Among the most commercially successful female playwrights of all times, Clare Boothe Luce (1903-1987) is best remembered as the author of "The Women" (1936), a biting social comedy. Beginning in 1942, she spent less of her time writing plays and turned instead to the wider stage of politics and world affairs. She was the editor of Vanity Fair magazine, a congresswoman, and an ambassador to Italy during the Eisenhower administration.

This book traces her transition from playwright to politician to Catholic apologist. It uncovers for the first time plays, both early and late, that dramatize her spiritual and artistic journey. A comprehensive survey of her plays and the world's reception to them, the book provides a thorough treatment of Luce's published and unpublished work. For each play, the volume includes a plot summary, critical commentary, and production information. The book also includes an exhaustive and generously-annotated bibliography of both popular reviews and scholarly criticism.

This book considers the shifts in aesthetic representation over the period 1885-1930 that coincide with both the rise of literary Modernism and imperialism's high point. If it is no coincidence that the rise of the novel accompanied the expansion of empire in the eighteenth-century, then the historical conditions of fiction as the empire waned are equally pertinent. Peter Childs argues that modernist literary writing should be read in terms of its response and relationship to events overseas and that it should be seen as moving towards an emergent post-colonialism instead of struggling with a residual colonial past. Beginning by offering an analysis of the generational and gender conflict that spans art and empire in the period, Childs moves on to examine modernism's expression of a crisis of belief in relation to subjectivity, space, and time. Finally, he investigates the war as a turning point in both colonial relations and aesthetic experimentation. Each of the core chapters focuses on one key writer and discuss a range of others, including: Conrad, Lawrence, Kipling, Eliot, Woolf, Joyce, Conan Doyle and Haggard.

The debate over the concept of world literature, which has been taking place with renewed intensity over the last twenty years, is tightly bound up with the issues of global interconnectedness in a polycentric world. Most recently, critiques of globalization-related conceptualizations, in particular, have made themselves heard: to what extent is the concept of world literature too closely connected with the political and economic dynamics of globalization? Such questions cannot be answered simply through theoretical debate. The material side of the production of world literature must therefore be more strongly integrated into the conversation than it has been. Using the example of Latin American literatures, this volume demonstrates the concrete construction processes of world literature. To that purpose, archival materials have been analyzed here: notes, travel reports, and correspondence between publishers and authors. The Latin American examples provide particularly rich information about the processes of institutionalization in the Western world, as well as new perspectives for a contemporary mapping of world literature beyond the established dynamics of canonization.

In this study, the author explores how Conrad, T.S. Eliot, Woolf, Joyce, Faulkner, Hemingway, Huxley and others responded to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith. Assuming that artists and writers, in coping with those problems, would develop techniques in many ways comparable, even where there was no direct contact, he positions modernist literature within the context of contemporary painting, architecture and sculpture, thereby providing some interesting insights into the nature of the literary works themselves.

The first book to highlight the spiritual element in Borges' work, this work offers an insightful and scholarly interpretation of a fundamental facet of his writing.This book argues that the quest for God, though largely unheeded by the critical canon, was a major and enduring preoccupation for Borges. This is shown through careful analysis both of his essays, with their emphasis on his philosophical-theological explorations, and of the narrative articulations which are his stories. It is in the poetry of his middle and closing years, however, that Borges' search is most manifest, as it is no longer obscured. Spanning different periods of his life, and different literary genres, Borges' work attests to a maturing and evolving quest.The book reveals Borges' engagement as an active and evolving process and its chronological structure allows the reader to trace his thought over time. Flynn shows that the spiritual component in Borges' writing drives key texts from the 1920s to the 1980s.Offering an interpretation that unlocks a fuller significance of his work, she shows how Borges' reflections on time and identity are symptomatic of a deeper, spiritual searching which can only be answered by a Divine Absolute.

Literature after Postmodernism explores the use of literary fantastic storylines in contemporary novels which begin to think beyond postmodernism. They develop an aesthetic perspective that aims at creation and communication instead of subversion and can thus be considered no longer deconstructive but reconstructive.

This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911, and edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield, Rhythm and The Blue Review featured a series of pivotal moments. Rhythm was the arena for a challenge to Roger Fry's vision of Post-Impressionism, for the introduction of Picasso to a British audience, for early short stories and reviews by Lawrence, and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's New Age, in which issues of the proper gender, generation, and formulation of modernity were debated month by month. However, reading magazines as vehicles for avant-garde development can only provide half the story. The book also pays close attention to their dialogic, reproductive, and periodical nature, and explores the strategies at work within the terminology of the new. Crucially, it argues that they offer compelling material evidence for the consistently mobile and multiple boundaries of the modern, and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation.

By assessing notebooks and transcriptions taken by Samuel Beckett and recently released by the Beckett International Foundation archive, this book subjects Samuel Beckett's unpublished notes and sources to an analysis of their utility to his life and writings, during the interwar period - particularly the 1930's - and thereafter. Insofar as Beckett meticulously compiled his erudite sources on philosophy and psychology just prior to the postwar acclaim the The Trilogy, and especially, Waiting for Godot, the significance of these documents in anticipating Beckett's literary fortunes, if not approach, is clear. Guided by a methodological adherence to the principal of theorizing from a position of empirical strength, correspondence of this materialwith Beckett's experiences during the interwar years are also considered in terms of the insight these 'Interwar Notes' offer in charting Beckett's literary development, as well as out critical understanding of Beckett and his writing.

This Reader's Guide charts the reception history of Ted Hughes' poetry from his first to last published collection, culminating in posthumous tributes and assessments of his lifetime achievement. Sandie Byrne explores the criticism relating to key issues such as nature, myth, the Laureateship, and Hughes' relationship with Sylvia Plath.

A study of the 30-year collaboration between playwright Samuel Beckett and director Alan Schneider, Bianchini reconstructs their shared American productions between 1956 and 1984. By examining how Beckett was introduced to American audiences, this book leads into a wider historical discussion of American theatre in the mid-to-late 20th century.

The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction.

Andrea Levy has emerged as one of the most significant and popular voices in contemporary black British writing both in the UK and abroad. Drawing on a familial history of emigration, her critically-acclaimed novels - including the multiple award-winning "Small Island" - attempt to bring a variety of voices to the representation of black experience in post-war Britain. This book is the first of its kind to be devoted to Levy's work. Combining historical, theoretical and textual perspectives, the volume hosts a wide range of current critical approaches to Levy's fiction. With chapters written by leading established and emerging scholars, the book explores issues of literary form, diasporic literature and cultural value, the BBC TV adaptation of "Small Island," while also shedding fresh light on Levy's critically neglected early works. The book also includes a new interview with Levy herself, a timeline of her life, chapter summaries, as well as guides to further reading and online resources, making this an essential companion to the writings of one of the most exciting voices in contemporary fiction.

Building on the formula of York Notes, this Advanced series introduces students to more sophisticated analysis and wider critical perspectives. The notes enable students to appreciate contrasting interpretations of the text and to develop their own critical thinking. Key features include: study methods; an introduction to the text; summaries with critical notes; themes and techniques; textual analysis of key passages; author biography; historical and literary background; modern and historical critical approaches; chronology; and glossary of literary terms.

Navigate the fascinating world of mainstream fiction! With emphasis on award-winning fiction, this companion guide to Now Read This: A Guide to Mainstream Fiction, 1978-1998, features more than 500 novels published between 1990 and 2001. Using the same easy-access organization that made the original so popular, this book includes more than 400 new entries and several features that enable you to discover new reads and read-alikes based on an appeal-characteristics approach to the literature. Never again shy of an answer to "Can you recommend a good book?" you will find this to be an indispensable resource and tool.

With contributions from major scholars of African American literature, history, and cultural studies, A Historical Guide to James Baldwin focuses on the four tumultous decades that defined the great author's life and art. Providing a comprehensive examination of Baldwin's varied body of work that includes short stories, novels, and polemical essays, this collection reflects the major events that left an indelible imprint on the iconic writer: civil rights, black nationalism and the struggle for gay rights in the pre- and post-Stonewall eras. The essays will also highlight Baldwin's under-studied role as a trans-Atlantic writer, his lifelong struggle with faith, and his use of music, especially the blues, as a key to unlock the mysteries of his identity as an exile, an artist, and a black American in a racially hostile era.

Since the publication of White Teeth in 2000, Zadie Smith has become one of the most popular contemporary writers and also one of the mostly widely studied. Taking criticism of Smith's work beyond its traditional focus on postcolonialism and multicultural identity, Reading Zadie Smith brings together leading international scholars to open up new directions in criticism of Smith's work. Covering such key topics as posthumanism, 'hysterical realism', religion, identity and ethics, this book brings together a full range of current critical perspectives to explore not only Smith's novels but also her short stories, her criticism and her non-fiction writing.

This novel, published for the first time in English, is one of the most important statements about the Duvalier regime in Haiti, written by a Haitian who played a prominent role in the revolutionary movement that brought down the Lescot regime in January 1946. Depestre's ironic note denying historical origins for the novel does not obscure the scathing caricature of Papa Doc Duvalier and the bloodbath that he visited on his own country, which is called "Zacharyland" after the fictionalized President-for-life Zoocrates Zachary.

What can we learn from the novels of Graham Greene? This book argues that Greene's writings have much to teach us about fighting evil here and now, and about endeavoring to live a worthy life. In novels that span half of the twentieth century, Greene related stories of evil persons who destroyed the freedom of others and of a few simple people who fought them. Through these stories he showed us three basic truths: first, evil exists; second, it is possible to fight it; and third, one may attain wisdom and sometimes a very limited glory by undertaking such a struggle. Gordon's study sets forth its own important lesson: thinking and assuming responsibility for the world, guided by the reading of great literature, are keystones of any worthy life.

Canadian Historical Writing presents an archaeology of contemporary Canadian historical writing within the theory and practice of historiography. Drawing on international debates within the fields of literary studies and history, the book focuses on the roles played by time, evidence, and interpretation in defining the historical.

The future of German literature, like the future of united Germany, is a fascinating and vigorously debated question. In this first English-language study on the subject, Keith Bullivant analyses the main aspects of German literature since 1945 from the perspective of the 1990s. He pays particular attention to the periodisation of the literature, the major developments in the 1980s, the social role of writers as intellectuals, and the treatment of the 'German Question'.

This innovative monograph focuses on a contemporary form of computer-based literature called 'literary hypertext', a digital, interactive, communicative form of new media writing. Canonizing Hypertext combines theoretical and hermeneutic investigations with empirical research into the motivational and pedagogic possibilities of this form of literature. It focuses on key questions for literary scholars and teachers: How can literature be taught in such a way as to make it relevant for an increasingly hypermedia-oriented readership? How can the rapidly evolving new media be integrated into curricula that still seek to transmit traditional literary competence? How can the notion of literary competence be broadened to take into account these current trends? This study, which argues for hypertexts integration in the literary canon, offers a critical overview of developments in hypertext theory, an exemplary hypertext canon and an evaluation of possible classroom applications.

Key Features: * Study methods * Introduction to the text * Summaries with critical notes * Themes and techniques * Textual analysis of key passages * Author biography * Historical and literary background * Modern and historical critical approaches * Chronology * Glossary of literary terms

There have been many great and enduring works of literature by Caribbean authors over the last century. The Caribbean Contemporary Classics collection celebrates these deep and vibrant stories, overflowing with life and acute observations about society. Set in Belize City in the early 1950s, Beka Lamb is the record of a few months in the life of Beka and her family. Beka and her friend Toycie Qualo are on the threshold of change from childhood to adulthood. Their personal struggles and tragedies play out against a backdrop of political upheaval and regeneration as the British colony of Belize gears up for universal suffrage, and progression towards independence. The politics of the colony, the influence of the mixing of races in society, and the dominating presence of the Catholic Church are woven into the fabric of the story to provide a compelling portrait, 'a loving evocation of Belizean life and landscape'. Beka's vibrant character guides us through a tumultuous period in her own life and that of her country.