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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
Singing for the Gods develops a new approach towards an old
question in the study of religion - the relationship of myth and
ritual. Focusing on ancient Greek religion, Barbara Kowalzig
exploits the joint occurrence of myth and ritual in archaic and
classical Greek song-culture. She shows how choral performances of
myth and ritual, taking place all over the ancient Greek world in
the early fifth century BC, help to effect social and political
change in their own time. Religious song emerges as integral to a
rapidly changing society hovering between local, regional, and
panhellenic identities and between aristocratic rule and democracy.
Drawing on contemporary debates on myth, ritual, and performance in
social anthropology, modern history, and theatre studies, this book
establishes Greek religion's dynamic role and gives religious
song-culture its deserved place in the study of Greek history.
Superman rose from popular culture - comic books, newspaper strips,
radio, television, novels, and movies - but people have so embraced
the character that he has now become part of folklore. This
transition from popular to folk culture signals the importance of
Superman to fans and to a larger American populace. Superman's
story has become a myth dramatizing identity, morality, and
politics. Many studies have examined the ways in which folklore has
provided inspiration for other forms of culture, especially
literature and cinema. In Superman in Myth and Folklore, Daniel
Peretti explores the meaning of folklore inspired by popular
culture, focusing not on the Man of Steel's origins but on the
culture he has helped create. Superman provides a way to approach
fundamental questions of human nature, a means of exploring
humanity's relationship with divinity, an exemplar for debate about
the type of hero society needs, and an articulation of the tension
between the individual and the community. Through examinations of
tattoos, humor, costuming, and festivals, Peretti portrays Superman
as a corporate-owned intellectual property and a model for
behavior, a means for expression and performance of individual
identity, and the focal point for disparate members of fan
communities. As fans apply Superman stories to their lives, they
elevate him to a mythical status. Peretti focuses on the way these
fans have internalized various aspects of the character. In doing
so, he delves into the meaning of Superman and his place in
American culture and demonstrates the character's staying power.
This collection of Japanese fairy tales is the outcome of a
suggestion made to me indirectly through a friend by Mr. Andrew
Lang. They have been translated from the modern version written by
Sadanami Sanjin. These stories are not literal translations, and
though the Japanese story and all quaint Japanese expressions have
been faithfully preserved, they have been told more with the view
to interest young readers of the West than the technical student of
folk - lore. Grateful acknowledgment is due to Mr. Y. Yasuoka, Miss
Fusa Okamoto, my brother Nobumori Ozaki, Dr. Yoshihiro Takaki, and
Miss Kameko Yamao, who have helped me with translations.
This comprehensive collection of folk hero tales builds on the
success of the first edition by providing readers with expanded
contextual information on story characters from the Americas to
Zanzibar. Despite the tremendous differences between cultures and
ethnicities across the world, all of them have folk heroes and
heroines-real and imagined-that have been represented in tales,
legends, songs, and verse. These stories persist through time and
space, over generations, even through migrations to new countries
and languages. This encyclopedia is a one-stop source for broad
coverage of the world's folk hero tales. Geared toward high school
and early college readers, the book opens with an overview of folk
heroes and heroines that provides invaluable context and then
presents a chronology. The book is divided into two main sections:
the first provides entries on the major types and themes; the
second addresses specific folk tale characters organized by
continent with folk hero entries organized alphabetically. Each
entry provides cross references as well as a list of further
readings. Continent sections include a bibliography for additional
research. The book concludes with an alphabetical list of heroes
and an index of hero types. Supplies entries on folk tale
characters worldwide that identify related heroes and heroines and
provide additional contextual information Features a geographical
organization that enables readers to research a specific region's
folk characters Provides an alphabetical index as well as an index
of heroic character types to facilitate cross-cultural and
historical comparisons Includes sidebars with passages from the
folk tales, popular culture, and other items of interest
This is a fully annotated edition of selected letters by (and in
some cases to) Sir J. G. Frazer (1854-1941), the eminent
anthropologist, classicist, and historian of religion. Frazer was
read by virtually everyone working in those fields in the first
third of the twentieth century. His great work, The Golden Bough,
offered a grand vision of humanity's mental and spiritual evolution
- from vain attempts to compel the gods to do our bidding (which
Frazer called magic) through equally vain attempts to propitiate
the gods through prayer and sacrifice (his characterization of
religion) to rationality and science. His richly varied
correspondence with prominent figures such as Edmund Gosse, A. E.
Housman, and Bronislaw Malinowski, among others, offers an
unparalleled insight into British intellectual life of the time,
and also throws light upon the composition of The Golden Bough
itself.
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