There's more than meets the eye in the fiction of the master of the espionage thriller Robert Ludlum. In a study that examines seventeen of Ludlum's novels in depth, including the latest, The Apocalypse Watch (1995), Macdonald uncovers the serious themes running through the novels: the role of the individual in preserving democracy, the value of competing voices, the failure of educational institutions to preserve ideals, the temptations of power, the importance of personal loyalties in the face of impersonal organizations, and the nature of evil. She shows how Ludlum's novels are valuable in helping us to understand modern paranoia--our fear of conspiracies, terrorism, barbarism, and intolerance. A personal interview granted by Ludlum for this book illuminates the influences on his craft, especially his long experience in the theater, which affects his sense of pacing, characterization, humor, and suspense. After an initial biographical chapter, Macdonald examines Ludlum's literary roots in suspense novels and discusses the genre. Each succeeding chapter examines a group of his novels tied together thematically or, in the case of the Bourne series, by recurring characters. The discussion of each novel is organized into sections on plot and structure, character, and theme, and features an alternate critical interpretation, such as Freudian, Marxist, or reader response criticism, which offers the reader another fresh perspective from which to examine the concerns of the novel. Novels covered in depth are: Trevayne, The Cry of the Halidon, The Scarlatti Inheritance, The Rhinemann Exchange, The Gemini Contenders, The Holcroft Covenant, The Road to Gandolfo, The Road to Omaha, The BourneIdentity, The Bourne Supremacy, The Bourne Ultimatum, The Matarese Circle, The Parsifal Mosaic, The Aquitaine Progression, The Icarus Agenda, The Scorpio Illusion, and The Apocalypse Watch. This critical companion includes an up-to-date bibliography of all of Ludlum's published works, as well as selected reviews of all works examined in this study.

"Utopianism, Modernism, and Literature in the Twentieth Century" considers the links between utopianism and modernism in two ways: as an under-theorized nexus of aesthetic and political interactions; and as a sphere of confluences that challenges accepted critical models of modernist and twentieth-century literary history. An international group of scholars considers works by E. M. Forster, Ford Madox Ford, Wyndham Lewis, Naomi Mitchison, Katharine Burdekin, Rex Warner, Yevgeny Zamyatin, Thomas Pynchon, Elizabeth Bowen, James Baldwin, Toni Morrison, and Ernst Bloch. In doing so, this volume's contributors prompt new reflections on key aspects of utopianism in experimental twentieth-century literature and non-fictional writing; deepen literary-historical understandings of modernism's socio-political implications; and bear out the on-going relevance of modernism's explorations of utopian thought. "Utopianism, Modernism, and Literature in the Twentieth Century" will appeal to anyone with an interest in how deeply and how differently modernist writers, as well as writers influenced by or resistant to modernist styles, engaged with issues of utopianism, perfectibility, and social betterment.

This vivid biography is a study of the life and times of the Italian poet-activist, Lauro de Bosis. Remarkably productive as a poet, cultural diplomat, and political subversive, de Bosis founded and lead an underground resistance group, the National Alliance for Liberty. His actions culminated in a dramatic solo flight over Rome in October 1931, showering the city with protest leaflets against the Fascist dictatorship before plunging to his death. This feat brought world attention to the existence of anti-Fascism, much to Mussolini's chagrin and rage.

De Bosis's story, told against the backdrop of Rome's politics in the 1920s, is at once personal, national, and international. World figures --- from Mussolini, Croce, Ezra Pound, to Walter Lippmann, Thornton Wilder, and his lover, the actress Ruth Draper --- were all within de Bosis's compass. Gifted, quirky, original, and impulsive but principled to the point of giving up both personal love and family for his cause, his life shows how Mussolini's regime systematically cleared out the cream of Italy's young liberal intellectuals. Based on previously untapped archival resources, this is the first biography of a young, gifted Italian poet who dared to challenge the power of a totalitarian state with his practical idealism and fierce determination to protect Italy's fragile democracy from il Duce.

Scientific progress is usually seen as a precondition of modern utopias, but science and utopia are frequently at odds. Ranging from Galileo's observations with the telescope to current ideas of the post-human and the human-animal boundary, this study brings a fresh perspective to the paradoxes of utopian thinking since Plato.

Utopia and the Rural in South Asian Literatures provides a searching exploration of twentieth-century literatures of the Indian subcontinent by refocusing attention on works that engage with the village and the rural as a trope. Mohan breathes new life into Michel Foucault's notion of heterotopia and continues a conversation with thinkers of utopia about the need for recuperating the utopian potential in postcolonial writings. The book provides provocative readings of some of the most important works of the 20th century in India and Sri Lanka (in English as well as in translation) and, in its conceptual sweep, presents a novel way of theorizing the intersecting but also distinct literary histories of India and Sri Lanka. Authors examined for their unique visions of the rural include Mohandas Gandhi, Leonard Woolf, Martin Wickramasinghe, O. V. Vijayan, Amitav Ghosh, and Michael Ondaatje. For both the novice and the scholar, this is a book that will truly define the horizons for understanding South Asian literatures and cultures, and their broader significance within postcolonial scholarship.

Gender and Prestige in Literature: Contemporary Australian Book Culture explores the relationship between gender, power, reputation and book publishing's consecratory institutions in the Australian literary field from 1965-2015. Focusing on book reviews, literary festivals and literary prizes, this work analyses the ways in which these institutions exist in an increasingly cooperative and generative relationship in the contemporary publishing industry, a system designed to limit field transformation. Taking an intersectional approach, this research acknowledges that a number of factors in addition to gender may influence the reception of an author or a title in the literary field and finds that progress towards equality is unstable and non-linear. By combining quantitative data analysis with interviews from authors, editors, critics, publishers and prize judges Alexandra Dane maps the circulation of prestige in Australian publishing, addressing questions around gender, identity, literary reputation, literary worth and the resilience of the status quo that have long plagued the field.

This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four 'queens of crime' (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.

Since its publication in 1959, " A Separate Peace" has acquired the reputation of a minor classic of American literature. This insightful analysis helps young readers relate to the themes of disillusionment, guilt and betrayal, and the fear of failure and intergenerational conflicts experienced by the teenaged characters in the novel. This casebook also situates "A Separate Peace" against the backdrop of World War II, enabling students to see the connections between the fictional world of the novel and the real World as it existed for young people. Moving well beyond a standard literary treatment, this interdisciplinary casebook provides a collection of historical primary documents drawn from official records, War Department orders, institutional histories, personal memoirs and letters, and poignant interviews.

With commentary by Knowles himself, the casebook takes readers from the prep school setting of the novel to the impact of wartime on American students and their schools. You're in the Army Now explores the difficult transitions through induction and military training. The Combat Zone graphically confronts the realities of war with interviews of two former P.O.W.'s who experienced firsthand the terrors and tragedies of WWII. The volume also examines some of the contemporary issues of the novel including current controversies in athletic programs, gender issues in education, and Post Traumatic Stress Disorder. Teachers and librarians will find helpful suggestions for oral discussion, research projects, and further suggested readings on these important topics.

Henry James's Style of Retrospect traces James's engagement with the writing of the recent past across the last twenty-five years of his life and examines the thoroughgoing change his style underwent in this last phase of his career, as his focus turned from the observation of contemporary manners to biographical commemoration and autobiographical reminiscence, and the balance of his output gradually shifted from fiction to non-fiction. The 'late personal writings' of the book's subtitle are works of retrospective non-fiction. They are a varied group, representing a broad array of genres and occasions: commemorative essays and obituary tributes, textual revisions and accounts of revisiting familiar places, cultural and literary criticism, biography and autobiography, and family memoir. Oliver Herford proposes that we read the late personal writings as a coherent sequence, bound together by a close texture of cross-references and allusive echoes, and united by James's newly discovered sense for the literary possibilities of non-fiction. Closely analyzing the style of these writings, this study offers a boldly revisionist account of the way style itself challenges and preoccupies the very late James. A linked series of innovative close readings takes the major works of this period in sequence, addressing a key point of style in each: particular attention is paid to procedures of reference (to the historical past, to real persons and places and objects), a dimension of style often neglected and sometimes actively slighted in analyses of James's late work. Henry James's Style of Retrospect asks what it means for so distinguished a novelist to alter the foundations of his written manner so strikingly in late life, and shows how we may begin to reconfigure our understanding of late Jamesian aesthetics accordingly.

This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama. F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse. The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.

Translated from Japanese, this study exposes English-language scholars to the complexities of the relationship between food, culture, the environment, and literature in Japan. Yuki explores the systems of value surrounding food as expressed in four popular Japanese female writers: Ishimure Michiko, Taguchi Randy, Morisaki Kazue, and Nashiki Kaho.

A disturbing but ultimately discredited strain in American thought, eugenics was a crucial ideological force in the early twentieth century. Luczak investigates the work of writers like Jack London and Charlotte Perkins Gilman, to consider the impact of eugenic racial discourse on American literary production from 1900-1940.

The works of Louisiana authors differ from the works of other Southern writers in significant ways. Strong French, Spanish, Native American, and African American traditions shaped Louisiana culture, and Louisiana writers reflect that cultural diversity in their works. So too, historical and religious influences caused Louisiana to develop in a distinct way, and these influences have similarly affected Louisiana writers. The narrative styles employed by these writers generally differ from the styles of other Southern authors. While contemporary Louisiana writers have contributed a substantial body of work to Southern literature, their writings have not received adequate scholarly attention. This book provides a critical introduction to Louisiana literature and gives special attention to how Louisiana literature and culture depart from the rest of the South.

The volume is the first collection of scholarly studies focusing on Louisiana writers from the 1930s to the present. Drawing together discussions of 15 of Louisiana's current premier fiction writers, the collection is organized into three broad sections. The first examines Louisiana narratives and folk traditions; the second, influences of religious traditions on Louisiana writers, including Protestantism, Catholicism, and Paganism; and the third, the construction of gender and race in Louisiana culture. Included are discussions of such writers as Ernest J. Gaines, Anne Rice, James Lee Burke, Moira Crone, John Dufresne, Michael Lee West, Rebecca Wells, and Robert Olin Butler.

How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This text answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.

The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessness that led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction.

Adoptions that cross the lines of culture, race and nation are a major consequence of conflicts around the globe, yet their histories and representations have rarely been considered. Life Lines: Writing Transcultural Adoption is the first critical study to explore narratives of transcultural adoption from contemporary Britain, Ireland and America: fictions, films and memoirs made by those within the adoption 'triad' or those concerned with the pain and possibilities of transcultural adoption. While acknowledging the sobering inequalities which engender transcultural adoptions and the lasting upset of sundered relations, at the same time John McLeod considers the transfigurative and creative propensity of imagining transcultural adoption as radically calling into question ideas of biogenetic attachment, racial genealogy, cultural identity and normative family-making. How might the predicament of 'being adopted' transculturally enable the transformative agency of 'adoptive being' for all? Exploring works by Andrea Levy, Barbara Kingsolver, Toni Morrison, Sebastian Barry, Caryl Phillips, Jackie Kay and several others, Life Lines makes a groundbreaking intervention in such fields as transcultural studies, postcolonial thought, and adoption theory and practice.

This book considers how and why German authors have used the child's viewpoint to present the Third Reich. Given the popularity of this device, this study asks whether it is an evasive strategy, a means of gaining new insights into the era, or a means of discovering a new language. This raises issues central to the post-war German aesthetic.

This comparative literature study explores how writers from across Ireland and Latin America have, both in parallel and in concert, deployed symbolic representations of the dead in their various anti-colonial projects. In contrast to the ghosts and revenants that haunt English and Anglo-American letters-where they are largely either monstrous horrors or illusory frauds-the dead in these Irish/Latinx archives can serve as potential allies, repositories of historical grievances, recorders of silenced voices, and disruptors of neocolonial discourse.

Rhys Matters argues for the importance of Rhys's work to a more complete understanding of modernism, postcolonial studies, Caribbean studies, and women's and gender studies. This book is the first collection of essays focusing on Rhys's writing in over twenty years, and draws together original essays that make significant new interventions in Rhys scholarship. The collection surveys nearly all of Rhys's major works, as well as providing insights into her position in various disciplinary fields including literary studies, philosophy, material studies, and Caribbean studies. Ultimately, the collection demonstrates how, and why, Rhys matters now, in the broad view of twentieth-century studies.

Andrei Bely's 1913 masterwork Petersburg is widely regarded as the most important Russian novel of the twentieth century. Vladimir Nabokov ranked it with James Joyce's Ulysses, Franz Kafka's Metamorphosis, and Marcel Proust's In Search of Lost Time. Few artistic works created before the First World War encapsulate and articulate the sensibility, ideas, phobias, and aspirations of Russian and transnational modernism as comprehensively. Bely expected his audience to participate in unraveling the work's many meanings, narrative strains, and patterns of details. In their essays, the contributors clarify these complexities, summarize the intellectual and artistic contexts that informed Petersburg's creation and reception, and review the interpretive possibilities contained in the novel. This volume will aid a broad audience of Anglophone readers in understanding and appreciating Petersburg.

This new book examines how a range of authors today perpetuate Virginia Woolf's literary legacy, by creating new forms adapted to their new ages and audiences. Addressing questions about the current penchant for refashioning our canon in order to update, this book will be valuable reading for both students and scholars of Woolf.

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Winner of the 2006 Thomas J. Lyon Book Award in Western American Literary Studies, presented by the Western Literature Association

"Offers an eloquent and compelling account of nineteenth and twentieth century cultural production--one that resituates Mexicanos at the center of thinking about U.S. nation-making during the nineteenth century and beyond. . . . This stunning new text promises to reshape literary and theoretical work in American Studies."
--Mary Pat Brady, author of "Extinct Lands, Temporal Geographics: Chicana Literature and the Urgency of Space"

"Discussions of Latino cultural citizenship and public culture have a distinguished and stimulating lineage in the work of major figures such as Renato Rosaldo, Rina Benmayour, and William Flores. With his new book that introduces literary history into the discussion, we must now add the name of John-Michael Rivera." --JosA(c) E. LimA3n, author of "American Encounters: Greater Mexico, the United States, and the Erotics of Culture"

In The Emergence of Mexican America, John-Michael Rivera examines the cultural, political, and legal representations of Mexican Americans and the development of US capitalism and nationhood. Beginning with the Mexican-American War of 1846-1848 and continuing through the period of mass repatriation of US Mexican laborers in 1939, Rivera examines both Mexican-American and Anglo-American cultural production in order to tease out the complexities of the so-called "Mexican question." Using historical and archival materials, Rivera's wide-ranging objects of inquiry include fiction, non-fiction, essays, treaties, legal materials, politicalspeeches, magazines, articles, cartoons, and advertisements created by both Mexicans and Anglo Americans. Engaging and methodologically venturesome, Rivera's study is a crucial contribution to Chicano/Latino Studies and fields of cultural studies, history, government, anthropology, and literary studies.

A collection of ten original essays forging new interdisciplinary connections between crime fiction and film, encompassing British, Swedish, American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.

Using the idea of 'parability, 'or the ability for writers to tell improper stories, as a foundation, Alan Ramon Clinton synthesizes a new model for a creative, more daring literary criticism. Sharp and surprising, this wide-ranging project engages with the work of Pynchon, Eco, Forche, Merrill, Weiner, Plath, Ashbery, and Eigner

This book argues for a new reading of the political and ethical through the literatures of Argentina, Chile, and Paraguay from 1970-2000. Carlos Amador reads a series of examples from the last dictatorship and the current post-dictatorship period in the Southern Cone, including works by Augusto Roa Bastos, Roberto Bolano, Ceferino Reato, Horacio Verbitsky, Nelly Richard, Diamela Eltit, and Willy Thayer, with the goal of uncovering the logic behind their conceptions of belonging and rejection. Focusing on theoretical concepts that make possible the formation of any and all communities, this study works towards a vision of literature as essential to the structure of ethics.