it introduces the reader to methodologies for identifying, documenting, interpreting and applying key information about folklore and its relevance to modern life. From the Brothers Grimm to Internet Memes, it addresses such topics as: What is folklore? How do we study it? Why does folklore matter? How does folklore relate to elite culture? Is folklore changing in a digital age? With case studies, suggestions for reading and a glossary of key terminology, Folklore: The Basics supports readers in becoming familiar with folkloric traditions and interpret cultural expression. It is an essential read for anyone approaching the study of folklore for the first time.

Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood 'legend' has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of 'real' lives.

A New Statesman Book of the Year A fierce, feminist retelling of the classic tale Beowulf. Gren and his mother, Dana, a war veteran, live on the side of a mountain, next to Herot Hall, a pristine gated community ruled over by Willa and her son, Dylan. Separated by high gates, surveillance cameras, and motion-activated lights, Dylan and Gren are unaware of the barriers erected to keep them apart. But when Gren crosses the border into Herot Hall and runs off with Dylan, he sets up a collision between Dana's and Willa's worlds that echoes the Beowulf story - and gives sharp, startling currency to the ancient epic poem.

Explore the paranormal history of Oklahoma through its colorful ghost stories and legends, as well as through the eyes of a renowned paranormal team. Have drinks with outlaw ghosts in an old saloon and tip your hat to the lady spirits upstairs in the bordello. Discover why several professional basketball players fear a hotel in downtown Oklahoma City. Learn about an alternate ending to the life of Abraham Lincoln's assassin, John Wilkes Booth. Follow the atlas and investigate the famous Stone Lion Inn, the 101 Ranch, Overholser Mansion, and other historic haunted locales throughout the state. This spine-tingling cross-section of Oklahoma's history includes dozens of tales of Native Americans, the Civil War, famous outlaws, Wild West shows, oil boomtowns, railroad legends, deadly tornados, and historic Route 66. Haunted Oklahoma awaits you!

For the Celts, a rural people whose survival depended solely upon their environment, natural phenomena, the elements, and animals, especially, merited their extreme respect. The Celts made both wild and domesticated species the focus of elaborate rituals as well as the basis of profound religious beliefs. "Animals in Celtic Life and Myth" examines the intimate relationship between humans and animals, in a society in which animals were special and central to all aspects of life.
Miranda Green draws on evidence from a variety of early Celtic documents, as well as archaeology and iconography, revealing that the Celts believed many animals to be sacred, either possessing divine status in their own right or acting as mediators between gods and humans. She covers the crucial role of animals in the Celtic economy; in hunting and welfare; in Celtic art and literature; in religion and ritual. The attitude of the Celts toward animals closely connected the Celtic with the everyday: warfare was bound up with religion; the killing of animals was a ritual act; in stories, heroes talk to animals in their own language and gods change at will from human to animal form. The book covers the important period between 8 B.C. and 1 A.D., during which much of Europe, ranging from Ireland to Czechoslovakia, was turning to Christianity.
"Animals in Celtic Life and Myth" is invaluable to students of archaeology, anthropology and history, as well as to the general reader with an interest in animals.

"The Mythology of Modern Law" is a radical reappraisal of the role of myth in modern society. Fitzpatrick uses the example of law, an integral category of modern social thought, to challenge the claims of modernity which deny the relevance of myth to the practice of law in modern society. Peter Fitzpatrick argues that law is mythic both in its origin and as a continuing social force, and depends for its identity on other mythic categories, such as the nation, the individual and the "sciences of man and society". He traces the development of the hold of mythology on Western society to the Enlightenment, despite the supposedly secular rationality of that period, and shows how it was strengthened by the experience of imperialism, when European identity was created in opposition to racially defined "others". Challenging and controversial, "The Mythology of Modern Law" questions current conceptions of legal and social theory. It revises the very foundations of jurisprudence and the sociology of law and undermines the exclusive stands taken within these disciplines.

One of the quickest ways to understand a people or a culture is to learn their proverbs. This anthology, first published in 1984, compiles in dictionary form proverbs from the Islamic world, particularly the Middle East and North Africa. The Arabs were the first to gather and annotate their own proverbs - the earliest collections date from the n

For centuries Iran hosted numerous travellers and visitors of diverse nationalities and backgrounds. Many of these travellers left behind documents in which they recorded their observations during their residence in Iran, and these embody a vast range of firsthand information about the land and its people at different periods of time. This book, first published in 1990, takes as its subjects the nature and history of Iranian folk narrative scholarship. The contributions of travellers are given their due recognition as important source documents.

The ancient dragon Federigo il Barbarossa, more commonly known as Fred, reminisces about the good old days when he and his cohorts ruled the world, before, alas, they got above themselves and were slapped down, permanently as it turned out. During their abandoned spree, he and his fellows created creatures at will, sometimes to help out and some just because they could: the griffin, the opinicus, the basilisk, the hydra, the unicorn, the Pegasus, the questing beast, She that lives in Ness, and others. Richly illustrated with 45 stunning black and white drawings. MICHAEL MCCARTHY was a recognised expert in the field of ecclesiastical heraldry.

eBook available with sample pages: HB:0815300557