The legendary feats of Davy Crockett, who could tree a ghost, ride his thirty-seven-foot-long alligator up Niagara Falls, and drink up the Mississippi River, are common knowledge to devotees of this nineteenth-century comic superhero. But what may come as a surprise to many is that the legendary frontiersman also served as the fictional narrator of a collection of outrageous tall tales about women in the same Crocket Almanacs in which he "recorded" his own adventures. Conceived as a marketing device by nineteenth-century publishers hoping to gain a share of the lucrative almanac market, such stories made these slim volumes the best-selling and longest-running series of comic almanacs published in the United States before the Civil War. Booking back at them now, the Crocket Almanacs offer a true "fun house mirror" view of the culture of antebellum America.

A captivating, magical and haunting debut novel of breathtaking imagination, from the winner of the 2014 Costa Short Story Award

LONGLISTED FOR THE 2019 INTERNATIONAL DYLAN THOMAS PRIZE

'That rare thing: genuinely unique' OBSERVER

'Will win you over ... Magical' THE TIMES

'Absolutely stunning. I loved it' MADELINE MILLER, AUTHOR OF CIRCE

On the remote island of Neverness, the villagers' lives are entwined with nature: its enchantments, seductions and dangers. There is May, the young fiddler who seeks her musical spirit; Madden Lightfoot, who flies with red kites; and Verlyn Webbe, born with a wing for an arm. Over the course of a generation, their desires, gossip and heartbreak interweave to create a staggeringly original world, crackling with echoes of ancient folklore.

Greenbaum examines the use of use of myth as a means of social control and examines the corporate mythology of the Gilded Age. Progressive politicians led the opposition to these myths, arguing that government was not to be used to enrich corporations, but to reduce their economic and political power and to increase equity. The progressive challenge redirected government to serve the larger commonwealth and, thus, transformed ordinary lives. Gilded Age mythology, resurrected in the 1980s, restored corporate domination and economic inequity.

Through his extensive analysis of the lives of six prominent Progressives, Greenbaum seeks to contravene contemporary mythology. He begins with George Norris of Nebraska, a Republican Congressman and Senator from 1906 until 1942; William E. Borah, Republican of Idaho, who served in the Senate from 1906 until his death in 1940; and Hiram Johnson, who was Republican Governor of California, Progressive Vice Presidential candidate in 1912, and Senator from 1916 until his demise in 1945. These chapters are followed by an examination of William Gibbs McAdoo, a New York business promoter, who was Wilson's Secretary of the Treasury, the leading candidate for the 1924 Democratic Presidential nomination, and Senator from California from 1932 until 1938; Bainbridge Colby, a New York legislator, who supported Theodore Roosevelt in 1912 and was Wilson's last Secretary of State; and Edward P. Costigan, Colorado Republican, who became the Progressive appointee to the Tariff Commission and Democratic Senator from 1930 through 1936. The volume concludes with an analysis of the progressive impulse and contrasts progressive views with resurrected Gilded Age mythology, the new ideas of the 1980s. An important study for scholars, students, and other researchers interested in progressivism and the role of government in American socioeconomic life and intelligent readers interested in ideas.

Only one of the world's mythologies has remained essentially unrecognized-the mythology of Judaism. As Howard Schwartz reveals in Tree of Souls, the first anthology of Jewish mythology in English, this mythical tradition is as rich and as fascinating as any in the world. Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adam's diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eve's release of evil into the world with Pandora's). For ease of use, Schwartz divides the volume into ten books: Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah. Schwartz, a renowned collector and teller of traditional Jewish tales, now illuminates the previously unexplored territory of Jewish mythology. This pioneering anthology is essential for anyone interested in the Hebrew Bible, Jewish faith and culture, and world mythology.

This collection of Cuban legends, compiled by the ronowned essayist and literary critic Salvador Bueno, brings readers the best of a time-honored tradition of storytelling in Cuba. These tales, passed on from generation to generation throughout the island, are here retold by a diverse group of prominent Cuban literary figures. Their stories embrace a broad spectrum of Cuban history from the remote past to the modern era. The book features stories of the Taino and Siboney, the island's original inhabitants, accompanied by narratives about Afro-Cuban religious and cultural traditions, and finally tales that are typically ""Cuban"" because they illustrate both the cohesion of the various strands - Hispanic, African, and indigenous - that define Cuban nationality and the patriotism and love of freedom exemplified in the celebrated struggles against Spanish colonialism. Cuban Legends brings to life the stories of unforgettable people and words that have survived the passage of time. They are both witty and wise, and capture the essential spirit of Cuban culture.

Since their expulsion from Spain in 1492, Sephardic Jews have managed to maintain their Jewish faith and Spanish group identity and have developed a uniquely Judeo-Spanish culture wherever they settled. Among the important cultural ties within these Sephardic groups are Judeo-Spanish folktales, stories that have been passed down from generation to generation, either in the distinct language of the group, Judeo-Spanish (Ladino), or in other languages, such as Hebrew. In ""The Heart Is a Mirror"", Tamar Alexander-Frizer examines the folk narratives of Sephardic Jews to view them both in relation to universal narrative traditions and the traditions of Jewish culture.In part 1, Alexander-Frizer investigates the relationship between folk literature and group identity via the stories' connection to Hebrew canonical sources, their historical connection to the land of origin, their treatment of prominent family members and historical events, and their connection to the surrounding culture in the lands of the Spanish Diaspora. Part 2 contains an analysis of several important genres and subgenres present in the folktales, including legends, ethical tales, fairy tales, novellas, and humorous tales. Finally, in part 3, Alexander-Frizer discusses the art of storytelling, introducing the other theatrical and rhetorical aspects tied up in the Sephardic folktales, such as the storyteller, the audience, and the circumstances of time and place.This thorough and thought-provoking study is based on a corpus of over four thousand stories told by descendents of the Spanish Diaspora. An introduction addresses methodological problems that arise from the need to define the stories as Judeo-Spanish in character, as well as from methods of recording and publishing them in anthologies. Jewish studies scholars, as well as those interested in folktale studies, will gain much from this fascinating and readable volume.

Kansas Myths and Legends explores unusual events, unsolved crimes, and legends in Kansas's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in Kansas history. The more than a dozen stories answer questions such as: Is it possible that a family of four living on the Kansas prairie got away with serial murder for more than three years and escaped to another part of the country to continue their killing spree? Are there still remnants of a late widow's fortune buried throughout her property? Is the well-marked grave of Buffalo Bill Cody indeed his final resting place, or did some loyal friends surreptitiously remove him from Colorado and fulfill his last wish to be buried near his namesake town? From rumors of the Dalton gang's buried treasures to the disappearance of an entire town, Kansas Myths and Legends makes history fun and pulls back the curtain on some of the state's most fascinating and compelling stories.

Purple star is an angelic being, who is a star that shines in the night sky but also can transform into human shape living on the spiritual realm. This book is her story to what she has witnessed with the fight between heaven and hell and how earth is always in the middle. Purple star is a seerer and can see the path in which knights and warriors are to take. She is also known as a path finder as she sees things that others do not. This book is all based on the spiritual realm known as the angelic realm. She tells of fights between the light and the dark, a rescue mission and how her life becomes in danger, and a dark star angel that lives in the dark and who has fallen in love with purple star, and she knows it, but they both accept their own path and side they live. Many keep them apart, and the dark will not release him to be with her in the light. He is punished many times for protecting her to the point his life force flows from his body. Together they are a mighty fighting force their gifts combined, and they would withstand all that is thrown at them; one protects the other, and nobody would be able to come between them. The light accepts him as he has harm none.

Ireland has a rich mythological tradition that stretches back for centuries, and much of this folklore tells tales of the fantastic. During the Irish Renaissance, authors such as William Butler Yeats and Lady Gregory resurrected Irish folklore in their literary and dramatic works, thus restoring the popularity of Irish myth and legend. Since the Irish Renaissance, many Irish authors have continued to incorporate Celtic folklore in their novels. This book examines how various conventions from Irish folklore have been subsumed in twelve Irish novels published between 1912 and 1948, including works by James Joyce, Flann O'Brien, Mervyn Wall, Darrell Figgis, Eimar O'Duffy, and James Stephens. The volume explores how these writers have incorporated in their own works such conventions as heroic obligations, metamorphoses, and the blending of pagan and Christian myths.

In an episodic overview of Joyce's "Ulysses," specific Irish source works are discussed, including the Irish "imram" or sea voyage, and the "bruidhean" adventure, or entrapment episode. The conventions of "geis," metamorphosis, and the Ossianic tradition are studied in "Finnegans Wake," alongside a traditional Irish ballad, "The Annals of the Four Masters," and the "Acallamh na Senorach" In Flann O'Brien's "At Swim-Two-Birds, /i> and "The Third Policeman," an innovative approach to parody is shown. Mervyn Wall operates as a sometimes unwitting commentator on Irish hero tales, via comic irony and inverted motifs, while Darrell Figgis recalls the passing of Celtic heroic traditions in his bitter satire of Saint Patrick and Ois DEGREESD'in's legendary dispute, in "The Return of the Hero." Eimar O'Duffy's satire of modern Ireland mourns the end of Celtic heroic values in a fantasy that is overwhelmingly pessimistic in tone, while James Stephens extols the virtues of the imagination in "The Crock of Gold" and "The Demi-Gods."

The story of King Solomon has fascinated spiritual and religious writers for millennia - this book advances a theory that Solomon was infact a Magi who created many of the rituals, spells and symbols important to occultists. Although the idea that Solomon carried some sort of mystical powers is not new, this book purports to be written in the ancient king of the Jews' own hand. The magical symbols and diagrams which are situated alongside the various rituals and incantations are intricate, containing pentacles and other shapes. Towards the end of the book a large table is appended, detailing a selection of mystical alphabets and their English. For his investigation, Mathers delved deep into the archives of the British Museum, unearthing an old French manuscript of the text which he duly translated into English. He also replicated the diagrams and symbols; these efforts resulted in this modern English version of the old Solomon manuscripts, and an increase in interest toward writings hitherto obscure.

This book provides students, instructors, and lay-readers with a cross-cultural understanding of storytelling as an art form that has existed for centuries, from the first spoken and sung stories to those that are drawn and performed today. This book serves as an indispensable resource for students and scholars interested in storytelling and in multicultural approaches to the arts. By taking an evolutionary approach, this book begins with a discussion of origin stories and continues through history to stories of the 21st century. The text not only engages the stories themselves, it also explains how individuals from all disciplines, from doctors and lawyers to priests and journalists, use stories to focus their readers' and listeners' attention and influence them. This text addresses stories and storytelling across both time (thousands of years) and geography, including in-depth descriptions of storytelling practices occurring in more than 40 different cultures around the world. Part I consists of thematic essays, exploring such topics as the history of storytelling, common elements across cultures, different media, lessons stories teach us, and storytelling today. Part II looks at more than 40 different cultures, with entries following the same outline: Overview, Storytellers: Who Tell the Stories, and When, Creation Mythologies, Teaching Tales and Values, and Cultural Preservation. Several tales/tale excerpts accompany each entry. Describes the earliest evidence of storytelling, which dates back thousands of years, and discusses how we can learn about our ancestors and their lives and concerns going all the way back to the stories depicted in the cave art they left behind Discusses how the content of stories has changed over time, influenced by such things as the development of agriculture, the establishment of the first urban centers, the invention of the printing press, widespread literacy, the industrial revolution, and scientific discoveries Explains how our response to storytelling-why stories interest us and why we continue to tell and listen to stories-is an inheritance from our ancient ancestors Investigates storytelling practices from more than 40 different culture groups around the world Incorporates text and translations of original stories told across cultures, almost verbatim, for thousands of years

A fresh and sympathetic investigation of the depiction of wolves in early medieval literature, recuperating their reputation. The best-known wolves of Old English literature are the Beasts of Battle, alongside ravens and eagles as ravenous heralds of doom who haunt the battlefield in the hope of fresh meat plucked from still-warm bodies. Yet to reduce these animals to mere corpse-scavengers is to deny that they are frequently imbued with a variety of far more nuanced meanings elsewhere in the corpus. Two such meanings are inherited from ancient and medieval European lupine motifs: the superstition that the wolf could steal a person's speech, and the perceived contiguous natures of wolves and human outlaws. Tracing the history of these associations and the evidence to suggest that they were known to writers working in early medieval England, this book provides new, animal-centric readings of Wulf and Eadwacer, Abbo of Fleury and AElfric's Passiones Eadmundi, and Beowulf, placing these texts within a lupine literary network that transcends time and place. By exploring the intricate, contradictory, and even sympathetic depictions of the wolves and wolf-like entities found within these texts, this book banishes all notions of the medieval wolf as the one-dimensional, man-eating creature that it is so often understood to be.

From the mysterious disappearance of hijacker D.B. Cooper to persistent rumors of bigfoot, this selection of thirteen stories from Oregon's past explores some of the Beaver State's most compelling mysteries and debunks some of its most famous myths. Read about the mysterious disappearances of several people over the years around Mount Emily, relive the gruesome discovery of three murdered trappers near the Deschutes River, and learn why many people believe an eleven-ton meteorite might be hidden in the mountains of southwestern Oregon.

First published in 1964, Indaba, My Children is an internationally acclaimed collection of African folk tales that chart the story of African tribal life since the time of the Phoenicians. It is these stories that have shaped Africa as we know it.

A pioneer in the strange art and ambiguous science of zo phagy-that is, of studying animals by eating them-British natural historian FRANCIS TREVELYAN BUCKLAND (1826-1880) was a wildly popular speaker and writer of the Victorian era. In his classic four-volume Curiosities of Natural History, published between 1857 and 1872, he shared his love of creatures exotic and mysterious with readers who devoured his charming and erudite essays much in the same way he devoured his animal subjects. "If there is one person that I would have expected to have captured a sea serpent in the 19th century for the sole purpose of eating it, it would be Frank Buckland," writes cryptozoologist Loren Coleman in his new introduction to Buckland's series. One of the founding grandfathers of cryptozoology, the discipline that investigates animal mysteries, Buckland was not "a wild-eyed 'true believer' in anything strange," insists Coleman, but brought, instead, "a skeptical, open-minded approach" to his work. Indeed, here, in the "fourth series" of Curiosities of Natural History, Buckland's erudition is clear in his animated discussions of, among many other things, measuring a French giant, the "woolly woman of Hayti," performing fleas, six thousand parakeets, the intemperance of salmon, and fossil pork. This new edition, a replica of the 1888 "Popular Edition," is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot : The True Story of Apes in America and Mothman and Other Curious Encounters.

Dartmoor Legends By Eva C. Roberts 296 pages Contents include: The magic mist - The vengeance of belus - The bards of the wood of Wistman - The story of the spinners rock - The golden maze - The legend of the grey wethers - The nymph Tamara - The wrath of Taranis - The pixies of Ockington wood - The legend of the Abbots way - The legend of Guile bridge Originally published in 1912. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In the final years of the Soviet Union and into the 1990s, Soviet Jews immigrated to Israel at an unprecedented rate, bringing about profound changes in Israeli society and the way immigrants understood their own identity. In this volume ex-Soviets in Israel reflect on their immigration experiences, allowing readers to explore this transitional cultural group directly through immigrants' thoughts, memories, and feelings, rather than physical artifacts like magazines, films, or books. Drawing on their fieldwork as well as on analyses of the Russian-language Israeli media and Internet forums, Larisa Fialkova and Maria N. Yelenevskaya present a collage of cultural and folk traditions--from Slavic to Soviet, Jewish, and Muslim--to demonstrate that the mythology of Soviet Jews in Israel is still in the making. The authors begin by discussing their research strategies, explaining the sources used as material for the study, and analyzing the demographic profile of the immigrants interviewed for the project. Chapters use immigrants' personal recollections to both find fragments of Jewish tradition that survived despite the assimilation policy in the USSR and show how traditional folk perception of the Other affected immigrants' interaction with members of their receiving society. The authors also investigate how immigrants' perception of time and space affected their integration, consider the mythology of Fate and Lucky Coincidences as a means of fighting immigrant stress, examine folk-linguistics and the role of the lay-person's view of languages in the life of the immigrant community, and analyze the transformation of folklore genres and images of the country of origin under new conditions. As the biggest immigration wave from a single country in Israel's history, the ex-Soviet Jews make a fascinating case study for a variety of disciplines. Ex-Soviets in Israel will be of interest to scholars who work in Jewish and immigration studies, modern folklore, anthropology, and sociolinguistics.