When this work - one that contributes to both the history and anthropology fields - first appeared in 1982, it was hailed as a landmark study of the role of folklore in nation-building. It has since been highly influential in reshaping the analysis of Greek and European cultural dynamics. In this expanded edition, a new introduction by the author and an epilogue by Sharon Macdonald document its importance for the emergence of serious anthropological interest in European culture and society and for current debates about Greece's often contested place in the complex politics of the European Union.

"The Origins and History of Consciousness" draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann was one of C. G. Jung's most creative students and a renowned practitioner of analytical psychology in his own right. In this influential book, Neumann shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, Great Mother, Separation of the World Parents, Birth of the Hero, Slaying of the Dragon, Rescue of the Captive, and Transformation and Deification of the Hero. Throughout the sequence, the Hero is the evolving ego consciousness.

Featuring a foreword by Jung, this Princeton Classics edition introduces a new generation of readers to this eloquent and enduring work.

Myths & Mysteries of Alaska explores unusual phenomena, strange events, and mysteries in the Last Frontier's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in Alaska history.

Now available in 23 languages! The Big Bad Wolf is late AGAIN and is ruining stories as he rushes through the forest to Grandma's house. When the Three Little Pigs get seriously grumpy AGAIN, Wolf tells them he's had ENOUGH. There will be no more HUFFING and PUFFING from this Big Bad Wolf. The fairytale characters aren't worried - they can totally manage without him! But Big Bad Wolfing is harder than it looks ... And what happens when they realise that they really need a Big Bad Wolf in this story? From the pairing behind the fabulously funny and internationally bestselling There Is No Dragon In This Story comes another hilarious story featuring your favourite fairytale characters as you've never seen them before!

Perhaps no other stories have ever been told so often or listened to with so much pleasure as the classic tales of ancient Greece. For many ages they have been a source of delight to young people and old, to the ignorant and the learned, to all who love to hear about and contemplate things mysterious, beautiful, and grand. They have become so incorporated into our language and thought, and so interwoven with our literature, that we could not do away with them now if we would. They are a portion of our heritage from the distant past, and they form perhaps as important a part of our intellectual life as they did of that of the people among whom they originated.

This is an engaging account of the world of the Vikings and their gods. As the Vikings began to migrate overseas as raiders or settlers in the late eighth century, there is evidence that this new way of life, centred on warfare, commerce and exploration, brought with it a warrior ethos that gradually became codified in the Viking myths, notably in the cult of Odin, the god of war, magic and poetry, and chief god in the Norse pantheon. The twelfth and thirteenth centuries, when most of Scandinavia had long since been converted to Christianity, form perhaps the most important era in the history of Norse mythology: only at this point were the myths of Thor, Freyr and Odin first recorded in written form. Using archaeological sources to take us further back in time than any written document, the accounts of foreign writers like the Roman historian Tacitus, and the most important repository of stories of the gods, old Norse poetry and the Edda, Christopher Abram leads the reader into the lost world of the Norse gods.

The islands of Britain and Ireland hold a rich heritage of plant folklore and wisdom, from the magical yew tree to the bad-tempered dandelion. Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns. Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.

Text extracted from opening pages of book: THE ELDER EDDA AND ANCIENT SCANDINAVIAN DRAMA CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGER LONDON: FETTER LANE, E. G. 4 NEW YORK: THE MACMILLAN CO. BOMBAY \ CALCUTTA LMACMILLAN AND co., Lm MADRAS j TORONTO: THE MACMILLAN CO. OF CANADA, LTD. TOKYO: MARUZEN-KABUSHIKI-KAISHA ALL RIGHTS RESERVED Fig. i. Plate from a helmet found at Vcntlel in Uppland. Fig. 2. Bronze plate from Torsluncla, Oland, Sweden. Fig. j. Bronze plate from Torshmda, Olund, Sweden, AND ANCIENT SCANDINAVIAN DRAMA BY BERTHA S. PHILLPOTTS, O. B. E., Lirr. D. Formerly Pfeiflfer Student of Girton College, Cambridge Late Lady Carlisle Research Fellow, Somerville College, Oxford Principal of Westfield College ( University of London) Author of Kindred and Clan CAMBRIDGE AT THE UNIVERSITY PRESS 1920 PREFACE THIS book was begun in the spring of 1914, and only two chapters were unwritten in March 1916. In adding these two chapters in 1920 I have endeavoured to bring the rest of the book up to date, but the occupations of the intervening years left little time to keep abreast of the advances of scholarship, and the endeavour has not been wholly successful. My task has not been lightened by the loss of a note-book and some pages of the MS. through causes connected with the war, and I am conscious that there is much to apologise for. But it seemed better to publish the book as it is, with all its imperfections, than to wait for the uncertain hour when I could attempt an elaborate revision and expansion. My aim is simply to place before scholars a theory of the dramatic origin of the older Eddie poems. I shall be satisfied if I have made clear the grounds which have forced me to formulatethe theory: should there be any truth in it, others, better fitted than I, will work it out in all its many bearings on history, religion and literature. The dedication intimates that this book is my gift to Somer villc College, In a more fundamental sense it is the gift of Somerville College to me. It is the product of my tenure of the Lady Carlisle Research Fellowship, and the central idea of the book occurred to me while I was trying to present a rational picture of early Scandinavian literature to the College Literary and Philosophical Society. The idea struck root in favourable soil Miss Pope, Tutor in Modern Languages at Somerville, was working at a theory of the genesis of the Old French epic: Pro fessor Gilbert Murray, Vice-President of the College, was always ready to stimulate and illumine discussion on the relation of epic and drama: Miss Spens of Lady Margaret Hall was writing her book on Shakespeare's indebtedness to folk-drama, Moreover I think that the air of Oxford was friendly to the growth of a theory viii PREFACE like mine, and gave me courage to act on the belief that a clear understanding of the form of primitive Scandinavian literature was an essential preliminary to an understanding of primitive Scandinavian history. It was only after I had written the first part of the book an attempt to solve a literary problem on purely literary lines that I was able to realise the significance of the heroic poems of the Edda as a source for Scandinavian history and religion from the sixth century onwards. Since the theories put forward have a direct bearing on the problem of Greek tragedy, and may also be of interest to mediaevalists, I have assumed that some of my readers maybe unacquainted with Old Norse, and have accordingly given my quotations in English, adding the original in the notes wherever there is any doubt as to the reading. I had originally planned to give translations of the more important poems in an appendix, but joyfully abandoned the project on finding that there is some hope that the poet and scholar who has made Greek tragedy live in English dress may do a similar service to the heroic poems of the Edda. In the meantime readers may be referred to the trans lations in Vigfiisson and Powell's Corpus Poetmim Borc

'Celtic' and 'Gothic': both words refer today to both ancient tribes and modern styles. 'Celtic' is associated with harp music, native knitwear, and spirituality; 'Gothic' with medieval cathedrals, rock bands, and horror fiction. The eleven essays collected together here chart some of the curious and unexpected ways in which the Celts and the Goths were appropriated and reinvented in Britain and other European countries through the eighteenth, nineteenth, and twentieth centuries - becoming not just mythologised races, but lending their names to abstract principles and entire value systems. Contributed by experts in literature, archaeology, history, and Celtic studies, the essays range from broad surveys to specific case-studies, and together demonstrate the complicated interplay that has always existed between 'Celticism' and 'Gothicism'. Contributors are: John Collis, Robert DeMaria, Jr., Tom Duggett, Tim Fulford, Nick Groom, Amy Hale, Ronald Hutton, Joep Leerssen, Dafydd Moore, Joanne Parker, Juan Miguel Zarandona.

In his captivating study of faith and class, John Hayes examines the ways folk religion in the early twentieth century allowed the South's poor - both white and black - to listen, borrow, and learn from each other about what it meant to live as Christians in a world of severe struggle. Beneath the well-documented religious forms of the New South, people caught in the region's poverty crafted a distinct folk Christianity that spoke from the margins of capitalist development, giving voice to modern phenomena like alienation and disenchantment. Through haunting songs of Death, mystical tales of conversion, grassroots sacramental displays, and an ethic of neighborliness, impoverished folk Christians looked for the sacred in their midst and affirmed the value of this life in this world. From Tom Watson and W. E. B. Du Bois over a century ago to political commentators today, many have ruminated on how despite material commonalities, the poor of the South have been perennially divided by racism. Through his excavation of a folk Christianity of the poor, which fused strands of African and European tradition into a new synthesis, John Hayes recovers a historically contingent moment of interracial exchange generated in hardship.

The distinguished Russian archeologist Aleksei P. Okladnikov's study reveals how a field archeologist goes about determining and writing prehistory. Over the course of his career, Okladnikov and his wife Vera Zaporozhskaya travelled across Siberia from the Lena River in the north to the Amur River in the south excavating archaeological sites. During that time Aleksei and Vera found and interpreted the rock art of the vast region from the Paleolithic Era to the present day. Relying on petroglyphs and pictographs left on cliffs and boulders, Okladnikov lays out in detail and straightforward language the prehistory of Siberia by "reading" these artifacts. This book permits the past to be told in its own words: the art portrayed on the cliffs of Siberia.