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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
The Angel and the Cholent: Food Representation from the Israel
Folktale Archives by Idit Pintel-Ginsberg, translated into English
for the first time from Hebrew, analyzes how food and foodways are
the major agents generating the plots of several significant
folktales. The tales were chosen from the Israel Folktales
Archives' (IFA) extensive collection of twenty-five thousand tales.
In looking at the subject of food through the lens of the folktale,
we are invited to consider these tales both as a reflection of
society and as an art form that discloses hidden hopes and often
subversive meanings. The Angel and the Cholent presents thirty
folktales from seventeen different ethnicities and is divided into
five chapters. Chapter 1 considers food and taste-tales included
here focus on the pleasure derived by food consumption and its
reasonable limits. The tales in Chapter 2 are concerned with food
and gender, highlighting the various and intricate ways food is
used to emphasize gender functions in society, the struggle between
the sexes, and the love and lust demonstrated through food
preparations and its consumption. Chapter 3 examines food and class
with tales that reflect on how sharing food to support those in
need is a universal social act considered a ""mitzvah"" (a Jewish
religious obligation), but it can also become an unspoken burden
for the providers. Chapter 4 deals with food and kashrut-the tales
included in this chapter expose the various challenges of ""keeping
kosher,"" mainly the heavy financial burden it causes and the
social price paid by the inability of sharing meals with non-Jews.
Finally, Chapter 5 explores food and sacred time, with tales that
convey the tension and stress caused by finding and cooking
specific foods required for holiday feasts, the Shabbat and other
sacred times. The tales themselves can be appreciated for their
literary quality, humor, and profound wisdom. Readers, scholars,
and students interested in folkloristic and anthropological foodway
studies or Jewish cultural studies will delight in these tales and
find the editorial commentary illuminating.
Where did the unicorn come from and how was it accepted for so
long as a part of the animal kingdom? Chris Lavers argues that
although the unicorn of our imagination isn't real, traces of its
character can be found in existing species. In this lively and
vivid exploration of the natural world, Lavers follows the beast's
trail to the plateaus of India and into the jungles of Africa to
unearth the flesh and blood ancestors of our iconic unicorn--and,
along the way, he introduces the peoples, historians, explorers,
traders, and scientists who steadfastly believed.
Born in 1928 in a tent on the shore of Loch Fyne, Argyll, Duncan
Williamson (d. 2007) eventually came to be recognized as one of the
foremost storytellers in Scotland and the world. Webspinner: Songs,
Stories, and Reflections of Duncan Williamson, Scottish Traveller
is based on more than a hundred hours of tape-recorded interviews
undertaken with him in the 1980s. Williamson tells of his birth and
upbringing in the west of Scotland, his family background as one of
Scotland's seminomadic travelling people, his varied work
experiences after setting out from home at about age fifteen, and
the challenges he later faced while raising a family of his own,
living on the road for half the year. The recordings on which the
book is based were made by John D. Niles, who was then an associate
professor at the University of California, Berkeley. Niles has
transcribed selections from his field tapes with scrupulous
accuracy, arranging them alongside commentary, photos, and other
scholarly aids, making this priceless self-portrait of a brilliant
storyteller available to the public. The result is a delight to
read. It is also a mine of information concerning a vanished way of
life and the place of singing and storytelling in Traveller
culture. In chapters that feature many colorful anecdotes and that
mirror the spontaneity of oral delivery, readers learn much about
how Williamson and other members of his persecuted minority had the
resourcefulness to make a living on the outskirts of society,
owning very little in the way of material goods but sustained by a
rich oral heritage.
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