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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts > General
This important book forms part of the Handmade in Britain partnership between the V&A and the BBC. Published as the culmination of a year-long season of programming over three series, it explores the history of making in Britain, looking across all media within the decorative arts. Handmade in Britain expands on the programmes, featuring key objects and makers in the V&A's collection as well as contributions from contemporary practitioners. It traces Britain's status as an unsophisticated importer of luxury Renaissance goods, to becoming one of the leading worldwide exporters of decorative arts by the end of the nineteenth century, and discusses present-day making - particularly the relationship between industrialized and craft-based processes and practice. It also shows how the history of making in Britain is not a London-centric story, but one of regional centres across the country often suited to different manufacturers for specific reasons. Like the programmes, the book takes each tradition in turn, looking at ceramics, metalwork, wood, textiles and stained glass.
Madge Garland, Janey Ironside, Joanne Brogden and Wendy Dagworthy, a quartet of remarkable educators and doyennes of style and skill, encouraged their students with rigorous determination to produce nothing but the best. Garland, previously Fashion Editor of Vogue magazine and a brave pioneer when the educational establishment regarded fashion as 'frippery', laid foundations on which Ironside, the sparkling innovator built. Then Brogden took the School into a more competitive commercial world with fashion becoming a major economic force. When Dagworthy took over in the final decade of the 20th century, she guided her students into a new era while still respecting the inheritance of her predecessors. Today's markets demand high-fashion-ready-to-wear, with the RCA School of Fashion's reputation second to none for innovation in design and manufacturing techniques, and its alumni now in positions of influence throughout the world. From retail and industrial connections forged in the 1950s, RCA designers such as Ossie Clark and Zandra Rhodes, established their reputations, and top world-wide brands including Kenzo, Givenchy, Gucci , Louis Vuitton and Calvin Klein, clamoured to employ star RCA students.
If you're a woodburning artist with a love of nature and animals, Pyrography Patterns will make it easy for you to create vibrant and attractive wildlife images. Award-winning pyrography artist Sue Walters offers 30 dynamic North American wildlife patterns and 10 original border designs to use in woodburning projects. These engaging animal subjects-including geese, eagles, bear, deer, wolves, foxes, owls, chipmunks, cougars, and more-are presented in harmonious natural settings. Large ready-to-use designs are provided in both line and tonal patterns. Amazingly detailed tones are shown directly over each line drawing, to guide you in darkening your picture with ultra-realistic, lifelike effects. The author includes tips on transferring patterns, plus advice on segmenting and manipulating the images to create your own custom designs.
Henry Benjamin Wheatley (1838 1917) was a prolific writer on bibliography, literature and the arts. As founder of the Index Society, and editor of The Bibliographer, he was also involved in the foundation of the Library Association. In that context he wrote several works on library topics, and this volume contains two works on bookbinding, Remarkable Bindings in the British Museum (1889) and Bookbinding Considered as a Fine Art, Mechanical Art and Manufacture (1882). The former contains descriptions and illustrations of 62 examples of bookbinding then in the British Museum library, notable as beautiful examples from different countries and periods, or different materials, or for their historic interest. The second piece was a paper read to the Society of Arts in 1880. It outlines the history of bookbinding styles in different countries, and then discusses it both as an art form and from a practical point of view, with illustrations.
If you've ever wanted to take up the creative art of pyrography, here's the perfect place to start. Big Book of Pyrography Projects is packed with tips, tricks and inspiration. All you need is this big book and an inexpensive woodburning tool to start adorning wood, paper, gourds and more with beautifully burned images and patterns.Leading pyrography artists and authors show you how to complete 23 of their favourite projects, from realistic portraits and landscape scenes to stylized frames, platters, boxes, bowls and birdhouses. Applications in both fine and decorative art are presented in traditional designs as well as modern innovations.Whether you're a complete beginner or an accomplished pyrographyartist, you're bound to find exciting ideas in this book. You'll also find helpful advice inside on choosing a woodburning system, creating your own patterns, making practice boards, staying safe and keeping your woodburner clean. A full-colour gallery presents a stunning array of projects from international artists to stir your imagination and spark your creativity.
This book and its companion volume, English Blind-Stamped Bindings, together provide an exhaustive study of the tools used on blind-stamped bindings in England between the fifteenth century and the latter part of the seventeenth century. Consummately researched by Oldham, an authority on his subject, the text is illustrated with 67 plates. This is a fascinating document that will be of value to anyone with an interest in the history of bookbinding.
This book of the Sandar Lectures for 1949 confines itself to English blind-stamped bindings of the fifteenth, sixteenth and seventeenth centuries. Oldham, an authority on his subject, here describes his methods of study, and accounts for many groups of bindings that may be attributed to particular craftsmen or binderies. Oldham's experience includes all important English collections, His book devises a method of ornament-classification and description and is illustrated by 61 plates.
Although Ernst Grube has made the study of painting in the Muslim world a principal concern, he has also dealt with other aspects of Islamic art in some depth. Over the last three decades he has published a large number of studies dealing with specific materials: metal-work, stucco decoration, textiles, and especially pottery. Of the twelve selected articles from these areas of Professor Grube's research published in this volume, six are concerned with pottery, one deals with Ilkhanid stucco work as represented in the mausoleum of the Shaykh Muhammad ibn Bakran, near Isfahan, and four deal with the decorative arts of the Timurid period. This last group is accompanied by an extensive bibliography on Timurid decorative arts which should be particularly welcome as much of this material is difficult to access and much of it is originally in Russian. All articles are offered here with both additional notes and a considerably enhanced number of illustrations which greatly adds to the interest and value of the original publications. Contents: Preface Pottery: Three Abbasid Ceramic Bowls Islamic Sculptures: Ceramic Figurines Some Lustre Tiles from Kashan in American Collections Some Lustre Painted Tiles from Kashan of the 13th and 14th Centuries Raqqa Keramik in der Sammlung des Metropolitan Museum in New York The Art of Islamic Pottery Islamic Pottery and the Ceramic Arts of the Far East Ilkhanid Stucco Decoration: Ilkhanid stucco decoration: Notes on the stucco decoration of Pir-i Bakran The Decorative Arts of the Timurid Period: Notes on the Decorative Arts of the Timurid Period I Notes on the Decorative Arts of the Timurid Period II Notes on the Decorative Arts of the Timurid Period III. On a Type of Timurid Pottery Design: The Flying-Bird-Pattern Notes on the Decorative Arts of the Timurid Period IV A Bibliography of Timurid Decorative Arts Additional Notes Index
The techniques of metal colouring, bronzing and patination are assuming a new importance in contemporary fine metalwork and design. Richard Hughes and Michael Rowe have assembled and tested the recipes included in this book, which is the most comprehensive work on the subject currently available, an essential reference and sourcebook for practitioners and all those involvoved in sculpture, architecture, designs and the decorative arts. It brings together hundreds of recipes and treatments previously scattered in a variety of old books and technical papers, and provides the artist-craftsman with a very wide range of coloured finishes.
Master key carpentry skills, from simple joinery techniques to fine woodworking. Learn about basic woodworking techniques to more advanced types of wood joints, finishing, woodturning, and furniture restoration. This book provides all the information you need to become a master carpenter. It's the ultimate step-by-step guide to essential woodworking tips and tricks. Inside the pages of this beginners guide, you'll find: - Over 100 key techniques and 20 easy projects to get you started - Clear step-by-step photography and easy-to-follow instructions - Advice on all major wood types and veneers and how to use them - Tips and tricks on restoring old furniture This visual guide is packed with clear instructions, detailed photography, and expert advice on how to master more than 20 woodcraft techniques such as joinery and finishing. Discover how to get the best out of your woodworking tools by learning how to use and maintain them. This informative guide also includes a visual directory of all major wood types and veneers, explaining what they are best used for and tips on how to work with them. Woodworking 101 This updated edition includes a fresh design and brand-new photography making the step-by-step techniques and projects even clearer to understand. The ideal gift for Father's Day, or for anyone who's looking for an introduction to carpentry. Complete the Series: Fully illustrated and easy to use, the DK Step by Step series covers all the essential skills and techniques you need to succeed in a specific activity. Once you've mastered key carpentry skills with Woodwork Step by Step, sharpen up your survival skills with Knots Step by Step.
A moving and inspirational memoir from the beloved maverick carpenter on HGTV's smash hit Fixer Upper that shows how to turn your hobbies and craft into a career and celebrates the power of meaningful work. Now known to the countless fans of Fixer Upper as Chip and Joanna Gaines's go-to table maker and acclaimed artisan, Clint Harp hasn't always lived the DIY dream we see on the show. Ten years ago, he was dutifully working at a sales job that, while it provided security for his family, did nothing to help him achieve his unfulfilled dreams of building furniture. With the support of his wife, the encouragement of a mentor, and a life full of lessons, he finally took the leap, quitting his job and setting out on the quest to become a carpenter. Without formal training, financing, workspace, or customers, the Harps were quickly on the edge of financial collapse. Then Clint met Chip Gaines at a gas station--a chance encounter that marked the next chapter on a wild ride Clint could never have imagined possible. Spanning Clint's remarkable journey--from a childhood learning carpentry and hard work at his grandfather's knee, through his struggles to balance pursuing his dreams with supporting his family, to his partnership with Chip and Joanna Gaines and the many adventures and misadventures of filming Fixer Upper--Handcrafted is part memoir and part manual for dreamers of all backgrounds. "From the floor of his first shop to the foundations of Habitat for Humanity houses, to building furniture for the world to see, Clint Harp is living a handcrafted life" (President Jimmy Carter).
The Art of Letter Carving in Wood is a thorough guide to this beautiful craft. Based on the v-cut method, it explains how to carve letters in a range of sizes, styles and different kinds of wood. The book progresses from the basic to the difficult, and from simply designing and carving letters to using them in a wide range of situations, from the purely practical and informative to the expressive and interpretative. Written by one of the UK's leading and most respected lettering artists, this book not only covers the process of letter carving in wood but also does much more by explaining how to convey a message effectively. It looks at every aspect of designing the piece - be that using italics, spacing the letters, using letters, using the grain or adding colour. With over 500 illustrations, it is the definitive text for all letter carvers in wood.
Hand carving is easy, satisfying and therapeutic when guided by Max Bainbridge. Create your own unique pieces and carve with confidence thanks to detailed information on tools, cutting techniques and clear step-by-step photography accompanying each project. Start with basic spoons, cooking spoons and spatulas, before moving onto butter knives, chopping boards and small bowls, with only a few simple tools required. Max also advises on the perfect finish for your projects - how to sand, ebonise, scorch and texture surfaces as well as waxing and oiling your new creations. Whether you are a novice or an experienced carver, this book will inspire you to make something that you will be proud of.
Charles Francis Annesley Voysey (1857-1941) is, with William Morris, one of the most enduringly popular designers of the Arts & Crafts Movement. A practising architect, Voysey also designed a broad range of applied arts objects, from furniture, ceramics, and metalwork to wallpaper, carpets, tiles, and fabrics. His pattern designs, created from the 1880s to the early 1930s, are among his best-known works today. His wallpaper and textile designs are characterized by simple, stylized, rhythmic patterns that base their motifs on forms found in the natural world. Plants abound, but so too do birds and animals, represented as silhouettes or in soft pastel shades. This elegant, accessibly priced volume offers a wealth of colourful designs by Voysey in which birds and animals are the principal motifs. Written by Karen Livingstone, a published expert on Voysey and the Arts & Crafts Movement, this book brings together not only completed patterns but also working drawings in pencil and watercolour. Voysey's Birds and Animals will both inform and delight, appealing to a broad readership of museum visitors and lovers of art and design.
Did you remember your goggles? There used to be a time when pretty much every high school offered Shop class, where students learned to use a circular saw or rewire a busted lamp- all while discovering the satisfaction of being self-reliant and doing it yourself. Shop Class for Everyone now offers anyone who might have missed this vital class a crash course in these practical life skills. Packed with illustrated step by step instructions, plus relevant charts, lists, and handy graphics, here's how to plaster a wall, build a bookcase from scratch, unclog a drain, and change a flat tire (on your car or bike). It's all made clear in plain, nontechnical language for any level of DIYer, and it comes with a guarantee: No matter how simple the task, doing it with your own two hands provides a feeling of accomplishment that no app or device will ever give you.
Pottery tells us about religion, daily life, humour, trade, sex, folklore and creativity. Bearing the imprint of their maker more than any other crafted object, ceramics give us a unique physical link to the past, often the only evidence of long-forgotten civilizations that have otherwise crumbled to dust. From ancient Egyptian canopic death jars to ethereally beautiful porcelain, and from lewd Renaissance novelties to sleek contemporary vessels, Around the World in 80 Pots is an eclectic journey across time and cultures. Expertly selected from the unrivalled collection of the University of Oxford's Ashmolean Museum, this compendium shows that humankind's oldest craft is the perfect prism through which to view human history.
There's never been a better time to be an amateur space explorer! From high school programs designed to send real student-led experiments to the International Space Station, to building a working VTVL (vertical take off, vertical landing) model rocket like the one from SpaceX, this issue is packed full of projects with actual space applications. And if a space aesthetic is more to your liking for your earthly abode, we've got a giant light-up full moon to hang on your wall and desktop orreries to simulate the movement of the planets around the sun. Plus 38 more great projects: Program a bot that points to the ISS when overheadLearn to laser-cut EVA foam to customize any cosplay creationBuild a light-up acrylic rainbow that changes colors to tell the weatherMake a cardboard camera that uses sun prints for filmAnd much more!
This is a glamorous coffee table book covering the work of the international designer, maker and craftsperson. Batch showcases the cream of the contemporary craft world crossing different disciplines in design including; furniture, surface design and decoration, glass, ceramics, textiles, precious metals and multidiscipline design. Designers and craftspeople are pushing the boundaries and concept of craft, creating batches of work which emphasise the skill behind the object. These high-end craft objects are sold through design boutiques, galleries and department stores and they are produced by designers and makers successfully carving our lifestyle trends. In a retail environment where product design is becoming a cloned marketplace, Batch celebrates those products which have a story behind them and which have a high level of care and finish, which make them stand out in the crowd. The book presents the work through interviews with both national and international designers who explain the ideas and concepts behind their work, how they got started and how they have developed their businesses. The book also includes practical information in the 'Behind the Scenes' chapter on running a small business, liaising with manufacturers, dealing with press, setting up exhibitions, sourcing commissions and marketing. And when you are ready to start shopping, it also offers a shop guide compiled by the designers themselves. This book will not only appeal to makers for both visual interest and practical information but also to the buyers, collectors and admirers of contemporary craft and designers.
The mid-20th century was one of the most popular, collectable and dynamic periods of international design. Drawing on the inventive style of the era, this range of gift products features exclusive illustrations of iconic mid-century designs, from Eames chairs to Poul Henningsen lamps and George Nelson clocks, all rendered in a distinctive graphic style. Featuring over ninety pieces by sixty designers and design duos, Mid-Century Modern: Icons of Design is arranged chronologically, and includes chairs, tables, storage, lighting, and product and industrial design. Each spread includes a graphic depiction of the piece and a concise text. The models, materials and designers index offers easy reference through the book.
This title features 25 practical projects from world renowned woodturning expert. It will appeal to novice and intermediate turners. It includes all the knowledge needed to get started, along with step-by-step instructions and detailed drawings. Build your woodturning skills and confidence with this variety of projects that take between a couple of hours and a couple of days to complete. All of the 25 projects can be undertaken using a limited amount of tools and equipment. Making use of the six basic tools - spindle roughing gouge, spindle gouge, parting tool, bowl gouge, skew chisel and scrapers - the book will introduce a couple of carving tools and a boring tool and explain why and how to use them. Each project will have a list of tools and materials required, drawings with dimensions and a panel on the wood used. Sections on safety and seasoning wood are also included. Projects include: napkin rings, rolling pin, pastry press, meat tenderizer, wall clock, and bud vase
Trench art is the evocative name given to a dazzling array of objects made from the waste of industrialized war. Each object, whether an engraved shell case, cigarette lighter or a pen made from shrapnel, tells a unique and moving story about its maker. For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms. Not only do they symbolize human responses to the atrocities of war, but they also act as mediators between soldiers and civilians, individuals and industrial society, and, most importantly, between the living and the dead. Trench art resonates most obviously with the terror of endless bombardment, night raids, gas attacks and the bestial nature of trench life. It grew in popularity between 1919 and 1939 when the bereaved embarked on battlefield pilgrimages and returned with objects intended to keep alive the memory of loved ones. The term trench art is, however, misleading, as it does not simply refer to materials found in the trenches. It describes a diverse range of objects that have in some way emerged from the experience of war all over the world. Many distinctive objects, for example, were made during conflicts in Bosnia, Vietnam, Northern Ireland and Korea.Surprisingly, trench art predates World War I and it can be made in a number of earlier wars such as the Crimean War, the American Civil War, and the Boer War. Saunders looks at the broader issues of what is meant by trench art, what it was before the trenches and how it fits in with other art movements, as well as the specific materials used in making it. He suggests that it can be seen as a bridge between the nineteenth century certainties and the fragmentedindustrialized values and ideals of the modern world. This long overdue study offers an original and informative look at one of the most arresting forms of art. Spanning from 1800 to the present day, its analysis of art, human experience, and warfare will pave the way for new research and will be of great interest to cultural and military historians, anthropologists, art historians and collectors.
Trench art is the evocative name given to a dazzling array of objects made from the waste of industrialized war. Each object, whether an engraved shell case, cigarette lighter or a pen made from shrapnel, tells a unique and moving story about its maker. For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms. Not only do they symbolize human responses to the atrocities of war, but they also act as mediators between soldiers and civilians, individuals and industrial society, and, most importantly, between the living and the dead. Trench art resonates most obviously with the terror of endless bombardment, night raids, gas attacks and the bestial nature of trench life. It grew in popularity between 1919 and 1939 when the bereaved embarked on battlefield pilgrimages and returned with objects intended to keep alive the memory of loved ones. The term trench art is, however, misleading, as it does not simply refer to materials found in the trenches. It describes a diverse range of objects that have in some way emerged from the experience of war all over the world. Many distinctive objects, for example, were made during conflicts in Bosnia, Vietnam, Northern Ireland and Korea.Surprisingly, trench art predates World War I and it can be made in a number of earlier wars such as the Crimean War, the American Civil War, and the Boer War. Saunders looks at the broader issues of what is meant by trench art, what it was before the trenches and how it fits in with other art movements, as well as the specific materials used in making it. He suggests that it can be seen as a bridge between the nineteenth century certainties and the fragmentedindustrialized values and ideals of the modern world. This long overdue study offers an original and informative look at one of the most arresting forms of art. Spanning from 1800 to the present day, its analysis of art, human experience, and warfare will pave the way for new research and will be of great interest to cultural and military historians, anthropologists, art historians and collectors. |
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