Sharp tools work better! If you've never experienced the pleasure of using a really sharp tool, you're missing one of the real pleasures of woodworking. In The Perfect Edge, the mystery of the elusive sharp edge is solved by the long-time sharpening expert and tool maker Ron Hock. You'll soon find how easy and safe hand tools are to use. This book covers all the different sharpening methods so you can either improve your sharpening techniques using your existing set-up, or determine which one will best suit your needs and budget. Ron shows you the tricks and offers expert advice to sharpen all your woodworking tools, plus a few around-the-house tools that also deserve a perfect edge.

Mary Greensted tells the story of the birth and development of the Arts and Craft movement in Britain with the help of numerous illustrations showing the buildings, furniture, metalwork, and the people who influenced it. The movement was concerned with the revival of traditional crafts, and a return to the vernacular, and it had socialist ideals at its heart. This movement, which flourished in the early twentieth century, has not only bequeathed us with a wealth of fine objects and buildings, but also a way of thinking about life and craft that continues to influence many today.
Contains information on dozens of designers, artists, architects and thinkers, including:
William Morris
CFA Voysey
Charles Rennie Mackintosh
AH Mackmurdo
CR Ashbee
Ernest Gimson

Akin to having a one-on-one carving course with a master carver, this resource-a collection of tips and tricks honed over many years-mentors newcomers and serious beginning woodcarvers alike. A comprehensive guide for those who want to learn carving, this manual provides a handful of lessons, including how to choose the best woods, safe tool handling tips, making cuts, and executing a variety of techniques. The careful step-by-step instructions that are explained in a warm conversational voice help novice crafters find quick success and encouragement as they work on a number of carving motifs and three projects for both relief and in-the-round styles. For serious beginners eager to know more about a timeless craft, this go-to reference provides an answer to every question. Introduction SECTION I: CARVING TOOLS AND SETTING UP *Technical Mastery Chapter 1: Tools of the Trade *Your Tools are Your Carving Chapter 2: Commissioning Your Carving Tools *Understanding Wood Chapter 3: Supporting Cast SECTION II: USING CARVING TOOLS *Getting to Grips Chapter 4: Handling Your Carving Tool *Thin Edge of the Wedge Chapter 5: The Outcome of the Tool SECTION III: EXERCISES *Good Habits Chapter 6: Simple Moldings *Surfaces, Lines & Junctions Chapter 7: Veiner and V-tool SECTION IV: RELIEF CARVING *Form Into Space Chapter 8: An Exercise in Setting-In *Over the Horizon Chapter 9: Low Relief *A Touch of Drama Chapter 10: High Relief *Feel the Form Chapter 11: Pierced Relief SECTION V: CARVING IN THE ROUND *Entering Choas Chapter 12: In the Round: Baseball Cap *Making It Up as You Go Along Chapter 13: In the Round: Wren

In Build Better Boxes, Matt Kenney distills and shares what he's learned in 20 years of box making using step-by-step photos that walk you through the process of creating 10 beautiful designs from scratch. You'll begin with a few simple, but elegant painted boxes that introduce fundamental concepts like cutting miter joints and fitting a lid. Then you'll progress through several stunning projects that include tea cabinets and jewelry boxes-designs that show just how much you can do with a box. Along the way, you'll learn smart techniques for joinery like rabbets and dovetails, how to create box sides with grain that flows seamlessly around all four corners, to make your own veneers, and to apply finishes like milk paint and shellac. Throughout all of the projects, Kenney emphasizes good design and demonstrates several unique design elements that he's developed, like pulls wrapped in thread, fabric lined bottoms, and grouping individual boxes to create a single piece of furniture. Build Better Boxes, is more than a set of instructions for 10 boxes: In the course of building these designs, you will gain a thorough understanding of key woodworking and design concepts-like wood movement, grain selection, and proportions-that will help you design and make your own boxes.

In contrast to much current scholarship on women and material culture which focuses primarily on women as consumers, this essay collection provides case studies of women who produced material objects. The essays collected here make an original contribution to material culture studies by focusing on women's social practices in relation to material culture. The essays as a whole are concerned with women's complex and active engagement with material culture in the various stages of the material object's life cycle, from design and production to consumption, use, and redeployment. Also, theorized and described are the ways in which women engaged in meaning making, identity formation, and commemoration through their manipulation of materials and techniques, ranging from taxidermy and shell work to collecting autographs and making scrapbooks. This volume takes as its object of investigation the overlooked and often despised categories of women's decorative and craft activities as sites of important cultural and social work. This volume is interdisciplinary with essays by art historians, social historians, literary critics, rhetoricians, and museum curators. The scope of the volume is international with essays on eighteenth-century German silhouettes, Australian aboriginal ritual practices, Brittany mourning rites, and Soviet-era recipes that provide a comparative framework for the majority of essays which focus on British and North American women who lived and worked in the long nineteenth century. This volume will appeal to a broad range of students and scholars in women's history, art history, cultural studies, museum studies, anthropology, cultural and social history, literature, rhetoric, and material culture studies.

* Packed with inspiring photographs of gardens, borders and features, this book provides a wealth of ideas for adapting schemes to fit the area being planted. * Includes patterns for 'natural' designs as well as more formal approaches. * TOPICS COVERED: Plants with Pattern: Leaf Shape and Texture; Patterns in Garden Layouts: Symmetrical and Formal; Patterns using Plants: Borders and Bedding; Patterns in Landscape

With 181 detailed color photos and clear, step-by-step guidance from a top-tier knifemaker, this workshop-proven method guides intermediate to advanced level knifemakers to success in crafting a folding knife. The liner lock mechanism can be made relatively easily, it needs only few components, and it is-if constructed neatly-secure and durable. This book teaches how to construct both general kinds of liner locks: one uses the liner itself as an arresting spring (classic liner lock), and in the other the spring is made as an extra construction part and inlaid into the liner ("nested liner"). Here is the guidance you need to design and produce a liner lock knife on your own.

This is the ultimate guide to sharpening with traditional waterstones for all owners of Japanese knives. Provided are step-by-step instructions on proper knife sharpening accompanied by over 120 color photos, plus black and white graphics for clarity. Details on the care for all major blade types are also provided, along with expert advice on the use of solid, abrasive materials, and steel. Important information on care for the waterstones is also provided to keep your sharpening stones useful for many years. Readers learn how to make knives sharp and obtain their very best performance. The expert, Dr. Rudolf Dick, explains special Japanese knives, helps you choose the correct sharpening stones, and provides a detailed guide for sharpening practice. A chapter on the pinnacle of sharpening, polishing Japanese swords, completes the standard work for all users and friends of Japanese knives.

The Froebel Gifts are perhaps the world's first educational toys. Developed in the early 1800's by Friedrich Froebel, inventor of Kindergarten, the Gifts appear deceptively simple but represent a sophisticated approach to child development. Over the last 180 years these intricately conceived playthings have had a widespread impact, becoming interwoven with the history of art/design, popular culture, and education. Inspiring and informing the work of Maria Montessori, Rudolf Steiner, and others, Froebel's Gifts influenced Frank Lloyd Wright, Albert Einstein, Kandinsky, Klee, and more while Mattel used them in designing Tinker Toys, Color Cubes, and Unit Blocks. In Making Classic Toys That Teach, Doug Stowe, a professional woodworker and teacher, presents the history and valuable benefits of each gift while providing step-by-step instruction on how to build each toy and the box to hold them. Each of the 10 Froebel Gifts are featured: 1) balls of yarn, introducing color, shape and motion; 2) sphere, cylinder, and cubes on a hanging device; 3) divided cube building blocks; 4) rectangular blocks; 5) wooden cubes and triangular blocks; 6) geometric building blocks in various shapes; 7) colorful geometric shapes; 8) sticks and rings; 9) points - small colorful objects, like beads - that can be connected to create dotted lines, etc; 10) framework in the form of fiddlesticks or tinker toys. As the backlash towards our overly technological world increases, the philosophy of Froebel and an understanding of the value of his Gifts is part of the trend of more focused playtime and creative thinking for younger children that will help them make connections on their own regarding the world around them.

Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from aeroplanes, boats and automobiles to architecture and furniture. This book traces the history of plywood from its use in 18th-century furniture, through its emergence as an industrial product in the 19th century, to a material celebrated by 20th-century modernists such as Alvar Aalto and Charles and Ray Eames. An ideal material for the digital age, plywood has become popular again in recent years and is widely used in contemporary design and manufacture. Produced to accompany an exhibition at the V&A, this book is the first comprehensive study of the history of plywood and its myriad applications throughout the ages, unveiling the stories behind objects that surround us and that we often take for granted.

The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home. Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art. These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean. Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region.

The book represents a continuation of research begun by Cooper in Hong Kong in the early 1970s among expatriate artisan furniture makers and woodcarvers from Dongyang County, Zhejiang Province. He now sets out to investigate the fate of the same craft in the hands of the same folk under totally different socio-economic conditions in their native county in communist People's Republic of China.

Temples have been places of worship, a focus for spirituality and a place for communities to gather since the earliest days of human civilisation. The first temples date back to ancient Mesopotamia and Egypt, deriving from the cult of deities and residing places for gods and immortals. Today, temple buildings remain lively focal points for the Jewish, Buddhist, Hindu, Jain and Sikh religions. Organised by continent, Amazing Temples of the World offers the reader an intimate portrait of some spectacular and unusual places of worship dating from the fourth millennium BCE to the present. Ornate or spartan, immense or intimate, from the Middle East to California, this book features such impressive places of worship as the Mahabodi Temple, India, built in the location where Buddha is thought to have achieved enlightenment; the fifth century BCE Temple of Confucius in Qufu, China, the largest Confucian temple in the world; Abu Simbel, in southern Egypt, the great carved monument to the Pharaoh Ramses II; the Golden Temple in Amritsar, Punjab, the spiritual home of the world's 25 million Sikhs; and the Shri Swaminarayan Temple in Neasden, London, the biggest Hindu temple outside India. Illustrated with more than 180 photographs, Amazing Temples of the World includes more than 150 places of worship, from Ancient Greece and Rome, through traditional synagogues to modern Buddhist, Taoist and Sikh temples.

The book represents a continuation of research begun by Cooper in Hong Kong in the early 1970s among expatriate artisan furniture makers and woodcarvers from Dongyang County, Zhejiang Province. He now sets out to investigate the fate of the same craft in the hands of the same folk under totally different socio-economic conditions in their native county in communist People's Republic of China.

Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music.

This book, in it sixth edition, has evolved over the years into a complete guide to the metalcasting of sculpture. Potratz (Ironwain) has taken his years of knowledge gained practicing and teaching his craft and is now sharing it all in this easy-to-use book. Contents include: Introduction to Metal Casting, Recommended Tools and Equipment, Safety, Pattern Making, Sprueing and Venting Wax, Intro to Molding, Melting and Pouring Metal, Chasing, and Patina of Metals. Includes a comprehensive bibliography; an appendix filled with useful conversions, charts, recipes, and cupola/cupolette furnace building specs; detailed index; and much more.

This title features 25 step-by-step practical ideas for hand-crafted tinwork projects. The beauty of tinwork is celebrated in inspirational and practical projects. It offers step-by-step instructions for 25 original projects, including a photograph frame, Christmas decorations and an ornate spice rack. It offers comprehensive guidance with expert technical instruction at every stage. It shows examples in a gallery of the finest tinwork from contemporary craft artists, representing the varied styles that can be achieved with this exciting craft. It features over 250 specially commissioned photographs. An expert introduction covers techniques, materials and all the equipment you will need. The appeal of tin lies as much in its usefulness and practical applications as in its subtle tone and malleability. This book fully explores the different techniques used today, through 25 traditional and contemporary tinwork projects, all shown in step-by-step photographs. Among the projects are delicate decorative pieces, such as ornate incense holders and an embellished picture frame, and utilitarian objects such as a lunch box made out of tin cans and an oil-drum barbecue. The section on basic techniques covers cutting tin, decorative techniques such as punching, embossing and soldering, and choosing the best materials for the job. A gallery of work by contemporary designers provides further inspiration, and represents the varied styles that can be achieved using this exciting craft. Illustrated with over 250 photographs, the book provides comprehensive instruction for newcomers to the craft, and will inspire the more experienced to experiment and develop the full potential of the medium.

The saw is one of the most basic tools and tends to be taken very much for granted. Many hours and much effort can be saved, and more accurate work produced, if the user has the knowledge of how his saw works and how to keep it in good condition. In this book Ian Bradley provides detailed guidance on the use and maintenance of all types of saw, both hand and mechanical, from the humble junior hacksaw to circular and bandsaws, in the comprehensive and succinct manner that has made him such a respected writer on workshop matters.

Analysing the decorative programmes of the most opulent European palaces of the time, Margaretha Rossholm Lagerloef investigates how meaning was conveyed through display and visual effects. She explores the visual meaning inherent in the scheme of spatial relations; in effects of scale, perspective, lighting, figures' positions and postures; and in relations among image types. The analysis concerns the interrelations of various kinds of images in the ensembles; the relations between images and physical site; and the address to the beholder. Lagerloef considers the visual impact of the imagery in conjunction with 'readable' or symbolically 'coded' meanings; thus, the study does not merely subject these decorations to formalist aesthetic principles. She shows the visual meaning generally to sustain the verbal or readable messages, but often in subtle ways, extending or elaborating the meaning. Occasionally, the visual meaning comes forth as an undercurrent or complication, deviating from the proclaimed and symbolic meaning. Fate, Glory, and Love in Early Modern Gallery Decoration contributes to the body of scholarship on visual rhetoric and on how images 'act' out their messages.