The Carthusian monks at San Martino began a series of decorative campaigns in the 1580s that continued until 1757, transforming the church of their monastery, the Certosa di San Martino, into a jewel of marble revetment, painting, and sculpture. The aesthetics of the church generate a jarring moral conflict: few religious orders honored the ideals of poverty and simplicity so ardently yet decorated so sumptuously. In this study, Nick Napoli explores the terms of this conflict and of how it sought resolution amidst the social and economic realities and the political and religious culture of early modern Naples. Napoli mines the documentary record of the decorative campaigns at San Martino, revealing the rich testimony it provides relating to both the monks' and the artists' expectations of how practice and payment should transpire. From these documents, the author delivers insight into the ethical and economic foundations of artistic practice in early modern Naples. The first English-language study of a key monument in Naples and the first to situate the complex within the cultural history of the city, The Ethics of Ornament in Early Modern Naples sheds new light on the Neapolitan baroque, industries of art in the age before capitalism, and the relation of art, architecture, and ornament.

This title offers a fresh take on the craft of woodburning by focusing on the drawing, lettering and design elements that will add dimension and composition to any pyrography project. Pompano shares 5 tips on how to create a vast variety of dimension, shade and texture with your woodburner and how to develop your drawing skills for use in pyrography. The patterns cover a wide spectrum of themes including; harvest, wildlife, seaside and much more. The book includes two practice exercises, one step-by-step project and close-up instruction on lettering.

Hand carving is easy, satisfying and therapeutic when guided by Max Bainbridge. Create your own unique pieces and carve with confidence thanks to detailed information on tools, cutting techniques and clear step-by-step photography accompanying each project. Start with basic spoons, cooking spoons and spatulas, before moving onto butter knives, chopping boards and small bowls, with only a few simple tools required. Max also advises on the perfect finish for your projects - how to sand, ebonise, scorch and texture surfaces as well as waxing and oiling your new creations. Whether you are a novice or an experienced carver, this book will inspire you to make something that you will be proud of.

This volume presents vessels, fittings and other objects made in Syria, Egypt, Iraq and Yemen from the early Islamic period through to the end of the Ottoman era in the 19th century. The pieces include exquisite platters, serving-vessels, candlesticks and pen-boxes produced for royal courts, but also many beautifully decorated bronze domestic items, such as bowls, lunch-boxes, door-knockers, buckets and lamps. The metalwork traditions in this book reflect the complex history of the Arab world following the advent of Islam. The collection starts in the Late Antique period, which informed the early Islamic royal styles of the Umayyad, Abbasid and Fatimid dynasties, and goes on to trace the emergence of Mosul as a centre for metalwork in the 12th-13th centuries; the courtly Mamluk style during the Bahri period (1250-1380s); the Circassian era (1380s-1517); the growth of the European export market from the 15th century; distinctive vernacular styles in Yemen during the 14th-16th centuries; and the many revivals and fusions of international styles over six centuries of Ottoman rule (1517-1900s). Finally, an enigmatic group of zoomorphic fittings that defies easy dating is celebrated for the craftsmanship and charm of its animal figures. This beautifully illustrated volume features many important unpublished pieces and is essential reading for specialists, but it will fascinate and inform anyone with an interest in Islamic culture and history, metalwork and the decorative arts of the Arab world. With 350 illustrations

th-century handbook, written by a working artist of the day, reveals secrets and techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of Middle ages. Translation, introduction by D. V. Thompson. ...delightful flavor...--N.Y. H

`Pietre dure' are mosaic designs made from semi-precious stones. This richly illustrated, large format book brilliantly captures the beauty and craftsmanship of this ancient technique of `painting in stone', looking at decorative stonework techniques from prehistory to the present day, but focusing in particular on the period from its rebirth in 16th-century Rome to the developments of the 19th century.

Louis Comfort Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works that influenced much of American modern art. This sumptuous new book features page after page of astounding work, showing Tiffany's skill as a colourist and a craftsman, with works that still inspire artists and audiences today.

This is a glamorous coffee table book covering the work of the international designer, maker and craftsperson. Batch showcases the cream of the contemporary craft world crossing different disciplines in design including; furniture, surface design and decoration, glass, ceramics, textiles, precious metals and multidiscipline design. Designers and craftspeople are pushing the boundaries and concept of craft, creating batches of work which emphasise the skill behind the object. These high-end craft objects are sold through design boutiques, galleries and department stores and they are produced by designers and makers successfully carving our lifestyle trends. In a retail environment where product design is becoming a cloned marketplace, Batch celebrates those products which have a story behind them and which have a high level of care and finish, which make them stand out in the crowd. The book presents the work through interviews with both national and international designers who explain the ideas and concepts behind their work, how they got started and how they have developed their businesses. The book also includes practical information in the 'Behind the Scenes' chapter on running a small business, liaising with manufacturers, dealing with press, setting up exhibitions, sourcing commissions and marketing. And when you are ready to start shopping, it also offers a shop guide compiled by the designers themselves. This book will not only appeal to makers for both visual interest and practical information but also to the buyers, collectors and admirers of contemporary craft and designers.

Ruined cities overgrown by jungle. Towns buried beneath the ground. Statues lying half- hidden in the sand. Why do civilisations collapse? Why are towns abandoned? And how do once mighty cities come to be forgotten about? From the pyramids of Egypt to the ruins at Angkor in Cambodia and on to the mysteries of the Easter Island moai statues, Abandoned Civilisations is a brilliant pictorial work examining lost worlds. What emerges is a picture of how vast societies can rise, thrive and then collapse. We admire how whole cities develop, but equally fascinating is what happens when their moment has passed. From the 9th century temples at Khajuraho in India which were lost in the date palm trees until stumbled across by European engineers in the 19th century to Mayan pyramids in the Guatemalan jungle to Roman cities semi-buried - but consequently preserved - in the North African desert, the book explores why societies fall and what, once abandoned, they leave behind to history. With 150 striking colour photographs exploring 100 worlds, Abandoned Civilisations is a fascinating visual history of the mysteries of lost societies.

Frames often catch the eye and arouse the curiosity of visitors to galleries and museums, yet labels and catalogues rarely comment on them. Nicholas Penny conveys his interest in the history of frames, the design and techniques of frame-making, what frames do for paintings, and the part they play in the decoration and often the architecture of an interior. The emphasis is on the changing function and varied purpose of frames as well as the different styles of ornament, materials, finishes, and techniques used. This Closer Look guide is illustrated by frames from the National Gallery's magnificent collection. Published by National Gallery Company/Distributed by Yale University Press

Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker's movement as part of larger trends around customisation, on-demand production, and the possibilities of 3D printing and digital manufacturing.

The accumulation of odds and ends of bar and rod is inevitable with any lathework, but rather than throw them into an ever-growing scrap-box, why not turn them into useful little tools to simplify and speed up future work?

In this book Stan Bray describes a variety of small implements, none of which demands much material or takes more than an evening to make.

You may not see an immediate need for some of them but once made it is surprising how often they will be used. There is also the satisfaction of turning what might be wasted into something useful and the knowledge that money has been saved.

Glass is a magical material through which light can shine. Throughout its millennial history, its colourful splendour and malleability have always exerted a particular fascination and a creative attraction. The book offers a profound and lavishly documented panorama of artistic glass design in Europe and the United States since the 1870s. Over many years Renate und Dietrich Götze have assembled one of the world’s most important collections of glass vessels, comprising some 500 exclusive objects. It reflects not only the collectors’ passion for this luminous material and its unlimited opportunities for inspiring the imagination, but also their tremendous expertise. The volume is a compendium of glass art with numerous artist biographies, a directory of the glass foundries, their techniques and symbols – and, above all: a feast for the eyes!

The art of bending wood confounds most woodworkers, yet it is surprisingly easy to do with the four basic methods in this complete guide. The techniques are presented in step-by-step photo sequences that leave nothing to the imagination and show woodworkers exactly how it's done: bending green wood or twigs, bending with heat or steam, and bending panels or laminations. There are seven step-by-step projects presented, including shaker boxes, a bow for an arrow, a rustic chair, the sides of a guitar, and bent panels used for tables and pedestals. All the necessary tools and equipment are discussed with an eye to budget and practicality, making this appeal to both amateur and professionals of all skill levels.

Learn how to apply interesting and inspired surface techniques to your ceramic work through 20 step-by-step projects. Carve Your Clay takes you through creative techniques that produce amazing, dynamic results, including inlay, piercing, sgraffito, etching, relief carving, wire cutting, and more. Gain new skills as you complete 20 projects featuring author Hilda Carr's signature style, each with clear step-by-step photography and easy-to-follow instruction to achieve beautiful results. This comprehensive book includes an easy guide on how to create basic forms, as well as glazing and firing techniques. Whether you are new to ceramics or are a more experienced potter looking to explore new surface design techniques, Carve Your Clay will educate and inspire you.

Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls' Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.

The ""iron lace"" that graces the businesses, homes, squares, and cemeteries of Mobile, Alabama, is as vital a part of that southern port city as it is of New Orleans, Charleston, and Savannah. Until now, its story has never been fully told. In this attractive volume, John S. Sledge's rich narrative, combined with evocative historic images and Sheila Hagler's stunning contemporary photographs, eloquently conveys as never before how ornamental cast iron defines Mobile's heart and soul. Cast iron was the wonder of the Victorian age, according to Sledge. In Mobile, the material's diverse applications were on display in hulking locomotives and boilers, flamboyant fountains, imposing fences, and endless other forms and structures. The city's ornate iron balconies, dozens of which still remain, elicited the greatest wonder, then as now. Local publications have long extolled Mobile's enchanting ironwork. Only now, however, has the subject been situated within national trends in design, industry, and consumer tastes. It is a colorful saga featuring rawboned iron founders, artisan slaves, hustling salesmen, conniving architects, willful plunderers, romantic artists, and dedicated preservationists. Drawing on rare surviving business records and other archival sources, Sledge skillfully reconstructs how the local iron industry developed and then fiercely competed with big northern foundries. As a working preservationist, Sledge pays particular attention to how many of Mobile's most splendid ornamental iron pieces have weathered hard times, natural disasters, and misguided development to remain a delight for tourists and residents alike. Hagler's beautiful photographs provide a powerful and sometimes moody visual accompaniment to this fascinating tale.

In A Modern Guide to Knifemaking, survivalist Laura Zerra, one of the stars of Naked and Afraid on the Discovery Channel, shares her essential knifemaking tips and tricks, including step-by-step instructions for both forging and stock removal. We all use a knife pretty much every day, but for Zerra, her daily life often depends on the blade she takes with her into the wild. She's learned about what works and what doesn't, what steel will hold an edge, and what nuances in blade design will make or break a knife. From design to sharpening, A Modern Guide to Knifemaking covers every step in the knifemaking process. To begin, you will consider what you want your knife to accomplish, develop a design, and make a prototype. Zerra takes you through choosing and buying steel for your knife and then teaches you to build your own forge. You will learn forging basics and then move on to forge the shape of your knife and make the blade tip. From there, you will cut the blade profile, grind in bevels to make the edge of the knife, heat treat and temper your blade, grind and polish it, and make a handle and sheath for it. You will also learn sharpening techniques to maintain the edge of your new knife. Throughout, Zerra has included Pro-Tips from some of the leading knifemakers working today including Ken Onion, Kaila Cumings, and Mike Jones. A Modern Guide to Knifemaking covers every detail of knifemaking so you can make yourself the perfect knife.

The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks-devil's marks on witches, demon's marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands-each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.

Thoroughly analyzes, explains and illustrates the criteria and techniques used by the Shakers to design, construct and finish the furniture and crafts for which they have long been admired-in authoritative text, over 250 photographs and measured drawings for over 80 classic designs, ranging from a sugar scoop to a peg-leg footstool to a Harvard trestle table. 262 halftones. 140 black-and-white line illustrations. Index.

Illuminating three centuries of European artistry and ingenuity, this volume in The Met’s acclaimed How to Read series provides a wide-ranging exploration of decorative arts from British writing tables to Russian snuffboxes Spanning three centuries of creativity, from the High Renaissance to the Industrial Revolution, this volume in The Met’s How to Read series provides a peek into daily lives across Europe—from England, Spain, and France to Germany, Denmark, and Russia. Featuring 40 exemplary objects, including furniture, tableware, utilitarian items, articles of personal adornment, devotional objects, and display pieces, this publication covers many aspects of European society and lifestyles, from the modest to the fabulously wealthy. The book considers the contributions of renowned masters, such as the Dutch cabinetmaker Jan van Mekeren and the Italian goldsmith Andrea Boucheron, as well as talented amateurs, among them the anonymous young Englishwoman who embroidered an enchanting chest with scenes from the Story of Esther. The works selected include both masterpieces and less familiar examples, some of them previously unpublished, and are discussed not only in light of their art-historical importance but also with regard to the social issues relevant to each, such as the impact of colonial slavery or the changing status of women artists. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Using sharp tools is one of life's great joys. A sharp tool feels right; the job seems that much easier; and the quality of the cut usually means there is less work to do to produce a finished surface on the object. This book provides an understanding of what is involved in sharpening common workshop tools. With over 580 colour photographs and illustrations it covers sharpening techniques for the most commonly used tools - scissors, shears, knives, lathe tools and drills, screwdrivers, chisels and punches, along with the more specialist gravers and scrapers. Advice on types of abrasives, grades, grits and mesh sizes is given. It describes what happens during the sharpening process and provides practical guidance on using sharpening stones and grinding wheels on a bench grinder. Provides essential maintenance instructions such as how to restore the surface of a flat stone and the face of the wheel on a bench grinder. Finally, it gives advice on bench grinders, and includes examples of the use of readily available tools and accessories such as vee blocks, toolposts, collet holders, protractors and gauges.

Learning the art of intarsia has never been easier thanks to celebrated intarsia artist and instructor Kathy Wise. With more than 40 skill building lessons, Intarsia Woodworking for Beginners will take you on a journey from the concepts and basics of working with an intarsia pattern, cutting, sanding, gluing, creating a backer board and finishing, to techniques that will take your work to the next level, such as staining, shims, overlays, laminations, wood burning and carving texture. With the projects divided into beginner, intermediate beginner and advanced beginner, this easy to follow book includes step-by-step instructions, over 20 patterns with reference photos, material lists, and tips and hints to help you turn multiple pieces of wood into a stunning work of art. Kathy's progressive teaching style offers something for anyone working with inlaid wood. The lessons not only cover the basics, but also describe details to look out for like the nuances of working with multiple shades of wood or the best way to create color breaks. This book offers valuable lessons that will be referenced again and again as you discover a love of intarsia.