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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts > General
This is one of the classic books on craftsmanship and design. In
it, David Pye explores the meaning of skill and its relationship to
design and manufacture. Cutting through a century of fuzzy
thinking, he proposes a new theory of making based on the concept
of good workmanship and shows how it imparts all-important
diversity to our visual environment.
In this valuable book Tubal Cain takes the reader beyond the
superficial or the simply practical with explanations of the
composition of steel, its additives, and the effects of different
temperatures on its constituents. With a grasp of what changes are
actually taking place in the metal the care needed in following the
practical processes described becomes understandable and will lead
to better and more consistent results. Flame, salt bath and furnace
heating are detailed, with information on accurate measurement or
recognition of temperature levels. For the average small workshop
operative or model engineer the discourses on tool material,
hardening and tempering will be of most use, and in this connection
this book replaced the author's earlier Hardening and Tempering
Engineers' Tools, providing a broader-based, more detailed and up
to date examination of the subject.
This book presents complete measured drawings and detailed plans
for 20 clocks for the craftsman to make and features designs
ranging from period bracket clocks and a traditional long-case to
more contemporary styles. Throughout the text there are
instructions and the plans are scaled both in metric and imperial
units, with a range of suppliers for clock components included.
The Everyday Blacksmith is your essential reference for learning
how to make items you'll use everyday: tools, hardware, utensils,
decorative objects, and more. Get great techniques and tips for
hand forging, and discover projects contributed by leading
blacksmiths from around the world, each featuring plenty of
opportunity for variation. Modern smiths can use the first section
of The Everyday Blacksmith as a reference for shop basics: safety
tips, equipment, and techniques like spreading, using a chisel,
twisting, and finishing pieces. These basics are incorporated
through a series of distinctive projects that include a bookmark,
spoon, and leaf fob. The second section of the book features a
diverse array of essential step-by-step blacksmith projects, which
are arranged by category and difficulty. Projects include
accessible techniques, functional designs, and diverse styles.
Among the techniques and projects you'll discover are: How to heat
treat high-carbon steels Methods for making curved bookends
Instructions for creating decorative functional pieces such as a
towel rack and napkin rings How to make unique jewelry and jewelry
display items Ideas for creating basic hardware, including latches
and hinges For centuries, blacksmiths were the craftsmen and
artists who worked society's most important material-iron.
Blacksmiths were not only a fixture in their community, they helped
shape that community through their particular methods of making the
hinges, hooks, brackets, and tools their neighbors used every day.
Blacksmithing today is enjoying a resurgence. No amount of
technical perfection replaces the feeling of picking up a
hand-forged object, knowing that it was shaped by someone's
creativity and physical effort. Celebrate that individuality with
The Everyday Blacksmith.
Pyrography is a decorative craft that has been practised worldwide
for thousands of years. It involves the burning of designs on
items, usually wooden but also made from leather, cork, fabric and
paper. With a little practice you can personalize anything from
spoons to larger, more ambitious items such as bread boards or even
pieces of furniture. In this booklet are 12 step-by-step projects
suitable for the absolute beginner. There is also useful
information on equipment and techniques to guide you every step of
the way.
Wunderkammern are showing up everywhere these days. Design
webshops, expos, interior design stores: they all try to bring back
the memory of the century-old tradition of Wunderkammer, or 'the
Cabinet of Curiosities'. This book is a Wunderkammer in itself,
showcasing the most beautiful exotica, which explorers and
adventurous merchants brought back from all over the world for rich
collectors. Be amazed by beautiful seashells, stuffed animals,
sculptured ostrich eggs, botanical drawings, 'dragons' preserved in
formaldehyde, and bewildering Indiana Jones-like stories. A
fascinating New World presented itself to them, and in this book,
you'll see it through their eyes.
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Perhaps no other object of our daily environment has had the
enduring cultural significance of the ever-present chair,
unconsciously yet forcefully shaping the physical and social
dimensions of our lives. With over ninety illustrations, this book
traces the history of the chair as we know it from its crudest
beginnings up through the modern office variety. Drawing on
anecdotes, literary references, and famous designs, Galen Cranz
documents our ongoing love affair with the chair and how its
evolution has been governed not by a quest for comfort or
practicality, but by the designation of status.Relating much of the
modern era's rampant back pain to an increasingly sedentary
lifestyle spent in traditional seating, Cranz goes beyond
traditional ergonomic theory to formulate new design principles
that challenge the way we think and live. A farsighted and
innovative approach to our most intimate habitat, this book offers
guidelines that will assist readers in choosing a chair-and
designing a lifestyle-that truly suits our bodies. Praise for The
Chair " A] concise, multidisciplinary gem." Publishers Weekly
"Cranz is no sedentary historian. The Chair is a call to action."
Jonathan Levi, Los Angeles Times "Galen Cranz has written a
provocative book. Pull up a comfortable chair-if you can find
one-and read it." Witold Rybczynski"
This study provides an historical context for the origin and evolution of the Spanish tradition of Apocalpyse imagery. The volumes in this series include an introductory text and catalogue raisonnee in chronological sequence in which concise codicological descriptions of each item are given, as well as critical discussions of date and orgin. All the illustrations of each manuscript are reproduced forming a corpus of nearly 2000 illustrations.;The following manuscripts are catalogued and fully illustrated in this volume: the Silos fragment; the Morgan Beatus; Madrid Vitrina 14-1; the Volladolid Beatus; the Tabara Beatus; the Girona Beatus; and the Madrid 14-2 fragment. All inscriptions are transcribed and translated.
Peter Dormer presents a series of lively, clearly argued
discussions about the relevance of handcraft in a world whose
aesthetics and design are largely determined by technology. Indeed,
one of the key questions discussed in the book is what makes the
difference between a craft and a modern technology. What role does
the craftsperson play in the professional life of the designer? Is
the craft of design itself threatened with deskilling by
technology? And what are we to make of the emergence this century
of that separate arts activity we call 'the studio crafts'. What
are the cultural barriers that prevent the studio crafts from being
regarded simply as either art of design? Most important of all,
what are the values that encourage people to want to make things
themselves despite the apparent marginality of crafts?;These are
among the questions discussed in this collection of essays written
by distinguished writers who include T.A. Heslop, Slade Professor
of Art, University of Cambridge; Dr Paul Greenhalgh, Head of
Research at the Victoria and Albert Museum; and Rosemary Hill,
writer and broadcaster and biographer of Pugin.
The delightful patterns collected in this book, which have been
created by talented designers from all over the world, are inspired
by botanic shapes, the animal kingdom, geometry or abstract forms.
The book presents the work of fifty designers who specialize in the
field, and it includes interviews in which a selection of
professionals share their design philosophy and work process. It
focuses especially on home interiors, textiles, wallpaper, home
accessories and fashion. Whether they are vibrant blooms or
dazzling triangles, and whether they have a clean Scandinavian air
or a delicate Japanese touch, the irresistible designs contained in
this collection will offer the reader endless delight and heaps of
inspiration for decoration and fashion fans and professionals.
Screwcutting is a guide to the theory and practice of threads and
thread-making, whether that is threading a hole using hand tools or
cutting a thread using a lathe. The book covers details of the
major threadforms, such as metric, Whitworth and Unified threads,
as well as the British Association (BA) and Model Engineering (ME
and MME) series, the smaller metric and Unified threads, pipe
threads, and specialist threads such as ACME, trapezoidal and RMS
microscope threads. Techniques for making threads manually, as well
as screwcutting in the lathe are also covered. As well as covering
the basics of screwcutting, this book examines higher-level and
advanced techniques, using case studies to demonstrate what can be
achieved - fine, accurate and well-finished work.
Published annually from 1906 until 1980, Decorative Art, The Studio
Yearbook was dedicated to the latest currents in architecture,
interiors, furniture, lighting, glassware, textiles, metalware, and
ceramics. Since the publications went out of print, the now
hard-to-find yearbooks have become highly prized by collectors and
dealers. Decorative Art 1960s looks at the birth of pop in a decade
of unprecedented social, sexual, and political change. All the
restless energies bubbling throughout the world during the 1960s
made their way into the design style of the decade. Liberation was
in the air, men were rushing to the moon, and the sky was the limit
as far as visual creativity was concerned. The concept of lifestyle
really came into its own, and although the early years of the
decade still saw a rivalry between the well-crafted object and the
industrially manufactured, by its end both ethnic and pop
iconography had gained equal foothold in the aesthetic. Light was
also predominant in shaping interiors. Freedom of choice and
personal expression were the buzzwords for the young consumer, and
so the likes of Panton, Sottsass, Paolozzi, Parisi, Sarpaneva, and
Lomazzi did what they could to oblige.
Craft is at the very heart of British identity, from stained-glass
windows in country churches to the Enid Blyton charm of thatched
houses; from Harris Tweed (R) (famously poached by Coco Chanel) to
the ceremonial livery worn by horses at Buckingham Palace. The
burgeoning of digital craftsmanship is also enriching
ground-breaking technologies, including microbial weaving and
bespoke-made vessels for growing human tissue. Craft Britain brings
together watchmakers with saddlers; bell casters with neon benders;
shoemakers with silversmiths; potters with orrery-makers;
stonemasons with weavers; embroiderers with basket-makers - and a
myriad other craft traditions. This book aims to beat the drum for
craft, waking people up to the fact that they need to support the
country's rich seam of incredible craftspeople and so encourage new
generations to master the skills needed to preserve and continue
craft traditions. Craft Britain proves that craftsmanship in
Britain is neither dying nor dead, but is a continuing and exciting
exploration of process, materials and ideas spanning architecture,
interiors, fashion, art and design.
The Art Of Chip Carving is an easy to follow, step-by-step guide to
one of the world's most ancient and widely practiced forms of
woodcarving. Anyone, from the completely inexperienced beginner to
the veteran craftsperson, can learn to use simple, inexpensive
tools and techniques to carve striking decorative designs in wood.
Chip carving is an especially good introduction to working wood for
the inexperienced because of its low cost-of-entry, and because it
puts the most essential concepts of woodworking front and center:
safety, precision, and how understanding the nature of the wood
itself leads to successful results. This guide is loaded with the
technical information you need to start chip carving-the few tools
you need and how to sharpen them, how to select and prepare wood
for carving, how to transfer carving patterns, how to carve safely
and precisely, and how to read and understand wood grain. Clay also
teaches the basics of good carving technique, provides step-by-step
guidance through two practice boards to build your skills, and then
walks you through ten beginner projects that allow you to put your
skills to use. The Art Of Chip Carving goes beyond any other how-to
manual by introducing techniques and projects for learning freehand
carving, and how to use the simple shape-vocabulary of chip carving
to create your own carving designs in the style of traditional
European folk carvings.
Traditional Japanese packaging is an art form that applies
sophisticated design and natural aesthetics to simple objects. In
this elegant presentation of the baskets, boxes, wrappers, and
containers that were used in ordinary, day-to-day life, we are
offered a stunning example of a time before mass production.
Largely constructed of bamboo, rice straw, hemp twine, paper, and
leaves, all of the objects shown here are made from natural
materials. Through 221 black-and-white photographs of authentic
examples of traditional Japanese packaging--with commentary on the
origins, materials, and use of each piece--the items here offer a
look into a lost art, while also reminding us of the connection to
nature and the human imprint of handwork that was once so alive and
vibrant in our everyday lives. This classic book was originally
published under the title "How to Wrap Five More Eggs" in 1975.
The eminent American designer George Nelson praised the work
featured here, saying, "We have come a long, long way from the kind
of thing so beautifully presented in this book. To suit the needs
of super mass production, the traditional natural materials are too
obstreperous . . . and one by one we have replaced them with the
docile, predicable synthetics. . . . What we have gained from these
new] materials and wonderfully complicated processes to make up for
the general pollution, rush, crowding, noise, sickness, and
slickness is a subject for other forums. But what we have lost for
sure is what this book is all about: a once-common sense of fitness
in the relationships between hand, material, use, and shape, and
above all, a sense of delight in the look and feel of very
ordinary, humble things. This book is thus . . . a totally
unexpected monument to a culture, a way of life, a universal
sensibility carried through all objects down to the smallest, most
inconsequential, and ephemeral things."
Now, over thirty years later, this revived classic on the art of
traditional Japanese packing may leave us with the same response,
and the same appreciation for the natural and utile packaging
presented in this book.
Before the age of the paper book jacket, publishers issued their
books in cloth-covered boards, which were stamped with designs in
golf leaf and color. From around 1860, artists of the Arts and
Crafts movement supplied many of the best designs. Dante Gabriel
Rossetti, William Morris and Walter Crane led the way, and they
were followed in the 1890s by Laurence Housman, Charles Ricketts
and Selwyn Image, among others. Prominent Arts and Crafts
architects, such as Philip Webb and C.F.A. Voysey, also designed
book covers. Malcolm Haslam explores this uncharted territory,
investigating not only the designs and designers, but the
publishers and binders as well. He introduces some artists, little
known today, whose designs filled the bookshops and bookshelves of
late Victorian and Edwardian Britain, and he shows how designers in
Europe and America were influenced by British book covers decorated
in the Arts and Crafts style. Ninety-nine of the best covers are
illustrated and described, and details are given of over fifty Arts
and Crafts designers who worked in commercial book production, and
their marks and monograms are shown."
Agnes Nobel examines the importance of art in the development of
the child and looks for some answers to the vital question: what is
education for? She goes on to investigate why Waldorf/Steiner
schools attach such importance to art in education, and why Rudolf
Steiner himself brought artistic training into all fields of
further education. She describes Steiner's picture of the
developing child, his views on the imprint of early experience on
the child's whole being and the importance of living relationships
and community in the Waldorf school. She shows how these ideas were
expressed in the curriculum of the schools. There have been many
books written on the Steiner approach to education but they have
usually been written from within the Steiner educational movement.
This book takes an "outsider's" view of Waldorf education and
assesses its unique qualities, successes and limitations.
Chip Carving is the art of removing small sections of wood from a
single piece of timber, usually to form geometric patterns.
Finished pieces can be very intricate and complex but amazing
results can be achieved surprisingly easily with the right
guidance. Unlike many types of woodworking, chip carving requires
very few tools, usually just two knives, and is a wonderful way too
decorate all manner of existing objects including boxes, plates and
furniture. The author guides the reader through the process of
creating 15 distinctive projects. The necessary stages are
explained with the use of detailed step-by-step photographs and
accompanying text. The author also explains how to go about
planning and designing each project in preparation for the actual
carving process.
This title uses instructive diagrams and photographs to instill
confidence in critiquing sources of inspiration. In this inspiring
book, Derek Hayes investigates the process and practice of design
in woodturning. While aiming to instill confidence in appreciating,
criticising and selecting sources of inspiration, Derek questions
why we may find one turning attractive and another ugly. He looks
closely at design elements, sketching, proportion, pattern,
decoration and colour; with instructive diagrams and photographs
that will guide the reader to a better understanding of design.
Readers are encouraged to question and fine-tune this understanding
and experiment with ways of applying the approaches of other
designers to their own work. Each chapter starts with a
photographic example of what Derek sees as good design in a medium
other than woodturning.
This book gives historical explanations of the decorative ironwork
of South Carolina.
Surpassing the conventional "cookbook approach" to woodturning,
this remarkable collection of eight projects highlights the
important roles that passion and state of mind play in woodturning
projects. Each project--accompanied by step-by-step photos and a
bill of materials--is not only designed to help woodworkers improve
their skills, but also to act as a starting point for them to
brainstorm more effectively about their own pieces. The exercises
gradually increase in difficulty, building towards the "Inside Out
Vase," a sleek and elegant project pierced by four lancet windows.
Along the way, turners will learn about gouge orientation, turning
hollow forms, turning a ball, and many other essential woodturning
techniques.
At one time, most towns of any size had somewhere a small foundry
that would undertake small casting jobs, often more out of interest
and good neighbourliness than for commercial gain. Regrettably,
those days are no more and the model engineer in many areas must
either adapt commercially available castings or send away to a
specialist foundry that will undertake small jobs, often at some
expense and with some delay. The alternative is to make your own
patterns and castings, which is in fact much easier than you may
think. The Backyard Foundry covers basic principles, materials and
techniques, pattern making, moulding boxes, cores and core-boxes,
electric, gas and coke furnaces, and includes step-by-step
procedures with examples of locomotive cylinders and wheels.
Sources of specialised materials and even the design of an outdoor
furnace suitable for small-scale commercial work are given. Each
stage and subject is covered in detail so that even the
inexperienced can undertake casting with confidence. Although the
book is written primarily for the model engineer, anyone wishing to
make mouldings or castings will profit from its pages.
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