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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts > General
The saw is one of the most basic tools and tends to be taken very much for granted. Many hours and much effort can be saved, and more accurate work produced, if the user has the knowledge of how his saw works and how to keep it in good condition. In this book Ian Bradley provides detailed guidance on the use and maintenance of all types of saw, both hand and mechanical, from the humble junior hacksaw to circular and bandsaws, in the comprehensive and succinct manner that has made him such a respected writer on workshop matters.
Analysing the decorative programmes of the most opulent European palaces of the time, Margaretha Rossholm Lagerloef investigates how meaning was conveyed through display and visual effects. She explores the visual meaning inherent in the scheme of spatial relations; in effects of scale, perspective, lighting, figures' positions and postures; and in relations among image types. The analysis concerns the interrelations of various kinds of images in the ensembles; the relations between images and physical site; and the address to the beholder. Lagerloef considers the visual impact of the imagery in conjunction with 'readable' or symbolically 'coded' meanings; thus, the study does not merely subject these decorations to formalist aesthetic principles. She shows the visual meaning generally to sustain the verbal or readable messages, but often in subtle ways, extending or elaborating the meaning. Occasionally, the visual meaning comes forth as an undercurrent or complication, deviating from the proclaimed and symbolic meaning. Fate, Glory, and Love in Early Modern Gallery Decoration contributes to the body of scholarship on visual rhetoric and on how images 'act' out their messages.
Make authentic reproductions of handsome, functional, durable furniture: tables, chairs, wall cabinets, desks, hall tree, more. Construction plans with drawings, schematics, dimensions, lumber specs reprinted from 1900s The Craftsman magazine.
Guide to the properties and uses of Southern African Wood is a fully illustrated, scientifically accurate guide to the characteristics, properties and uses of wood from 140 Southern African tree species. Species treatments include information on conservation status, uses, mechanical properties, durability, identification features, woodworking properties and comments from wood users on workability. Photographs of tree bark, untreated and treated wood, end-grain macrographs, as well as worked items. Provides information on historical uses, where trees grow, availability and sustainability of the woods and the practicalities of harvesting and processing. Superior quality text and excellent reproduction and printing. The only commercially available book which focuses on the properties of Southern African wood, written in a style that will appeal to a wide audience: professional woodworkers, designers, architects, wood dealers and wood collectors, hobbyists, botanists and anyone interested in trees and wood. A must-have for all who love wood and trees!
The nineteenth century - the Era of the Interior - witnessed the steady displacement of art from the ceilings, walls, and floors of aristocratic and religious interiors to the everyday spaces of bourgeois households, subject to their own enhanced ornamentation. Following the 1863 Salon des refuses, the French State began to channel mediocre painters into the decorative arts. England, too, launched an extensive reform of the decorative arts, resulting in more and more artists engaged in the production and design of complete interiors. America soon followed. Present art historical scholarship - still indebted to a modernist discourse that sees cultural progress to be synonymous with the removal of ornament from both utilitarian objects and architectural spaces - has not yet acknowledged the importance of the decorative arts in the myriad interior spaces of the 1800s. Nor has mainstream art history reckoned with the importance of the interior in nineteenth-century life and thought. Aimed at an interdisciplinary audience, including art and design historians, historians of the modern interior, interior designers, visual culture theorists, and scholars of nineteenth-century material culture, this collection of essays studies the modern interior in new ways. The volume addresses the double nature of the modern interior as both space and image, blurring the boundaries between arts and crafts, decoration and high art, two-dimensional and three-dimensional design, trompe-l'oeil effects and spatial practices. In so doing, it redefines the modern interior and its objects as essential components of modern art.
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
This volume brings together a cross-disciplinary group of anthropologists, researchers of craft, and designer-makers to enumerate and explore the diversity and complexity of problem-solving tactics and strategies employed by craftspeople, together with the key social, cultural, and environmental factors that give rise to particular ways of problem solving. Presenting rich, textured ethnographic studies of craftspeople at work around the world, Craftwork as Problem Solving examines the intelligent practices involved in solving a variety of problems and the ways in which these are perceived and evaluated both by makers and creators themselves, and by the societies in which they work. With attention to local factors such as training regimes and formal education, access to tools, socialisation and cultural understanding, budgetary constraints and market demands, changing technologies and materials, and political and economic regimes, this book sheds fresh light on the multifarious forms of intelligence involved in design and making, inventing and manufacturing, and cultivating and producing. As such, it will appeal to scholars of anthropology, sociology, and cultural geography, as well as to craftspeople with interests in creativity, skilful practice, perception and ethnography.
Whittling is more than just a way of busying idle hands - it is a pastime for those who love the texture of wood and a way of life for those who feel a special connection between people and trees. This beautiful and practical guide to the art of whittling offers the perfect antidote to the stresses of modern life and a means of getting back to basics and creating unique items from scratch. Inside you will learn about the ancient art of whittling as one of the earliest forms of artistic expression; the different types of wood to use in your work; the simple tools you need to get started; and the various cutting techniques. The Art of Whittling also preaches the idea of Danish hygge - translating to coziness and being with friends and family in a warm atmosphere. Here, author Niklas Karlsson gives us an insight into why the Danes are considered the happiest people in the world - and how you can bring some hygge into your own lives. More than just a manual, this book offers a contemplative view on a skill that is more popular than ever.
Celebrate the splendor of wood with these wood-crafting projects. From simple woven panels to making a functional yurt, Woodland Craft features an array of easy-to-follow projects that include crafts for the farm, garden, wood fuel, building and domestic use. Green wood - wood that has been recently cut and is therefore still moisture-rich - is the predominant material used in the projects featured in this essential guide for craftsman of all levels. With Woodland Craft: you'll learn all you need to know about tools and devices, both old and new. you'll browse through the directory of tree species and identify the best uses for each. you'll gain the insight you need to make practically anything out of this clean, crisp, beautiful element. Includes 700 illustrations and photographs
Representing the third generation of Vuittons, Gaston-Louis's wide interests and voracious curiosity were intimately bound with the future of the family business. A collector since his childhood, Gaston-Louis Vuitton (1883-1970) accumulated hundreds of objects over his lifetime. In addition to forming a collection of trunks - his first motivation and the one he announced publicly - his roving eye lit upon rare antique travel articles, locks and escutcheons, hand tools, perfume bottles, African masks, walking canes, vintage children's toys, books, hotel labels (usually fixed on customers' trunks), printed monograms and other typographical rarities. Together they form a rich personal evocation of curiosites industrielles, or quirks of the trade, as Gaston-Louis liked to call them. He described himself as an `unrepentant collector', delighted by the `joy of the treasure hunter, the toil of the collector, [...] an inexhaustible source of inspiration'. This is a collection that will capture the imagination of anyone inspired by bizarre and eclectic curiosities, or those with an interest in the cultural taste and interests of someone who lived through the height of the Art Deco period - indeed, someone whose life was defined by the rigours and the rewards of world travel. It exhibits the highest design and production values for discerning international voyagers in search of the sources of luxury creativity.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International License. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations, thanks to a generous grant from the Andrew W. Mellon Foundation. The histories of East and West Germany traditionally emphasize the Cold War rivalries between the communist and capitalist nations. Yet, even as the countries diverged in their political directions, they had to create new ways of working together economically. In Designing One Nation, Katrin Schreiter examines the material culture of increasing economic contacts in divided Germany from the 1940s until the 1990s. Trade events, such as fairs and product shows, became one of the few venues for sustained links and knowledge between the two countries after the building of the Berlin Wall. Schreiter uses industrial design, epitomized by the furniture industry, to show how a network of politicians, entrepreneurs, and cultural brokers attempted to nationally re-inscribe their production cultures, define a postwar German identity, and regain economic stability and political influence in postwar Europe. What started as a competition for ideological superiority between East and West Germany quickly turned into a shared, politically legitimizing quest for an untainted post-fascist modernity. This work follows products from the drawing board into the homes of ordinary Germans to offer insights into how converging visions of German industrial modernity created shared expectations about economic progress and living standards. Schreiter reveals how intra-German and European trade policies drove the creation of products and generated a certain convergence of East and West German taste by the 1980s. Drawing on a wide range of sources from governments, furniture firms, industrial design councils, home lifestyle magazines, and design exhibitions, Designing One Nation argues that an economic culture linked the two Germanies even before reunification in 1990.
Utilizing fewer tools and expressing a get-it-done attitude, this useful manual makes the violin-making process easy for the everyday crafter. Using step-by-step instructions and hundreds of detailed drawings and color photographs, the obscure language and unfamiliar techniques of instrument-making are given a populist overhaul in this newly revised and expanded resource. Requiring only basic tools and everyday woods, aspiring luthiers can begin each new project with full-size component cutouts, which are included for each instrument piece. An inspiring full-color gallery of violins made by other amateur crafters is also included. From cutting and shaping each piece to assembly and performance, the theory that only elite crafters can make wood instruments is debunked.
Drawing can improve your mood, release endorphins and make you happy – but for many, the fear of the blank page, combined with a lack of confidence and know-how, can be daunting. In her new book, Molly Egan encourages you to sketch like no one is watching! Once you stop caring what people think – just like when you were a child – your creativity will flow. Filled with drawing prompts and tutorials, Molly will help you to unleash your creativity and embrace your own unique style. Build your skills by revisiting the basics, such as shape, perspective and pattern, then learn how to draw from photographs and from real life, sketching people, nature, buildings, landscapes and more. Small enough to put in your bag, yet big enough to make impactful art, this fun title will reignite your passion for being creative.
Whether you produce crafts as a hobby or as a profession, it's important to remember that if you sell your work, you're in business, and every business person must know the essentials if he or she is to succeed in today's competitive marketplace. The Crafts Business Encyclopedia, with its easy-to-use format, will allow you to manage your business with the same careful and creative skill you devote to your work. The Encyclopedia defines and discusses hundreds of terms and will guide you toward a complete understanding of many aspects of the crafts business, including the following: protecting work by copyright; advertising and selling crafts effectively; managing bookkeeping, invoices, and credit; buying appropriate insurance; and calculating taxes. Entries are listed alphabetically with handy cross-references to related sections, and helpful appendixes list organizations and publications vital to today's crafts artist. Success or failure, profit or loss: each of these depends on how you run your affairs, manage your money, find your markets, solve your problems. If you love your work and if you want to be in the crafts business through the nineties and beyond, let The Crafts Business Encyclopedia be your guide.
Little magazines made modernism happen. These pioneering enterprises were typically founded by individuals or small groups intent on publishing the experimental works or radical opinions of untried, unpopular, or underrepresented writers. Recently, little magazines have re-emerged as an important critical tool for examining the local and material conditions that shaped modernism. This volume reflects the diversity of Anglo-American modernism, with essays on avant-garde, literary, political, regional, and African American little magazines. It also presents a diversity of approaches to these magazines: discussions of material practices and relations; analyses of the relationship between little magazines and popular or elite audiences; examinations of correspondences between texts and images; feminist modifications of the traditional canon or histories; and reflections on the emerging field of periodical studies. All emphasize the primacy and materiality of little magazines. With a preface by Mark Morrisson, an afterword by Robert Scholes, and an extensive bibliography of little magazine resources, the collection serves both as an introduction to little magazines and a reconsideration of their integral role in the development of modernism.
Carving Kitchen Tools is the beginning of your woodworking journey and is a practical guide to creating your own beautiful utensils. From the all-important wooden spoon to butter knives, salad servers and spatulas, Moa Brannstroem Ott shows you how to create kitchen implements that will bring individuality and personality to your home. As well as this, Carving Kitchen Tools explores the variety of different woods, their properties and the whittling techniques to which they are most suited. With step-by-steps to illustrate the correct grips for knife and wood, tips on how to source your wood and details on the tools you need, this book is the perfect guide to this surprisingly simple and mindful craft. Projects include: Butter knives Frying utensils Straight spoons Curved spoons Salad servers Kuksa cups
There's more to being Irish than kissing a Blarney Stone Few places on earth match Ireland's romantic attraction and historical legacy. Every year, millions of visitors flock to the ancient sites and burgeoning cities of this enchanted island to immerse themselves in its rich literary, musical, and political heritage. "The Everything Irish History & Heritage Book" introduces readers to the people, places, and events that have shaped the past and given rise to the unique culture of the Irish people. From the Iron Age to the economic renaissance, this comprehensive account familiarizes readers with Ireland's history and acquaints them with the climate, food, language, and sports that make it truly unique. Features exhaustive coverage of:
The perfect gift for fans of classic novels, crafting and puns. ‘There is no gate, no lock, no bolt that you can set upon the freedom of my glue gun.’ This crafting celebration of literary classics will transport you and your scissors far from your kitchen table: allow your Mod Podge to smooth your way into the Gilded Age with ‘The Decoupage of Innocence’, or your craft knife to help you conceal an illicit eBook with ‘Lady Chatterley’s Kindle Cover’. Or simply create the perfect picnic accessory, to be enjoyed alongside some ginger beer with ‘Five Go to Smuggler’s Cake Topper’. From a shelf made of books to paper flowers, Christmas wreaths to table decorations, A Loom of One’s Own is a pun-filled celebration of crafting and writing that will appeal to book lovers or anyone who owns a glue gun.
George Bankart first wrote The Art of the Plasterer in 1908. It was then re-issued, with amendments, a few years later. Now available from Donhead as a facsimile edition, this impressive, well illustrated volume offers an artistic interpretation of the way plaster was used in response to stylistic changes. Bankart was an architect inspired by the Arts & Crafts movement who cared passionately about the craft of plastering and sought to complement Millar's earlier craftsman's book by producing a volume which traced the history and art of plastering throughout the United Kingdom. It explores in detail how plaster materials and methods were developed and used, giving a fascinating insight into some of the unusual substances added to plaster. For instance, he tells us that ancient stuccos sometimes contained fig juice, curdled milk, blood or beer to make them harder. The book also contains an account of wattle and dab as well as parge-work, using practical illustrated examples to give an excellent description and record of the subject. With over 400 illustrations, comprising black and white photographs and drawings of ceilings and the profiles of mouldings, this volume will be of value to craftsmen engaged in plasterwork, conservation professionals and all architects and architectural historians with an interest in this field.
A beautifully illustrated guide to the world of Victorian stained glass and its manufacturers and designers. Victorian stained glass - magnificent, colourful and artistic - adorns countless British churches, municipal buildings and homes. Across the decades, several artistic movements influenced these designs, from the Gothic Revival, through the Arts and Crafts Movement and into Art Nouveau as a new century dawned. Historian Trevor Yorke shows how craftsmen re-learned the lost medieval art of colouring, painting and assembling stained glass windows - but also, in this age of industry, how windows were templated and mass produced. Showcasing the exquisite glass generated by famous designers such as A.W.N. Pugin, Pre-Raphaelites William Morris and Edward Burne-Jones, and by leading manufacturers such as Clayton and Bell, this beautifully illustrated book introduces the reader to many wonderful examples of Victorian stained glass and where it can be found.
In a period of meaningless mass manufacturing, our growing appetite for hand-made objects, artisan food, and craft beverages reveals our deep cravings for tradition and quality. But there was a time when craft meant something very different; the Old English word craeft possessed an almost indefinable sense of knowledge, wisdom, and power. In this fascinating book, historian and popular broadcaster Alex Langlands goes in search of the mysterious lost meaning of craeft. Through a vibrant series of mini-histories, told with his trademark energy and charm, Langlands resurrects the ancient craftspeople who fused exquisite skill with back-breaking labour-and passionately defends the renewed importance of craeft today. |
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