Storytelling plays an important part in the vibrant cultural life of Zambia and in many other communities across Africa. This innovative book provides a collection and analysis of oral narrative traditions as practiced by five Bemba-speaking ethnic groups in Zambia. The integration of newly digitalised audio and video recordings into the text enables the reader to encounter the storytellers themselves and hear their narratives. Robert Cancel's thorough critical interpretation, combined with these newly digitalised audio and video materials, makes Storytelling in Northern Zambia a much needed addition to the slender corpus of African folklore studies that deal with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, reflexive description and simple documentation and succeeds in bringing to the reader a set of performers and their performances that are vivid, varied and instructive. He illustrates this living narrative tradition with a wide range of examples, and highlights the social status of narrators and the complex local identities that are at play. Cancel's study tells us not only about storytelling but sheds light on the study of oral literatures throughout Africa and beyond. Its innovative format, meanwhile, explores new directions in the integration of primary source material into scholarly texts. This book is the third volume in the World Oral Literature Series, developed in conjunction with the World Oral Literature Project.

The islands of Britain and Ireland hold a rich heritage of plant folklore and wisdom, from the magical yew tree to the bad-tempered dandelion. Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns. Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.

Folktales of Mizoram is a translated collection of sixty-six short stories from northeast India taken up for a critical evaluation. The stories depict a typical Mizo culture in spirit and practice. This study focuses on the transformation of oral literature into written narratives. Folk practices, folk medicine, folk narratives, traditional songs, and received wisdom dominate these stories. A more insightful approach into folk narratives and songs emphasizes the world of new hermeneutics. The land, the culture, the language, the traditions have been remarkably explored through an elegant reading and evaluation of this collection. Antiquity speaks through the folk tales. The spirit of folktales becomes one of unique exploration of hermeneutics in the end.

The Indo-Europeans, speakers of the prehistoric parent language from which most European and some Asiatic languages are descended, most probably lived on the Eurasian steppes some five or six thousand years ago. Martin West investigates their traditional mythologies, religions, and poetries, and points to elements of common heritage. In The East Face of Helicon (1997), West showed the extent to which Homeric and other early Greek poetry was influenced by Near Eastern traditions, mainly non-Indo-European. His new book presents a foil to that work by identifying elements of more ancient, Indo-European heritage in the Greek material. Topics covered include the status of poets and poetry in Indo-European societies; metre, style, and diction; gods and other supernatural beings, from Father Sky and Mother Earth to the Sun-god and his beautiful daughter, the Thunder-god and other elemental deities, and earthly orders such as Nymphs and Elves; the forms of hymns, prayers, and incantations; conceptions about the world, its origin, mankind, death, and fate; the ideology of fame and of immortalization through poetry; the typology of the king and the hero; the hero as warrior, and the conventions of battle narrative.

A resource guide by and about elders and the process of aging, this volume provides a list of over 1,500 references, all annotated, covering a wide range of subject areas. It is organized under such topics as "Customs and Beliefs," "Narratives," "Traditional Arts," "Health and Healing," and "Applied Folklore," and is further divided into regional and topical subheadings. It also features works on methods and concepts in field research in folklore, oral history, and community studies, a chapter on general works from other fields of interest, as well as a chapter on films. The introduction offers not only a description of the nature and role of elders as creators and carriers of culture, but also a challenge to readers--reflected in the broad range of materials cited--defying both narrow conceptions of aging and the aged, and limited notions about the full scope of expressive culture addressed by folklore studies.

With over 4, 000 entries, this mythological reference book is but a stepping stone to the world of mythology. This book is a tool to provide basic information on a wide spectrum of beings, objects, and ideas. Rom Greek and Roman myths to the myths of the Inuit and the Russians - the material is presented to help you enter into the world of myths; such as "The Iliad," "The Odyssey," and the Egyptian "Book of the Dead." A quick reference book divided into sections representing the different parts of the world. Although the majority of items deal with European mythology, there are ample references to other parts of our historical past.

The legendary feats of Davy Crockett, who could tree a ghost, ride his thirty-seven-foot-long alligator up Niagara Falls, and drink up the Mississippi River, are common knowledge to devotees of this nineteenth-century comic superhero. But what may come as a surprise to many is that the legendary frontiersman also served as the fictional narrator of a collection of outrageous tall tales about women in the same Crocket Almanacs in which he "recorded" his own adventures. Conceived as a marketing device by nineteenth-century publishers hoping to gain a share of the lucrative almanac market, such stories made these slim volumes the best-selling and longest-running series of comic almanacs published in the United States before the Civil War. Booking back at them now, the Crocket Almanacs offer a true "fun house mirror" view of the culture of antebellum America.

Greenbaum examines the use of use of myth as a means of social control and examines the corporate mythology of the Gilded Age. Progressive politicians led the opposition to these myths, arguing that government was not to be used to enrich corporations, but to reduce their economic and political power and to increase equity. The progressive challenge redirected government to serve the larger commonwealth and, thus, transformed ordinary lives. Gilded Age mythology, resurrected in the 1980s, restored corporate domination and economic inequity.

Through his extensive analysis of the lives of six prominent Progressives, Greenbaum seeks to contravene contemporary mythology. He begins with George Norris of Nebraska, a Republican Congressman and Senator from 1906 until 1942; William E. Borah, Republican of Idaho, who served in the Senate from 1906 until his death in 1940; and Hiram Johnson, who was Republican Governor of California, Progressive Vice Presidential candidate in 1912, and Senator from 1916 until his demise in 1945. These chapters are followed by an examination of William Gibbs McAdoo, a New York business promoter, who was Wilson's Secretary of the Treasury, the leading candidate for the 1924 Democratic Presidential nomination, and Senator from California from 1932 until 1938; Bainbridge Colby, a New York legislator, who supported Theodore Roosevelt in 1912 and was Wilson's last Secretary of State; and Edward P. Costigan, Colorado Republican, who became the Progressive appointee to the Tariff Commission and Democratic Senator from 1930 through 1936. The volume concludes with an analysis of the progressive impulse and contrasts progressive views with resurrected Gilded Age mythology, the new ideas of the 1980s. An important study for scholars, students, and other researchers interested in progressivism and the role of government in American socioeconomic life and intelligent readers interested in ideas.

Only one of the world's mythologies has remained essentially unrecognized-the mythology of Judaism. As Howard Schwartz reveals in Tree of Souls, the first anthology of Jewish mythology in English, this mythical tradition is as rich and as fascinating as any in the world. Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adam's diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eve's release of evil into the world with Pandora's). For ease of use, Schwartz divides the volume into ten books: Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah. Schwartz, a renowned collector and teller of traditional Jewish tales, now illuminates the previously unexplored territory of Jewish mythology. This pioneering anthology is essential for anyone interested in the Hebrew Bible, Jewish faith and culture, and world mythology.

Kansas Myths and Legends explores unusual events, unsolved crimes, and legends in Kansas's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in Kansas history. The more than a dozen stories answer questions such as: Is it possible that a family of four living on the Kansas prairie got away with serial murder for more than three years and escaped to another part of the country to continue their killing spree? Are there still remnants of a late widow's fortune buried throughout her property? Is the well-marked grave of Buffalo Bill Cody indeed his final resting place, or did some loyal friends surreptitiously remove him from Colorado and fulfill his last wish to be buried near his namesake town? From rumors of the Dalton gang's buried treasures to the disappearance of an entire town, Kansas Myths and Legends makes history fun and pulls back the curtain on some of the state's most fascinating and compelling stories.

This collection of Cuban legends, compiled by the ronowned essayist and literary critic Salvador Bueno, brings readers the best of a time-honored tradition of storytelling in Cuba. These tales, passed on from generation to generation throughout the island, are here retold by a diverse group of prominent Cuban literary figures. Their stories embrace a broad spectrum of Cuban history from the remote past to the modern era. The book features stories of the Taino and Siboney, the island's original inhabitants, accompanied by narratives about Afro-Cuban religious and cultural traditions, and finally tales that are typically ""Cuban"" because they illustrate both the cohesion of the various strands - Hispanic, African, and indigenous - that define Cuban nationality and the patriotism and love of freedom exemplified in the celebrated struggles against Spanish colonialism. Cuban Legends brings to life the stories of unforgettable people and words that have survived the passage of time. They are both witty and wise, and capture the essential spirit of Cuban culture.

A pioneer in the strange art and ambiguous science of zo phagy-that is, of studying animals by eating them-British natural historian FRANCIS TREVELYAN BUCKLAND (1826-1880) was a wildly popular speaker and writer of the Victorian era. In his classic four-volume Curiosities of Natural History, published between 1857 and 1872, he shared his love of creatures exotic and mysterious with readers who devoured his charming and erudite essays much in the same way he devoured his animal subjects. "If there is one person that I would have expected to have captured a sea serpent in the 19th century for the sole purpose of eating it, it would be Frank Buckland," writes cryptozoologist Loren Coleman in his new introduction to Buckland's series. One of the founding grandfathers of cryptozoology, the discipline that investigates animal mysteries, Buckland was not "a wild-eyed 'true believer' in anything strange," insists Coleman, but brought, instead, "a skeptical, open-minded approach" to his work. Indeed, here, in the "fourth series" of Curiosities of Natural History, Buckland's erudition is clear in his animated discussions of, among many other things, measuring a French giant, the "woolly woman of Hayti," performing fleas, six thousand parakeets, the intemperance of salmon, and fossil pork. This new edition, a replica of the 1888 "Popular Edition," is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot : The True Story of Apes in America and Mothman and Other Curious Encounters.

Since their expulsion from Spain in 1492, Sephardic Jews have managed to maintain their Jewish faith and Spanish group identity and have developed a uniquely Judeo-Spanish culture wherever they settled. Among the important cultural ties within these Sephardic groups are Judeo-Spanish folktales, stories that have been passed down from generation to generation, either in the distinct language of the group, Judeo-Spanish (Ladino), or in other languages, such as Hebrew. In ""The Heart Is a Mirror"", Tamar Alexander-Frizer examines the folk narratives of Sephardic Jews to view them both in relation to universal narrative traditions and the traditions of Jewish culture.In part 1, Alexander-Frizer investigates the relationship between folk literature and group identity via the stories' connection to Hebrew canonical sources, their historical connection to the land of origin, their treatment of prominent family members and historical events, and their connection to the surrounding culture in the lands of the Spanish Diaspora. Part 2 contains an analysis of several important genres and subgenres present in the folktales, including legends, ethical tales, fairy tales, novellas, and humorous tales. Finally, in part 3, Alexander-Frizer discusses the art of storytelling, introducing the other theatrical and rhetorical aspects tied up in the Sephardic folktales, such as the storyteller, the audience, and the circumstances of time and place.This thorough and thought-provoking study is based on a corpus of over four thousand stories told by descendents of the Spanish Diaspora. An introduction addresses methodological problems that arise from the need to define the stories as Judeo-Spanish in character, as well as from methods of recording and publishing them in anthologies. Jewish studies scholars, as well as those interested in folktale studies, will gain much from this fascinating and readable volume.