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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
A wonderful collection of 11 of Hans Christian Andersen's most
well-loved fairy tales illustrated by the charming colour plates
and black and white line drawings of Anne Anderson. Stories
Include: The Drop of Water; The Tinder Box; The Ugly Duckling; The
Little Match-Girl; The Garden of Paradise; Little Tuk; The Little
Mermaid; The Nightingale; The Marsh King's Daughter; Mother Elder;
and The Daisy. Many of the earliest children's books, particularly
those dating back to the 1850s and before, are now extremely scarce
and increasingly expensive. Pook Press are working to republish
these classic works in affordable, high quality, colour editions,
using the original text and artwork so these works can delight
another generation of children. About the Author: Hans Christian
Andersen (1805-1875) was a Danish poet and author celebrated for
his children's stories but perhaps best known for his immortal
Fairy Tales meant for both adults and children and frequently
written in a colloquial style to veil their sophisticated moral
teachings. He broke new ground in terms of style and content by
using idioms and constructions of spoken language in a way that had
previously not been seen in Danish literature. His poetry and
stories have been translated into over 150 languages, inspiring a
wealth of films, plays and ballets. About the Illustrator: Anne
Anderson (1874-c.1940) was a Scottish illustrator chiefly noted for
her Art Nouveau children's book illustrations that display fluidity
typical of the movement. Characteristic of her work are decorative
and lightly drawn or painted illustrations of neatly dressed
children, neatly dressed with pear-shaped faces. Anderson's work
has been compared to that of Jessie M. King, a contemporary.
Practiced today by more than 500 million adherents, Buddhism
emerged from India between the sixth and fourth centuries BCE.
Based around the original teachings of the Buddha, key texts
emerged to promote a true understanding of Buddhist ethics and
spiritual practices. The Buddhist traditions created a vast body of
mythological literature, much of it focused on the life of the
Buddha. For example, the 550 Jataka Tales tell of Buddha's early
life and renunciation, as well as his previous human and animal
incarnations. The stories also tell of Gautama Buddha's family,
such as his mother Mara, and her dream of a white elephant
preceding his birth; as well as his cousin, Devadatta, a disciple
monk who rebelled against Buddha and tried to kill him. Buddhist
literature includes numerous parables - such as the Turtle Who
Couldn't Stop Talking - as well as recounting scenes from the
Indian epic the Ramayana. History and myth intermingle in texts
such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed
as a model of Buddhist kingship. Illustrated with 120 photographs
and artworks, Buddhist Myths is an accessible, engaging and highly
informative exploration of the fascinating mythology underlying one
of the world's oldest and most influential religions.
Singing for the Gods develops a new approach towards an old
question in the study of religion - the relationship of myth and
ritual. Focusing on ancient Greek religion, Barbara Kowalzig
exploits the joint occurrence of myth and ritual in archaic and
classical Greek song-culture. She shows how choral performances of
myth and ritual, taking place all over the ancient Greek world in
the early fifth century BC, help to effect social and political
change in their own time. Religious song emerges as integral to a
rapidly changing society hovering between local, regional, and
panhellenic identities and between aristocratic rule and democracy.
Drawing on contemporary debates on myth, ritual, and performance in
social anthropology, modern history, and theatre studies, this book
establishes Greek religion's dynamic role and gives religious
song-culture its deserved place in the study of Greek history.
This collection of Japanese fairy tales is the outcome of a
suggestion made to me indirectly through a friend by Mr. Andrew
Lang. They have been translated from the modern version written by
Sadanami Sanjin. These stories are not literal translations, and
though the Japanese story and all quaint Japanese expressions have
been faithfully preserved, they have been told more with the view
to interest young readers of the West than the technical student of
folk - lore. Grateful acknowledgment is due to Mr. Y. Yasuoka, Miss
Fusa Okamoto, my brother Nobumori Ozaki, Dr. Yoshihiro Takaki, and
Miss Kameko Yamao, who have helped me with translations.
Now available in 23 languages! The Big Bad Wolf is late AGAIN and
is ruining stories as he rushes through the forest to Grandma's
house. When the Three Little Pigs get seriously grumpy AGAIN, Wolf
tells them he's had ENOUGH. There will be no more HUFFING and
PUFFING from this Big Bad Wolf. The fairytale characters aren't
worried - they can totally manage without him! But Big Bad Wolfing
is harder than it looks ... And what happens when they realise that
they really need a Big Bad Wolf in this story? From the pairing
behind the fabulously funny and internationally bestselling There
Is No Dragon In This Story comes another hilarious story featuring
your favourite fairytale characters as you've never seen them
before!
On the Internet, seekers investigate anonymous manifestos that
focus on the findings of brilliant scientists said to have
discovered pathways into alternate realities. Gathering on web
forums, researchers not only share their observations, but also
report having anomalous experiences, which they believe come from
their online involvement with these veiled documents. Seeming logic
combines with wild twists of lost Moorish science and pseudo-string
theory. Enthusiasts insist any obstacle to revelation is a sure
sign of great and wide-reaching efforts by consensus powers wishing
to suppress all the liberating truths in the Incunabula Papers
(included here in complete form).
In "Legend-Tripping Online," Michael Kinsella explores these and
other extraordinary pursuits. This is the first book dedicated to
legend-tripping, ritual quests in which people strive to explore
and find manifest the very events described by supernatural
legends. Through collective performances, legend-trippers harness
the interpretive frameworks these stories provide and often claim
incredible, out-of-this-world experiences that in turn perpetuate
supernatural legends.
Legends and legend-tripping are assuming tremendous prominence
in a world confronting new speeds of diversification, connection,
and increasing cognitive load. As guardians of tradition as well as
agents of change, legends and the ordeals they inspire
contextualize ancient and emergent ideas, behaviors, and
technologies that challenge familiar realities. This book analyzes
supernatural legends and the ways in which the sharing spirit of
the internet collectivizes, codifies, and makes folklore of
fantastic speculation.
Gathered here are gems galore, which, while revealing much as to
the Chinese national psyche, highlight particular traits and
characteristics that span the globe. We all know Chairman Mau's
infamous 'It doesn't matter what colour the cat, as long as it
catches mice', but most of us would only recognize an approximate
English equivalent of 'A mighty dragon cannot crush a local snake'
or, 'A Phoenix might come out of a crow's nest'. The beasts and
birds of legend and folklore provide the inimitable Kathryn Lamb's
pen with a feast of hilarious subjects, not least a certain
revolution at one ill-fated dinner party...
Coire Sois, The Cauldron of Knowledge: A Companion to Early Irish
Saga offers thirty-one previously published essays by Tomas O
Cathasaigh, which together constitute a magisterial survey of early
Irish narrative literature in the vernacular. O Cathasaigh has been
called "the father of early Irish literary criticism," with
writings among the most influential in the field. He pioneered the
analysis of the classic early Irish tales as literary texts, a
breakthrough at a time when they were valued mainly as repositories
of grammatical forms, historical data, and mythological debris. All
four of the Mythological, Ulster, King, and Finn Cycles are
represented here in readings of richness, complexity, and
sophistication, supported by absolute philological rigor and yet
easy for the non-specialist to follow. The book covers key terms,
important characters, recurring themes, rhetorical strategies, and
the narrative logic of this literature. It also surveys the work of
the many others whose explorations were launched by O Cathasaigh's
first encounters with the literature. As the most authoritative
single volume on the essential texts and themes of early Irish
saga, this collection will be an indispensable resource for
established scholars, and an ideal introduction for newcomers to
one of the richest and most under-studied literatures of medieval
Europe.
Superman rose from popular culture - comic books, newspaper strips,
radio, television, novels, and movies - but people have so embraced
the character that he has now become part of folklore. This
transition from popular to folk culture signals the importance of
Superman to fans and to a larger American populace. Superman's
story has become a myth dramatizing identity, morality, and
politics. Many studies have examined the ways in which folklore has
provided inspiration for other forms of culture, especially
literature and cinema. In Superman in Myth and Folklore, Daniel
Peretti explores the meaning of folklore inspired by popular
culture, focusing not on the Man of Steel's origins but on the
culture he has helped create. Superman provides a way to approach
fundamental questions of human nature, a means of exploring
humanity's relationship with divinity, an exemplar for debate about
the type of hero society needs, and an articulation of the tension
between the individual and the community. Through examinations of
tattoos, humor, costuming, and festivals, Peretti portrays Superman
as a corporate-owned intellectual property and a model for
behavior, a means for expression and performance of individual
identity, and the focal point for disparate members of fan
communities. As fans apply Superman stories to their lives, they
elevate him to a mythical status. Peretti focuses on the way these
fans have internalized various aspects of the character. In doing
so, he delves into the meaning of Superman and his place in
American culture and demonstrates the character's staying power.
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