A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses Art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft. Global Objects points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.

Alysn Midgelow-Marsden shows how to use both textile-based and mixed media techniques to create beautiful artworks using metal in the form of shim, foil and woven fabric alongside many other materials. She shares her expertise in an inspiring variety of techniques from free machine stitching to gilding, embossing, needle felting, beading, printing, applique, making stitched foil fabric and using dry decal transfer images. There are seven beautiful projects to inspire and instruct textile artists everywhere, including a lampshade, bauble pods, decorative panels and a tablet cover. Artists can take inspiration from the individual surfaces that make up the pieces, the completed projects, and from the developments from each project, which have full, instructive captions. This is an invaluable resource for textile artists looking for new and beautiful ideas. This book was previously published as part of the Textile Artist series.

This study provides an historical context for the origin and evolution of the Spanish tradition of Apocalpyse imagery. The volumes in this series include an introductory text and catalogue raisonnee in chronological sequence in which concise codicological descriptions of each item are given, as well as critical discussions of date and orgin. All the illustrations of each manuscript are reproduced forming a corpus of nearly 2000 illustrations.;The following manuscripts are catalogued and fully illustrated in this volume: the Silos fragment; the Morgan Beatus; Madrid Vitrina 14-1; the Volladolid Beatus; the Tabara Beatus; the Girona Beatus; and the Madrid 14-2 fragment. All inscriptions are transcribed and translated.

This is a must-have instructional and inspirational book for anyone interested in free-motion embroidery. Drawing on new material, as well as that previously published as The Beginner's Guide to Machine Embroidered Flowers, The Beginner's Guide to Machine Embroidered Landscapes, Machine Embroidered Seascapes and Machine Embroidered Woodlands, this book provides a showcase of Alison Holt's exquisite machine embroideries. Learn how to create beautiful machine-embroidered pictures of all aspects of the landscape, from formal gardens and flowers to romantic seascapes, landscapes and woodlands using various combinations of just two simple machine stitches. Information on silk painting and colour mixing is also included. All the techniques are broken down into clear, step-by-step instructions, with numerous helpful photographs and a great range of inspirational pieces. Alison 'paints' her threads on to hand-coloured backgrounds, blending her stitches and achieving stunning results. This book covers everything, including the materials required; how to compose a picture from photographs that have inspired you; achieving perspective; light and shade; painting backgrounds; and all the basic stitch techniques you need to know. There are stunning step-by-step projects so that the reader can put into practise his or her newly-acquired skills.

This book presents complete measured drawings and detailed plans for 20 clocks for the craftsman to make and features designs ranging from period bracket clocks and a traditional long-case to more contemporary styles. Throughout the text there are instructions and the plans are scaled both in metric and imperial units, with a range of suppliers for clock components included.

Presents a beautifully illustrated account of Ancient Greek vases and their role in human culture. This richly illustrated volume offers a fascinating introduction to ancient Greek vases for the general reader. It presents vases not merely as beautiful vessels to hold water and wine, but also as instruments of storytelling and bearers of meaning. The first two chapters analyze the development of different shapes of pottery and relate those shapes to function, the evolution in vase production techniques and decoration, and the roles of potters, painters, and their workshops. Subsequent chapters focus on vases as the primary source of imagery from ancient Greece, offering unique information about mythology, religion, theater, and daily life. The author discusses how to identify the figures and scenes depicted in vase paintings, what these narratives would have meant to the people who lived with them and used them, and how they therefore reflect the cultural values of their time. Also examined is the impact Greek vases had on the art, architecture, and literature of subsequent generations. Based on the rich collections of the British Museum and the J. Paul Getty Museum, the exquisite details of the works offer the reader the opportunity for an intimate interaction with the graphic beauty and narrative power of ancient vases often not available in a gallery setting.

'It is more motivating to make something that you genuinely desire, to create an object that you want in your home. The things we choose to have around us say something about who we are, but things we have made ourselves do that even more strongly. I want every project in the book to be something that the reader wants to make, to work really well in use and be something that can be proudly shown to others.' Tom Trimmins This wonderfully practical book is aimed at anyone looking to balance their busy lives by mastering core woodworking skills. Working with wood will challenge, stimulate, relax and reward - and you'll be proud to display the beautiful objects you've made with your own hands. Here you'll find a range of practical and pleasing projects to display around your home. Initially you'll need a small collection of readily available tools - as your skills develop and expand, so too will your tool collection. Every project has step-by-step instructions, and you'll learn about the properties of different woods, design techniques and how to fix-up vintage tools. The book mainly uses hand tools as they're cleaner, take up less room, are quieter and offer less potential for accidents than power tools.

In this groundbreaking reassessment of the conventional understanding of a cohesive 'Arts and Crafts movement' in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated 'movements' allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the centre of a rigorous reassessment of the concept of 'Arts and Crafts'. The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar but equally rich contexts. -- .

The Art Of Chip Carving is an easy to follow, step-by-step guide to one of the world's most ancient and widely practiced forms of woodcarving. Anyone, from the completely inexperienced beginner to the veteran craftsperson, can learn to use simple, inexpensive tools and techniques to carve striking decorative designs in wood. Chip carving is an especially good introduction to working wood for the inexperienced because of its low cost-of-entry, and because it puts the most essential concepts of woodworking front and center: safety, precision, and how understanding the nature of the wood itself leads to successful results. This guide is loaded with the technical information you need to start chip carving-the few tools you need and how to sharpen them, how to select and prepare wood for carving, how to transfer carving patterns, how to carve safely and precisely, and how to read and understand wood grain. Clay also teaches the basics of good carving technique, provides step-by-step guidance through two practice boards to build your skills, and then walks you through ten beginner projects that allow you to put your skills to use. The Art Of Chip Carving goes beyond any other how-to manual by introducing techniques and projects for learning freehand carving, and how to use the simple shape-vocabulary of chip carving to create your own carving designs in the style of traditional European folk carvings.

Gearing of Lathes for Screwcutting is aimed specifically at the engineer for use in the workshop. It is intended to take away as much as possible of the mathematics and mystique from calculating gear ratios, so that the more enjoyable work of using your lathe to make things becomes as easy as possible. Topics covered in this latest addition to the Crowood Metalworking Guides includes Myford and other types of lathes; approximations and alternatives; errors and their significance and the non-gearbox mini-lathe.

Peter Dormer presents a series of lively, clearly argued discussions about the relevance of handcraft in a world whose aesthetics and design are largely determined by technology. Indeed, one of the key questions discussed in the book is what makes the difference between a craft and a modern technology. What role does the craftsperson play in the professional life of the designer? Is the craft of design itself threatened with deskilling by technology? And what are we to make of the emergence this century of that separate arts activity we call 'the studio crafts'. What are the cultural barriers that prevent the studio crafts from being regarded simply as either art of design? Most important of all, what are the values that encourage people to want to make things themselves despite the apparent marginality of crafts?;These are among the questions discussed in this collection of essays written by distinguished writers who include T.A. Heslop, Slade Professor of Art, University of Cambridge; Dr Paul Greenhalgh, Head of Research at the Victoria and Albert Museum; and Rosemary Hill, writer and broadcaster and biographer of Pugin.

A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siecle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds

A new practical guide to dividing (indexing) in the workshop. Whether new to the process or looking to enhance your skills, this book will introduce you to a range of dividing methods and explains how to achieve the best results both with and without specialist dividing tools. With step-by-step instructions and photography throughout, this new book explains dividing with the 'coordinate method' and using the lathe; dividing with gears and dividing plates; using the dividing head, the rotary table and the spin indexer; electronic dividing methods and finally a range of case studies to show application of practical techniques.

The 18th century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to 18th-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This book gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring and textile production. It invites us into the workshops, drawing rooms and backrooms of a broad range of creators, and uncovers how production and manual knowledge extended beyond the factories and machines which dominate industrial histories. This book illuminates, for the first time, the material literacies learnt, enacted and understood by British producers and consumers. The skills required for sewing, embroidering and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, this collection documents the multiplicity of small producers behind Britain's consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.

Make adorable mini plushies with Sew Your Own Ice Cream Animals by Klutz! The follow-up to the cute and popular Sew Your Own Donut Animals and Sew Squishy Cubes. In this adorable kit, kids can sew four ice cream animal treats with an extra topping of personality! Each scoop is its own animal so you can swap them around and put them in a sundae or on a cone. Included in the kit: a booklet for guidance and inspiration pre-cut felt pieces embroidery threads in different colours and a needle stuffing four pom-poms paper sundae dish paper ice cream cone. What is Klutz? Klutz is a premium brand of book-based activity kits, designed to inspire creativity in every child. Our unique combination of crystal-clear instructions, custom tools and materials and hearty helpings of humour is 100% guaranteed to kick-start creativity. Super-clear instructions Open-ended Creativity Rewarding Reading Skills to Build On Everything You Need

This title uses instructive diagrams and photographs to instill confidence in critiquing sources of inspiration. In this inspiring book, Derek Hayes investigates the process and practice of design in woodturning. While aiming to instill confidence in appreciating, criticising and selecting sources of inspiration, Derek questions why we may find one turning attractive and another ugly. He looks closely at design elements, sketching, proportion, pattern, decoration and colour; with instructive diagrams and photographs that will guide the reader to a better understanding of design. Readers are encouraged to question and fine-tune this understanding and experiment with ways of applying the approaches of other designers to their own work. Each chapter starts with a photographic example of what Derek sees as good design in a medium other than woodturning.

Perhaps no other object of our daily environment has had the enduring cultural significance of the ever-present chair, unconsciously yet forcefully shaping the physical and social dimensions of our lives. With over ninety illustrations, this book traces the history of the chair as we know it from its crudest beginnings up through the modern office variety. Drawing on anecdotes, literary references, and famous designs, Galen Cranz documents our ongoing love affair with the chair and how its evolution has been governed not by a quest for comfort or practicality, but by the designation of status.Relating much of the modern era's rampant back pain to an increasingly sedentary lifestyle spent in traditional seating, Cranz goes beyond traditional ergonomic theory to formulate new design principles that challenge the way we think and live. A farsighted and innovative approach to our most intimate habitat, this book offers guidelines that will assist readers in choosing a chair-and designing a lifestyle-that truly suits our bodies. Praise for The Chair " A] concise, multidisciplinary gem." Publishers Weekly "Cranz is no sedentary historian. The Chair is a call to action." Jonathan Levi, Los Angeles Times "Galen Cranz has written a provocative book. Pull up a comfortable chair-if you can find one-and read it." Witold Rybczynski"