Originally published in 1985, this concordance lists all the words in the text indexed, along with the locations of their appearance in the Field of Reference. The Verbal Index lists the location of the context of each word in the Field of Reference. There is also a table listing alphabetically all words employed in the text and giving their frequency of occurrence. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1985, this volume follows others in the series. An alphabetical frequency table lists all the words indexed with the frequency of their appearance in the field of reference. There is also a table arranged by descending frequency. The verbal index lists the location of the context of each word in the field of reference. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1984, this volume follows others in the series. By looking up a word in the word frequency table, the user can find how often it occurs in the text. The verbal index indicates at what page and line the word occurs so that the user can turn to the field of reference to see the word in each of its contexts. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1985, as with the earlier volumes in the series, the reader of The Rover is here provided a Verbal Index, citing each type and its location, a Word Frequency Table, and a Field of Reference. Using the tables in this concordance, the reader should be better able to address the issue of style and determine on a more informed basis whether Conrad has deliberately eschewed the adjectival and even the figurative in favour of a lean, spare style, or whether he has simply tangled his style in rhetorical excesses and imprecisions.

Originally published in 1983, this volume follows others in the series. For each work, this volume provides a Verbal Index, a Word Frequency Table, and a Field of Reference. The user may look to the Word Frequency Table to see how often the word in question occurs. In the Verbal Index they will find its location(s) listed by page and line number. The Field of Reference provides page and line numbers which allow them to find the word in its context(s).

Originally published in 1983, this volume follows others in the series. The user is provided with a Verbal Index, citing each type and its location, a Word Frequency Table, and a Field of Reference. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1982, this title supplies a complete verbal index, listing all the words in the texts with their locations, a word frequency table, and a field of reference which establishes a page/line reference system for locating each context. The user will look first in the word frequency table to see whether or not the word in question occurs in these works. Then they will turn to the verbal index to find the line and page on which it occurs, and finally, turning to the location in the field of reference, they will find the context for their word.

Originally published in 1979, this concordance consists of a Verbal Index listing the location of all words used by Conrad, a Word Frequency Table listing number occurrences for each word in his text, and a Field of Reference in which the user can locate in its context a word cited in the Verbal Index. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1982, this volume follows others in the series. By looking at the word frequency table, the user will find how many times the word occurs in the work. The verbal index tells at what page and line number the word occurs. By looking at the field of reference, the reader can see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1981, this concordance can afford particular benefits to the critic and textual scholar because of several specialized problems that The Arrow of Gold presents. It should be able to shed light on problems distinct to The Arrow of Gold even as it provides information on questions pertinent to Conrad's work as a whole. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1981, this concordance to A Set of Six will assist readers in understanding the vocabulary of a group of stories of considerable artistic merit and also of importance to our grasp of Conrad's total works. It is particularly important, however, that this volume of tables be available to the serious scholar of Conrad, because it provides a basis for comparison of his various short works. This volume gives a verbal index, listing all the words used by Conrad in A Set of Six with the page and line number in which the word occurs. The user turns from the verbal index to the field of reference to see the word in its full context. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1980, the Concordances to Conrad's The Shadow Line and Youth: A Narrative provide complete verbal indexes and tables of frequency keyed to a field of reference for the text. This volume is part of a series which produced verbal indexes, concordances, and related data for all of Conrad's works.

Originally published in 1976, this publication falls into three parts: The Verbal Index, The Word Frequency Table, and The Field of Reference. A scholar interested in the full range of connotation for the word heart in Conrad would look first to the word frequency table to see how often the word in question occurs in Lord Jim. If the word is indeed part of the vocabulary of the novel, he then would turn to its alphabetical listing in the verbal index and the line numbers in which it appears. Then turning to the field of reference, he could locate the lines cited and look at each occurrence of the word in context. The authors feel that the data provided by these tables is of basic importance to both the editor and the literary critic.

The Quarrel Between Poetry and Philosophy: Perspectives Across the Humanities is an interdisciplinary study of the abiding quarrel to which poet-philosopher Plato referred centuries ago in the Republic. The book presents eight chapters by four humanities scholars that historically contextualize and cross-interpret aspects of the quarrel in question. The authors share the view that although poets and philosophers continually quarrel, a harmonious union between the two groups is achievable in a manner promising application to a variety of contemporary cultural-political and aesthetic debates, all of which have implications for the current status of the humanities.

This feminist investigation of the works of Clemence Dane joins the growing body of research into the relationship of female-authored texts to the ideology and cultural hegemony of the Edwardian and inter-war period. An amalgam of single-author study and thematic period analysis, through sustained cultural engagement, this book explores Dane's journalism, drama and fiction to interrogate a range of issues: inter-war women's writing, the Middlebrow, feminism, (homo) sexuality, liberal politics, domesticity, and concepts of the spinster. It examines form and a range of fictional genres: drama, bildungsroman, detective fiction, historical saga and gothic fiction. It relates back to the genre writing of comparable authors. These include Rosamond Lehmann, Vita Sackville-West, Ivy Compton-Burnett, Dorothy Strachey, Dodie Smith, Rachel Ferguson, May Sinclair, Sylvia Townsend Warner, Daphne Du Maurier, G.B.Stern, and detective writers: Dorothy L. Sayers, Agatha Christie, Gladys Mitchell, Marjorie Allingham and Ngaio Marsh. Offering a picture of an era, focalised through Dane and contextualised through her journalism and the work of her female peers, it argues that Dane is often markedly more radically feminist than these contemporaries. She engages with broad issues of social justice irrespective of gender and her humanity is demonstrated through her sympathetic representations of marginalised characters of both sexes. However, she most specifically evidences a gender politics consistent with the fragmented and multifarious essentialist feminism that emerged following the Great War, which esteemed 'womanly' qualities of care and mothering but simultaneously valued female autonomy, single status and professionalism. Adopting the critical paradigms of domestic modernism and women's liminality, the book will particularly focus on the trajectories of Dane's extraordinary modern heroines, who possess qualities of altruism, candour, integrity, imagination, intuition, resilience and rebelliousness. Over the course of her work, these fictional women increasingly challenge oppressive normative forms of domesticity, traversing physical thresholds to create alternative domesticities in self-defining living and working spaces.

This book explores how three contemporary American artists through the mediums of film, literature and popular music have contributed to the tradition of American progressivism, and provides an invaluable companion to the understanding of complex issues such as inequality and social and economic decline that are apparent in America today. Connecting the works of these artists through a fictional country - the 'Other America' - the book shows how they have refuted middle-class values and goals of success, money and social affirmation to unveil the less celebrated, dark side of contemporary America, which, despite the troubles currently faced, never loses hope for a better future. This utopic vision in the face of adversity is explored through the plots, characters and mis-en-scene of Auster and Jarmusch's work and Waits's lyrics and sound. This vision challenges the dominant narratives of America as the land of opportunity and values democracy, civic engagement, communitarianism and egalitarianism. Offering an important new perspective to literature on contemporary American culture, this book will be of interest to students and scholars of American studies, film studies, popular music, postmodern literature, cultural studies and sociology.

This book critically examines the representational politics of women in post-millennial Afghanistan, Pakistan, and Iran across a range of literary, visual, and digital media. Introducing the conceptual model of remediated witnessing, the book contemplates the ways in which meaning is constructed, deconstructed, and reconstructed as a consequence of its (re)production and (re)distribution. In what ways is information reframed? The chapters in this book therefore analyse the reiterative processes via which Afghan, Pakistani, and Iranian women are represented in a range of contemporary media. By considering how Muslim women have been exploited as part of neo-imperial, state, and patriarchal discourses, the book charts possible-and unexpected-routes via which Muslim women might enact resistance. What is more, it asks the reader to consider how they, themselves, embody the role of witness to these resistant subjectivities, and how they might do so responsibly, with empathy and accountability.

The Routledge Companion to Korean Literature consists of 35 chapters written by leaders in the field, who explore significant topics and who have pioneered innovative approaches. The collection highlights the most dynamic current scholarship on Korean literature, presenting rigorous literary analysis, interdisciplinary methodologies, and transregional thinking so as to provide a valuable and inspiring resource for researchers and students alike. This Companion has particular significance as the most extensive collection to date of English-language articles on Korean literature; it both offers a thorough intellectual engagement with current scholarship and addresses a broad range of topics and time periods, from premodern to contemporary. It will contribute to an understanding of literature as part of a broad sociocultural process that aims to put the field into conversation with other fields of study in the humanities and social sciences. While presenting rigorous and innovative academic research that will be useful to graduate students and researchers, the chapters in the collection are written to be accessible to the average upper-level undergraduate student and include only minimal use of academic jargon. In an effort to provide substantially helpful material for researching, teaching, and learning Korean literature, this Companion includes as an appendix an extensive list of English translations of Korean literature.

This Handbook brings together essays from an impressive group of well-established and emerging scholars from all around the world, to show the many different types of violence that have plagued Latin America since the pre-Colombian era, and how each has been seen and characterized in literature and other cultural mediums ever since. This ambitious collection analyzes texts from some of the region's most tumultuous time periods, beginning with early violence that was predominately tribal and ideological in nature; to colonial and decolonial violence between colonizers and the native population; through to the political violence we have seen in the postmodern period, marked by dictatorship, guerrilla warfare, neoliberalism, as well as representations of violence caused by drug trafficking and migration. The volume provides readers with literary examples from across the centuries, showing not only how widespread the violence has been, but crucially how it has shaped the region and evolved over time.

Yan Lianke is one of the most important, prolific, and controversial writers in contemporary China. At the forefront of the "mythorealist" Chinese avant-garde and using absurdist humor and grotesque satire, Yan's works have caught much critical attention not only in the Chinese mainland, Hong Kong, and Taiwan but also around the world. His critiques of modern China under both Mao-era socialism and contemporary capitalism draw on a deep knowledge of history, folklore, and spirituality. This companion presents a collection of critical essays by leading scholars of Yan Lianke from around the world, organized into some of the key themes of his work: Mythorealism; Absurdity and Spirituality; and History and Gender, as well as the challenges of translating his work into English and other languages. With an essay written by Yan Lianke himself, this is a vital and authoritative resource for students and scholars looking to understand Yan's works from both his own perspective and those of leading critics.

Postmodernism is an important part of the cultural landscape which continues to evolve, yet the ideas and theories surrounding the subject can be diverse and difficult to understand. Fifty Postmodern Thinkers critically examines the work of fifty of the most important theorists within the postmodern movement who have defined and shaped the field, bringing together their key ideas in an accessible format. Drawing on figures from a wide range of subject areas including literature, cultural theory, philosophy, sociology and architecture those covered include: John Barth Umberto Eco Slavoj Zizek Cindy Sherman John Cage Jean-Francois Lyotard Charles Jencks Jacques Derrida Homi K. Bhabha Quentin Tarantino Each entry examines the thinkers' career, key contributions and theories and refers to their major works. A valuable resource for those studying postmodern ideas at both undergraduate and postgraduate level, this text will appeal across the humanities and social sciences.

Offering a radical critique of contemporary Israeli and diaspora fiction by major writers of the generation after Amos Oz and Philip Roth, this book asks searching questions about identity formation in Jewish spaces in the twenty-first century and posits global, transnational identities instead of the bipolar Israel/diaspora model. The chapters put into conversation major authors such as Jonathan Safran Foer, Nicole Krauss, Michael Chabon, and Nathan Englander with their Israeli counterparts Zeruya Shalev, Eshkol Nevo, and Etgar Keret and shows that they share common themes and concerns. Read through a postmodern lens, their preoccupation with failed marriage and failed ideals brings to the fore the crises of home, nation, historical destiny, and collective memory in contemporary secular Jewish culture. At times provocative, at others iconoclastic, this innovative study must be read by anyone concerned with Jewish culture and identity today, whether scholars, students, or the general reader.

Originally published in 1939 and revised in 1959, this book traces back to their origins the literary movements and phases of German literature of 1880 to 1950 as they occur and shows how and why they pass over into succeeding phases. It closely analyses Naturalism, Impressionism, Neo-romanticism and Expressionism as well as dealing exhaustively with Surrealism, Magic Realism and Existentialism. The book includes discussion of post-war Anglo-American and French literature.

Exam Board: Pearson Edexcel Level: AS/A-level Subject: English literature First teaching: September 2015 First exams: Summer 2016 (AS); Summer 2017 (A-level) Enable students to achieve their best grade with this Pearson Edexcel AS/A-level English literature guide, designed to instil in-depth textual understanding as students read, analyse and revise the Poems of the Decade anthology throughout the course. This Study and Revise guide: - Increases students' knowledge of the Poems of the Decade anthology as they progress through the detailed commentary and contextual information written by experienced teachers and examiners - Develops understanding of characterisation, themes, form, structure and language, equipping students with a rich bank of textual examples to enhance their coursework and exam responses - Builds critical and analytical skills through challenging, thought-provoking questions and tasks that encourage students to form their own personal responses to the poems - Extends learning and prepares students for higher-level study by introducing critical viewpoints, comparative references to other literary works and suggestions for independent research - Helps students maximise their exam potential using clear explanations of the Assessment Objectives, sample student answers and examiner insights - Improves students' extended writing techniques through targeted advice on planning and structuring a successful essay

It had never been attempted before, and might never be done again. One man watching another man write a novel from beginning to end. On September 1, 2014, in an 11th floor apartment in New York, Lee Child embarked on the twentieth book in his globally successful Jack Reacher series. Andy Martin was there to see him do it, sitting a couple of yards behind him, peering over his shoulder as the writer took another drag of a Camel cigarette and tapped out the first sentence: "Moving a guy as big as Keever wasn't easy." Miraculously, Child and Martin stuck with it, in tandem, for the next 8 months, right through to the bitter-sweet end and the last word, "needle". Reacher Said Nothing is a one-of-a-kind meta-book, an uncompromising account in real time of the genesis, evolution and completion of a single work, Make Me. While unveiling the art of writing a thriller Martin also gives us a unique insight into the everyday life of an exemplary writer. From beginning to end, Martin captures all the sublime confidence, stumbling uncertainty, omniscience, cluelessness, ecstasy, despair, and heart-thumping suspense that go into writing a number-one bestseller.