A Shaker Village is the second book in a series of Schiffer Paper Craft Projects. It is designed to be both instructional and gratifying as a do-it-yourself creation. The village consists of 6 cut and assemble architectural and models in H-O scale, printed on heavy stock in full color. The buildings represent the nucleas of an agrarian village typical of the Shaker communites that sprang up in several of the eastern states in the early 19th century. Middle gradesages 8-12.

The animal kingdom has been a source of inspiration for jewelers since the days of antiquity. Chosen for their symbolism, their beauty or their personality, a whole menagerie of creatures has been depicted in gemstones and precious metals, ranging from fantastical dragons, griffins and sphinxes, to wild beasts such as boars and big cats, to the delicate forms of birds, fish and even insects. The 130 pieces in this book have been specially selected from the magnificent jewelry collection of the Musee des Arts Decoratifs in Paris, and include necklaces and earrings, bracelets and brooches by legendary names such as Boucheron, Falize and Lalique. They stretch from the Renaissance revival of the 19th century to the elegant lines of Art Nouveau and beyond, through to the playful naivety of modernist designs by Jean Lurcat and Line Vautrin. Beautifully photographed by renowned photographer Jean-Marie del Moral, this second title in the series that began with Flora: The Art of Jewelry is packed with clever and witty works of art that will delight all lovers of jewelry and nature.

Against the backdrop of an alienating, technologizing and ever-accelerating world of material production, this book tells an intimate story: one about a community of woodworkers training at an historic institution in London's East End during the present 'renaissance of craftsmanship'. The animated and scholarly accounts of learning, achievement and challenges reveal the deep human desire to create with our hands, the persistent longing to find meaningful work, and the struggle to realise dreams. In its penetrating explorations of the nature of embodied skill, the book champions greater appreciation for the dexterity, ingenuity and intelligence that lie at the heart of craftwork.

Wood carvers now have patterns and complete instructions for making life-like images of a Cardinal bird, trotting horse, standing deer, and an iIndian with headdress neckerchief slide. These projects are taught in this third volume of the successful Carver's Handbook series through 78 step-by-step pictures and carefully written instructions. 27 clear color photographs show each stage of painting for these popular projects. Mr. Pergrin shares his teaching experience and award-winning carving skills to enable craftsmen of all levels of experience to make their own fine carvings.

Accompanying an exhibition at the Wallace Collection, Inspiring Walt Disney explores the influences of the art and architecture of France on Walt Disney and his studio artists, highlighting in particular the Disney classics of hand-drawn animation, Cinderella (1950) and Beauty and the Beast (1991). Pairing preparatory material from these films - including concept art for talking furniture and fairy-tale castles - with masterpieces from the eighteenth century reveals hidden sources of inspiration and allows us to appreciate the extraordinary talents behind Disney animated films and French decorative arts. Just as the dynamic, twisting movements of the Rococo sought to breathe life into what was essentially inanimate - silver, porcelain, furniture - so too did Disney animators seek to create the illusion of movement, action and emotion. Illustrated with innovative works by artists such as Mary Blair, Hans Bacher and Peter J. Hall, and the animated and anthropomorphic furniture, Sevres porcelain and gilt bronze of rococo designers, the catalogue explores the shared creative roots of these two seemingly disparate artistic realms and looks to revitalise the feelings of excitement, awe and marvel, which both eighteenth-century craftsmen and Disney animators sought to spark in their audiences.

The primary emphasis of this book is on the application of various types of finishes to wood furniture. It also contains chapters on furniture repair and the preparation of wood surfaces. New to this edition are a glossary of terms; rewritten and updated information on antiquing, stencilling, and other craft-type finishes; references to specific brand names and products and the companies that produce them; emphasis on safety precautions when using finishes; and extensive rewritten and updated information on all types of stains.

The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home. Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art. These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean. Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region.

The Rosalinde and Arthur Gilbert Collection celebrates some of the most beautiful objects ever made, many in precious materials, and often on a small scale. Focussing on 50 exquisite works from the collection, this beautiful little book showcases the decorative art of creating small-scale carvings, snuffboxes, inlay pictorial illusions, and more, in cut-and-polished natural stones, often incorporating the widely known technique of pietre dure. Demonstrating remarkable skill and ingenuity, many of the works were commissioned by the powerful Medici family and royal families across Europe as symbols of their power and prestige. With detailed photography and extended captions the books explores the fascinating interplay of craftsmanship with the natural beauty of stones such as amethyst, lapis lazuli and jasper.

Temples have been places of worship, a focus for spirituality and a place for communities to gather since the earliest days of human civilisation. The first temples date back to ancient Mesopotamia and Egypt, deriving from the cult of deities and residing places for gods and immortals. Today, temple buildings remain lively focal points for the Jewish, Buddhist, Hindu, Jain and Sikh religions. Organised by continent, Amazing Temples of the World offers the reader an intimate portrait of some spectacular and unusual places of worship dating from the fourth millennium BCE to the present. Ornate or spartan, immense or intimate, from the Middle East to California, this book features such impressive places of worship as the Mahabodi Temple, India, built in the location where Buddha is thought to have achieved enlightenment; the fifth century BCE Temple of Confucius in Qufu, China, the largest Confucian temple in the world; Abu Simbel, in southern Egypt, the great carved monument to the Pharaoh Ramses II; the Golden Temple in Amritsar, Punjab, the spiritual home of the world's 25 million Sikhs; and the Shri Swaminarayan Temple in Neasden, London, the biggest Hindu temple outside India. Illustrated with more than 180 photographs, Amazing Temples of the World includes more than 150 places of worship, from Ancient Greece and Rome, through traditional synagogues to modern Buddhist, Taoist and Sikh temples.

More than 220 color photos, together with descriptions of over fifty dollmakers' richly varied works and techniques, make up this fascinating overview of the state of the dollmaking art right now. The diverse range of designs, styles and media-from plastic to wood, metal to found objects-serves as an inspiration, a reference, and a summary of the dollmaking world in the early 21st century. The doll artists featured, working across the U.S. and the world, share personal insights about their own experiences with the creative process. They also discuss challenges of aspects like facial detail and expression, material integrity and longevity, embellishments, and construction. For designers, artists, craftspeople, and others, this breathtaking summary captures and reveals today's dollmaking art.

* Packed with inspiring photographs of gardens, borders and features, this book provides a wealth of ideas for adapting schemes to fit the area being planted. * Includes patterns for 'natural' designs as well as more formal approaches. * TOPICS COVERED: Plants with Pattern: Leaf Shape and Texture; Patterns in Garden Layouts: Symmetrical and Formal; Patterns using Plants: Borders and Bedding; Patterns in Landscape

Analysis of a group of images of kingship and queenship from Anglo-Saxon England explores the implications of their focus on books, authorship and learning. Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and functionwithin both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so mucha feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom. CATHERINE E. KARKOV is Professorof Art History at the University of Leeds.

The Handcarved Bowl provides step-by-step photos and directions for every stage of the bowlcarving process that will appeal to everyone from beginning woodworkers to seasoned carvers. Carving wooden bowls by hand may appear to be just a romantic notion (don't worry, it's that too), but there's also lots to learn about this natural material and unique process that will be undoubtedly serve you for every future woodworking project, no matter the tools or methods used. Bowl carving gives unparalleled insight to the basic properties of wood behavior, intimate knowledge of how tool edges interact with different grain, and the importance of learning to reframe failure as one of the keys of building deep understanding. The Handcarved Bowl is the beginning of many projects, not just the three designs outlined here in step-by-step instructions, and both seasoned woodworkers and beginners alike will find the inherent value of carving using these methods. Along the way you'll learn tips and tricks that will keep you safe, help you make informed decisions about your own designs, and give you the confidence to take your work in any direction you'd like.

Metalsmith Society's Guide to Jewellery Making is the ultimate handbook to get you started on your jewellery-making journey. Corkie Bolton, jeweller extraordinaire and founder of Metalsmith Society, has compiled the ultimate compendium on the craft for beginners. You'll get a deep dive into indispensable tools and materials needed to create a well-rounded workspace. Corkie also answers every question you might have about essential yet tricky-to-master techniques such as sawing, stamping and annealing. What's more, through ten beginner-friendly projects, you'll put your budding skills to the test and light the spark of inspiration for designing your own pieces. Necklace lovers will learn stone setting and making clasps with the Thick Bezel Pendant and Simple Chain Necklace, while ring projects like the Interlocking Ring and Hidden Detail Ring will have you practicing polishing and embellishing your creations. Embark on your rewarding jewellery-making career with confidence. With this comprehensive book at your bench, you will have everything you need to get started and keep going!