This book provides the detailed knowledge you need to successfully choose, install, and operate a milling machine in your home workshop. Lavishly illustrated with color photographs and diagrams, it will help you to understand which accessories are essential, and which can be postponed until your activity demands it. The usage of each machine and accessory is explained in detail for the vast majority of applications in an active shop. The real learning curve begins once your milling machine and its accessories are chosen and installed. Discover your options for holding the many diverse shapes and sizes of work pieces that will inevitably surface during your machine's life. This critical task is by far the most important part of learning to use the machine. Learn how to decide which method is best for any application-whether to use a vice or an angle plate, or mount the piece directly onto the worktable, or even produce a fixture specifically for the task. With the work piece set up and ready for machining, the book goes on to show you the right ways to cut metal and maintain your milling tools.

The first major scholarly investigation into the rich history of the marked body in the early modern period, this interdisciplinary study examines multiple forms, uses, and meanings of corporeal inscription and impression in France and the French Atlantic from the late sixteenth through early eighteenth centuries. Placing into dialogue a broad range of textual and visual sources drawn from areas as diverse as demonology, jurisprudence, mysticism, medicine, pilgrimage, commerce, travel, and colonial conquest that have formerly been examined largely in isolation, Katherine Dauge-Roth demonstrates that emerging theories and practices of signing the body must be understood in relationship to each other and to the development of other material marking practices that rose to prominence in the early modern period. While each chapter brings to light the particular histories and meanings of a distinct set of cutaneous marks-devil's marks on witches, demon's marks upon the possessed, devotional wounds, Amerindian and Holy Land pilgrim tattoos, and criminal brands-each also reveals connections between these various types of stigmata, links that were obvious to the early modern thinkers who theorized and deployed them. Moreover, the five chapters bring to the fore ways in which corporeal marking of all kinds interacted dynamically with practices of writing on, imprinting, and engraving paper, parchment, fabric, and metal that flourished in the period, together signaling important changes taking place in early modern society. Examining the marked body as a material object replete with varied meanings and uses, Signing the Body: Marks on Skin in Early Modern France shows how the skin itself became the register of the profound cultural and social transformations that characterized this era.

Being on the migrational flyway for ducks and geese, the upper Chesapeake Bay has long been a center for waterfowl hunting. Where there is hunting, there are, of course, decoys. The area around Havre de Grace, Maryland has produced some of the most prolific decoy makers in America. Usually born of the necessity of the hunt, their decoys have become highly collectable. In Upper Chesapeake Bay Decoys and Their Makers, David and Joan Hagan share their talent for photography with the reader. They illustrate the art of the decoy makers in this area with beautiful images of the birds they have formed. Usually their decoys are accompanied by the portraits of the artists and recollections and reflections on their art and experiences. Over eighty decoy makers are represented in Upper Chesapeake Bay Decoys and Their Makers. Many of them are still alive and active in their work. The decoys illustrated range from early decoys, faded and worn smooth with use, to recent decoys which go directly from the artist to the collector without ever touching the water. All of them show the skill of the artist and evoke the appreciation that has made the decoy a central theme in American folk art.

Tom Wolfe has been carving signs and other flatcarvings for many years, bringing to them the same creativity and skill he brings to his three-dimensional work. Sometimes practical, sometimes whimsical, and sometimes a little bit of both, this country flatcarving is loved by everyone. Country Flatcarving shares some of Tom's patterns and techniques. The three projects include a potholder holder (practical), the man in the moon (whimsical) and a welcome sign (a little of both). You will find step-by-step instructions, all illustrated in full-color, and will be able to design and carve your own patterns when you are finished.

In the 1920s and '30s Art Deco influenced everything from art and architecture, interiors and furnishings, automobiles and boats, to the small personal objects that are part of everyday life. The items in this thematically structured book demonstrate Deco style at its most alluring. They were then the height of fashion, and are highly prized collectibles today. They demonstrate an era of close cooperation between designers and manufacturers, who aimed to produce goods that were not only fit for purpose, but also well made and beautiful. This informative showcase of portable classics of avant-garde modern design from Britain, Europe (particularly France) and the United States will appeal both to collectors and to anyone with an interest in Deco style and the history of fashion, taste and design. It is the first book to bring together the small collectibles - from cigarette cases and lighters to powder compacts and cosmetics accessories, watches, jewelry, even cameras - that demonstrate the style, glamour and sophistication of the Jazz Age.

Sharp tools work better! If you've never experienced the pleasure of using a really sharp tool, you're missing one of the real pleasures of woodworking. In The Perfect Edge, the mystery of the elusive sharp edge is solved by the long-time sharpening expert and tool maker Ron Hock. You'll soon find how easy and safe hand tools are to use. This book covers all the different sharpening methods so you can either improve your sharpening techniques using your existing set-up, or determine which one will best suit your needs and budget. Ron shows you the tricks and offers expert advice to sharpen all your woodworking tools, plus a few around-the-house tools that also deserve a perfect edge.

The often surprising predicaments in which we find ourselves are personified in this wooden cowboy and his hapless steed. Cleve Taylor takes you step-by-step through the process of carving the cowboy, his horse, the cliff, and all the little details that complete this delightful work of art. Concise directions, 265 color photographs, and detailed patterns guide you through the carving process and detailed painting instructions complete the project. Cleve's text is also peppered with his wry humor to keep you chuckling while you work. A gallery of color photos gives you a close look at the details. Hanging' In There is a wonderful project for intermediate to advanced carvers and an educational challenge to beginners.

Teddy bears have wonderful effects on people. Even the most hard-nosed pragmatist is moved to cuddle these bundles of fluff. With her great eye for character and her elegant simplicity of carving, Kelley Stadelman captures the spirit of the teddy bear in this step-by-step guide to carving. With color photographs illustrating each phase, from laying out the blank to painting and antiquing the finished product, the carver will enjoy transforming a block of wood into a lovable bear. One project, the "Teddy Bear Boy," is carved completely for the book. In addition there are patterns for other bears, with a gallery to show the finished creations. This is a great book for carvers of all ages.

This book brings together cutting-edge research from leading international scholars to explore the geographies of making and craft. It traces the geographies of making practices from the body, to the workshop and studio, to the wider socio-cultural, economic, political, institutional and historical contexts. In doing so it considers how these geographies of making are in and of themselves part of the making of geographies. As such, contributions examine how making bodies and their intersections with matter come to shape subjects, create communities, evolve knowledge and make worlds. This book offers a forum to consider future directions for the field of geographies of making, craft and creativity. It will be of great interest to creative and cultural geographers, as well as those studying the arts, culture and sociology.

This title offers 25 step-by-step hand-crafted projects. It shows you how to master decorative wood techniques including carving, pyrography, marquetry and fretwork, as well as basic automata and construction. It offers 25 stunning projects that include a tomato box chest, a carved maple clock with carved numerals, a rodeo toy, mirror frame and a contemporary shelf. It offers step-by-step instructions for techniques and ideas with over 300 photographs. Simple materials and equipment are used to create a diverse range of wooden objects. It introduces an inspiring variety of contemporary work by leading craftspeople. Essential information for selecting and preparing wood is included, with details of the main hard- and softwoods, the tools and the basic techniques. For anyone who enjoys creative crafts, working with wood is a perfect medium for both practical and artistic purposes. This book introduces a variety of decorative wood techniques, that are used in 25 appealing projects, which range from a simple keepsake card in balsa wood requiring the minimum of equipment, a harlequin book end, and a sturdy five-piece bench constructed in hardwood parana pine. Other imaginative projects use found or dismantled wooden objects, such as the Mirror Frame with stair spindles or the Lamp Base made from orange boxes. Every project is designed to reveal the characteristic grain, natural shade and texture of the individual wood. Although to make a number of these projects you will need a drill and a jigsaw, many do not require elaborate power tools. Don't be put off by sophisticated techniques, but connect with this natural resource at the most basic level, enjoying its classic, natural simplicity.

Home accents made with beautiful natural wood are hugely popular and add impact to any room of the house. But the simple elegance of a birch table lamp or a driftwood sculpture can carry an eye-watering price tag. Simply Wood shows you how to make beautiful and practical objects using found wood that doesn't cost the earth. All you need are basic skills such as measuring, sawing, drilling and gluing to achieve each of the 20 projects. Choose from lighting and shelving to wreaths and wall hangings, and simply follow the clear, step-by-step instructions to make your chosen item. Whether you are drawn to delicate twigs, graceful branches, sturdy logs, silvered driftwood or weathered boards, there is a project for you - be inspired, get creative and bring the beauty of nature into your home.

Islamic geometric designs are admired worldwide for their beauty and marvellous intricacy, yet in truth they are seldom understood. Indeed, their complexity and artistry can seem almost beyond the powers of human ingenuity. In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains these complex designs in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries. Chapters are devoted to each of the main 'families' of geometric design - fourfold, fivefold and sixfold - and to the complex 'combined' patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair of compasses.

This edited book focuses on the organization and meaning of craft work in contemporary society. It considers the relationship between craft and place and how this enables the construction of a meaningful relationship with objects of production and consumption. The book explores the significance of raw materials, the relationship between the body, the crafted object and the mind, and the importance of skill, knowledge and learning in the making process. Through this, it raises important questions about the role of craft in facing future challenges by challenging the logic of globalized production and consumption. The Organization of Craft Work encompasses international analyses from the United States, France, Italy, Australia, Canada, the UK and Japan involving a diverse range of sectors, including brewing, food and wine production, clothing and shoe making, and perfumery. The book will be of interest to students and academic researchers in organization studies, marketing and consumer behaviour, business ethics, entrepreneurship, sociology of work, human resource management, cultural studies, geography, and fashion and design. In addition, the book will be of interest to practitioners and organizations with an interest in the development and promotion of craft work.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Uematsu Hobi's Box Decorated with Chrysanthemums.

This book offers an essential reference for anyone interested in contemporary European jewellery design. Through guided conversations with the major designers of today, Roberta Bernabei reveals the creative, conceptual and technical working practices that underpin the aesthetic of each practitioner's work. In addition, the dialogues shed new light on these jewellers' inspiration and their ideas about functionality and the human body. Each interview is supported by photographs and a detailed bibliography and appendix which locates the jewellers' work in galleries, museums as well as online. Major jewellery artists present include: Giampaolo Babetto, Gijs Bakker, Otto Kunzli, Ruudt Peters, Mario Pinton and Tone Vigeland, alongside members of the emergent generation: Ted Noten, Annamaria Zanella and Christoph Zellweger. This book, which opens the door to contemporary jewellery practice, will be welcomed by all students, lecturers and practitioners.

Tom Heller and Ron Clarkson share their techniques and expertise with the reader, going step by step through the process of making a carved Queen Anne foot stool. While complete instructions are given, the emphasis is on the beautiful carving that added such elegance to period furniture. The readers will learn which carving tools to use and how to apply them to this project. They will be able to follow the measured drawings of the project, and will be aided by the full-sized detailed drawings and the ample photography. Tom and Ron have covered every aspect so the readers can execute their own "works of art." From cutting out the stock to applying the finish, no process has been left out. After finishing the project, the reader will be able to apply the knowledge gained here to other furniture. A gallery in the back shows some of those applications. This is truly a book to be owned and enjoyed by anyone who enjoys working with wood and creating beautiful pieces of furniture.

This book brings together cutting-edge research from leading international scholars to explore the geographies of making and craft. It traces the geographies of making practices from the body, to the workshop and studio, to the wider socio-cultural, economic, political, institutional and historical contexts. In doing so it considers how these geographies of making are in and of themselves part of the making of geographies. As such, contributions examine how making bodies and their intersections with matter come to shape subjects, create communities, evolve knowledge and make worlds. This book offers a forum to consider future directions for the field of geographies of making, craft and creativity. It will be of great interest to creative and cultural geographers, as well as those studying the arts, culture and sociology.

My Cat Mermaid & Friends is the follow-up to My Simple Sewing by Klutz Junior. Learn how to sew adorable plush sea creature friends! This fabulous craft kit has everything for you to make your own lovely sea creature friends - make a cute cat mermaid, super-fun seahorse and a nice, trendy narwhal! The kit includes: an instruction book for guidance and inspiration coloured felt rhinestones adhesive glitter felt yarn stuffing plastic sewing needle. What is Klutz? Klutz is a premium brand of book-based activity kits, designed to inspire creativity in every child. Our unique combination of crystal-clear instructions, custom tools and materials and hearty helpings of humour is 100% guaranteed to kick-start creativity. Super-clear instructions Open-ended Creativity Rewarding Reading Skills to Build On Everything You Need

In the past, studies of the history of bookbinding were mainly concerned with the exterior decoration. This book focuses attention primarily on the physical aspects of the binding and its construction principles. It is an expanded version of a series of lectures delivered by the author while Visiting Professor at the University of Amsterdam in 1987, supplemented with the results of ten years of intensive research in major libraries on the Continent, the United Kingdom and the USA. It surveys the evolution of binding structures from the introduction of the codex two thousand years ago to the close of the Middle Ages. Part I reviews the scanty physical evidence from the Mediterranean heritage, the early Coptic, Islamic and Ethiopian binding structures and their interrelation with those of the Byzantine realm. Part II is devoted to a detailed analysis of Western binding techniques, distinguishing the carolingian, romanesque and gothic wooden-board bindings as the main typological entities; their structure and function is compared with those of contemporary limp bindings. The book is illustrated with over 200 drawings and photographs and contains a comprehensive bibliography.

A Shaker Village is the second book in a series of Schiffer Paper Craft Projects. It is designed to be both instructional and gratifying as a do-it-yourself creation. The village consists of 6 cut and assemble architectural and models in H-O scale, printed on heavy stock in full color. The buildings represent the nucleas of an agrarian village typical of the Shaker communites that sprang up in several of the eastern states in the early 19th century. Middle gradesages 8-12.

This book features a wonderful collection of clock projects from the editors of "Scroll Saw Woodworking & Crafts" magazine. Learn how to make beautiful time pieces including grandfather clocks and pendulum clocks! It includes projects for all abilities and tastes, from learning to cut pieces and assemble parts to finishing and personalising. The editors of "Scroll Saw Woodworking & Crafts" magazine have selected a collection of the most beloved clock projects - from fancy fretwork grandfather clocks to classic pendulum clocks and whimsical desk clocks. This book offers something for everyone - no matter what their level of scrolling expertise. Beginners will learn how to cut their pieces like an expert and assemble clock parts. More advanced crafters will appreciate the section on finishing clocks and personalising special gifts. The articles, that represent the most popular clocks since the inception of "Scroll Saw Woodworking & Crafts" in 2000, have been fully updated to reflect current clock part sizes.