A moving and inspirational memoir from the beloved maverick carpenter on HGTV's smash hit Fixer Upper that shows how to turn your hobbies and craft into a career and celebrates the power of meaningful work. Now known to the countless fans of Fixer Upper as Chip and Joanna Gaines's go-to table maker and acclaimed artisan, Clint Harp hasn't always lived the DIY dream we see on the show. Ten years ago, he was dutifully working at a sales job that, while it provided security for his family, did nothing to help him achieve his unfulfilled dreams of building furniture. With the support of his wife, the encouragement of a mentor, and a life full of lessons, he finally took the leap, quitting his job and setting out on the quest to become a carpenter. Without formal training, financing, workspace, or customers, the Harps were quickly on the edge of financial collapse. Then Clint met Chip Gaines at a gas station--a chance encounter that marked the next chapter on a wild ride Clint could never have imagined possible. Spanning Clint's remarkable journey--from a childhood learning carpentry and hard work at his grandfather's knee, through his struggles to balance pursuing his dreams with supporting his family, to his partnership with Chip and Joanna Gaines and the many adventures and misadventures of filming Fixer Upper--Handcrafted is part memoir and part manual for dreamers of all backgrounds. "From the floor of his first shop to the foundations of Habitat for Humanity houses, to building furniture for the world to see, Clint Harp is living a handcrafted life" (President Jimmy Carter).

Did you remember your goggles? There used to be a time when pretty much every high school offered Shop class, where students learned to use a circular saw or rewire a busted lamp- all while discovering the satisfaction of being self-reliant and doing it yourself. Shop Class for Everyone now offers anyone who might have missed this vital class a crash course in these practical life skills. Packed with illustrated step by step instructions, plus relevant charts, lists, and handy graphics, here's how to plaster a wall, build a bookcase from scratch, unclog a drain, and change a flat tire (on your car or bike). It's all made clear in plain, nontechnical language for any level of DIYer, and it comes with a guarantee: No matter how simple the task, doing it with your own two hands provides a feeling of accomplishment that no app or device will ever give you.

Making a piece of wood move is fun, but making it tell the time is truly amazing! Inside this book you'll find ingenious plans for creating impressive wooden machines that actually move and keep time. These working wooden wonders might just be the most enjoyable projects you ever build in your shop.Wooden gear clocks are not only fascinating to watch, but can be surprisingly accurate timepieces. Just don't expect atomic precision- after all, they're modelled on 17th-century technology! But as you build these clocks you'll use all of the basic principles that still govern mechanical clocks today.Seven well-illustrated step-by-step projects are arranged by skill level from beginner to advanced, and full-sized patterns are attached to the book in a handy pouch. With a little perseverance you'll soon be ticking along happily with your own wooden clockworks. All you have to do is build them, wind them up and let them run-no batteries required.

Chinoiserie, a decorative style inspired by the art of the Far East, gripped Britain from the late seventeenth to the early nineteenth century. Despite taking its name from the French word for 'Chinese', the style also incorporated influences from other Asian countries, helping to shape the period's popular fantasy of the 'exotic Orient'. Wealthy consumers jostled to obtain imported wallpaper, lacquered cabinets and hand-painted porcelain, while domestic manufacturers such as Royal Worcester and Chippendale met demand with mass-produced items of their own. Though interest in the style waned as the Gothic Revival took hold, many examples of Chinoiserie have been preserved. In this beautifully illustrated book, Richard Hayman tells the story of this fascinating phenomenon, and explores the profound impact of Chinoiserie on the material culture of the West.

Learn how to apply interesting and inspired surface techniques to your ceramic work through 20 step-by-step projects. Carve Your Clay takes you through creative techniques that produce amazing, dynamic results, including inlay, piercing, sgraffito, etching, relief carving, wire cutting, and more. Gain new skills as you complete 20 projects featuring author Hilda Carr's signature style, each with clear step-by-step photography and easy-to-follow instruction to achieve beautiful results. This comprehensive book includes an easy guide on how to create basic forms, as well as glazing and firing techniques. Whether you are new to ceramics or are a more experienced potter looking to explore new surface design techniques, Carve Your Clay will educate and inspire you.

The mid-20th century was one of the most popular, collectable and dynamic periods of international design. Drawing on the inventive style of the era, this range of gift products features exclusive illustrations of iconic mid-century designs, from Eames chairs to Poul Henningsen lamps and George Nelson clocks, all rendered in a distinctive graphic style. Featuring over ninety pieces by sixty designers and design duos, Mid-Century Modern: Icons of Design is arranged chronologically, and includes chairs, tables, storage, lighting, and product and industrial design. Each spread includes a graphic depiction of the piece and a concise text. The models, materials and designers index offers easy reference through the book.

There's one resource we just can't get enough of: Time. In this issue of Make: , we celebrate that most fascinating and finite resource. First, build a miniature neomatrix word clock that colorfully spells out the time. Next, waste less time in the shop with a healthy helping of time-saving shop tips. Then, take a metaphorical trip to the past and dive into the history and theory behind modern mechanical clocks. Plus, 19 projects to make, including: 8 more crazy clocks to build 3D print an old-school bellows-style camera Program a wall-mounted display to track your social media stats Craft a 2-in-1 leather carrier for beer and wine for your next picnic Build a stylish motion-reactive LED table-top display and more!

Trench art is the evocative name given to a dazzling array of objects made from the waste of industrialized war. Each object, whether an engraved shell case, cigarette lighter or a pen made from shrapnel, tells a unique and moving story about its maker. For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms. Not only do they symbolize human responses to the atrocities of war, but they also act as mediators between soldiers and civilians, individuals and industrial society, and, most importantly, between the living and the dead. Trench art resonates most obviously with the terror of endless bombardment, night raids, gas attacks and the bestial nature of trench life. It grew in popularity between 1919 and 1939 when the bereaved embarked on battlefield pilgrimages and returned with objects intended to keep alive the memory of loved ones. The term trench art is, however, misleading, as it does not simply refer to materials found in the trenches. It describes a diverse range of objects that have in some way emerged from the experience of war all over the world. Many distinctive objects, for example, were made during conflicts in Bosnia, Vietnam, Northern Ireland and Korea.Surprisingly, trench art predates World War I and it can be made in a number of earlier wars such as the Crimean War, the American Civil War, and the Boer War. Saunders looks at the broader issues of what is meant by trench art, what it was before the trenches and how it fits in with other art movements, as well as the specific materials used in making it. He suggests that it can be seen as a bridge between the nineteenth century certainties and the fragmentedindustrialized values and ideals of the modern world. This long overdue study offers an original and informative look at one of the most arresting forms of art. Spanning from 1800 to the present day, its analysis of art, human experience, and warfare will pave the way for new research and will be of great interest to cultural and military historians, anthropologists, art historians and collectors.

Trench art is the evocative name given to a dazzling array of objects made from the waste of industrialized war. Each object, whether an engraved shell case, cigarette lighter or a pen made from shrapnel, tells a unique and moving story about its maker. For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms. Not only do they symbolize human responses to the atrocities of war, but they also act as mediators between soldiers and civilians, individuals and industrial society, and, most importantly, between the living and the dead. Trench art resonates most obviously with the terror of endless bombardment, night raids, gas attacks and the bestial nature of trench life. It grew in popularity between 1919 and 1939 when the bereaved embarked on battlefield pilgrimages and returned with objects intended to keep alive the memory of loved ones. The term trench art is, however, misleading, as it does not simply refer to materials found in the trenches. It describes a diverse range of objects that have in some way emerged from the experience of war all over the world. Many distinctive objects, for example, were made during conflicts in Bosnia, Vietnam, Northern Ireland and Korea.Surprisingly, trench art predates World War I and it can be made in a number of earlier wars such as the Crimean War, the American Civil War, and the Boer War. Saunders looks at the broader issues of what is meant by trench art, what it was before the trenches and how it fits in with other art movements, as well as the specific materials used in making it. He suggests that it can be seen as a bridge between the nineteenth century certainties and the fragmentedindustrialized values and ideals of the modern world. This long overdue study offers an original and informative look at one of the most arresting forms of art. Spanning from 1800 to the present day, its analysis of art, human experience, and warfare will pave the way for new research and will be of great interest to cultural and military historians, anthropologists, art historians and collectors.

The Carthusian monks at San Martino began a series of decorative campaigns in the 1580s that continued until 1757, transforming the church of their monastery, the Certosa di San Martino, into a jewel of marble revetment, painting, and sculpture. The aesthetics of the church generate a jarring moral conflict: few religious orders honored the ideals of poverty and simplicity so ardently yet decorated so sumptuously. In this study, Nick Napoli explores the terms of this conflict and of how it sought resolution amidst the social and economic realities and the political and religious culture of early modern Naples. Napoli mines the documentary record of the decorative campaigns at San Martino, revealing the rich testimony it provides relating to both the monks' and the artists' expectations of how practice and payment should transpire. From these documents, the author delivers insight into the ethical and economic foundations of artistic practice in early modern Naples. The first English-language study of a key monument in Naples and the first to situate the complex within the cultural history of the city, The Ethics of Ornament in Early Modern Naples sheds new light on the Neapolitan baroque, industries of art in the age before capitalism, and the relation of art, architecture, and ornament.

The Art Of Chip Carving is an easy to follow, step-by-step guide to one of the world's most ancient and widely practiced forms of woodcarving. Anyone, from the completely inexperienced beginner to the veteran craftsperson, can learn to use simple, inexpensive tools and techniques to carve striking decorative designs in wood. Chip carving is an especially good introduction to working wood for the inexperienced because of its low cost-of-entry, and because it puts the most essential concepts of woodworking front and center: safety, precision, and how understanding the nature of the wood itself leads to successful results. This guide is loaded with the technical information you need to start chip carving-the few tools you need and how to sharpen them, how to select and prepare wood for carving, how to transfer carving patterns, how to carve safely and precisely, and how to read and understand wood grain. Clay also teaches the basics of good carving technique, provides step-by-step guidance through two practice boards to build your skills, and then walks you through ten beginner projects that allow you to put your skills to use. The Art Of Chip Carving goes beyond any other how-to manual by introducing techniques and projects for learning freehand carving, and how to use the simple shape-vocabulary of chip carving to create your own carving designs in the style of traditional European folk carvings.

Artists use sketchbooks for a myriad of purposes - to capture a moment, to develop an idea, to record a scene... This book advises on how to enjoy keeping a sketchbook and how to make the most of their use. With practical examples throughout, it is a beautiful and valuable guide that will inspire you to pick up a pencil or brush, mark the page and start your own visual diary. Topics covered include looking at different types of sketchbooks - their size, theme and purpose; ideas for drawing and painting in a sketchbook inside, outside or while travelling and advice on professional sketchbooks and scrapbooks.

Learning the art of intarsia has never been easier thanks to celebrated intarsia artist and instructor Kathy Wise. With more than 40 skill building lessons, Intarsia Woodworking for Beginners will take you on a journey from the concepts and basics of working with an intarsia pattern, cutting, sanding, gluing, creating a backer board and finishing, to techniques that will take your work to the next level, such as staining, shims, overlays, laminations, wood burning and carving texture. With the projects divided into beginner, intermediate beginner and advanced beginner, this easy to follow book includes step-by-step instructions, over 20 patterns with reference photos, material lists, and tips and hints to help you turn multiple pieces of wood into a stunning work of art. Kathy's progressive teaching style offers something for anyone working with inlaid wood. The lessons not only cover the basics, but also describe details to look out for like the nuances of working with multiple shades of wood or the best way to create color breaks. This book offers valuable lessons that will be referenced again and again as you discover a love of intarsia.

Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck

th-century handbook, written by a working artist of the day, reveals secrets and techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of Middle ages. Translation, introduction by D. V. Thompson. ...delightful flavor...--N.Y. H

`Pietre dure' are mosaic designs made from semi-precious stones. This richly illustrated, large format book brilliantly captures the beauty and craftsmanship of this ancient technique of `painting in stone', looking at decorative stonework techniques from prehistory to the present day, but focusing in particular on the period from its rebirth in 16th-century Rome to the developments of the 19th century.

Blacksmithing skills are greatly in demand in many rural areas, for making agricultural implements and other metal tools. This book is designed to help skilled blacksmiths who have little or no teaching experience to train others in forge work techniques, using easily obtainable equipment and scrap metal to produce tools such as hoes, sickles, hammers and axes.

Charles Francis Annesley Voysey (1857-1941) is, with William Morris, one of the most enduringly popular designers of the Arts & Crafts Movement. A practising architect, Voysey also designed a broad range of applied arts objects, from furniture, ceramics, and metalwork to wallpaper, carpets, tiles, and fabrics. His pattern designs, created from the 1880s to the early 1930s, are among his best-known works today. His wallpaper and textile designs are characterized by simple, stylized, rhythmic patterns that base their motifs on forms found in the natural world. Plants abound, but so too do birds and animals, represented as silhouettes or in soft pastel shades. This elegant, accessibly priced volume offers a wealth of colourful designs by Voysey in which birds and animals are the principal motifs. Written by Karen Livingstone, a published expert on Voysey and the Arts & Crafts Movement, this book brings together not only completed patterns but also working drawings in pencil and watercolour. Voysey's Birds and Animals will both inform and delight, appealing to a broad readership of museum visitors and lovers of art and design.

This is a glamorous coffee table book covering the work of the international designer, maker and craftsperson. Batch showcases the cream of the contemporary craft world crossing different disciplines in design including; furniture, surface design and decoration, glass, ceramics, textiles, precious metals and multidiscipline design. Designers and craftspeople are pushing the boundaries and concept of craft, creating batches of work which emphasise the skill behind the object. These high-end craft objects are sold through design boutiques, galleries and department stores and they are produced by designers and makers successfully carving our lifestyle trends. In a retail environment where product design is becoming a cloned marketplace, Batch celebrates those products which have a story behind them and which have a high level of care and finish, which make them stand out in the crowd. The book presents the work through interviews with both national and international designers who explain the ideas and concepts behind their work, how they got started and how they have developed their businesses. The book also includes practical information in the 'Behind the Scenes' chapter on running a small business, liaising with manufacturers, dealing with press, setting up exhibitions, sourcing commissions and marketing. And when you are ready to start shopping, it also offers a shop guide compiled by the designers themselves. This book will not only appeal to makers for both visual interest and practical information but also to the buyers, collectors and admirers of contemporary craft and designers.

Ruined cities overgrown by jungle. Towns buried beneath the ground. Statues lying half- hidden in the sand. Why do civilisations collapse? Why are towns abandoned? And how do once mighty cities come to be forgotten about? From the pyramids of Egypt to the ruins at Angkor in Cambodia and on to the mysteries of the Easter Island moai statues, Abandoned Civilisations is a brilliant pictorial work examining lost worlds. What emerges is a picture of how vast societies can rise, thrive and then collapse. We admire how whole cities develop, but equally fascinating is what happens when their moment has passed. From the 9th century temples at Khajuraho in India which were lost in the date palm trees until stumbled across by European engineers in the 19th century to Mayan pyramids in the Guatemalan jungle to Roman cities semi-buried - but consequently preserved - in the North African desert, the book explores why societies fall and what, once abandoned, they leave behind to history. With 150 striking colour photographs exploring 100 worlds, Abandoned Civilisations is a fascinating visual history of the mysteries of lost societies.

Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker's movement as part of larger trends around customisation, on-demand production, and the possibilities of 3D printing and digital manufacturing.

This title features 25 practical projects from world renowned woodturning expert. It will appeal to novice and intermediate turners. It includes all the knowledge needed to get started, along with step-by-step instructions and detailed drawings. Build your woodturning skills and confidence with this variety of projects that take between a couple of hours and a couple of days to complete. All of the 25 projects can be undertaken using a limited amount of tools and equipment. Making use of the six basic tools - spindle roughing gouge, spindle gouge, parting tool, bowl gouge, skew chisel and scrapers - the book will introduce a couple of carving tools and a boring tool and explain why and how to use them. Each project will have a list of tools and materials required, drawings with dimensions and a panel on the wood used. Sections on safety and seasoning wood are also included. Projects include: napkin rings, rolling pin, pastry press, meat tenderizer, wall clock, and bud vase

Pottery tells us about religion, daily life, humour, trade, sex, folklore and creativity. Bearing the imprint of their maker more than any other crafted object, ceramics give us a unique physical link to the past, often the only evidence of long-forgotten civilizations that have otherwise crumbled to dust. From ancient Egyptian canopic death jars to ethereally beautiful porcelain, and from lewd Renaissance novelties to sleek contemporary vessels, Around the World in 80 Pots is an eclectic journey across time and cultures. Expertly selected from the unrivalled collection of the University of Oxford's Ashmolean Museum, this compendium shows that humankind's oldest craft is the perfect prism through which to view human history.