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Books > History > European history > From 1900
What were the consequences of the German occupation for the economy
of occupied Europe? After Germany conquered major parts of the
European continent, it was faced with a choice between plundering
the suppressed countries and using their economies to produce what
it needed. The decision made not only differed from country to
country but also changed over the course of the war. Individual
leaders; the economic needs of the Reich; the military situation;
struggles between governors of occupied countries and Berlin
officials, and finally racism all had an impact on the outcome. In
the end, in Western Europe and the Czech Protectorate, emphasis was
placed on production for German warfare, which kept these economies
functioning. New research, presented for the first time in this
book, shows that as a consequence the economic setback in these
areas was limited, and therefore post-war recovery was relatively
easy. However, plundering was characteristic in Eastern Europe and
the Balkans, resulting in partisan activity, a collapse of normal
society and a dramatic destruction not only of the economy but in
some countries of a substantial proportion of the labour force. In
these countries, post-war recovery was almost impossible.
Jews began settling in RokiSkis in the late 17th Century. During the 19th Century, the town's importance as a regional commercial center increased with the completion of a railway line that connected it to the Baltic ports of Riga and Libau / Liepaja and to the interior of the Russian Empire. By 1897, the Jewish population had grown to 2,067, 75% of the town's population. There was a strong Chasidic presence in the RokiSkis area, which was unique to Lithuania. Prior to the Holocaust, about 3,500 Jews lived in RokiSkis. By the end of August 1941 nearly all were murdered.
In 1952, Jews from the area who had emigrated to South Africa before the war published a collection of Yiddish-language articles and related images under the title Yisker-bukh fun Rakishok un umgegnt (Memorial Book for Rokiskis and Environs). Countless hours of volunteer effort have been devoted to translating that work into English and recently to gathering additional materials that were not available when the original book was published.
Together, these translations, images, and new material provide English-speaking readers a composite picture of the history, culture, institutions, and daily lives of the Jews of the RokiSkis area and will be a lasting memorial to them.
![By Pure Luck (Hardcover): Fela Igielnik, Simon Igielnik, Curtiss Short](//media.loot.co.za/images/x80/10893008993179215.jpg) |
By Pure Luck
(Hardcover)
Fela Igielnik, Simon Igielnik, Curtiss Short
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R717
Discovery Miles 7 170
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Ships in 10 - 15 working days
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"By Pure Luck" tells the remarkable story of how Fela Igielnik
survived life in the Warsaw ghetto and the brutality of World War
II. But more than that, it reveals the possibility of transforming
even the darkest of experiences - starvation, forced labor and
marches, institutionalized hatred - into opportunities for
furthering education and understanding. Alternating between
harrowing narrative and essayistic interpretation; written in a
style that is at once childlike in perspective and scathingly
mature in its interrogation of the absurdities of war and the
consequences of intolerance and bigotry, "By Pure Luck" represents
the culminating story of a young woman who managed to survive, even
at times flourish, under six years of Nazi brutality as well as
many years of uncertainty and unanswered questions. Retaining her
humanity, through her efforts at recording the events of the
Holocaust and tackling subjects such as post-War politics and the
role of education in preventing further genocides, Fela Igielnik
has left behind a remarkable document that teaches us that to
remember is to educate.
![Elie Wiesel (Hardcover): Alan L. Berger](//media.loot.co.za/images/x80/486829073233179215.jpg) |
Elie Wiesel
(Hardcover)
Alan L. Berger; Foreword by Irving Greenberg; Afterword by Carol Rittner
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R972
R807
Discovery Miles 8 070
Save R165 (17%)
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The untold story of the massacre named "Razzia" (Raid) which took
place in January 1942, committed by the Hungarian Nazi forces in an
occupied part of northern Serbia - Backa. This book unveils the
most important details of the massacre, implicating the Hungarian
regent (governor) Miklos Horthy. Besides murdering Serbs, Jews and
Roma, Horthy had also committed numerous crimes over Ukrainians,
Romanians, Ruthenians, Slovaks, Russians and Hungarian
antifascists. The book primarily deals with the genocide committed
in January 1942, where at least 12,763 civillians had been tossed
into icy rivers Tisa and Danube. One of the main perpetrators,
Sandor Kepiro, was released in Budapest court on July 18, 2011. He
died in Budapest in September 3 of the same year.
Belzec was the prototype death camp and precursor of the killing
centers of Sobibor and Treblinka. Secretly commissioned by the
highest authority of the Nazi State, it acted outside the law of
both civil and military conventions of the time. Under the code
"Aktion Reinhardt," the death camp was organized, staffed and
administered by a leadership of middle-ranking police officers and
a specially selected civilian cadre who, in the first instance, had
been initiated into group murder within the euthanasia program.
Their expertise, under bogus SS insignia, was then transferred to
the operational duties to the human factory abattoir of Belzec,
where, on a conveyor belt system, thousands of Jews, from daily
transports, entered the camp and after just two hours, they lay
dead in the Belzec pits, their property sorted and the killing
grounds tidied to await the next arrival. Over a period of just
nine months, when Belzec was operational Galician Jewry was totally
decimated: 500,000 lay buried in the 33 mass graves. The author
takes the reader step by step into the background of the "Final
Solution" and gives eyewitness testimony, as the mass graves were
located and recorded. This is a publication of the "Yizkor Books in
Print Project" of JewishGen, Inc 376 pages with Illustrations. Hard
Cover
"My Education Continues" tells the remarkable story of how Fela
Igielnik survived life in the Warsaw ghetto and the brutality of
World War II. But more than that, it reveals the possibility of
transforming even the darkest of experiences - starvation, forced
labor and marches, institutionalized hatred - into opportunities
for furthering education and understanding. Alternating between
harrowing narrative and essayistic interpretation; written in a
style that is at once childlike in perspective and scathingly
mature in its interrogation of the absurdities of war and the
consequences of intolerance and bigotry, "My Education Continues"
represents the culminating story of a young woman who managed to
survive, even at times flourish, under six years of Nazi brutality
as well as many years of uncertainty and unanswered questions.
Retaining her humanity, through her efforts at recording the events
of the Holocaust and tackling subjects such as post-War politics
and the role of education in preventing further genocides, Fela
Igielnik has left behind a remarkable document that teaches us that
to remember is to educate.
This is the story of Chęciny, my hometown in southern Poland, and
of the people who lived there between the two world wars of the
20th Century.
The Nazi invasion of Poland in October 1939 started World War
II. Millions of Polish Jews died in the ensuing Holocaust,
including 4,000 citizens of Chęciny, and 50 members of my family. I
was lucky: my mother, brother, three sisters and I had joined my
father in America in 1930. I finished high school in Chicago, went
to college and graduated from the University of Illinois Medical
School. I became a doctor and a psychiatrist, setting up a long and
rewarding private practice in Los Angeles that spanned more than 50
years.
Like the wall paintings in Pompeii, which offer a glimpse into
the daily life of that city before the volcano, I hope that these
stories offer a glimpse into the daily life of my hometown before
the Holocaust.
But most of all, this is the story of my family, and a tribute
to my beloved Aunt Chana and her daughter, my cousin Rachel, whose
courage and self-sacrifice saved Miriam - Chęciny's youngest
survivor of the Holocaust - from the Nazi murderers.
![Courage to Dream (Hardcover): Neal Shusterman](//media.loot.co.za/images/x80/237348541520179215.jpg) |
Courage to Dream
(Hardcover)
Neal Shusterman; Illustrated by Andr's Vera Mart-Nez
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R642
R552
Discovery Miles 5 520
Save R90 (14%)
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National Book Award winner Neal Shusterman presents a graphic novel
exploring the Holocaust through surreal visions and a textured
canvas of heroism and hope. Courage to Dream plunges readers into
the darkest time of human history - the Holocaust. This graphic
novel explores one of the greatest atrocities in modern memory,
delving into the core of what it means to face the extinction of
everything and everyone you hold dear. This gripping, multifaceted
tapestry is woven from Jewish folklore and cultural history Five
interlocking narratives explore one common story - the tradition of
resistance and uplift Internationally renowned author Neal
Shusterman and illustrator Andres Vera Martinez have created a
masterwork that encourages the compassionate, bold reaching for a
dream
This is the first biography in English of a World War II heroine of
the Greek resistance, who joined the British secret intelligence
services (SIS) shortly after the German occupation of Athens and
was betrayed, arrested and executed one month before the Germans'
departure. She was a prosperous housewife with seven children, who
had no experience in politics or military affairs, and yet she
managed to build a formidable escape, espionage and sabotage
organization that interacted with the highest levels of SIS agents
in Occupied Greece. Book Presentation with Prof. Stylianos Perrakis
(Concordia University), Prof. Stathis Kalyvas (University of
Oxford), and Prof. Gonda van Steen (King's College London)
"Rhodes and the Holocaust" is the story of "La Juderia," the
Jewish community that once lived and flourished on Rhodes Island,
the largest of the twelve Dodecanese islands in the Mediterranean
Sea near the coast of Turkey. While the focus of the accounts of
the Holocaust has for the most part been on the Jewish populations
of Eastern and Middle Europe, little seems to be known of the
events that affected those communities in Greece and the
surrounding Aegean Islands during that time.
The population of this group was almost annihilated, reduced
from a thriving community of over 80,000, to less than a 1,000
survivors, who were left to tell their stories. Among the victims
of Rhodes Island were the grandmother and aunt of the author, who
were killed by falling bombs, and his grandfather, who was taken to
the Auschwitz concentration camp. This history tells of the deceit
and inhuman treatment the entire Jewish community of Rhodes
experienced during their deportation and eventual "liberation" by
the Russian Army.
The heart-wrenching story of the Rhodes Jewish community is told
through the experiences of a thirteen-year-old boy, taken by the
Nazis to Auschwitz along with his father and his eleven-year-old
sister.; Most of all, Rhodes and the Holocaust makes known the
story of that community's existence and struggle for survival.
This book offers a unique perspective on contemporary Polish
cinema's engagement with histories of Polish violence against their
Jewish neighbours during the Holocaust. Moving beyond conventional
studies of historical representation on screen, the book considers
how cinema reframes the unwanted knowledge of violence in its
aftermaths. The book draws on Derridean hauntology, Didi-Huberman's
confrontations with art images, Levinasian ethics and anamorphosis
to examine cinematic reconfigurations of histories and memories
that are vulnerable to evasion and formlessness. Innovative
analyses of Birthplace (Lozinski, 1992), It Looks Pretty From a
Distance (Sasnal, 2011), Aftermath (Pasikowski, 2012), and Ida
(Pawlikowski, 2013) explore how their rural filmic landscapes are
predicated on the radical exclusion of Jewish neighbours, prompting
archaeological processes of exhumation. Arguing that the
distressing materiality of decomposition disturbs cinematic
composition, the book examines how Poland's aftermath cinema
attempts to recompose itself through form and narrative as it faces
Polish complicity in Jewish death.
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