For any keen woodturners out there who want to do more turning but are short of time, 30-Minute Woodturning is the perfect book as it has an enticing variety of projects which can all be completed in 30 minutes. Even for those working at an intermediate level, this book provides you with something to aim for without compromising safety and it will help beginners to build their skills. Each of the 25 projects also has plans for four variations included so there are a total of 100 designs to whet your appetite. Most of the projects require only basic turning tools and workshop accessories that nearly every turner will have. A list of tools and materials required is included for each one, along with drawings with dimensions. Projects include: candlestick holder doorstop decorative bird box toadstool spatula honey dipper bud vase square edge plate

Perhaps no other object of our daily environment has had the enduring cultural significance of the ever-present chair, unconsciously yet forcefully shaping the physical and social dimensions of our lives. With over ninety illustrations, this book traces the history of the chair as we know it from its crudest beginnings up through the modern office variety. Drawing on anecdotes, literary references, and famous designs, Galen Cranz documents our ongoing love affair with the chair and how its evolution has been governed not by a quest for comfort or practicality, but by the designation of status.Relating much of the modern era's rampant back pain to an increasingly sedentary lifestyle spent in traditional seating, Cranz goes beyond traditional ergonomic theory to formulate new design principles that challenge the way we think and live. A farsighted and innovative approach to our most intimate habitat, this book offers guidelines that will assist readers in choosing a chair-and designing a lifestyle-that truly suits our bodies. Praise for The Chair " A] concise, multidisciplinary gem." Publishers Weekly "Cranz is no sedentary historian. The Chair is a call to action." Jonathan Levi, Los Angeles Times "Galen Cranz has written a provocative book. Pull up a comfortable chair-if you can find one-and read it." Witold Rybczynski"

- First book to chronicle the life and artwork of June Schwarcz, a pioneer craftsperson in the enamel and decorative arts fieldJune Schwarcz (1918-2015) was among the most innovative artists working in the contemporary enamels field. Best known for her electroplated metal sculpture embellished with rich enamel color, she produced an extensive body of work that, while linked to long-standing vessel-making traditions, defied convention. In a field known for visual opulence, preciousness, and adherence to traditional craft practices, Schwarcz was a renegade. She learned enameling on her own and adopted a highly experimental approach to process, inventing new ways of creating sculptural objects in metal and unorthodox strategies for their embellishment. Believing in the power of opposing principles, she created forms that were at once raw and elemental, elegantly composed, and lushly beautiful. A seminal figure in the American craft field, Schwarcz led enameling workshops across the country and influenced several generations of young and emerging artists. She also played a central role in the craft community of the San Francisco Bay Area, where she lived and worked for more than fifty years. June Schwarcz: Artist in Glass and Metal is the first publication to investigate Schwarcz's work in depth. It explores the rich trajectory of her career along with the sources and influences that helped shape and define her singular vision. It also investigates the themes and subjects that intrigued her as it examines the role she played in advancing enameling in America in the late twentieth century. This lavishly illustrated publication celebrates the extraordinary body of work Schwarcz created over a period of sixty years.

Showcasing marbled paper, paste paper, fold-and-dye papers, and more, this book reveals a little-known arts phenomenon from its grass roots in the 1960s to artistic heights in the following decades Pattern and Flow chronicles the flourishing of American decorated paper arts beginning in the 1960s and extending to the 2000s, with an ongoing legacy today. As knowledge and skills were shared across a grass-roots community in the 1960s, decorated paper became increasingly popular, with centers for the study of the book and paper arts emerging across the United States, and artists developing new, innovative styles of paper. The book begins with an introductory essay outlining the history of decorated paper arts in America up to the 1960s, followed by a chronological narrative, which surveys the development of the field and introduces the artists working from the 1960s to the 2000s, and an illustrated reference section with essential biographical and professional information for each artist. Designed to be an immersive experience, Pattern and Flow conveys the vivid visual world of American decorated paper, celebrating the variety and variations that are key features of the art. Stunning illustrations show designs with intricate, tessellated patterns and others that flow with forms and waves that seem liquid; some explore subtle, muted tones, while others are explosive in their use of brilliant colors. Distributed for the Thomas J. Watson Library, The Metropolitan Museum of Art Exhibition Schedule: Grolier Club, New York (January 17-April 8, 2023)

Art Nouveau developed a new, international style in architecture and handicrafts from the 1880s onward, which sought to replace the forms of historicism with plant ornamentation and functional construction. This comprehensive reform of the arts produced rich floral ornaments in Paris and Brussels and became an expression of national identity in Barcelona. This volume illuminates the origins of this current and its manifestations in France, Belgium, and Spain.

At the turn of the 20th century, Vienna became an epicentre for new thought. A multi-disciplinary environment emerged where music, writing and intellectual thought all flourished, often brought together in the capital's famous coffee houses. This was the time of Freud and Wittgenstein, of Mahler and Schoenberg, and of the Secession (1897-1905), the modern movement led by Klimt, Josef Hoffmann and Koloman Moser that aimed to bring different arts together in a `Gesamtkunstwerk', a total work of art; of Jugendstil, Vienna's Art Nouveau; and of the Wiener Werkstatte, the workshop founded in 1903 by Moser and Hoffmann that revolutionized the decorative and graphic arts. There have been many exhibitions and publications devoted to this efflorescence, and even more monographs devoted to its key players. None, however, brings together a selection of visual material from across the different artistic disciplines as significant as this current volume, curated and authored by three leading scholars of the period. The book covers all areas of production: painting and drawing; decorative arts and crafts; applied art and book design; fashion, photography and architecture. In each section the illustrations take the lead, creating an invaluable visual reference point for all those eager to identify a given category of the arts within this period, particularly in the field of the decorative arts, from ceramics to glass, silverwork, furniture, jewelry; and graphic arts, from book design to posters and postcards. There are also many less familiar works in the field of fashion and photography, and a particular focus is given to the role of women in all disciplines of the time.

Using over 290 crisp color images, 25 detailed line drawings, and concise text, Bruce Helmreich guides readers through the steps necessary to build a hand-hammered copper weathervane. This step-by-step guide transforms a sheet of copper into a fully functioning weathervane.Folk art subjects used in American weathervanes are shown, including domesticated and wild animals, birds, occupations, patriotic themes, and transportation. Create your own design or use the complete set of plans included to produce a traditional rooster weathervane. Using basic tools (tin snips and hammers), ageless techniques, and sheet copper available at your local sheet metal shop, this book will teach you how to make a weathervane that will serve your roof for years. Whether you are an experienced metal worker, or a woodworker who is looking for a challenge, this is the book for you.

The art of welding wrought iron has been practiced by village smiths in their forge fires for centuries. Gas and electric arc welding are however comparatively recent developments. This introductory book explains the process as it has been developed and used in industry, and its applications to model engineering. Welding, by oxy-acetylene or electric arc, is a skill in increasing demand and one for which the basics can be learned without great difficulty. In this book, the author sets out the basic techniques and the art for oxy-acetylene welding, brazing, flame-cutting and electric arc welding with mild steel, cast iron, stainless steel, copper, brass and aluminium etc in sheet plate or cast form.

Frames often catch the eye and arouse the curiosity of visitors to galleries and museums, yet labels and catalogues rarely comment on them. Nicholas Penny conveys his interest in the history of frames, the design and techniques of frame-making, what frames do for paintings, and the part they play in the decoration and often the architecture of an interior. The emphasis is on the changing function and varied purpose of frames as well as the different styles of ornament, materials, finishes, and techniques used. This Closer Look guide is illustrated by frames from the National Gallery's magnificent collection. Published by National Gallery Company/Distributed by Yale University Press

Including previously unpublished and recently re-discovered designs for the interior of the Museum, Olivia Horsfall Turner's fascinating new book, the latest in the V&A 19th-Century Series, looks at the relationship between architect and designer Owen Jones and the South Kensington Museum (later the V&A) in the period from the Museum's establishment in the 1850s to Jones's death in 1874. It focuses on key moments in Jones's relationship with the Museum: the creation of his well-known publication The Grammar of Ornament (1856) and his less widely known Examples of Chinese Ornament (1867), and the decoration of the Museum's so-called Oriental Court between 1863 and 1865. Jones's collaboration with the Museum over a period of almost 20 years is of special interest not only thanks to his status as one of the most influential design theorists of the 19th century, but also for the light that it sheds on the identity of the early Museum and its imperial context.

Joining metals is a fundamental process used in all aspects of modern life. It is vital wherever metals are used, which is just about everywhere. Small or large, simple or complex - no mode of transport or method of construction would be possible without the sound understanding of its theory and practice. Written for the home metalworker or model engineer, this book discusses the various methods of joining metals, including strength, testing and applications, and includes useful lessons from historical failures including the sinking of the Titanic, the Flixborough explosion, the capsize of the Alexander L. Keilland offshore platform, the Hyatt Hotel elevated walkway collapse and the Markham Colliery lift bolt failure. With over 100 diagrams and over 200 photographs, this book examines: Mechanical joining: bolting, riveting, clamping - Metallurgical joining: welding, brazing, soldering - Chemical joining: bonding difficult metals - Strength of joints: choice and analysis - Failure of metals and joints: stress, fatigue, corrosion - Design: use of theory and codes to avoid failure, and finally - Testing of metals and joints: destructive and non-destructive (NDT).

A detailed look at the ambition and artistic legacy of Emperor Maximilian I and his passion for armor and chivalry Holy Roman Emperor Maximilian I (1459-1519) crafted a public persona and personal mythology that earned him the romantic sobriquet the "Last Knight" and that perpetuates his legend to this day. In his lifelong quest to establish himself as Europe's noblest ruler, he commissioned art, epics, and lineages, as well as exceptional armor from the most celebrated armorers in Europe. Published to coincide with the 500th anniversary of his death, this book discusses the ramifications of Maximilian's wide-ranging political aspirations and artistic legacy and is the first to concentrate on the importance of armor and concepts of chivalry in the construction of his identity. Maximilian established the prominence of the Habsburgs through advantageous alliances, expanding their dominions across Europe and into the New World. He commissioned grandiose projects, some of which rank among the most ambitious in European history. But more than this, he created a profile for the ruler-a combination of idealism and vainglory-that not only helped shape the identity of the growing German nation but also has resonances in the current political climate worldwide. This superb volume provides a rare picture of how art, armor, and the cult of personality helped shape the politics of Europe at the dawn of the Renaissance. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (October 7, 2019-January 5, 2020)

Naval aviation special markings and nose art is a field that has been largely ignored, primarily due to the lack of coverage in mainstream aviation history publications. Research into archives, feedback from veterans, and personal photographs by the authors, Jim Meehan and William Tate, have documented thousands of previously unknown individual aircraft with these markings. Paint Locker Magic: A History of Naval Aviation Special Markings and Artwork covers markings on US Navy, Marine Corps and Coast Guard aircraft over the 100 year history of US naval aviation. This fascinating and visually resplendent book includes illustrations of special markings and nose art on early canvas-covered airplanes through the World War 2 era when nose art flourished and on into the jet age, the Korean and Vietnam conflicts, and up to the present war on terror with aircraft marked to commemorate the 9-11 terrorist attacks. This coverage includes fighters and attack aircraft of the carrier navy and the patrol aircraft, transports blimps, research and test aircraft and helicopters. Markings include personal nose art and pinups, shark mouth and similar markings, cartoons depicting special missions, Christmas and similar markings and tributes.

The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home. Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art. These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean. Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region.

As one of the few decorative arts about which little has been written, japanning is today fraught with misunderstandings. And yet, in its heyday, the japanning industry attracted important commissions from prestigious designers such as Robert Adam, and orders from fashionable society across Europe and beyond. This book is a long overdue history of the industry which centred on three towns in the English midlands: Birmingham, Wolverhampton and Bilston. It is as much about the workers, their skills, and the factories and workshops in which they laboured, as it is about the goods they made. It tells of matters of taste and criticism, and of how an industry which continued to rely so heavily upon hand labour in the machine age reached its natural end in the 1880s with a few factories lingering into the late 1930s. Richly illustrated, it includes photographs of mostly marked, or well-documented, examples of japanned tin and papier mache against which readers may compare - and perhaps identify - unmarked specimens. 'Japanned Papier Mache and Tinware' draws predominantly upon contemporary sources: printed, manuscript and typescript documents, and, for the period leading up to the closure of the last factories in the 1930s, the author was able to draw on verbal accounts of eyewitnesses. With a chapter on japanners in London, other European centres, and in the United States, together with a directory of japan artists and decorators, this closely researched and comprehensive book is the reference work for collectors, dealers and enthusiasts alike.

The primary emphasis of this book is on the application of various types of finishes to wood furniture. It also contains chapters on furniture repair and the preparation of wood surfaces. New to this edition are a glossary of terms; rewritten and updated information on antiquing, stencilling, and other craft-type finishes; references to specific brand names and products and the companies that produce them; emphasis on safety precautions when using finishes; and extensive rewritten and updated information on all types of stains.

Introducing a new woodworking series in the tradition of Tage Frid...a series filled with essential information required by woodworkers today. For the first time ever, all the techniques and processes necessary to craft beautiful things from wood have been compiled into three comprehensive volumes: The Complete Illustrated Guides. Highly visual and written by woodworking's finest craftsmen, these three titles -- Furniture & Cabinet Construction, Shaping Wood, and Joinery -- will establish a new standard for shop reference books.

Shape is critical to the ultimate success or failure of a piece of furniture. Knowing this, custom-furniture maker Lonnie Bird has taken the complex subject of shaping and in this book made it accessible to every woodworker. He guides the reader toward first visualizing, then drawing a shape, and then choosing the appropriate tool for creating it. Shaping techniques of all kinds are covered here -- from the simplest ones to more complex bending and carving.

Chinese arts and crafts enjoy a unique reputation in the history of material culture and civilisation. For several thousand years, crafts have echoed the rhythm of daily life in China. From rural society to the imperial court, these crafts have served a practical purpose, constantly evolving with changes in lifestyle. In this illustrated introduction Hang Jian and Guo Qiuhui discuss the colorful history and development of distinctive Chinese crafts, including ceramics, furniture, clothing and decorative arts.

This book presents a wealth of images that will spark the imagination of all who see them. There are times when all artists struggle for inspiration. This can be particularly true when you try to create patterns, textures and designs with which to decorate your work. In this book, Carolyn Genders presents a wealth of images - of both natural and manmade objects - that will spark your imagination as soon as you see them. The book also highlights how these images can be visually abstracted, refined and developed to create other beautiful patterns, designs and forms. The result is not only a useful guide to how the creative process works but also a visually glorious sourcebook of images. This book is a must for all - whatever field you work in and whether you are an amateur or a professional artist.

Decorating with motifs is truly quick and easy. Use these wonderfully versatile decorating techniques and designs to create a special atmosphere and leave your own unique imprint -- on various articles in and around the house, for yourself or as prized gifts for family and friends. This book inspires in two parts. The first section is filled with colour photographs of completed projects, as well as numerous tips. The second section contains over 250 motifs to choose from and combine with the craft of your choice. The motif collection is divided into ten themes: Africa, cacti, shells, leaves...take a look -- you will find something to suit every taste and setting.