The materials included in this bibliography focus on the craftsmen responsible for the creation of fine furniture. Works that give biographical information about furniture craftsmen and discuss the stylistic and aesthetic development of their art; works that examine the sociological, political, economic and environmental conditions within which furniture craftsmen worked, as well as furniture factories and furniture retail businesses themselves; and general works useful in the study of American furniture are cited. The bibliography consists of four main sections, the first of which deals with the life and work of individual furniture makers and designers. The second section focuses on groups of furniture craftsmen. Works of a general nature that contribute to the study of American furniture are found in section three. The fourth section contains furniture trade catalogs published by manufacturers and wholesalers for salesmen and retail stores. A two-part appendix lists furniture trade periodicals published mainly during the years 1880-1930, and manuscript repositories containing materials relevant to furniture. Three indexes--craftsman, author-title, and subject complete the volume.

In this compelling book Nigel Saul opens up the world of medieval gentry families, using the magnificent brasses and monuments of the Cobham family as a window on to the social and religious culture of the middle ages.

Throughout history, patterns have come in countless permutations of motif, colour-way and scale. Yet what all have in common is the regularity of repetition, that insistent rhythm that animates a flat surface with a sense of movement and vitality and gives it depth. Evident in the arrangement of petals on a flower head, the branching growth of stems and vines, the spirals of a seashell - pattern is inherent in the natural world that surrounds us. Powerful and transformative, pattern has an irrepressible joie de vivre. With more than 1,500 illustrations of patterns from all ages and cultures, Pattern Design is a visual feast. This comprehensive compendium is arranged thematically according to type, with chapters on Flora, Fauna, Pictorial, Geometric and Abstract designs. These broad categories are supplemented by in-depth features highlighting the work of key designers from the rich history of pattern-making - such as William Morris, Sonia Delaunay, Charles and Ray Eames, Lucienne Day and Orla Kiely - along with sections detailing the characteristic motifs of key period styles from Baroque to Art Deco.

Ross provides a broad survey of pictures and texts concerning saints, from the Early Christian through the late Gothic period. Both Western and Byzantine material is included. Beginning with the earliest pictures of and stories about saints, the book traces the evolution of hagiographic imagery primarily in manuscript contexts. Because of its cross-disciplinary nature, it will be of interest to audiences interested in Early Christian, Byzantine, and Western medieval culture: religion, society, politics, and art. No other book to date is organized similarly in providing detailed descriptions for the identification of medieval manuscripts with hagiographic texts and illustrations.