Inspired by radical Italian designer Enzo Mari, this practical book with step-by-step DIY projects for hand built, beautiful furniture is a tribute to his simple ideas that challenged the consumerism of the furniture industry. Many interpreted Enzo Mari's book Autoprogettazione? as a manifesto of nostalgic longing for a pre-capitalist society where people built what they needed themselves, but Mari's goal wasn't to make people cease consuming. Mari wanted people to consider the more basic aspects of the objects we surround ourselves with and what it is that makes a piece of furniture, beautiful, comfortable and functional. Taking Enzo Mari and his book as his influence, Erik Eje Almqvist unpacks the practical aspects of the Autoprogettazione? theory, offering simple designs for handbuilt, beautiful furniture. Using just a hammer, nails and boards cut to standard dimensions, Hammer & Nail explores only a few techniques but arms the reader with skills and inspiration for life. With easy-to-follow instructions and diagrams, there are basic methods for making furniture joints, and includes tips on how to avoid cracking boards as you go, making clean cuts with a saw, and ideas on surface treatments. Projects include: Sheep chair, Tilting Shaker chair, Pinstol/Windsor chair, Garden chair, Arts & Crafts chair, Ski chair, Mirror stool, Stackable stool, Beer table, Kitchen bench, Park bench, Sofa, Top and tail bed, Dining table, Worktable, Cabinet, Gun Kessle's shelf and Giraffe lamp.

The primary emphasis of this book is on the application of various types of finishes to wood furniture. It also contains chapters on furniture repair and the preparation of wood surfaces. New to this edition are a glossary of terms; rewritten and updated information on antiquing, stencilling, and other craft-type finishes; references to specific brand names and products and the companies that produce them; emphasis on safety precautions when using finishes; and extensive rewritten and updated information on all types of stains.

Many designers, from jewellers to architects, use folding techniques to make three-dimensional forms from two-dimensional sheets of fabric, cardboard, plastic, metal and other materials. This unique handbook explains key folding techniques, such as pleated surfaces, curved folding and crumpling. It has been updated with a new chapter covering some lesser-known techniques, suggesting yet more creative possibilities. The techniques are accompanied by clear step-by-step drawings, specially commissioned photography and ten new instructional videos.

Islamic geometric designs are admired worldwide for their beauty and marvellous intricacy, yet in truth they are seldom understood. Indeed, their complexity and artistry can seem almost beyond the powers of human ingenuity. In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains these complex designs in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries. Chapters are devoted to each of the main 'families' of geometric design - fourfold, fivefold and sixfold - and to the complex 'combined' patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair of compasses.

Since first published in 1991 Pocket Jackson's, as it is most often called, has enjoyed enormous success and is constantly rated as a best seller in the Arts & Antiques category. During the last twenty three years important developments have taken place in the Hallmarking system. Most notably the introduction within Europe of a universally accepted system of marking has lead not only to the addition of new marks, but also, to a change of status of several historic marks. This edition brings up to the present day all the date letters and commemorative marks. It also includes the recently introduced marks for Palladium and a section illustrating the Assay Office identification marks of those countries that are signatories to the International Convention marking system. In addition and of importance are the changes made in the early cycles of Dublin date letters which result from recent research by silver scholars in Ireland.

The Handcarved Bowl provides step-by-step photos and directions for every stage of the bowlcarving process that will appeal to everyone from beginning woodworkers to seasoned carvers. Carving wooden bowls by hand may appear to be just a romantic notion (don't worry, it's that too), but there's also lots to learn about this natural material and unique process that will be undoubtedly serve you for every future woodworking project, no matter the tools or methods used. Bowl carving gives unparalleled insight to the basic properties of wood behavior, intimate knowledge of how tool edges interact with different grain, and the importance of learning to reframe failure as one of the keys of building deep understanding. The Handcarved Bowl is the beginning of many projects, not just the three designs outlined here in step-by-step instructions, and both seasoned woodworkers and beginners alike will find the inherent value of carving using these methods. Along the way you'll learn tips and tricks that will keep you safe, help you make informed decisions about your own designs, and give you the confidence to take your work in any direction you'd like.

Analysis of a group of images of kingship and queenship from Anglo-Saxon England explores the implications of their focus on books, authorship and learning. Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and functionwithin both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so mucha feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom. CATHERINE E. KARKOV is Professorof Art History at the University of Leeds.

Representing the third generation of Vuittons, Gaston-Louis's wide interests and voracious curiosity were intimately bound with the future of the family business. A collector since his childhood, Gaston-Louis Vuitton (1883-1970) accumulated hundreds of objects over his lifetime. In addition to forming a collection of trunks - his first motivation and the one he announced publicly - his roving eye lit upon rare antique travel articles, locks and escutcheons, hand tools, perfume bottles, African masks, walking canes, vintage children's toys, books, hotel labels (usually fixed on customers' trunks), printed monograms and other typographical rarities. Together they form a rich personal evocation of curiosites industrielles, or quirks of the trade, as Gaston-Louis liked to call them. He described himself as an `unrepentant collector', delighted by the `joy of the treasure hunter, the toil of the collector, [...] an inexhaustible source of inspiration'. This is a collection that will capture the imagination of anyone inspired by bizarre and eclectic curiosities, or those with an interest in the cultural taste and interests of someone who lived through the height of the Art Deco period - indeed, someone whose life was defined by the rigours and the rewards of world travel. It exhibits the highest design and production values for discerning international voyagers in search of the sources of luxury creativity.

The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks-devil's marks on witches, demon's marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands-each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.

This book provides the detailed knowledge you need to successfully choose, install, and operate a milling machine in your home workshop. Lavishly illustrated with color photographs and diagrams, it will help you to understand which accessories are essential, and which can be postponed until your activity demands it. The usage of each machine and accessory is explained in detail for the vast majority of applications in an active shop. The real learning curve begins once your milling machine and its accessories are chosen and installed. Discover your options for holding the many diverse shapes and sizes of work pieces that will inevitably surface during your machine's life. This critical task is by far the most important part of learning to use the machine. Learn how to decide which method is best for any application-whether to use a vice or an angle plate, or mount the piece directly onto the worktable, or even produce a fixture specifically for the task. With the work piece set up and ready for machining, the book goes on to show you the right ways to cut metal and maintain your milling tools.

Being on the migrational flyway for ducks and geese, the upper Chesapeake Bay has long been a center for waterfowl hunting. Where there is hunting, there are, of course, decoys. The area around Havre de Grace, Maryland has produced some of the most prolific decoy makers in America. Usually born of the necessity of the hunt, their decoys have become highly collectable. In Upper Chesapeake Bay Decoys and Their Makers, David and Joan Hagan share their talent for photography with the reader. They illustrate the art of the decoy makers in this area with beautiful images of the birds they have formed. Usually their decoys are accompanied by the portraits of the artists and recollections and reflections on their art and experiences. Over eighty decoy makers are represented in Upper Chesapeake Bay Decoys and Their Makers. Many of them are still alive and active in their work. The decoys illustrated range from early decoys, faded and worn smooth with use, to recent decoys which go directly from the artist to the collector without ever touching the water. All of them show the skill of the artist and evoke the appreciation that has made the decoy a central theme in American folk art.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Uematsu Hobi's Box Decorated with Chrysanthemums.

In the 1920s and '30s Art Deco influenced everything from art and architecture, interiors and furnishings, automobiles and boats, to the small personal objects that are part of everyday life. The items in this thematically structured book demonstrate Deco style at its most alluring. They were then the height of fashion, and are highly prized collectibles today. They demonstrate an era of close cooperation between designers and manufacturers, who aimed to produce goods that were not only fit for purpose, but also well made and beautiful. This informative showcase of portable classics of avant-garde modern design from Britain, Europe (particularly France) and the United States will appeal both to collectors and to anyone with an interest in Deco style and the history of fashion, taste and design. It is the first book to bring together the small collectibles - from cigarette cases and lighters to powder compacts and cosmetics accessories, watches, jewelry, even cameras - that demonstrate the style, glamour and sophistication of the Jazz Age.

The animal kingdom has been a source of inspiration for jewelers since the days of antiquity. Chosen for their symbolism, their beauty or their personality, a whole menagerie of creatures has been depicted in gemstones and precious metals, ranging from fantastical dragons, griffins and sphinxes, to wild beasts such as boars and big cats, to the delicate forms of birds, fish and even insects. The 130 pieces in this book have been specially selected from the magnificent jewelry collection of the Musee des Arts Decoratifs in Paris, and include necklaces and earrings, bracelets and brooches by legendary names such as Boucheron, Falize and Lalique. They stretch from the Renaissance revival of the 19th century to the elegant lines of Art Nouveau and beyond, through to the playful naivety of modernist designs by Jean Lurcat and Line Vautrin. Beautifully photographed by renowned photographer Jean-Marie del Moral, this second title in the series that began with Flora: The Art of Jewelry is packed with clever and witty works of art that will delight all lovers of jewelry and nature.

This book brings together cutting-edge research from leading international scholars to explore the geographies of making and craft. It traces the geographies of making practices from the body, to the workshop and studio, to the wider socio-cultural, economic, political, institutional and historical contexts. In doing so it considers how these geographies of making are in and of themselves part of the making of geographies. As such, contributions examine how making bodies and their intersections with matter come to shape subjects, create communities, evolve knowledge and make worlds. This book offers a forum to consider future directions for the field of geographies of making, craft and creativity. It will be of great interest to creative and cultural geographers, as well as those studying the arts, culture and sociology.

Home accents made with beautiful natural wood are hugely popular and add impact to any room of the house. But the simple elegance of a birch table lamp or a driftwood sculpture can carry an eye-watering price tag. Simply Wood shows you how to make beautiful and practical objects using found wood that doesn't cost the earth. All you need are basic skills such as measuring, sawing, drilling and gluing to achieve each of the 20 projects. Choose from lighting and shelving to wreaths and wall hangings, and simply follow the clear, step-by-step instructions to make your chosen item. Whether you are drawn to delicate twigs, graceful branches, sturdy logs, silvered driftwood or weathered boards, there is a project for you - be inspired, get creative and bring the beauty of nature into your home.