Turn your garden into a haven for your feathered friends with this book of simple and attractive bird houses to make and make over. Setting up a bird house in your garden will provide birds with a place to rest and raise their young, and will also add a touch of color and style. Only basic woodworking and crafting skills, materials and tools are needed. There are easy-to-follow step-by-step photography and instructions throughout, and diagrams where required to help ensure your measurements are accurate. Several variations are given for different parts of the bird house so that you have even more options to choose from. Chapters cover: building a basic box, roof styles, roof treatments, wall treatments, doors, windows and other features, painting and finishing, base treatment and mounting your bird house. One basic bird house can be made into something unique, depending on the combination of features you choose and how you paint and finish it.

Everyone has different needs when it comes to coping with life's stressors, and children are no different. Some need quiet and soothing activities to calm them down, whereas others require more physical activity or intense sensory input to relax their minds and bodies. This resource comprises a collection of fun, flexible, tried-and-tested activities and make-it-yourself workbooks for parents and professionals to help a child in need of extra emotional support find the coping skills that fit them best. Each activity lists the materials required and includes clear directions for how to do it. There is something for every child: whether they are dynamic and creative or more cerebral and literal. Projects include making wish fairies, dream catchers, and mandalas; managing unstructured time with activities such as creating comics, dioramas and tongue twisters; and simple ideas for instant soothing, such as taking deep breaths, blowing bubbles, making silly faces, and playing music. Creative Coping Skills for Children also includes specific interventions for anxious or grieving children such as making worry dolls and memory shrines. This book is full of fun, easy, creative project ideas for parents of children aged 3-12, teachers, counselors, play therapists, social workers, and all professionals working with children.

Easy-to-follow guide has 60 step-by-step illustrations for making seats of cane, splint, rush, rope, twine, grass.

This volume constitutes the first in-depth study of modernism in design and performance in interwar Romania, covering the period 1924 to 1934. It focuses on Jewish avant-garde artists and cultural producers, as well as design educators, arts patrons, and women entrepreneurs. Based on extensive research in Romania, Latvia, Germany, and the United States, it highlights the transnational impact of Jewish cultural production and its contribution to avant-garde movements across Europe and further afield. It shows how Bucharest was connected to places such as Berlin, Paris, Riga and Chicago through modern design and experimental Yiddish theatre, and argues that the Schule Reimann was more influential in Romania than the Bauhaus. Drawing on scholarship from the fields of performance studies, design history, and art history, this volume makes a valuable new contribution to histories of modernism and avant-garde.

Gearing of Lathes for Screwcutting is aimed specifically at the engineer for use in the workshop. It is intended to take away as much as possible of the mathematics and mystique from calculating gear ratios, so that the more enjoyable work of using your lathe to make things becomes as easy as possible. Topics covered in this latest addition to the Crowood Metalworking Guides includes Myford and other types of lathes; approximations and alternatives; errors and their significance and the non-gearbox mini-lathe.

Accompany woodsman Ben Law as he celebrates the amazing diversity of craft products made from materials sourced directly from the woods. Including brooms, rakes, pegs, spoons, chairs, baskets, fencing, yurts and even a caravan, the items are hewn from freshly cut green wood, shaped by hand and infused with a simple, rustic beauty. Detailed instructions and advice are given for each craft, along with essential knowledge about tools and devices. With fascinating information on the history, language and traditions of the crafts, coppice management and tree species, this book teaches about all aspects of the low-impact woodland way of life.

A new practical guide to dividing (indexing) in the workshop. Whether new to the process or looking to enhance your skills, this book will introduce you to a range of dividing methods and explains how to achieve the best results both with and without specialist dividing tools. With step-by-step instructions and photography throughout, this new book explains dividing with the 'coordinate method' and using the lathe; dividing with gears and dividing plates; using the dividing head, the rotary table and the spin indexer; electronic dividing methods and finally a range of case studies to show application of practical techniques.

The practice of mask-wearing has a long history, even becoming mandatory in times of global crisis. In this useful contribution to the performing arts curriculum, Maskword: The Background, Making and Use of Masks takes a new look at the creative and timeless art of masks and mask-making, while also exploring their cultural anthropology from prehistory to the present day. Drawing on her extensive experience in professional theatre and running workshops, Foreman promotes the life-affirming qualities of masks, providing us with an invaluable resource for artists and teachers, as well as parents seeking activities for children at home. Eight themed projects use photographs to document masks and mask-making techniques, with each one offering practical advice and design ideas; materials are inexpensive and easy to acquire. With photographs by Richard Penton.

Wunderkammern are showing up everywhere these days. Design webshops, expos, interior design stores: they all try to bring back the memory of the century-old tradition of Wunderkammer, or 'the Cabinet of Curiosities'. This book is a Wunderkammer in itself, showcasing the most beautiful exotica, which explorers and adventurous merchants brought back from all over the world for rich collectors. Be amazed by beautiful seashells, stuffed animals, sculptured ostrich eggs, botanical drawings, 'dragons' preserved in formaldehyde, and bewildering Indiana Jones-like stories. A fascinating New World presented itself to them, and in this book, you'll see it through their eyes.

Thousands of novice turners have learned to turn with Richard Raffan because he can explain the complex and sometimes confusing steps in turning in a clear and understandable way. This book will continue this long tradition with a collection of appealing new woodturning projects - candlesticks, a lamp and shade, sets of plates and bowls, even a turned duck call. The projects range from simple to complex, and Raffan provides complete instructions with step-by-step photos and drawings. These projects will lead the reader through a skill-building course in woodturning.

In the 1960s and 1970s, Randy Wood was a forerunner in the vintage instrument industry. Known as the instrument repairman to the stars, the list of Wood's clients reads like a Hall of Fame roster: Elvis Presley, Eric Clapton, Johnny Cash, Chet Atkins, Emmylou Harris, Billy Gibbons, Bill Monroe, Keith Richards, Roy Acuff, Ricky Skaggs, and Hank Williams Jr. . . . to name a few. In Randy Wood: The Lore of the Luthier, Daniel Wile traces the life and work of a man who quietly influenced a hidden history of bluegrass and country music. In his twenties, Wood vowed to avoid complacency in his work. What started simply as a quest to find fulfillment turned into a career that has shaped a generation of musicians, professional and amateur alike. Through his incredible gift for lutherie, Wood brought cherished pre-WWII instruments back to life, many of which were considered beyond repair. He crafted his own instruments as well, based on what he learned from vintage instruments, and these instruments found their way into the hands of some of the most renowned musicians, thanks in part to Wood's strategic location in Nashville during the resurgence of country music in the 1970s. Humble, unassuming, and unfazed by the presence of celebrities, Wood has spent his life devoted to building and repairing stringed instruments. Wood also built community. After tiring of big-city Nashville, he retreated to the Georgia coast, where his home shop became a hub of bluegrass activity. He eventually opened a new shop near Savannah, where a new generation of friends and strangers can come in, visit, and pick a little. Randy's stories, complemented with those of his friends and family, create a compelling picture of a modest man with a talent for his craft, a genuine care for people, and the courage to follow his passion.

Disrupting Craft presents the work of Tanya Aguiniga, Sharif Bey, Dustin Farnsworth, and Stephanie Styjuco, four artists who take innovative approaches to their selected mediums. They share a fascination with themes of identity, and the practise of their art as a means of engaging socially with communities in collective activity. The featured artists work in a remarkable variety of media including earthenware pottery, textiles and weaving, sculptural materials and woven plastic fabrics, and wood, metal and mixed media. Their visual sensibilities range from traditional African beaded culture, to digital media, the products of modern-day capitalist economies in the developing world, to post-industrial rust-belt of the American Midwest. Each is actively engaged in an artistic dialogue within their local and wider community, presenting mementos of bygone cultural eras and making sense of it for the present moment. Disrupting Craft is the second publication, and exhibition, devoted to the work of contemporary American craft practitioners and artists since the Renwick Gallery re-opened in fall 2015, following a major restoration and renovation.

Blacksmithing is one of the traditional "lost arts" deserving re-discovery by anyone interested in do-it-yourself building and crafting. Creating one's own apparatus from metal enhances wood-working, stonework, building, and restoration work. Traditional builder and historic preservation consultant Charles McRaven shows how practical, simple, and rewarding the forging of hand tools can be. Having discovered blacksmithing himself when he moved "back to the land" in the 1970s, Charles McRaven tells readers all they need to know to set up their own smithies and begin blacksmithing. Over the years, McRaven claims he has made almost every mistake that can be made while perfecting his skills, and he shares this hard-won knowledge with readers in a readable and humorous style. The simple and clear instructions supplemented by the step-by- step photography, show how to build a forge, how to make and/or acquire tools, and how to use those tools to create utilitarian items of lasting beauty and durability.

Woodturning is as popular as ever -- a constantly growing segement in the woodworking world and one of the most wide-reaching woodcrafts among artists and hands-on crafters. It s appeal is based on the short learning curve, the minimal equipment, and the sheer joy of learning to make something out of wood with one s own hands. But, unlike a lot of crafts that rely on individuality and creative thinking, the initial techniques of woodturning must be mastered. While at first liberating, these same techniques can eventually be confining because in mastering them, one must follow the lead of others. At a certain point, woodturners can feel that mastering the techniques has become the end in itself as they lose sight of their true pursuit: to create one s own original style. In fact, some woodturners, who believe they aren t creative enough, will simply continue to master techniques while imitiating the style of others. Terry Martin, the author of The Creative Woodturner and a woodturning artist, instructor, and photographer for over thirty-years, believes this goes against the fundamental nature of creating and being an artist. There is no right or wrong and the pursuit of originality should be the goal of every woodturner. Best of all, creativity can be learned and the ability to think and see in one s own artistic style can be achieved. The Creative Woodturner is not your usual how-to woodturning book. It won t tell you what a chuck is, how to sharpen a scraper, or how to turn a goblet. Instead, this book is a how-to for unlocking curiosity, how to break the rules, and for following one s own artistic path with confidence. Designed to give readers a wide-persepective on creativity, The Creative Woodturner begins first with insightful commentary, quotes, and examples from the woodturning and art community that will both inspire and inform. In addition, the author shares his Idea Tools: questions to ask during the planning and creative process that are as important to the creation of the woodturning project as any equipment in the shop. Finally, 16 one-of-a-kind projects from boxes and vessles to bowls and one-of-a-kind scultpures are featured that will spark the creative mindset of any woodturner. Each project is documented with instructions and crisp photography highlighting the key steps, techniques, and tasks necessary for completion. In taking the reader through each project, the author pulls back the curtain on his woodturning magic and shares his vision and how the Idea Tools and creative thinking emerges in each project. An inspiring and enjoyable read not only for woodturners, but for any artist, The Creative Woodturner will anyone to think and see differently so time is spent at the lathe or whatever creative pursuit it is -- creating the original ideas instead of imitating someone else."

The techniques of metal colouring, bronzing and patination are assuming a new importance in contemporary fine metalwork and design. Richard Hughes and Michael Rowe have assembled and tested the recipes included in this book, which is the most comprehensive work on the subject currently available, an essential reference and sourcebook for practitioners and all those involvoved in sculpture, architecture, designs and the decorative arts. It brings together hundreds of recipes and treatments previously scattered in a variety of old books and technical papers, and provides the artist-craftsman with a very wide range of coloured finishes.

An essential resource for any designer, crafter, artist, or historian, The Complete Pattern Dictionary is the most comprehensive, practical, and beautiful directory of patterns throughout history, covering all periods, styles, and cultures. Throughout history, patterns have come in countless permutations of motif, color, and scale. From the first rhythmic marks pressed onto clay vessels, to the latest digital design, pattern-making has been an essential part of the decorative arts since time immemorial. With 1500 illustrations of patterns from all ages and cultures, The Complete Pattern Dictionary is not only a visual feast, it is the most comprehensive resource available on the subject. The book is arranged thematically according to pattern type, with chapters on Flora, Fauna, Pictorial, Geometric, and Abstract designs. Each pattern includes the name of the pattern, the year of its creation, and a brief description. The categories are supplemented by in-depth features highlighting the work of key designers including William Morris, Sonia Delaunay, Charles and Ray Eames, Lucienne Day, and Orla Kiely, as well as sections detailing the characteristic motifs of key period styles from Baroque to Art Deco.

The last thing on Lizzie's mind is catching the bouquet When her best friend's wedding venue catches fire, Lizzie Martin is on the case to find somewhere new. By some miracle, a space opens up at Halesmere House, and it makes perfect sense to move the event to the Lake District artists' residence. But Lizzie has painful memories of Halesmere... And when she bumps into Cal, her first love, she is forced to confront the past. Now a sought-after blacksmith, Cal has his own studio at Halesmere and the two must find a way to get along if this wedding isn't going to be a complete disaster. It soon becomes apparent that their attraction hasn't waned, but can Lizzie put their shared past behind her and learn to trust the man who left her once before? An emotional and heartwarming romance for fans of Phillipa Ashley, Heidi Swain and Sue Moorcroft.