A full descriptive catalogue of Celtic ornamental metalwork of British provenance, along with the moulds for making lost objects, though excluding those objects already fully catalogued, such as the simpler types of pennanular brooch, and hanging bowls.

Acclaimed florists Per Benjamin and Max van de Sluis share their extensive knowledge in the field of floral art in this voluminous recipe book. Step-by-step they create bouquets, table decorations, arrangements with cut flowers and plants, wedding flowers, sympathy pieces, festive Christmas decorations and other impressive designs for the home. This book compiles all eight volumes of the popular (and sold out) series Creativity with Flowers. It covers a nice mix of commercial and artistic designs and caters both to the hobbyist and the professional. In addition to the hundreds of arrangements, both florists graciously grant us a peek behind the scenes: they explain their way of working, sources of inspiration, thought process and creativity to encourage the reader to do more than merely copy their arrangements. The ultimate goal of this book is not only to provide the necessary tools and techniques, but also to give florists the confidence to develop into artists with a personal style and a unique artistic personality.

Traditional Japanese packaging is an art form that applies sophisticated design and natural aesthetics to simple objects. In this elegant presentation of the baskets, boxes, wrappers, and containers that were used in ordinary, day-to-day life, we are offered a stunning example of a time before mass production. Largely constructed of bamboo, rice straw, hemp twine, paper, and leaves, all of the objects shown here are made from natural materials. Through 221 black-and-white photographs of authentic examples of traditional Japanese packaging--with commentary on the origins, materials, and use of each piece--the items here offer a look into a lost art, while also reminding us of the connection to nature and the human imprint of handwork that was once so alive and vibrant in our everyday lives. This classic book was originally published under the title "How to Wrap Five More Eggs" in 1975.
The eminent American designer George Nelson praised the work featured here, saying, "We have come a long, long way from the kind of thing so beautifully presented in this book. To suit the needs of super mass production, the traditional natural materials are too obstreperous . . . and one by one we have replaced them with the docile, predicable synthetics. . . . What we have gained from these new] materials and wonderfully complicated processes to make up for the general pollution, rush, crowding, noise, sickness, and slickness is a subject for other forums. But what we have lost for sure is what this book is all about: a once-common sense of fitness in the relationships between hand, material, use, and shape, and above all, a sense of delight in the look and feel of very ordinary, humble things. This book is thus . . . a totally unexpected monument to a culture, a way of life, a universal sensibility carried through all objects down to the smallest, most inconsequential, and ephemeral things."
Now, over thirty years later, this revived classic on the art of traditional Japanese packing may leave us with the same response, and the same appreciation for the natural and utile packaging presented in this book.

Thomas Dennis emigrated to America from England in 1663, settling in Ipswich, a Massachusetts village a long day's sail north of Boston. He had apprenticed in joinery, the most common method of making furniture in sixteenth- and seventeenth-century Britain, and he became Ipswich's second joiner, setting up shop in the heart of the village. During his lifetime, Dennis won wide renown as an artisan. Today, connoisseurs judge his elaborately carved furniture as among the best produced in seventeenth-century America.

Robert Tarule, historian and accomplished craftsman, brilliantly recreates Dennis's world in recounting how he created a single oak chest. Writing as a woodworker himself, Tarule vividly portrays Dennis walking through the woods looking for the right trees; sawing and splitting the wood on site; and working in his shop on the chest -- planing, joining, and carving. Dennis inherited a knowledge of wood and woodworking that dated back centuries before he was born, and Tarule traces this tradition from Old World to New. He also depicts the natural and social landscape in which Dennis operated, from the sights, sounds, and smells of colonial Ipswich and its surrounding countryside to the laws that governed his use of trees and his network of personal and professional relationships.

Thomas Dennis embodies a world that had begun to disappear even during his lifetime, one that today may seem unimaginably distant. Imaginatively conceived and elegantly executed, The Artisan of Ipswich gives readers a tangible understanding of that distant past.

Of the more than one hundred experiments in communitarian living that proliferated in America during the nineteenth century, the United Society of Believers in Christ's Second Appearing, whose adherents are best known as 'Shakers, ' is certainly one of the most interesting, successful, and enduring. This book is a collection of furniture made by members of this remarkable American religious sect.

Bauhaus artist Friedl Dicker-Brandeis The work of Friedl Dicker-Brandeis (1898-1944) occupies a key position in the broader history of the Austrian avant-garde while also deepening our understanding of modernism. Her work covers an impressive range of media and genres in the visual and applied arts. Influenced by her studies at Vienna's Kunstgewerbeschule (which later became the University of Applied Arts Vienna), the Itten Private School, and the Bauhaus in Weimar, she worked as a painter, stage designer, architect, designer in Vienna and Berlin, in exile, and as a deportee. This book explores the heterogeneity of Dicker's work, reconstructs her artistic strategies and references to aesthetic and political discourses from the 1920s to the 1940s, and documents for the first time her works in the collection of the University of Applied Arts Vienna. Portrait of her work and collection catalog, dedicated to the artist, designer, and architect Friedl Dicker-Brandeis Essays by Julie M. Johnson, Robin Rehm, Daniela Stoeppel, and others To accompany an exhibition in Vienna and Zurich

Simple geometric techniques for making Celtic interlacements, spirals, Kellstype initials, animals, humans, etc. Lavishly illustrated.

Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries’ social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late 18th- and early 19th-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression.

The Tansey miniatures, now held by the Bomann Museum in Celle, represent one of the most significant collections of European miniature paintings. This volume is the fifth in a series exploring the collection in key periods. Each volume presents new photographic reproductions of the miniatures at actual size.This volume covers the final fifty years of the eighteenth century, perhaps the most magnificent period in the history of miniature painting, a time of great innovation in both style and technique. Essays by specialists in the field offer insights into the artworks, their patrons, and the period. The resulting book is as informative as it is beautiful, a stunning testament to a bygone age and a once-popular form.

For any keen woodturners out there who want to do more turning but are short of time, 30-Minute Woodturning is the perfect book as it has an enticing variety of projects which can all be completed in 30 minutes. Even for those working at an intermediate level, this book provides you with something to aim for without compromising safety and it will help beginners to build their skills. Each of the 25 projects also has plans for four variations included so there are a total of 100 designs to whet your appetite. Most of the projects require only basic turning tools and workshop accessories that nearly every turner will have. A list of tools and materials required is included for each one, along with drawings with dimensions. Projects include: candlestick holder doorstop decorative bird box toadstool spatula honey dipper bud vase square edge plate

Arkansas Made is the culmination of the Historic Arkansas Museum's exhaustive investigations into the history of the state's material culture past. Decades of meticulous research have resulted in this exciting two-volume set portraying the work of a multitude of artisan cabinetmakers, silversmiths, potters, fine artists, quilters, and more working in communities all over the sate. The work of these artisan groups documented and collected here has been the driving force of the Historic Arkansas Museum's mission to collect and preserve Arkansas's creative legacy and rich artistic traditions.Arkansas Made demonstrates that Arkansas artists, artisans, and their works not only existed, but are worthy of study, admiration, and reflection.

Master key carpentry skills, from simple joinery techniques to fine woodworking. Learn about basic woodworking techniques to more advanced types of wood joints, finishing, woodturning, and furniture restoration. This book provides all the information you need to become a master carpenter. It's the ultimate step-by-step guide to essential woodworking tips and tricks. Inside the pages of this beginners guide, you'll find: - Over 100 key techniques and 20 easy projects to get you started - Clear step-by-step photography and easy-to-follow instructions - Advice on all major wood types and veneers and how to use them - Tips and tricks on restoring old furniture This visual guide is packed with clear instructions, detailed photography, and expert advice on how to master more than 20 woodcraft techniques such as joinery and finishing. Discover how to get the best out of your woodworking tools by learning how to use and maintain them. This informative guide also includes a visual directory of all major wood types and veneers, explaining what they are best used for and tips on how to work with them. Woodworking 101 This updated edition includes a fresh design and brand-new photography making the step-by-step techniques and projects even clearer to understand. The ideal gift for Father's Day, or for anyone who's looking for an introduction to carpentry. Complete the Series: Fully illustrated and easy to use, the DK Step by Step series covers all the essential skills and techniques you need to succeed in a specific activity. Once you've mastered key carpentry skills with Woodwork Step by Step, sharpen up your survival skills with Knots Step by Step.

Contemporary craft, art and design are inseparable from the flows of production and consumption under global capitalism. The New Politics of the Handmade features twenty-three voices who critically rethink the handmade in this dramatically shifting economy. The authors examine craft within the conditions of extreme material and economic disparity; a renewed focus on labour and materiality in contemporary art and museums; the political dimensions of craftivism, neoliberalism, and state power; efforts toward urban renewal and sustainability; the use of digital technologies; and craft’s connections to race, cultural identity and sovereignty in texts that criss-cross five continents. They claim contemporary craft as a dynamic critical position for understanding the most immediate political and aesthetic issues of our time.

The debate over the merits of power tools vs. hand tools has raged for years, but the bottom line is that you need both to be a successful woodworker. Machinery provides efficiency for labor-intensive tasks such as sawing and planing, whereas hand tools are used to create fine details that machines can't duplicate. Power tools don't replace hand tools, they complement them. In Woodworking with Power Tools, expert craftsmen and craftswomen explain how they choose, maintain, and use every kind of power tool, from tablesaws to plunge routers, bandsaws to bench planers. There's advice on tool maintenance, techniques for getting the most from your tools, and projects made using power tools. With clear photographs drawings, and step-by-step instructions, Woodworking with Power Tools will be an essential resource for anyone who works wood. You'll learn how to: tune up your tablesaw choose bandsaw blades for resawing get started with your plunge router install dust collection in a small shop cut easy angled tenons get better cuts with your planer build a perfect picture frame, an elegant bookcase, and a pedestal dining table

Walter Turpening has been designing and perfecting seating for crafters and artistic creators (particularly weavers, knitters, handspinners, and musicians) for 20-plus years. His signature cotton-cord, curved, woven seats on fine woodworked frames are sought after by crafters, and he operates on an average two-year waiting list. He has also been teaching his techniques for many years, and this book is a compilation of his design journal and instructions for his methods, including the wooden furniture designs and weaving designs, plus his methods for measuring the recipient and their intended end use of the furniture for perfect ergonomic comfort. At 73 years young, it is Walt's desire to share his treasury of knowledge for the benefit of woodworkers and crafters.

In Western Europe the Golden Age of Islamic metalwork in Iran was (and is) generally considered to be the earlier period, and later metalwork was collected almost by accident and has been correspondingly little studied and poorly published, though in recent decades the imbalance has been somewhat modified. The Hermitage Collection, which numbers 162 pieces is the largest collection in the world of later Iranian Islamic metalwork, from the West of Iran as far as the Punjab. The great majority of these are household utensils, and their manufacture is characteristic of the middling levels of urban societies, though in Khurasan in the late-15th and early 16th centuries brasses or bronzes inlaid with gold and silver were made for its Timurid rulers. The substantial numbers of Iranian copper-alloy astronomical instruments of this period were made by different craftsmen, for a different public, and deserve separate treatment, though not magic bowls, used in folk-medicine and divination, which are noticed in this volume. In his Introduction, Anatolii Ivanov gives a valuable directoryof museums and other institutions of the former Soviet Union with significant collections, which complement the holdings of the Hermitage and together amount to a truly substantial corpus. The latter were acquired from private collections, but the core of the collection, from the museum attached to the school of industrial drawing founded by Baron Stieglitz, came to the Hermitage in the 1920s, when this was broken up. As well as minutely detailed descriptions of each piece and analyses of their decoration, Ivanov presents a detailed critical survey of the limited documentary evidence afforded by the inscriptions many pieces bear, which is of permanent value as a basis for further scholars working on later Islamic metalwork in general.