Of the more than one hundred experiments in communitarian living that proliferated in America during the nineteenth century, the United Society of Believers in Christ's Second Appearing, whose adherents are best known as 'Shakers, ' is certainly one of the most interesting, successful, and enduring. This book is a collection of furniture made by members of this remarkable American religious sect.

The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks-devil's marks on witches, demon's marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands-each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.

These four-legged friends of man have been a favorite subject for carving since the earliest years. From hunting dogs to the family pet, dogs have a special place in the hearts of people and Tom Wolfe manages to capture their personality in his own creative, witty way. Easy to follow step-by-step instruction, with color illustrations.

Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls' Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.

An illustrated, full-color value guide covering a wide range of bookend types and styles, with a detailed look at the three main processes used to create cast-metal bookends, a tour through the history of manufacturers who pioneered this art form, a special chapter on cast metal bookracks, sample pages from actual company catalogs, and more than 40 photographs of company identification marks and trademarks. Plus, an extensive identification and buyers' guide examines original and copy pieces side by side and helps to separate the treasures from the trash. This will serve as an important reference resource for years to come, and a timely one now as bookends are quickly becoming one of the hottest new collectibles in today's market.

Perhaps no other object of our daily environment has had the enduring cultural significance of the ever-present chair, unconsciously yet forcefully shaping the physical and social dimensions of our lives. With over ninety illustrations, this book traces the history of the chair as we know it from its crudest beginnings up through the modern office variety. Drawing on anecdotes, literary references, and famous designs, Galen Cranz documents our ongoing love affair with the chair and how its evolution has been governed not by a quest for comfort or practicality, but by the designation of status.Relating much of the modern era's rampant back pain to an increasingly sedentary lifestyle spent in traditional seating, Cranz goes beyond traditional ergonomic theory to formulate new design principles that challenge the way we think and live. A farsighted and innovative approach to our most intimate habitat, this book offers guidelines that will assist readers in choosing a chair-and designing a lifestyle-that truly suits our bodies. Praise for The Chair " A] concise, multidisciplinary gem." Publishers Weekly "Cranz is no sedentary historian. The Chair is a call to action." Jonathan Levi, Los Angeles Times "Galen Cranz has written a provocative book. Pull up a comfortable chair-if you can find one-and read it." Witold Rybczynski"

'It is more motivating to make something that you genuinely desire, to create an object that you want in your home. The things we choose to have around us say something about who we are, but things we have made ourselves do that even more strongly. I want every project in the book to be something that the reader wants to make, to work really well in use and be something that can be proudly shown to others.' Tom Trimmins This wonderfully practical book is aimed at anyone looking to balance their busy lives by mastering core woodworking skills. Working with wood will challenge, stimulate, relax and reward - and you'll be proud to display the beautiful objects you've made with your own hands. Here you'll find a range of practical and pleasing projects to display around your home. Initially you'll need a small collection of readily available tools - as your skills develop and expand, so too will your tool collection. Every project has step-by-step instructions, and you'll learn about the properties of different woods, design techniques and how to fix-up vintage tools. The book mainly uses hand tools as they're cleaner, take up less room, are quieter and offer less potential for accidents than power tools.

These Taunton's bestselling Complete Illustrated Guides series are now available in paperback. Over 900 colour photographs and easy-to-follow steps make this suitable for woodworkers of all levels. It comes from internationally respected woodturning artisan and teacher Richard Raffan. Taunton's Complete Illustrated Guide to Turning features step-by-step instructions for an abundance of wood turning techniques, including both spindle and faceplate methods. Over 900 colour photos accompany detailed, hands-on instructions for turning wood, including how to use lathes, turning tools and materials, chucks, as well as sharpening tools.

World renowned for its collection of Islamic art, the al-Sabah Collection in Kuwait also houses an important collection of ancient art. Splendors of the Ancient East presents a selection of ancient artefacts from the al-Sabah Collection, most of them reproduced for the first time. This selection is united by the personal vision of Sheikh Nasser Sabah al-Ahmad al-Sabah and his wife, Sheikha Hussah Sabah al-Salem al-Sabah. This vision is informed by a love of the beauty of these objects and an interest in the material culture of this region, from which grew some of the distinctive forms and design vocabulary of Islamic art. Covering a time span of some 4,000 years, from the Bronze Age up to the dawn of the Islamic era, this book celebrates some of the beautiful objects created in the Near East and beyond including Central and South Asia.

Every year in the highlands of Guatemala, the town of Sumpango celebrates Day of the Dead by flying kites. The kites are massive, the largest measuring 45 feet in diameter. Smaller kites, close 20 feet in height, are flown in a death-defying race down the side of a mountain. From a distance, the kites appear luminous and blissful, but the radiant colors of the kites mask an ominous subtext. On closer inspection, the images on the sails depict people in agony and torment: mutilated bodies, mass burials, kidnappings, and rivers of blood. In graphic illustration, the kites allude to the dark and painful history of Guatemala's 30-year civil war. Originally centered on remembering the dead, the kite festival has become a way for the indigenous community to heal itself from the trauma of the war. Wings of Resistance examines the politics and art of the giant kites, placing this Guatemalan tradition in the context of international kite cultures. The contributors include Alison Fujino, Christopher Ornelas, Jose Sainz, Scott Skinner, and Victorino Tejaxun.

Krista Aasen of The Happy Housie blog presents a collection of 35 creative projects that can brighten up the walls of any house. Decorating wood letters is a fun and simple project for the home, from a child's name in a bedroom to an uplifting message above the mantel. But how do you achieve the pin-worthy results of the stylists you see online? Enter Krista Aasen of The Happy Housie blog, whose crafting experiments with wood letters have been shared hundreds of thousands of times. In Creative Wood Letters, Aasen reveals unique ideas and techniques to craft beautifully decorated letters inspired by everything from nature to art using maps, vintage book pages, photo transfer, paper flowers, washi tape, succulents, driftwood, metallic paints, lights, and more. With a wide variety of styles from rustic and beachy to cute and sparkly, this book's wood letters are perfect for gracing the walls, shelves, and nooks of kitchens, bedrooms, and beyond.

This revelatory book shows how the influential and controversial Empress Dowager Cixi used art and architecture to establish her authority Empress Dowager Cixi (1835-1908), who ruled China from 1861 until her death in 1908, is a subject of fascination and controversy, at turns vilified for her political maneuvering and admired for modernizing China. In addition to being an astute politician, she was an earnest art patron, and this beautifully illustrated book explores a wide range of objects, revealing how the empress dowager used art and architecture to solidify her rule. Cixi's art commissions were innovative in the way that they unified two distant conceptions of gender in China at the time, demonstrating her strength and wisdom as a monarch while highlighting her identity as a woman and mother. Artful Subversion examines commissioned works, including portrait paintings and photographs, ceramics, fashion, architecture, and garden design, as well as work Cixi created, such as painting and calligraphy. The book is a compelling study of how a powerful matriarch at once subverted and upheld the Qing imperial patriarchy.

A revolution in lighting took place in the last part of the nineteenth and the early part of the twentieth century. Nadja Maril explores the dramatic changes in lighting technology and form in this amply illustrated, informative volume. Using color photographs and rare catalog material, American Lighting concentrates on domestic lighting, making it an important work for home restorers and decorators seeking to capture an authentic look in their homes. The informative text and history of the American lighting industry makes it a welcome, valuable addition to the literature for historians, collectors, and others, interested in the development of American design and technology.

These stylish craft books are highly accessible, with all techniques fully explained, and each project photographed from start to finish. Each book contains 25 beautiful and original projects.

Aesthetic seduction, superb workmanship, and historical interest are the three central themes in the collection of Fondation Gandur pour l'Art (Geneva), created in 2010 and still expanding. The aim of this first volume is to catalogue the works in the collection, whose decorative aspects are every bit as important as their narrative content. The works are for the most part sculptures - statuettes and ornamental reliefs - although two-dimensional decorations depicting figurative scenes associated with classical antiquity or Christianity are no less important. The periods represented by the sculptural works discussed in this book reflect the scope of the whole collection, which ranges from the 12th to the 18th century. And since the goal of the collection is to document centuries of cultural exchange between France and neighbouring countries, all the works included in the book come from these latter regions. The hybrid styles are closely linked, and this is an aspect of considerable importance, as is the originality certain pieces display and, last but not least, their aesthetic quality. The book is arranged by topic, which brings out the great originality and extraordinary richness of the collection, as well as the extremely varied nature of the subjects, narrative episodes, and figures portrayed. More specifically, the topics are divided into five sections: ancient gods and heroes; biblical and allegorical figures; scenes from the life of the Virgin; episodes from the life of Christ; and saints and intercessors. Each work has its own entry that describes the historical and geographical context in which it was made, analyses its iconographic content, and includes a bibliography and a list of the exhibitions where the work was exhibited.

The first book about Mark Lindquist's impact on the rise of woodworking from the studio craft movement to high art. Carefully researched and beautifully illustrated, this history reveals a clearer understanding of the art of woodturning and its current position in the United States artistic heritage. Built on the author's exclusive access to the reclusive Mark Lindquist, it features more than 250 photos from Lindquist's archives, many of historic and innovative pieces not seen before. Showing how the choices that the renowned woodturning artists Mel and Mark Lindquist made have rippled through time, and affect even beginning woodturners today, the detailed information, interviews, and insights here help us understand Mark Lindquist's legacy in moving woodturning and wood sculpture from craft fairs in the 1960s to art museums today.

At the turn of the 20th century, Vienna became an epicentre for new thought. A multi-disciplinary environment emerged where music, writing and intellectual thought all flourished, often brought together in the capital's famous coffee houses. This was the time of Freud and Wittgenstein, of Mahler and Schoenberg, and of the Secession (1897-1905), the modern movement led by Klimt, Josef Hoffmann and Koloman Moser that aimed to bring different arts together in a `Gesamtkunstwerk', a total work of art; of Jugendstil, Vienna's Art Nouveau; and of the Wiener Werkstatte, the workshop founded in 1903 by Moser and Hoffmann that revolutionized the decorative and graphic arts. There have been many exhibitions and publications devoted to this efflorescence, and even more monographs devoted to its key players. None, however, brings together a selection of visual material from across the different artistic disciplines as significant as this current volume, curated and authored by three leading scholars of the period. The book covers all areas of production: painting and drawing; decorative arts and crafts; applied art and book design; fashion, photography and architecture. In each section the illustrations take the lead, creating an invaluable visual reference point for all those eager to identify a given category of the arts within this period, particularly in the field of the decorative arts, from ceramics to glass, silverwork, furniture, jewelry; and graphic arts, from book design to posters and postcards. There are also many less familiar works in the field of fashion and photography, and a particular focus is given to the role of women in all disciplines of the time.

The Golden Age of Ironwork, by Henry Jonas Magaziner, covers ironwork from roughly 1840 to 1930. Thus, it includes cast iron, which prevailed during the nineteenth century and hand wrought iron, which triumphed from about 1900 to 1930. With 173 photographs by Robert Golden the books describes this golden period. There are also a few examples of contemporary ironwork

An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the "Muiredach Master," whose monuments-completed in the early years of the 10th century-deserve a place alongside the Book of Kells as great works of their time. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad. Distributed for the Paul Mellon Centre for Studies in British Art

Create your own floral and plant illustrations, with no previous artistic experience necessary! Each project in this beautiful book is broken into easy-to-follow, step-by-step instructions, making how to draw leaves and flowers (including poppies, pansies, and cherry blossoms!) as easy as 1-2-3. You'll also learn the process of creating patterns and digitising your illustrations!