A close reading of the life and letters of William Hale White shows that some misunderstandings have arisen in the interpretation of this important figure. The book offers such significant issues as doubt, loss of faith, and crises over vocation and church. This work represents a revisionist approach to William Hale White. It corrects previous studies at some important points, questions existing interpretations, and employs new theoretical strategies alongside fresh research in primary sources.

This book offers a substantial examination of how contemporary authors deal with the complex legacies of authoritarian regimes in various Spanish-speaking countries. It does so by focusing on works that explore an under-studied aspect: the reliance of authoritarian power on medical notions for political purposes. From the Porfirian regime in Mexico to Castro's Cuba, this book describes how such regimes have sought to seize medical knowledge to support propagandistic ideas and marginalize their opponents in ways that transcend specific pathologies, political ideologies, and geographical and temporal boundaries. Medicine, Power, and the Authoritarian Regime in Hispanic Literature brings together the work of literary scholars, cultural critics, and historians of medicine, arguing that contemporary authors have actively challenged authoritarian narratives of medicine and disease. In doing so, they continue to re-examine the place of these regimes in the collective memory of Latin America and Spain.

The book presents an intertextual and comparative analysis of memories of violence in Peruvian and Congolese Literature. Examining a variety of novels that offer insightful representations of violence in their respective historical settings, the author argues that similar historical experiences between Latin America and Africa engender ethical/aesthetic responses and enhance trans-continental critical dialogues in comparative literary studies. In the same way that the drama of the Congo has become the symbolic open wound of (post)colonial dispensation in Africa, Spanish conquest in Latin America also produced spaces where the legacy of colonialism is strongly visible and memorable, providing fertile ground for the reproduction of violence. This book explores the concept and reality of violence beyond its most obvious manifestations, demonstrating how in the colonial contexts of Peru and the Congo, violence was a function of (post)colonial power dynamics and deeply engrained socio-political, economic and cultural ordering and othering. From this perspective, the work considers and re-examines theoretical contributions from authors such as John Galtung, Michel Foucault, Immanuel Wallerstein, Anibal Quijano, Frantz Fanon, Achille Mbembe, Eboussi Boulaga, Pierre Nora, Susan Sontag, Stevan Weine, Cathy Caruth and Nelson Maldonado-Torres. This book will be of interest for scholars working on how violence is explored and represented in literature and other art forms.

This is the first book-length study foregrounding Auden's sense of place as a means for enhancing our grasp of this crucial twentieth-century poet. Proposing that Auden had a remarkable spatial sensibility, this book concentrates on his treatment of his homeland England, as well as the North Pennines and Iceland, both of which served as his 'good' places, 'holy' grounds and sources of topophilic sentiment. The readings draw on the scholarship of humanistic geography, tracing patterns of mental constructs which emerge from spatial experience. In a scholarly but engaging way, this book argues that focusing on Auden's poetics of place as it emerged and evolved can be instrumental to our understanding of this influential poet not only in relation to his epoch but also to the Anglophone poetic tradition. Precisely because of his stature, these elaborations on Auden's preoccupation with places, escapism, borders and local identity promise to enrich our understanding of the cultural and intellectual climate of the interwar period, when established notions of local places and cultures were beginning to be contested by internationalisation. This study will be of interest to both academics and students in the field of Anglophone literary studies while also appealing to those attracted to Auden's poetry, interwar culture and the literary representation of space.

1) This book presents a comprehensive overview of teaching English literature in India. 2) It contains case studies of actual classroom practices. 3) This book will be of interest to departments of cultural studies and South Asian studies across UK

This collection of essays explores cultural narratives of care in the contexts of ageing and illness. It includes both text-based and practice-based contributions by leading and emerging scholars in humanistic studies of ageing. The authors consider care not only in film (feature and documentary) and literature (novel, short story, children's picturebook) but also in the fields of theatre performance, photography and music. The collection has a broad geographical scope, with case studies and primary texts from Europe and North America but also from Hong Kong, Japan, Australia, Argentina and Mexico. The volume asks what care, autonomy and dependence may mean and how these may be inflected by social and cultural specificities. Ultimately, it invites us to reflect on our relations to others as we face the global and local challenges of care in ageing societies.

Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield's influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield's life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.

Originally published in English in 1951, this biography of one of Germany's foremost mystical poets dis-proves many of the myths surrounding Rainer Maria Rilke and examines his life and work from social, historical and psychological perspectives, while all the time referencing Rilke's works to his complex personality. The legacy of his work on younger generations is also examined. All German prose quotations have been translated into English for this edition, existing translations used for the German poetry.

This original collection of essays explores the work and life choices of Spanish women who, through their writings and social activism, addressed social justice, religious dogmatism, the educational system, gender inequality, and tensions in female subjectivity. It brings together writers who are not commonly associated with each other, but whose voices overlap, allowing us to foreground their unconventionality, their relationships to each other, and their relation to modernity. The objective of this volume is to explore how the idea of "queerness" played an important role in the personal lives and social activism of these writers, as well as in the unconventional and nonconformist characters they created in their work. Together, the essays demonstrate that the concept of "queer women" is useful for investigating the evolution of women's writing and sexual identity during the period of Spain's fitful transition to modernity in the nineteenth century. The concept of queerness in its many meanings points to the idea of non-normativity and gender dissidence that encompasses how women intellectuals experienced friendship, religion, sex, sexuality, and gender. The works examined include autobiography, poetry, memoir, salon chronicles, short and long fiction, pedagogical essays, newspaper articles, theater, and letters. In addition to exploring the significant presence of queer women in nineteenth- and twentieth-century Spanish literature and culture, the essays examine the reasons why the voices of Spanish women authors have been culturally silenced. One thrust in this collection explores generational transitions of Spanish writers from the romantics and their "hermandad lirica" ("lyrical sisterhood") through to "las Sinsombrero" ("Women Without Hats"), and finally, current Spanish writers linked to the LGBTQ+ community.

This book examines how Asian American authors since 1945 have deployed the stereotype of Asian American inscrutability in order to re-examine and debunk the stereotype in various ways. By paying special attention to what narrative theorists have regarded as one of the most extraordinary aspects of fiction-its ability to give (or else deny) readers a remarkably detailed knowledge of the inner lives of their characters-this book explores deeply and systematically the specific ways Asian American narratives attribute inscrutable minds to Asian American characters, situating them at various points along a spectrum stretching between alterity and empathy. Ultimately, the book reveals the link between narrative form and larger cultural issues associated with the representation of Asian American minds, and how a nuanced investigation of narrative form can yield insights into the sociocultural embeddedness of Asian American literature under the case studies-insights that would not be available if such formal questions were by passed.

This book contributes to the prominent interdisciplinary domain of Cosmopolitan Studies with 20 innovative essays by humanities scholars from all over the world that re-examine theories and practices of cosmopolitanism from a variety of perspectives. The volume satisfies the need for a stronger involvement of Comparative and World Literatures and Cultures, Translation, and Education Theories in this crucial debate, and also proposes an experimental way to explore in depth the necessity of a cosmopolitan method as well as the riches of cosmopolitan representations. The essays follow a logical progression from the situated philosophical and political foundations of the debate to interdisciplinary propositions for a pedagogy of cosmopolitanism through studies of modern and contemporary cosmopolitan cultural practices in literature and the arts and the concurrent analysis of prototypes of cosmopolitan identities. This trajectory allows readers to appreciate new historical, theoretical, aesthetic, and practical implications of cosmopolitanism that pertain to multiple genres and media, under different modes of production and reception. In the deterritorialized landscape of Migrating Minds, mental and sentimental mobility, rather than the legacy of place, is the key to an efficient, humanist response to deadening globalization.

Contemporary Irish Poetry and the Climate Crisis addresses what is arguably the most crucial issue of human history through the lens of late-twentieth and early twenty-first-century Irish poetry. The poets that it surveys range from familiar presences in the contemporary Irish literary canon - Seamus Heaney, Derek Mahon, Paula Meehan, Moya Cannon - to lesser-known figures, such as the experimental poet Maurice Scully, contemporary poets Stephen Sexton and Sean Hewitt, and the Irish-language poets Simon O Faolain, Brid Ni Mhorain, and Maire Dinny Wren. Adopting a variety of ecotheoretical approaches, the essays gathered here address several interrelated themes crucial to the climate crisis: the way in which the scalar scope of climate change interweaves local and global, distant past and imminent future, nature and culture; the critical importance of acknowledging the complex kinship of the human and nonhuman; and the necessity of warning against the devastating environmental losses to come while mourning those that already occurred. Ultimately, by envisioning new ways of existing on an earth that humans no longer dominate, this book engages in what the philosopher Jonathan Lear refers to as a process of 'radical anticipation'.

This book distinguishes itself from previous scholarship by offering an inclusive and comprehensive treatment of urban walking from 1800 to the present. Divided into three sections-geography, genius, and gender-the introduction establishes the origins of the flaneur and flaneuse in early foundational texts and explores later works that reimagine flanerie in terms of these same three themes. The volume's contributors provide new and global perspectives on urban walking practices through their treatment of a variety of genres (literature, film, journalism, autobiography, epistolary correspondence, photography, fashion, music, digital media) and regions (Europe, Asia, the Americas, Africa, the Middle East). This volume theorizes well-known urban characters like the idler, lounger, dandy, badaud, promeneuse, shopper, collector, and detective and also proposes new iterations of the flaneur/flaneuse as fashion model, gaucho, cruiser, musician, vampire, postcolonial activist, video game avatar and gamer.

Originally published in 1939 and revised in 1959, this book traces back to their origins the literary movements and phases of German literature of 1880 to 1950 as they occur and shows how and why they pass over into succeeding phases. It closely analyses Naturalism, Impressionism, Neo-romanticism and Expressionism as well as dealing exhaustively with Surrealism, Magic Realism and Existentialism. The book includes discussion of post-war Anglo-American and French literature.

'White handles hefty quantities of research effortlessly, combining multiple biographies with a broader overview of the period. His energetic, anecdote-laden prose will have you hooked all the way from Orwell to le Carre' Sunday Times, Books of the Year 'Cold Warriors reads like a thriller . . . ambitious, intelligent, searching history' The Times In this age of 24-hour news coverage, where rallying cries are made on Twitter and wars are waged in cyberspace as much as on the ground, the idea of a novel as a weapon that can wield any power feels almost preposterous. The Cold War was a time when destruction was merely the press of a button away, but when the real battle between East and West was over the minds and hearts of their people. In this arena the pen really was mightier than the sword. This is a gripping, richly-populated history of spies and journalists, protest and propaganda, idealism and betrayal. And it is the story of how literature changed the course of the Cold War just as much as how Cold War would change the course of literature. Using hitherto classified security files and new archival research White explores the ways in which authors were harnessed by both East and West to impose maximum damage on the opposition; how writers played a pivotal role (sometimes consciously, often not) in the conflict; and how literature became something that was worth fighting and dying for. With a cast that includes George Orwell, Arthur Koestler, Graham Greene, Boris Pasternak, Andrei Sinyavsky, Mary McCarthy and John le Carre, and taking the reader from Spain to America to England and to Russia, this is narrative history at its most enthralling and most pertinent - pertinent because even if on the face of it there is a huge difference between 140 characters and 100,000 words, at the heart of both is the power of stories to change the fate of nations.

This is one of the first book which uses of Delueze-Guattarian philosophy to understand Indian society, culture and art. It brings scholars from different disciplines of humanities and social sciences. Delueze and Guattarian philosophy being popular worldwide, this book will be of interest to departments of philosophy, political philosophy, English literature, cultural studies, media and film studies, post-colonial studies and South Asian studies across the world.

This is a transnational and bilingual investigation of the cross-fertilisation of mystical religiosity and modern poetical imagination in the works of the Bengali poet Rabindranath Tagore and the Irish poet W. B. Yeats. The book demonstrates how their commitments to transnational mysticism deeply form and inform the modernist literary projects of these poets as well as their understanding of cultural modernity. Although its primary interest lies in their poetry and poetics, the monograph also includes some of their relevant prose works. This study begins with a close look at and around the phase of 1912-1913, when Yeats and Tagore met over the collection of the latter's English translations of his spiritual verses, Gitanjali, and took mutual interests in each other's works and cultural significances. The monograph then expands on both sides of that phase, selectively covering the whole career of the poets in its exploration of their parallel mystic-modern cultural-poetical projects.

At a time when the humanities are under fire this book offers not just a defence but a clear need for engagement with literature and narrative Authors are very well established in their fields with huge amounts of experience and credentials that mean the book will appeal to people in a variety of fields Interjects into real and ongoing debates around public policy, "truth" and democracy

'An intimate portrait ... Critical, generous and heartfelt' Ahdaf Soueif, Guardian 'An intriguing account of an alluring but evasive character' Daily Telegraph Drawing on extensive archival sources and hundreds of interviews, Timothy Brennan's Places of Mind is the first comprehensive biography of Said, one of the most controversial and celebrated intellectuals of the 20th century. In Brennan's masterful work, Said, the pioneer of post-colonial studies, a tireless champion for his native Palestine, and an erudite literary critic, emerges as a self-doubting, tender, and eloquent advocate of literature's dramatic effects on politics and civic life. Places of Mind charts the intertwined routes of Said's intellectual development, revealing him as a study in opposites: a cajoler and strategist, a New York intellectual with a foot in Beirut, an orchestra impresario in Weimar and Ramallah, a raconteur on national television, a Palestinian negotiator at the State Department, and an actor in films in which he played himself. Brennan traces the Arab influences of Said's thinking along with his tutelage under Lebanese statesmen, off-beat modernist auteurs, and New York literati, as Said grew into a scholar whose influential writings changed the face of university life forever. With both intimidating brilliance and charm, Said turned these resources into a groundbreaking counter-tradition of radical humanism, set against the backdrop of techno-scientific dominance and religious war. With unparalleled clarity, Said gave the humanities a new authority in the age of Reaganism that continues today. Drawing on the testimonies of family, friends, students, and antagonists alike, and aided by FBI files, unpublished writing, and Said's drafts of novels and personal letters, Places of Mind captures Said's intellectual breadth and influence in an unprecedented, intimate, and compelling portrait of one of the great minds of the twentieth century.

Play Up and Play the Game (1973) examines the type of fictional hero most embodied in the work and character, poetry and philosophy of Sir Henry Newbolt. 'Newbolt Man', imbued with the spirit of fairplay, loyalty, fearlessness, conformity (while remaining slightly philistine and sexless), can be traced in the work of Rider Haggard, Conan Doyle, Edgar Wallace, Anthony Hope and P.C. Wren. The book traces his development from the Victorian schoolboy (Tom Brown's School Days and Kipling) to the twentieth-century secret agent (Buchan's Richard Hannay), and on to his demise in Sheriff's Journey's End and Aldington's Death of a Hero.

This book critically examines how a Hero is made, sustained, and even deformed, in contemporary cultures. It brings together diverse ideas from philosophy, mythology, religion, literature, cinema, and social media to explore how heroes are constructed across genres, mediums, and traditions. The essays in this volume present fresh perspectives for readers to conceptualize the myriad possibilities the term 'Hero' brings with itself. They examine the making and unmaking of the heroes across literary, visual and social cultures -in religious spaces and in classical texts; in folk tales and fairy tales; in literature, as seen in Heinrich Boell's Und Sagte Kein Einziges Wort, Thomas Brussig's Heroes like Us, and in movies, like Christopher Nolan's Interstellar, Michel Gondry's Eternal Sunshine of the Spotless Mind and in the short film like Dean Potter's When Dogs Fly. The volume also features nuanced takes on intersectional feminist representations in hero movies; masculinity in sports biopics; taking everyday heroes from the real to the reel, among others key themes. A stimulating work that explores the mechanisms that 'manufacture' heroes, this book will be useful for scholars and researchers of English literature, postcolonial studies, cultural studies, film studies, media studies, literary and critical theory, arts and aesthetics, political sociology and political philosophy.

1. Offers an introduction and overview of key contemporary essays and topics that students of literature/culture/humanities need to be aware of 2. Knowledge of these debates is essential for advanced undergrad/postgrad work in the humanities but the essays themselves can be complex or assume a certain level of knowledge - this book fills in those gaps 3. There is no other book that looks at the most current and contemporary essays in relation to literary theory

If "event" is a proper name we reserve for monumental changes, crises, transitions and ruptures that are by their very nature unnameable or unthinkable, then this volume is an attempt to set up an encounter between such eventhood as it comes to have a bearing on literary works and the work of reading literature. As the event continues to provide a valuable analytical paradigm for work undertaken within the newer subdisciplines of literary and critical theory, including close reading, bio- politics, world literature, and eco- criticism, this volume makes a concerted effort to update the scholarship in this area and foreground the recent resurgence of interest in the concept. The book provides both a retrospective appraisal of the significance of events to literary studies and the literary humanities, as well as contemporary and prospective appraisals of the same, and thus would appeal scholars and instructors in the areas of literary theory, comparative literature and philosophical aesthetics alike. Along with a specialist focus on thinkers such as Derrida, Badiou, Deleuze and Malabou, the essays in this volume read a wide corpus of literature ranging from Han Kang, Homer, Renee Gladman, Proust and Flaubert to Yoruba ideophones, Browning, Anne Carson, Jenichiro Oyabe and Ben Lerner.

1) This book presents the women's perspective of displacement through literature, culture and societal experiences in South Asia. 2) It attempts to fill the gap in the existing literature on women & displacement and, women & rehabilitation. 3) This book will be of interest to departments of South Asian studies and cultural studies across UK and USA.

1) This book traces the history of anglicization among Indian Middle class since colonial period. 2) It looks at the works of Tagore, Cornelia Sorabji, Nirad C. Chaudhuri and Salman Rushdie among others. 3) This book will be of interest to departments of post-colonial studies, cultural studies and South Asian studies across UK and USA.