|
|
Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts > General
Robert Crumb first began drawing record covers in 1968 when Janis
Joplin, a fellow Haight Ashbury denizen, asked him to provide a
cover for her album Cheap Thrills. It was an invitation the budding
artist couldn't resist, especially since he had been fascinated
with record covers-particularly for the legendary jazz, country,
and old-time blues music of the 1920s and 1930s-since he was a
teen. This early collaboration proved so successful that Crumb went
on to draw hundreds of record covers for both new artists and
largely forgotten masters. So remarkable were Crumb's artistic
interpretations of these old 78 rpm singles that the art itself
proved influential in their rediscovery in the 1960s and 1970s.
Including such classics as Truckin' My Blues Away, Harmonica Blues,
and Please Warm My Weiner, Crumb's opus also features more recent
covers done for CDs. R. Crumb: The Complete Record Cover Collection
is a must-have for any lover of graphics and old-time music.
 |
Old English Furniture, China, and Cut Glass
- Collected During Thirty Years by John H.A. Lehne of Baltimore, Md.: Part I, Chippendale, Hepplewhite, and Sheraton Furniture, Spode, Lowestoft, Wedgwood, Chelsea, and Leeds China ...: to Be Sold ......
(Hardcover)
John H. a. Lenne, Inc Anderson Galleries
|
R688
Discovery Miles 6 880
|
Ships in 9 - 17 working days
|
|
|
With this pocket-sized guidebook and a trusty Swiss Army Knife,
readers will be ready to whittle wherever they go. World-famous
whittler Chris Lubkemann shows how to carve 43 useful and whimsical
objects using nothing more than a stick and an Original Swiss
Army(R) Knife. Chris offers step-by-step instructions for all the
traditional whittling favorites like spoons, forks, and flowers,
plus some decidedly funny animals and the classic curly tail
rooster. He also provides sage advice on how to choose wood,
sharpen a blade, and safely control your knife. Published in
collaboration with Victorinox(R) AG, makers of the Original Swiss
Army Knife.
Including previously unpublished and recently re-discovered designs
for the interior of the Museum, Olivia Horsfall Turner's
fascinating new book, the latest in the V&A 19th-Century
Series, looks at the relationship between architect and designer
Owen Jones and the South Kensington Museum (later the V&A) in
the period from the Museum's establishment in the 1850s to Jones's
death in 1874. It focuses on key moments in Jones's relationship
with the Museum: the creation of his well-known publication The
Grammar of Ornament (1856) and his less widely known Examples of
Chinese Ornament (1867), and the decoration of the Museum's
so-called Oriental Court between 1863 and 1865. Jones's
collaboration with the Museum over a period of almost 20 years is
of special interest not only thanks to his status as one of the
most influential design theorists of the 19th century, but also for
the light that it sheds on the identity of the early Museum and its
imperial context.
Temples have been places of worship, a focus for spirituality and a
place for communities to gather since the earliest days of human
civilisation. The first temples date back to ancient Mesopotamia
and Egypt, deriving from the cult of deities and residing places
for gods and immortals. Today, temple buildings remain lively focal
points for the Jewish, Buddhist, Hindu, Jain and Sikh religions.
Organised by continent, Amazing Temples of the World offers the
reader an intimate portrait of some spectacular and unusual places
of worship dating from the fourth millennium BCE to the present.
Ornate or spartan, immense or intimate, from the Middle East to
California, this book features such impressive places of worship as
the Mahabodi Temple, India, built in the location where Buddha is
thought to have achieved enlightenment; the fifth century BCE
Temple of Confucius in Qufu, China, the largest Confucian temple in
the world; Abu Simbel, in southern Egypt, the great carved monument
to the Pharaoh Ramses II; the Golden Temple in Amritsar, Punjab,
the spiritual home of the world's 25 million Sikhs; and the Shri
Swaminarayan Temple in Neasden, London, the biggest Hindu temple
outside India. Illustrated with more than 180 photographs, Amazing
Temples of the World includes more than 150 places of worship, from
Ancient Greece and Rome, through traditional synagogues to modern
Buddhist, Taoist and Sikh temples.
Metalsmith Society's Guide to Jewellery Making is the ultimate
handbook to get you started on your jewellery-making journey.
Corkie Bolton, jeweller extraordinaire and founder of Metalsmith
Society, has compiled the ultimate compendium on the craft for
beginners. You'll get a deep dive into indispensable tools and
materials needed to create a well-rounded workspace. Corkie also
answers every question you might have about essential yet
tricky-to-master techniques such as sawing, stamping and annealing.
What's more, through ten beginner-friendly projects, you'll put
your budding skills to the test and light the spark of inspiration
for designing your own pieces. Necklace lovers will learn stone
setting and making clasps with the Thick Bezel Pendant and Simple
Chain Necklace, while ring projects like the Interlocking Ring and
Hidden Detail Ring will have you practicing polishing and
embellishing your creations. Embark on your rewarding
jewellery-making career with confidence. With this comprehensive
book at your bench, you will have everything you need to get
started and keep going!
Publisher's Note: Products purchased from Third Party sellers are
not guaranteed by the publisher for quality, authenticity, or
access to any online entitlements included with the product.
Against the backdrop of an alienating, technologizing and
ever-accelerating world of material production, this book tells an
intimate story: one about a community of woodworkers training at an
historic institution in London's East End during the present
'renaissance of craftsmanship'. The animated and scholarly accounts
of learning, achievement and challenges reveal the deep human
desire to create with our hands, the persistent longing to find
meaningful work, and the struggle to realise dreams. In its
penetrating explorations of the nature of embodied skill, the book
champions greater appreciation for the dexterity, ingenuity and
intelligence that lie at the heart of craftwork.
|
|