Including previously unpublished and recently re-discovered designs for the interior of the Museum, Olivia Horsfall Turner's fascinating new book, the latest in the V&A 19th-Century Series, looks at the relationship between architect and designer Owen Jones and the South Kensington Museum (later the V&A) in the period from the Museum's establishment in the 1850s to Jones's death in 1874. It focuses on key moments in Jones's relationship with the Museum: the creation of his well-known publication The Grammar of Ornament (1856) and his less widely known Examples of Chinese Ornament (1867), and the decoration of the Museum's so-called Oriental Court between 1863 and 1865. Jones's collaboration with the Museum over a period of almost 20 years is of special interest not only thanks to his status as one of the most influential design theorists of the 19th century, but also for the light that it sheds on the identity of the early Museum and its imperial context.

More than 60 of today's top lighting designers from the United States and Europe are showcased here, along with up-and-coming talents. Over 300 color photos of hundreds of funky, fun, classic, far-out, retro, and whimsical designs, including chandelier and ceiling fixtures, wall sconces, and table and floor lamps are featured. This is the ultimate shoppers' guide for anyone hunting for the unique and special. An index provides contact information for each design studio. Also, items shown have suggested retail prices in the captions. This is a must-have for professional interior designers, and an invaluable tool for any homeowner shopping for something truly fabulous.

This book provides the detailed knowledge you need to successfully choose, install, and operate a milling machine in your home workshop. Lavishly illustrated with color photographs and diagrams, it will help you to understand which accessories are essential, and which can be postponed until your activity demands it. The usage of each machine and accessory is explained in detail for the vast majority of applications in an active shop. The real learning curve begins once your milling machine and its accessories are chosen and installed. Discover your options for holding the many diverse shapes and sizes of work pieces that will inevitably surface during your machine's life. This critical task is by far the most important part of learning to use the machine. Learn how to decide which method is best for any application-whether to use a vice or an angle plate, or mount the piece directly onto the worktable, or even produce a fixture specifically for the task. With the work piece set up and ready for machining, the book goes on to show you the right ways to cut metal and maintain your milling tools.

Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music.

Concrete is a fascinating material in the hands of a creative person. The Direct Concrete Technique, illustrated in this book, empowers anyone to make furniture or sculpture by hand without molds or forms. The key to this method is the use of a steel armature covered with wires. With 296 vivid color photos and precise text, you can learn the steps necessary to use concrete as a fine art material to create innovative and imaginative furniture, from initial concept and the creation of the armature to the application of concrete and finishing the artwork. \nBold and elegant designs of lightweight curvilinear elements can be fashioned with this method. The advantages of concrete and the direct technique are numerous, and the results are immediate and durable. Skills to make free-formed objects of concrete are easily mastered and creative opportunities abound throughout the process. A furniture gallery is provided for further inspiration.

This idea-packed compendium presents the work of today's top wood artists in over 500 photos. More than 130 artists from nine countries are showcased, including furniture makers, turners, and sculptors who borrow ideas and techniques from one another to create their art. Their disciplines have blurred as furniture makers use sculpture and turnings in their work, as turners make furniture and sculpture, and as sculptors throw purism to the winds and use anything and everything to further their expressive ideas. Woodworkers in every discipline will marvel at the creativity, artisanship, and variety shown here. Teachers of art history, creative art, craft, industrial design, and woodwork will discover new material for teaching about wood as a medium. Curators, collectors, interior designers, and all who appreciates wood will find a full platter of ideas that will take a long time to digest.

Louis Comfort Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works that influenced much of American modern art. This sumptuous new book features page after page of astounding work, showing Tiffany's skill as a colourist and a craftsman, with works that still inspire artists and audiences today.

This title offers 25 step-by-step hand-crafted projects. It shows you how to master decorative wood techniques including carving, pyrography, marquetry and fretwork, as well as basic automata and construction. It offers 25 stunning projects that include a tomato box chest, a carved maple clock with carved numerals, a rodeo toy, mirror frame and a contemporary shelf. It offers step-by-step instructions for techniques and ideas with over 300 photographs. Simple materials and equipment are used to create a diverse range of wooden objects. It introduces an inspiring variety of contemporary work by leading craftspeople. Essential information for selecting and preparing wood is included, with details of the main hard- and softwoods, the tools and the basic techniques. For anyone who enjoys creative crafts, working with wood is a perfect medium for both practical and artistic purposes. This book introduces a variety of decorative wood techniques, that are used in 25 appealing projects, which range from a simple keepsake card in balsa wood requiring the minimum of equipment, a harlequin book end, and a sturdy five-piece bench constructed in hardwood parana pine. Other imaginative projects use found or dismantled wooden objects, such as the Mirror Frame with stair spindles or the Lamp Base made from orange boxes. Every project is designed to reveal the characteristic grain, natural shade and texture of the individual wood. Although to make a number of these projects you will need a drill and a jigsaw, many do not require elaborate power tools. Don't be put off by sophisticated techniques, but connect with this natural resource at the most basic level, enjoying its classic, natural simplicity.

William Morris's interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris's various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834-1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker. Morris's whole approach still resonates today, and his designs are popular and much admired. Published to mark the 125th anniversary of Morris's death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy and publishing. Additional materials include a contextualized chronology of Morris's life and a list of public collections around the world where examples of Morris's work may be seen today. This study is a comprehensive, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design. With 668 illustrations in colour

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Since first published in 1991 Pocket Jackson's, as it is most often called, has enjoyed enormous success and is constantly rated as a best seller in the Arts & Antiques category. During the last twenty three years important developments have taken place in the Hallmarking system. Most notably the introduction within Europe of a universally accepted system of marking has lead not only to the addition of new marks, but also, to a change of status of several historic marks. This edition brings up to the present day all the date letters and commemorative marks. It also includes the recently introduced marks for Palladium and a section illustrating the Assay Office identification marks of those countries that are signatories to the International Convention marking system. In addition and of importance are the changes made in the early cycles of Dublin date letters which result from recent research by silver scholars in Ireland.

Against the backdrop of an alienating, technologizing and ever-accelerating world of material production, this book tells an intimate story: one about a community of woodworkers training at an historic institution in London's East End during the present 'renaissance of craftsmanship'. The animated and scholarly accounts of learning, achievement and challenges reveal the deep human desire to create with our hands, the persistent longing to find meaningful work, and the struggle to realise dreams. In its penetrating explorations of the nature of embodied skill, the book champions greater appreciation for the dexterity, ingenuity and intelligence that lie at the heart of craftwork.

This unparalleled and wide-ranging book surveys the history of applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social and commercial contexts in which this relationship has developed. In this extensively revised and expanded third edition, David Raizman addresses international questions more fully with the addition of six Global Inspiration sections that examine the contributions of non-Western traditions, rendering the very notion of a 'national' design debatable. The text also pays closer attention to issues of gender, race, and climate change, and their impact on design. With over 580 illustrations, mostly in colour, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.