It seems bizarre that in a place as crowded, noisy and expensive as London there are still wasted unused spaces. The relentless drive for regeneration across Britain's capital deceives us into thinking that every spare building and patch of ground is under development. But this vast metropolis of more than 10 million people hides many secrets and unexpected treasures from the city's unique 2000-year history. In Abandoned London, read about the Abbey Mills Pumping Station, a facility created in 1858 to deal with 'the Great Stink', and now London's Italian-Gothic cathedral of sewage; or the subterranean Finsbury Park underground reservoir, a space capable of holding five million gallons of water and today used as an occasional movie location; or the remnants of Highgate's overground steam railway station, now a protected bat habitat; or the Clapham deep-level shelters, constructed in World War II and designed to provide protection for locals against aerial bombing raids; or the Haggerston public baths, part of an early 20th century building programme devised to improve London's hygiene. These photographs of abandoned places capture a moment in time. Some of the buildings have since been demolished or refurbished, but many are still there, neglected and uncared for. These places have great value and a rich significance, offering us a glimpse of past worlds.

Accompany woodsman Ben Law as he celebrates the amazing diversity of craft products made from materials sourced directly from the woods. Including brooms, rakes, pegs, spoons, chairs, baskets, fencing, yurts and even a caravan, the items are hewn from freshly cut green wood, shaped by hand and infused with a simple, rustic beauty. Detailed instructions and advice are given for each craft, along with essential knowledge about tools and devices. With fascinating information on the history, language and traditions of the crafts, coppice management and tree species, this book teaches about all aspects of the low-impact woodland way of life.

Mysterious ghost stations forgotten beneath the cities of Paris and London; desolate grand rail hubs in the Pyrenean mountains; metro stations in China that terminate in a wasteland; Abandoned Train Stations looks at some of the thousands of disused station buildings, platforms, lines, tunnels, and rail yards left behind by modernity. Organised by continent, this book takes the reader to every corner of the globe. Explore Canfranc International Railway Station, once a busy mountain hub of international travel between France and Spain; see the eerily empty platform at Kings Cross Thameslink, London, today a service tunnel following the station's closure in the early 2000s; examine the grandiose Michigan Central Train Station in Detroit, an historic Amtrak rail depot, and once the tallest rail station in the world; marvel at the dusty, overgrown shell of Abkhazia's once beautiful railway station in Psyrtskha, a physical legacy of the former Soviet era in the Caucasus; see the disused Tiwanaku train station, situated almost 4,000 metres above sea level in the Bolivian Andes; or learn about the fascinating Istvantelek Train Yard, in the Hungarian capital of Budapest, better known as the 'Red Star train graveyard' because of its many Soviet-era engine wrecks. Illustrated with more than 200 photographs, Abandoned Train Stations provides a fascinating pictorial journey through the little-known remnants of rail transport infrastructure from every part of the world.

Artist and pyrographer Lora S. Irish walks you through all the basics of woodburning. You can learn about using temperature, time, layering and texturing to create artistic tonal values. Nationally recognized artist and pyrographer Lora S. Irish makes it easy for beginners to learn the creative craft of woodburning in Pyrography Basics. All that aspiring beginners need is this book and an inexpensive woodburning tool to start adorning wood, gourds, leather, paper and more with beautifully burned images and patterns. The author provides a thorough introduction to basic tools, materials and techniques. Readers learn how to set up a practice board to experiment with strokes and settings before moving on to working projects with confidence. Seven skill-building projects provide step-by-step exercises in using temperature, time, layering, and texturing to create artistic tonal values.

The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks-devil's marks on witches, demon's marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands-each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.

Exploring some of the world's eeriest places, Abandoned Islands features American civil war forts, Europe's last leper colony and South Atlantic whaling stations, along with once grand mansions and colonial settlements and churches, and much more. Arranged geographically, the book takes us from New York's East River to islands off Alaska, from a French Napoleonic-era fort off the coast of Normandy to deserted villages on remote Scottish isles, from Venetian sanatoria to Croatian penal colonies, Japanese mining colonies to Sudanese deserted ports and abandoned atolls in the Indian Ocean. Leafing through these pages, the reasons for abandonment are revealed: climate change sealing off fresh water or river channels, shifting economic forces making life too hard, religious conflict, or wars disrupting daily life - or the absence of war rendering a military settlement unnecessary. With more than 180 outstanding colour photographs and fascinating captions, Abandoned Islands is a brilliant pictorial exploration of lost worlds.

This title uses instructive diagrams and photographs to instill confidence in critiquing sources of inspiration. In this inspiring book, Derek Hayes investigates the process and practice of design in woodturning. While aiming to instill confidence in appreciating, criticising and selecting sources of inspiration, Derek questions why we may find one turning attractive and another ugly. He looks closely at design elements, sketching, proportion, pattern, decoration and colour; with instructive diagrams and photographs that will guide the reader to a better understanding of design. Readers are encouraged to question and fine-tune this understanding and experiment with ways of applying the approaches of other designers to their own work. Each chapter starts with a photographic example of what Derek sees as good design in a medium other than woodturning.

Mary Greensted tells the story of the birth and development of the Arts and Craft movement in Britain with the help of numerous illustrations showing the buildings, furniture, metalwork, and the people who influenced it. The movement was concerned with the revival of traditional crafts, and a return to the vernacular, and it had socialist ideals at its heart. This movement, which flourished in the early twentieth century, has not only bequeathed us with a wealth of fine objects and buildings, but also a way of thinking about life and craft that continues to influence many today.
Contains information on dozens of designers, artists, architects and thinkers, including:
William Morris
CFA Voysey
Charles Rennie Mackintosh
AH Mackmurdo
CR Ashbee
Ernest Gimson

Joints: A Woodworker's Guide takes one of the most important and challenging aspects of woodworking and demystifies the all-important subject of choosing, designing and cutting woodworking joints. Strong, appropriate and well-fitting joints are one of the hallmarks of the skilled woodworker. Making them properly and accurately calls for good planning and marking out as well as a good degree of care in the cutting, fitting and final assembly. It is essential to approach making joints methodically, this book provides all the necessary information to ensure success. Aimed at both those new to woodworking as well as the experienced woodworker. Joints: A Woodworker's Guide is broken down into three main sections: planning and preparation, basic techniques of joint making and individual joints in detail. Areas covered include: planning the work and preparing the wood; measuring and marking; cutting and fitting, glues and assembly.

The Rosalinde and Arthur Gilbert Collection celebrates some of the most beautiful objects ever made, many in precious materials, and often on a small scale. Focussing on 50 exquisite works from the collection, this beautiful little book showcases the decorative art of creating small-scale carvings, snuffboxes, inlay pictorial illusions, and more, in cut-and-polished natural stones, often incorporating the widely known technique of pietre dure. Demonstrating remarkable skill and ingenuity, many of the works were commissioned by the powerful Medici family and royal families across Europe as symbols of their power and prestige. With detailed photography and extended captions the books explores the fascinating interplay of craftsmanship with the natural beauty of stones such as amethyst, lapis lazuli and jasper.

The wealth of surface pattern and three-dimensional ornamentation in the many objects that enrich our lives is testament to the inventiveness of designers and craftspeople around the globe and throughout history. This richly illustrated, easy-to-navigate sourcebook presents more than 1,000 historic and contemporary examples of pattern and ornamentation from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also of three-dimensional ornamentation and embellishment. Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture, such works reveal humanity's unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments that go far beyond the requirements of their practical use: an acrylic handbag has a carved motif of insects and wildflowers, a cobalt-blue pottery ewer has a dragon's-head spout and an early 19th-century fruit plate is shaped like a seashell. Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection will appeal to designers, artists, illustrators and other creatives from all disciplines as well as anyone interested in visual and material culture. With 1146 illustrations in colour

This book brings together cutting-edge research from leading international scholars to explore the geographies of making and craft. It traces the geographies of making practices from the body, to the workshop and studio, to the wider socio-cultural, economic, political, institutional and historical contexts. In doing so it considers how these geographies of making are in and of themselves part of the making of geographies. As such, contributions examine how making bodies and their intersections with matter come to shape subjects, create communities, evolve knowledge and make worlds. This book offers a forum to consider future directions for the field of geographies of making, craft and creativity. It will be of great interest to creative and cultural geographers, as well as those studying the arts, culture and sociology.

Rob Ryan is a star of the London arts and crafts scene whose work has succeeded thus far both as fine artwork and as commercial art, design and decoration. His work is irresistibly bright and colourful, and will find universal appeal as a gift book. He will also find an audience in art and design categories, where his artwork is appreciated alongside illustrators like Jean-Philippe Delhomme or Jean Julien, and his commercial work is aligned with such colourful names as Paul Smith, Lulu Guinness, and Liberty of London.

15 step-by-step projects are presented in this practical new guide from a UK author. Whether you prefer classic oak fountain pens or have a weakness for funky acrylic pencils, this practical new guide to pen and pencil turning, featuring 15 step-by-step projects, is all you need to get started with this popular craft. Discover the exciting range of materials that can be used; from fine and rare timbers to acrylics and polymer clays, there is something to suit all tastes and the possibilities are endless. Perfect for beginners to the lathe as well as more advanced turners, all the basic techniques and information needed for getting started are covered. From blank preparation to turning, sanding, polishing and assembling, everything is explained clearly and in jargon-free terms. A stunning gallery of unique pen and pencil designs will ensure that you finish the book feeling inspired and ready to get turning.

In the 1920s and '30s Art Deco influenced everything from art and architecture, interiors and furnishings, automobiles and boats, to the small personal objects that are part of everyday life. The items in this thematically structured book demonstrate Deco style at its most alluring. They were then the height of fashion, and are highly prized collectibles today. They demonstrate an era of close cooperation between designers and manufacturers, who aimed to produce goods that were not only fit for purpose, but also well made and beautiful. This informative showcase of portable classics of avant-garde modern design from Britain, Europe (particularly France) and the United States will appeal both to collectors and to anyone with an interest in Deco style and the history of fashion, taste and design. It is the first book to bring together the small collectibles - from cigarette cases and lighters to powder compacts and cosmetics accessories, watches, jewelry, even cameras - that demonstrate the style, glamour and sophistication of the Jazz Age.

Thousands of novice turners have learned to turn with Richard Raffan because he can explain the complex and sometimes confusing steps in turning in a clear and understandable way. This book will continue this long tradition with a collection of appealing new woodturning projects - candlesticks, a lamp and shade, sets of plates and bowls, even a turned duck call. The projects range from simple to complex, and Raffan provides complete instructions with step-by-step photos and drawings. These projects will lead the reader through a skill-building course in woodturning.

This edited book focuses on the organization and meaning of craft work in contemporary society. It considers the relationship between craft and place and how this enables the construction of a meaningful relationship with objects of production and consumption. The book explores the significance of raw materials, the relationship between the body, the crafted object and the mind, and the importance of skill, knowledge and learning in the making process. Through this, it raises important questions about the role of craft in facing future challenges by challenging the logic of globalized production and consumption. The Organization of Craft Work encompasses international analyses from the United States, France, Italy, Australia, Canada, the UK and Japan involving a diverse range of sectors, including brewing, food and wine production, clothing and shoe making, and perfumery. The book will be of interest to students and academic researchers in organization studies, marketing and consumer behaviour, business ethics, entrepreneurship, sociology of work, human resource management, cultural studies, geography, and fashion and design. In addition, the book will be of interest to practitioners and organizations with an interest in the development and promotion of craft work.

Home accents made with beautiful natural wood are hugely popular and add impact to any room of the house. But the simple elegance of a birch table lamp or a driftwood sculpture can carry an eye-watering price tag. Simply Wood shows you how to make beautiful and practical objects using found wood that doesn't cost the earth. All you need are basic skills such as measuring, sawing, drilling and gluing to achieve each of the 20 projects. Choose from lighting and shelving to wreaths and wall hangings, and simply follow the clear, step-by-step instructions to make your chosen item. Whether you are drawn to delicate twigs, graceful branches, sturdy logs, silvered driftwood or weathered boards, there is a project for you - be inspired, get creative and bring the beauty of nature into your home.

This title presents 20 unique period projects to enhance any home. This UK author provides projects that are step-by-step, fully illustrated and come with patterns. It is suitable for all skill levels and of particular interest to visitors of stately homes & historical buildings. This wonderful collection of inspirational period carving projects ranges from the quick and simple to the long and complex, so caters for hobby carvers of all abilities. The new carver can start with the simplest project and, over a period of time, work through to the intermediate and advanced levels, while experienced carvers will find pieces to challenge and engage them. Each project is designed to capture the spirit and style of a particular period throughout history and at the end of each project readers will have developed new skills, gained an understanding of another style, and created a carving to proudly display in their home. Projects each have an introduction, setting it in historical context, a tracing pattern, an inspirational picture of the finished carving and comprehensive, easy-to-follow step-by-step instructions and photographs.

When first published in 1987, "The Art of Turned Bowls" was a work ahead of its time. Now, considering the resurgence in popularity of this woodworking genre, the book is perfectly poised for rediscovery. Retooled with fresh full-color photographs of contemporary bowls featuring the work of award-winning turners from around the world, Richard Raffan's classic has been totally updated to meet the demands of today's turner. With a unique talent for making even the most abstract ideas accessible, the world's most admired turning teacher offers an invaluable wealth of design advice. Practical, informative, and undeniably inspiring, this new edition also expands its exploration of form and developing profiles. Along with a good lathe and a reliable set of tools, "The Art of Turned Bowls "belongs in the shop of every serious bowl turner.

Priscilla's contemporary mixed media artworks offer a refreshingly different approach to embroidery, taking stitch to an impressive new level within wire sculpture. Working both two- and three-dimensionally, Priscilla combines colour, stitch, shape and texture, layering to transform surfaces into beautiful, whimsical sculptures full of character, curiosity and charm. With her imaginative use of the needle and her love of retro vintage nostalgia, Priscilla has picked up on an enduring trend, exploring excitingly different ideas and pushing the boundaries with her original ways of working. The book explores a playful mixed media approach to creating 3D textile sculpture, using a variety of media to transform plain papers and fabrics through colour, texture and mark-making; including both free-machine embroidery and hand stitch. Paving the way for the reader to tackle the five projects that follow, which build in complexity.

In The Wood Burn Book, Rachel Strauss (@woodburncorner) teaches you everything you'll need to know to master pyrography, whether you're brand new to the hobby or you've been "writing with fire" for years. This essential guide opens with a brief background to the art of wood burning, a list of tools and how to use them, basic techniques that can be used over and over again, and even what to burn and how to be safe doing it. You will also find a detailed explanation of the process from start to finish, with patterns, techniques for lettering and adding color, as well as dozens of projects ready for gifting, including picture frames, cutting boards, coasters, cards, wooden spoons, and jewelry. Above all, Strauss has created the book she wished she had when she first discovered pyrography: a simple guide that quickly gets the reader successfully burning. With the right tools and a little time, you'll be able to create meaningful handmade gifts without breaking the bank. Whether it's to create a family name sign as a housewarming gift for newlyweds, or customize baby blocks for a new little one, wood burning is the versatile hobby that can be used time and time again to create memorable gifts for all of life's occasions. In addition, wood burning is a practice in mindfulness, requiring patience and focus to awaken the senses and calm the mind. Mastering the art of writing with fire begins with the ability to follow a line. If you can trace, you can burn.

This book brings together cutting-edge research from leading international scholars to explore the geographies of making and craft. It traces the geographies of making practices from the body, to the workshop and studio, to the wider socio-cultural, economic, political, institutional and historical contexts. In doing so it considers how these geographies of making are in and of themselves part of the making of geographies. As such, contributions examine how making bodies and their intersections with matter come to shape subjects, create communities, evolve knowledge and make worlds. This book offers a forum to consider future directions for the field of geographies of making, craft and creativity. It will be of great interest to creative and cultural geographers, as well as those studying the arts, culture and sociology.

The techniques of metal colouring, bronzing and patination are assuming a new importance in contemporary fine metalwork and design. Richard Hughes and Michael Rowe have assembled and tested the recipes included in this book, which is the most comprehensive work on the subject currently available, an essential reference and sourcebook for practitioners and all those involvoved in sculpture, architecture, designs and the decorative arts. It brings together hundreds of recipes and treatments previously scattered in a variety of old books and technical papers, and provides the artist-craftsman with a very wide range of coloured finishes.