"They cut off the heads of enemies slain in battle and attach them to the necks of their horses... They embalm the heads... [and]... display them with pride to strangers." - Diodorus Siculus Before the Vikings, before the Anglo-Saxons, before the Roman Empire, the Celts dominated central and western Europe. Today we might think of the Celts only inhabiting parts of the far west of Europe - Ireland, Great Britain, France and Spain - but these were the extremities in which their culture lasted longest. In fact, they had originated in Central Europe and settled as far afield as present day Turkey, Poland and Italy. From their emergence as an Iron Age people around 800 BC to the early centuries AD, Celts reveals the truth behind the stories of naked warriors, ritual beheadings, druids, magic and accusations of human sacrifice. The book examines the different tribes, the Hallstatt and La Tene periods, as well as Celtic survival in western Europe, the Gallic Wars, military life, spiritual life, slavery, sexuality and Celtic art. Celts is an expertly written account of a people who have long captured the popular imagination.

All woodworkers worth their sawdust know that joinery - good, bad, or indifferent - tells the unvarnished truth of how well a piece is made and how skilled the maker is. As a result, joinery is always a hot, and sometimes controversial, topic because even the masters will agree that there is no one right way to do it. Over the decades, no one has proven better at teaching readers how to make beautiful, enduring joinery than Fine Woodworking. This comprehensive and practical book demystifies the all-important subject of choosing, designing, and cutting woodworking joints. It's packed with insightful information and tricks of the trade that will advance the work of novices and seasoned craftsmen alike. Because whatever your skill level, there's always room for improvement when it comes to joinery.

Learn the secrets to a collection of puzzling projects, designed to mystify and intrigue. There are 12 seemingly impossible woodturned puzzles to make - all with incredibly simple solutions, once you know how. Using old techniques in a new and fascinating way, David Springett shows how to create these tactile and entertaining works of art. With clear step-by-step instructions, photographs and illustrations to follow, plus a wealth of information and guidance on tools, materials and techniques, you'll be mastering the tricks in no time.

The first edition of this title by Judy Gale Roberts popularized the art of Intarsia making picture mosaics in wood using different types of wood and wood grains. This book will teach you the secrets of making exciting wooden inlay projects. Using popular woodworking equipment and different varieties of common woods, you can create these beautiful projects on your own in your home workshop. Learn how fun, easy and creative making wooden inlays can be. Use this book to start creating timeless heirlooms your family will treasure for years to come

Vic Tesolin's Projects from the Minimailist Woodworker teaches the basics of furniture making using step-by-step photos detailing the process of building handsome projects any woodworker will be proud to create. A follow-up to Vic's much-lauded first book, The Minimalist Woodworker, this book is a celebration of the small tool set needed to create beautiful work and and expansion of the techniques and skills learned in that first book. Like a seasoned woodworker lending a helping hand in the workshop, Vic Tesolin, aka "The Minimalist Woodworker," is a master at demystifying the craft of woodworking so that anyone with any skill level can dive in and do good work. With Projects from the Minimalist Woodworker and even a modest toolset, anyone can develop their skill and enjoy unlimited hours in their shop. You'll learn to build a variely to pieces including a handsome dovetailed box, a wall cabinet, a storage chest, and handy shop projects like a handplane and a marking knife.

Although much of model engineering work is a matter of making one part to fit another and thus may obviate the need for the sophisticated means of measuring often called for in production engineering, the accuracy of a finished job begins with the exactness of the initial making out and continues with the accuracy of measurements made during the progress of the work. How to use measuring equipment and how to mark out work - not always the simple matter it might at first seem - are essential skills for any engineer and the purpose of this book is to show how they may be acquired and employed.

The accumulation of odds and ends of bar and rod is inevitable with any lathework, but rather than throw them into an ever-growing scrap-box, why not turn them into useful little tools to simplify and speed up future work?

In this book Stan Bray describes a variety of small implements, none of which demands much material or takes more than an evening to make.

You may not see an immediate need for some of them but once made it is surprising how often they will be used. There is also the satisfaction of turning what might be wasted into something useful and the knowledge that money has been saved.

The book represents a continuation of research begun by Cooper in Hong Kong in the early 1970s among expatriate artisan furniture makers and woodcarvers from Dongyang County, Zhejiang Province. He now sets out to investigate the fate of the same craft in the hands of the same folk under totally different socio-economic conditions in their native county in communist People's Republic of China.

The book represents a continuation of research begun by Cooper in Hong Kong in the early 1970s among expatriate artisan furniture makers and woodcarvers from Dongyang County, Zhejiang Province. He now sets out to investigate the fate of the same craft in the hands of the same folk under totally different socio-economic conditions in their native county in communist People's Republic of China.

Analysing the decorative programmes of the most opulent European palaces of the time, Margaretha Rossholm Lagerloef investigates how meaning was conveyed through display and visual effects. She explores the visual meaning inherent in the scheme of spatial relations; in effects of scale, perspective, lighting, figures' positions and postures; and in relations among image types. The analysis concerns the interrelations of various kinds of images in the ensembles; the relations between images and physical site; and the address to the beholder. Lagerloef considers the visual impact of the imagery in conjunction with 'readable' or symbolically 'coded' meanings; thus, the study does not merely subject these decorations to formalist aesthetic principles. She shows the visual meaning generally to sustain the verbal or readable messages, but often in subtle ways, extending or elaborating the meaning. Occasionally, the visual meaning comes forth as an undercurrent or complication, deviating from the proclaimed and symbolic meaning. Fate, Glory, and Love in Early Modern Gallery Decoration contributes to the body of scholarship on visual rhetoric and on how images 'act' out their messages.

An overgrown concrete bunker at Ypres; a rusting gun carriage in a field in Flanders; perfectly preserved trenchworks at Vimy, northern France; a rocky mountaintop observation post high in the Tyrolean mountains. More than 100 years after the end of World War I, the conflict's legacy can still be seen from Europe to the Pacific. Abandoned Places of World War I explores more than 120 bunkers, trench systems, tunnels, fortifications and gun emplacements from North America to East Africa. Included are defensive structures, such as Fort Douaumont at Verdun, the site of the Western Front's bloodiest battle; the elaborately constructed tunnels of the Wellington Quarry, near Arras, designed to provide a safe working hospital for wounded British soldiers; and crumbling concrete pill boxes in Anzac Cove, Turkey. From the preserved remains of the mighty Przemysl fortress to bunkers and observation points high in the Slovenian Dolomites, Abandoned Places of World War I features more than 180 striking photographs from around the world.

There's never been a better time to be an amateur space explorer! From high school programs designed to send real student-led experiments to the International Space Station, to building a working VTVL (vertical take off, vertical landing) model rocket like the one from SpaceX, this issue is packed full of projects with actual space applications. And if a space aesthetic is more to your liking for your earthly abode, we've got a giant light-up full moon to hang on your wall and desktop orreries to simulate the movement of the planets around the sun. Plus 38 more great projects: Program a bot that points to the ISS when overheadLearn to laser-cut EVA foam to customize any cosplay creationBuild a light-up acrylic rainbow that changes colors to tell the weatherMake a cardboard camera that uses sun prints for filmAnd much more!

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. TASCHEN's Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on both sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future-between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

A bold reassessment of nineteenth-century British painter and decorative artist Edward Burne-Jones, elucidating his fundamentally radical defiance of the Victorian age Challenging the dominant characterization of Edward Burne-Jones as an escapist who withdrew from the modern world into imaginary realms of his own creation, this groundbreaking book argues that he was engaged in a fundamentally radical defiance of the age, protesting against imperial aggression, capitalist economic inequality, and environmental destruction in the wake of the industrial revolution. Harnessing the utopian power of embodied aesthetic encounters, Burne-Jones drew inspiration from the medieval concept of dreams as visionary states of transformation. Therefore, his art functioned not as a retreat, but as a vehicle for revolutionary awakening. Often characterized as a painter, this book re-centers Burne-Jones's practice in the decorative arts, demonstrating that he consistently interrogated the boundaries of artistic media, in keeping with wider debates over the role of the arts in the nineteenth century. The first scholarly monograph solely devoted to Burne-Jones since 1973, The Radical Vision of Edward Burne-Jones offers a thorough re-examination of his work, illuminating his radical defiance of the artistic, social, and political hierarchies of nineteenth-century Britain. Distributed for the Paul Mellon Centre for Studies in British Art

The nineteenth century - the Era of the Interior - witnessed the steady displacement of art from the ceilings, walls, and floors of aristocratic and religious interiors to the everyday spaces of bourgeois households, subject to their own enhanced ornamentation. Following the 1863 Salon des refuses, the French State began to channel mediocre painters into the decorative arts. England, too, launched an extensive reform of the decorative arts, resulting in more and more artists engaged in the production and design of complete interiors. America soon followed. Present art historical scholarship - still indebted to a modernist discourse that sees cultural progress to be synonymous with the removal of ornament from both utilitarian objects and architectural spaces - has not yet acknowledged the importance of the decorative arts in the myriad interior spaces of the 1800s. Nor has mainstream art history reckoned with the importance of the interior in nineteenth-century life and thought. Aimed at an interdisciplinary audience, including art and design historians, historians of the modern interior, interior designers, visual culture theorists, and scholars of nineteenth-century material culture, this collection of essays studies the modern interior in new ways. The volume addresses the double nature of the modern interior as both space and image, blurring the boundaries between arts and crafts, decoration and high art, two-dimensional and three-dimensional design, trompe-l'oeil effects and spatial practices. In so doing, it redefines the modern interior and its objects as essential components of modern art.

This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.

Classic table designs from top craftsmen that will help you furnish every room in your home with elegance and style: from a Shaker sewing table to a display table for objects d'art, this book offers ten excellent reasons to spend quality time at the workbench. Whether you are a beginner or an experienced woodworker, the projects will provide plenty of challenges to increase your skills: a candlestand table; an end table; two coffee tables; a display table; a half-round console table; a hall table; a cherry kitchen table; a trestle table; Ten outstanding furniture projects accessible to woodworkers of any skill level, from a leading international craftsman and award-winning woodworking author. Taunton's new step-by-step Furniture Series is devoted to creating fine furniture for every room in the house - tasteful and refined designs, clear step-by-step instructions, detailed drawings and cut lists plus vivid colour photos.

This book is a comprehensive resource covering the principles and practice of the conservation and restoration of furniture. A review of the historical development of furniture introduces a wide range of structural types and materials that may be encountered, including wood, ivory, turtleshell, horn and metals, as well as decorative surfaces such as paint, japanning, lacquer and gilding. The nature and behaviour of these materials is explained and used as a basis from which to explore the mechanisms and consequences of deterioration caused by environment and use. Building on this foundation, the book shows how to develop and implement logical solutions to conservation problems.

Combining the practical knowledge and experience of a team of conservators active in the field, with theoretical and reference material from diverse sources, Conservation of Furniture uses and integrated approach to produce a book that will prove invaluable to anyone working in or studying this subject area.

This UK author's designs are stylish & quirky & move beyond the traditional shapes in shops today. In this unique and comprehensive book, Chris West covers all aspects of turning these useful condiment holders and demonstrates how practical kitchen utensils can be transformed into beautiful, stylish and tactile additions to your home. 30 projects are rated in order of difficulty, from beginner, through to intermediate and advanced, the latter not solely based on the skills of the turner, but also on access to the materials or machinery required for the project. A basic level of turning is assumed, together with the availability of a chuck with compression jaws. Chris finds inspiration in many diverse objects, whether glass, metal or ceramics and creates unique and quirky designs, which move beyond the traditional shapes in retail shops today.

This volume brings together a cross-disciplinary group of anthropologists, researchers of craft, and designer-makers to enumerate and explore the diversity and complexity of problem-solving tactics and strategies employed by craftspeople, together with the key social, cultural, and environmental factors that give rise to particular ways of problem solving. Presenting rich, textured ethnographic studies of craftspeople at work around the world, Craftwork as Problem Solving examines the intelligent practices involved in solving a variety of problems and the ways in which these are perceived and evaluated both by makers and creators themselves, and by the societies in which they work. With attention to local factors such as training regimes and formal education, access to tools, socialisation and cultural understanding, budgetary constraints and market demands, changing technologies and materials, and political and economic regimes, this book sheds fresh light on the multifarious forms of intelligence involved in design and making, inventing and manufacturing, and cultivating and producing. As such, it will appeal to scholars of anthropology, sociology, and cultural geography, as well as to craftspeople with interests in creativity, skilful practice, perception and ethnography.

The saw is one of the most basic tools and tends to be taken very much for granted. Many hours and much effort can be saved, and more accurate work produced, if the user has the knowledge of how his saw works and how to keep it in good condition. In this book Ian Bradley provides detailed guidance on the use and maintenance of all types of saw, both hand and mechanical, from the humble junior hacksaw to circular and bandsaws, in the comprehensive and succinct manner that has made him such a respected writer on workshop matters.

Islamic geometric designs are admired worldwide for their beauty and marvellous intricacy, yet in truth they are seldom understood. Indeed, their complexity and artistry can seem almost beyond the powers of human ingenuity. In this handsomely illustrated volume, artist and teacher Eric Broug analyses and explains these complex designs in their historical and physical context. His own original drawings accompany magnificent photographs of mosques, madrasas, palaces and tombs from the Islamic world, ranging from North Africa to Iran and Uzbekistan, and from the 8th to the 19th centuries. Chapters are devoted to each of the main 'families' of geometric design - fourfold, fivefold and sixfold - and to the complex 'combined' patterns. Every design is carefully explained, and illustrated with a wealth of stunning photographs and clear, meticulously detailed drawings. Readers can follow the design processes by which these patterns were created and even learn to reproduce and invent geometric patterns for themselves, using exactly the same tools as the Islamic craftsmen of old: a ruler and a pair of compasses.