This is a feminist study of a recurring character type in classic British detective fiction by women - a woman who behaves like a Victorian gentleman. Exploring this character type leads to a new evaluation of the politics of classic detective fiction and the middlebrow novel as a whole.

Part of the New Directions in European Writing series, which aims to present introductory studies of contemporary European writers, this volume offers a systematic study of the controversial Austrian feminist writer, Elfriede Jelinek. It provides a survey and analysis of Jelinek's major texts and a discussion of the literary techniques which characterize the author's writing. Background contextual information on historical and literary developments is given to help the reader gain a better understanding of Jelinek's writing and her place within current international debates on feminism and literary theory.

The year 1988 was notable for being the centennial of playwright Eugene O'Neill's birth and a time of unprecedented democratization in the People's Republic of China and rapprochement with the West. In this optimal climate, a remarkable festival and conference devoted to O'Neill was held in Nanjing, China, orchestrated mainly by Haiping Liu, who secured the funds and cooperation necessary to lure noted O'Neill scholars and theatre artists from around the world. Liu selected and edited papers for publication after the conference, but he realized that this would be a difficult task conducted from China. At his invitation Lowell Swortzell, a conference participant, became co-editor, and in the dark days following the political upheaval in China in 1989, Swortzell assumed much of the burden of editing, organizing, clearing rights, and generally readying the final volume. The essays included capture the intellectual and artistic stimulation of the conference. Organized in divisions similar to the order in which the papers were delivered, they explore the major areas of O'Neill scholarship by some of the most renowned scholars from the United States, Western and Eastern Europe, Japan, and China. They emphasize O'Neill's international reputation and productions, particularly in Asia. Included is an open forum discussion of the festival productions, as well as photographs. The circumstances of the festival and conference are a story unto themselves, and in their individual introductions, the co-editors relate some of the background and convey some of the flavor of the events--providing insights into the continued appeal of O'Neill in China and the world.

With the backdrop of new global powers, this volume interrogates the state of writing in English. Strongly interdisciplinary, it challenges the prevailing orthodoxy of postcolonial literary theory. An insistence on fieldwork and linguistics makes it scene-changing in its approach to understanding and reading emerging literature in English. Beyond The Postcolonial interrogates the current state of emerging writing in English from four African countries, and from Malaysia, Singapore and India, through fieldwork and textual analysis.

Tracing the changing conceptions of nationality in the work of traveling writers such as D.H. Lawrence, Gertrude Stein, and Claude McKay, Modernism and Mobility argues that the passport system is an indispensable segue into discussions of literary modernism.

In America, the long 1950s were marked by an intense skepticism toward utopian alternatives to the existing capitalist order. This skepticism was closely related to the climate of the Cold War, in which the demonization of socialism contributed to a dismissal of all alternatives to capitalism. This book studies how American novels and films of the long 1950s reflect the loss of the utopian imagination and mirror the growing concern that capitalism brought routinization, alienation, and other dehumanizing consequences. The volume relates the decline of the utopian vision to the rise of late capitalism, with its expanding globalization and consumerism, and to the beginnings of postmodernism.

In addition to well-known literary novels, such as NabokoV's "Lolita, " Booker explores a large body of leftist fiction, popular novels, and the films of Alfred Hitchcock and Walt Disney. The book argues that while the canonical novels of the period employ a utopian aesthetic, that aesthetic tends to be very weak and is not reinforced by content. The leftist novels, on the other hand, employ a realist aesthetic but are utopian in their exploration of alternatives to capitalism. The study concludes that the utopian energies in cultural productions of the long 1950s are very weak, and that these works tend to dismiss utopian thinking as na DEGREESDive or even sinister. The weak utopianism in these works tends to be reflected in characteristics associated with postmodernism.

"Utopianism, Modernism, and Literature in the Twentieth Century" considers the links between utopianism and modernism in two ways: as an under-theorized nexus of aesthetic and political interactions; and as a sphere of confluences that challenges accepted critical models of modernist and twentieth-century literary history. An international group of scholars considers works by E. M. Forster, Ford Madox Ford, Wyndham Lewis, Naomi Mitchison, Katharine Burdekin, Rex Warner, Yevgeny Zamyatin, Thomas Pynchon, Elizabeth Bowen, James Baldwin, Toni Morrison, and Ernst Bloch. In doing so, this volume's contributors prompt new reflections on key aspects of utopianism in experimental twentieth-century literature and non-fictional writing; deepen literary-historical understandings of modernism's socio-political implications; and bear out the on-going relevance of modernism's explorations of utopian thought. "Utopianism, Modernism, and Literature in the Twentieth Century" will appeal to anyone with an interest in how deeply and how differently modernist writers, as well as writers influenced by or resistant to modernist styles, engaged with issues of utopianism, perfectibility, and social betterment.

Falling After 9/11 investigates the connections between violence, trauma, and aesthetics by exploring post 9/11 figures of falling in art and literature. From the perspective of trauma theory, Aimee Pozorski provides close readings of figures of falling in such exemplary American texts as Don DeLillo's novel, Falling Man, Diane Seuss's poem, "Falling Man," Jonathan Safran Foer's Extremely Loud and Incredibly Close, Frederic Briegbeder's Windows on the World, and Richard Drew's famous photograph of the man falling from the World Trade Center. Falling After 9/11 argues that the apparent failure of these texts to register fully the trauma of the day in fact points to a larger problem in the national tradition: the problem of reference-of how to refer to falling-in the 21st century and beyond.

This book uses the uniquely positioned culture of East African Asians to reflect upon the most vexing issues in postcolonial literary studies today. By examining the local histories and discourses that underpin East African Asian literature, it opens up and reflects upon issues of alienation, modernity, migration, diaspora, memory and nationalism.

This vivid biography is a study of the life and times of the Italian poet-activist, Lauro de Bosis. Remarkably productive as a poet, cultural diplomat, and political subversive, de Bosis founded and lead an underground resistance group, the National Alliance for Liberty. His actions culminated in a dramatic solo flight over Rome in October 1931, showering the city with protest leaflets against the Fascist dictatorship before plunging to his death. This feat brought world attention to the existence of anti-Fascism, much to Mussolini's chagrin and rage.

De Bosis's story, told against the backdrop of Rome's politics in the 1920s, is at once personal, national, and international. World figures --- from Mussolini, Croce, Ezra Pound, to Walter Lippmann, Thornton Wilder, and his lover, the actress Ruth Draper --- were all within de Bosis's compass. Gifted, quirky, original, and impulsive but principled to the point of giving up both personal love and family for his cause, his life shows how Mussolini's regime systematically cleared out the cream of Italy's young liberal intellectuals. Based on previously untapped archival resources, this is the first biography of a young, gifted Italian poet who dared to challenge the power of a totalitarian state with his practical idealism and fierce determination to protect Italy's fragile democracy from il Duce.

There's more than meets the eye in the fiction of the master of the espionage thriller Robert Ludlum. In a study that examines seventeen of Ludlum's novels in depth, including the latest, The Apocalypse Watch (1995), Macdonald uncovers the serious themes running through the novels: the role of the individual in preserving democracy, the value of competing voices, the failure of educational institutions to preserve ideals, the temptations of power, the importance of personal loyalties in the face of impersonal organizations, and the nature of evil. She shows how Ludlum's novels are valuable in helping us to understand modern paranoia--our fear of conspiracies, terrorism, barbarism, and intolerance. A personal interview granted by Ludlum for this book illuminates the influences on his craft, especially his long experience in the theater, which affects his sense of pacing, characterization, humor, and suspense. After an initial biographical chapter, Macdonald examines Ludlum's literary roots in suspense novels and discusses the genre. Each succeeding chapter examines a group of his novels tied together thematically or, in the case of the Bourne series, by recurring characters. The discussion of each novel is organized into sections on plot and structure, character, and theme, and features an alternate critical interpretation, such as Freudian, Marxist, or reader response criticism, which offers the reader another fresh perspective from which to examine the concerns of the novel. Novels covered in depth are: Trevayne, The Cry of the Halidon, The Scarlatti Inheritance, The Rhinemann Exchange, The Gemini Contenders, The Holcroft Covenant, The Road to Gandolfo, The Road to Omaha, The BourneIdentity, The Bourne Supremacy, The Bourne Ultimatum, The Matarese Circle, The Parsifal Mosaic, The Aquitaine Progression, The Icarus Agenda, The Scorpio Illusion, and The Apocalypse Watch. This critical companion includes an up-to-date bibliography of all of Ludlum's published works, as well as selected reviews of all works examined in this study.

The Muslim world is not commonly associated with science fiction. Religion and repression have often been blamed for a perceived lack of creativity, imagination and future-oriented thought. However, even the most authoritarian Muslim-majority countries have produced highly imaginative accounts on one of the frontiers of knowledge: astrobiology, or the study of life in the universe. This book argues that the Islamic tradition has been generally supportive of conceptions of extra-terrestrial life, and in this engaging account, Joerg Matthias Determann provides a survey of Arabic, Bengali, Malay, Persian, Turkish, and Urdu texts and films, to show how scientists and artists in and from Muslim-majority countries have been at the forefront of the exciting search. Determann takes us to little-known dimensions of Muslim culture and religion, such as wildly popular adaptations of Star Wars and mysterious movements centred on UFOs. Repression is shown to have helped science fiction more than hurt it, with censorship encouraging authors to disguise criticism of contemporary politics by setting plots in future times and on distant planets. The book will be insightful for anyone looking to explore the science, culture and politics of the Muslim world and asks what the discovery of extra-terrestrial life would mean for one of the greatest faiths.

Utopia and the Rural in South Asian Literatures provides a searching exploration of twentieth-century literatures of the Indian subcontinent by refocusing attention on works that engage with the village and the rural as a trope. Mohan breathes new life into Michel Foucault's notion of heterotopia and continues a conversation with thinkers of utopia about the need for recuperating the utopian potential in postcolonial writings. The book provides provocative readings of some of the most important works of the 20th century in India and Sri Lanka (in English as well as in translation) and, in its conceptual sweep, presents a novel way of theorizing the intersecting but also distinct literary histories of India and Sri Lanka. Authors examined for their unique visions of the rural include Mohandas Gandhi, Leonard Woolf, Martin Wickramasinghe, O. V. Vijayan, Amitav Ghosh, and Michael Ondaatje. For both the novice and the scholar, this is a book that will truly define the horizons for understanding South Asian literatures and cultures, and their broader significance within postcolonial scholarship.

Modernist Nowheres explores connections in the Anglo-American sphere between early literary modernist cultures, politics, and utopia. Foregrounding such writers as Conrad, Lawrence and Wyndham Lewis, it presents a new reading of early modernism in which utopianism plays a defining role prior to, during and immediately after the First World War.

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Winner of the 2006 Thomas J. Lyon Book Award in Western American Literary Studies, presented by the Western Literature Association

"Offers an eloquent and compelling account of nineteenth and twentieth century cultural production--one that resituates Mexicanos at the center of thinking about U.S. nation-making during the nineteenth century and beyond. . . . This stunning new text promises to reshape literary and theoretical work in American Studies."
--Mary Pat Brady, author of "Extinct Lands, Temporal Geographics: Chicana Literature and the Urgency of Space"

"Discussions of Latino cultural citizenship and public culture have a distinguished and stimulating lineage in the work of major figures such as Renato Rosaldo, Rina Benmayour, and William Flores. With his new book that introduces literary history into the discussion, we must now add the name of John-Michael Rivera." --JosA(c) E. LimA3n, author of "American Encounters: Greater Mexico, the United States, and the Erotics of Culture"

In The Emergence of Mexican America, John-Michael Rivera examines the cultural, political, and legal representations of Mexican Americans and the development of US capitalism and nationhood. Beginning with the Mexican-American War of 1846-1848 and continuing through the period of mass repatriation of US Mexican laborers in 1939, Rivera examines both Mexican-American and Anglo-American cultural production in order to tease out the complexities of the so-called "Mexican question." Using historical and archival materials, Rivera's wide-ranging objects of inquiry include fiction, non-fiction, essays, treaties, legal materials, politicalspeeches, magazines, articles, cartoons, and advertisements created by both Mexicans and Anglo Americans. Engaging and methodologically venturesome, Rivera's study is a crucial contribution to Chicano/Latino Studies and fields of cultural studies, history, government, anthropology, and literary studies.

This new book examines how a range of authors today perpetuate Virginia Woolf's literary legacy, by creating new forms adapted to their new ages and audiences. Addressing questions about the current penchant for refashioning our canon in order to update, this book will be valuable reading for both students and scholars of Woolf.

Since its publication in 1959, " A Separate Peace" has acquired the reputation of a minor classic of American literature. This insightful analysis helps young readers relate to the themes of disillusionment, guilt and betrayal, and the fear of failure and intergenerational conflicts experienced by the teenaged characters in the novel. This casebook also situates "A Separate Peace" against the backdrop of World War II, enabling students to see the connections between the fictional world of the novel and the real World as it existed for young people. Moving well beyond a standard literary treatment, this interdisciplinary casebook provides a collection of historical primary documents drawn from official records, War Department orders, institutional histories, personal memoirs and letters, and poignant interviews.

With commentary by Knowles himself, the casebook takes readers from the prep school setting of the novel to the impact of wartime on American students and their schools. You're in the Army Now explores the difficult transitions through induction and military training. The Combat Zone graphically confronts the realities of war with interviews of two former P.O.W.'s who experienced firsthand the terrors and tragedies of WWII. The volume also examines some of the contemporary issues of the novel including current controversies in athletic programs, gender issues in education, and Post Traumatic Stress Disorder. Teachers and librarians will find helpful suggestions for oral discussion, research projects, and further suggested readings on these important topics.

How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This text answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.

The works of Louisiana authors differ from the works of other Southern writers in significant ways. Strong French, Spanish, Native American, and African American traditions shaped Louisiana culture, and Louisiana writers reflect that cultural diversity in their works. So too, historical and religious influences caused Louisiana to develop in a distinct way, and these influences have similarly affected Louisiana writers. The narrative styles employed by these writers generally differ from the styles of other Southern authors. While contemporary Louisiana writers have contributed a substantial body of work to Southern literature, their writings have not received adequate scholarly attention. This book provides a critical introduction to Louisiana literature and gives special attention to how Louisiana literature and culture depart from the rest of the South.

The volume is the first collection of scholarly studies focusing on Louisiana writers from the 1930s to the present. Drawing together discussions of 15 of Louisiana's current premier fiction writers, the collection is organized into three broad sections. The first examines Louisiana narratives and folk traditions; the second, influences of religious traditions on Louisiana writers, including Protestantism, Catholicism, and Paganism; and the third, the construction of gender and race in Louisiana culture. Included are discussions of such writers as Ernest J. Gaines, Anne Rice, James Lee Burke, Moira Crone, John Dufresne, Michael Lee West, Rebecca Wells, and Robert Olin Butler.

Although the fiction of Joseph Conrad has been studied extensively from a psychological perspective, a major theme seemingly neglected is that of ambivalence in the relations between fathers and sons. This volume contains Rising's Freudian and post-Freudian analysis of father/son interactions, at either the family or the social level, in Conrad's work. Defining the father as any older male with power and influence over a younger one, Rising examines wide thematic variations that show Conrad's obsessive concern with paternity-- as an object either of fear and hatred or of longing--and in turn addresses the theme of Conrad's most successful fiction: the protagonist's struggle to find (or keep) his place in a world of men. In his fiction, Conrad uses an array of fathers and paternal types to achieve a constantly shifting perspective on filial relationships. In a panorama of actual or potential conflict, the author provides portraits of Conrad's father and son, and shows what chance of accommodation he offers. In chapters on the prototype of the father, the jeaopardy of the son on land, and the immunity of the son at sea, the book discusses Conrad's use of an Oedipal compromise, a solution he abandoned in later works. Ultimately, although he appears to have sought new avenues of reconciliation in his last novels, the author demonstrates that the father/son antagonism is never fully resolved in his fiction. In addition to the primary chapters and epilogue, the work contains a bibliography and an index. This book will be an important reference tool for courses in English and psychology, as well as an important addition to academic and public libraries.

A collection of ten original essays forging new interdisciplinary connections between crime fiction and film, encompassing British, Swedish, American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.

Using the idea of 'parability, 'or the ability for writers to tell improper stories, as a foundation, Alan Ramon Clinton synthesizes a new model for a creative, more daring literary criticism. Sharp and surprising, this wide-ranging project engages with the work of Pynchon, Eco, Forche, Merrill, Weiner, Plath, Ashbery, and Eigner

Presenting the first English-language collection of essays on Jorge Semprun, this volume explores the life and work of the Spanish Holocaust survivor, author, and political activist. Essays explore his cultural production in all its manifestations, including the role of testimony and fiction in representations of the Holocaust.

Though Doris Lessing never explicitly refers to spirituality in her works, she nonetheless explores spiritual issues throughout her texts. This book examines the prominence of spirituality in her writings. The volume provides both close readings of individual works and sweeping surveys of her nearly fifty year career. The contributors employ a variety of theoretical perspectives such as systems theory, feminist studies of the body and of androgyny, postcolonial theories, mythic prophecy, and intersubjective psychology. The contributors reveal that Lessing's presentation of spirituality is neither rigid nor orthodox neither the product of the split between the body and the soul nor anchored in formal systems of the past or present.

The volume is divided into three sections. The first, on spirituality manifested in everyday life, examines individual works in which ordinary experiences such as growing old or struggling to adopt to the difficulties of married life comment on spiritual concerns. Included are chapters on "The Diaries of Jane Somers" and "The Marriages Between Zones Three, Four, and Five." The second section contains chapters on the formation and dissolution of individual identity for characters at different stages of the life cycle and the parallel changes within societies at different stages of cultural collapse. The third part presents chapters on the larger patterns that inform many of Lessing's works, with attention either to individual texts or to clusters of her writings.

An examination of how Faulkner's work has been analyzed, elucidated, and promoted by a massive body of scholarly work spanning over seven decades. William Faulkner seems to have sprung a full-blown genius from a remote part of the American South. Yet Faulkner spent much of his life striving to emulate and overshadow - both as a writer and as a person - his great-grandfatherand namesake, Colonel William Falkner, a dueling, railroad-building, soldiering figure who loomed not just as a legend in Faulkner's family and community but also as a literary forebear, a published novelist, travel writer, and poet. Looking back on his career, Faulkner would mention that early on he had ridden his great-grandfather's coattails, but by the mid-twentieth century it was clear that it was the great-grandson who was leading the literary world:readers, young writers of fiction, and literary critics were following him as one who had found extraordinary ways to capture and express the most challenging aspects of modern life. Taylor Hagood's book centers on the concept of following to examine how Faulkner's work has been analyzed, elucidated, and promoted by a massive body of scholarly work spanning over seven decades. It narrates the development of Faulkner criticism, taking as its premisethe idea that Faulkner forges a fiery path through modernism and into postmodernism that literary critics have been constantly rushing to follow. Taylor Hagood is Associate Professor of English at Florida Atlantic University. His book Faulkner: Writer of Disability (LSU Press, 2014) won the C. Hugh Holman Award for Best Book in Southern Literary Studies in 2015.