Candle Craft is your one-stop guide to candlemaking. With more than two dozen projects to get you started, you can create candles that match your desired aesthetic and burn safely.

The Handcarved Bowl provides step-by-step photos and directions for every stage of the bowlcarving process that will appeal to everyone from beginning woodworkers to seasoned carvers. Carving wooden bowls by hand may appear to be just a romantic notion (don't worry, it's that too), but there's also lots to learn about this natural material and unique process that will be undoubtedly serve you for every future woodworking project, no matter the tools or methods used. Bowl carving gives unparalleled insight to the basic properties of wood behavior, intimate knowledge of how tool edges interact with different grain, and the importance of learning to reframe failure as one of the keys of building deep understanding. The Handcarved Bowl is the beginning of many projects, not just the three designs outlined here in step-by-step instructions, and both seasoned woodworkers and beginners alike will find the inherent value of carving using these methods. Along the way you'll learn tips and tricks that will keep you safe, help you make informed decisions about your own designs, and give you the confidence to take your work in any direction you'd like.

How Venetian glass influenced American artists and patrons during the late nineteenth century Sargent, Whistler, and Venetian Glass presents a broad exploration of American engagement with Venice's art world in the late nineteenth century. During this time, Americans in Venice not only encountered a floating city of palaces, museums, and churches, but also countless shop windows filled with dazzling specimens of brightly colored glass. Though the Venetian island of Murano had been a leading center of glass production since the Middle Ages, productivity bloomed between 1860 and 1915. This revival coincided with Venice's popularity as a destination on the Grand Tour, and resulted in depictions of Italian glassmakers and glass objects by leading American artists. In turn, their patrons visited glass furnaces and collected museum-quality, hand-blown goblets decorated with designs of flowers, dragons, and sea creatures, as well as mosaics, lace, and other examples of Venetian skill and creativity. This lavishly illustrated book examines exquisitely crafted glass pieces alongside paintings, watercolors, and prints of the same era by American artists who found inspiration in Venice, including Thomas Moran, Maria Oakey Dewing, Robert Frederick Blum, Charles Caryl Coleman, Maurice Prendergast, and Maxfield Parrish, in addition to John Singer Sargent and James McNeill Whistler. Italian glass had a profound influence on American art, literature, and design theory, as well as the period's ideas about gender, labor, and class relations. For artists such as Sargent and Whistler, and their patrons, glass objects were aesthetic emblems of history, beauty, and craftsmanship. From the furnaces of Murano to American parlors and museums, Sargent, Whistler, and Venetian Glass brings to life the imaginative energy and unique creations that beckoned tourists and artists alike. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC October 8, 2021-May 8, 2022 Amon Carter Museum of American Art, Fort Worth, Texas June 25-September 11, 2022

Turn your garden into a haven for your feathered friends with this book of simple and attractive bird houses to make and make over. Setting up a bird house in your garden will provide birds with a place to rest and raise their young, and will also add a touch of color and style. Only basic woodworking and crafting skills, materials and tools are needed. There are easy-to-follow step-by-step photography and instructions throughout, and diagrams where required to help ensure your measurements are accurate. Several variations are given for different parts of the bird house so that you have even more options to choose from. Chapters cover: building a basic box, roof styles, roof treatments, wall treatments, doors, windows and other features, painting and finishing, base treatment and mounting your bird house. One basic bird house can be made into something unique, depending on the combination of features you choose and how you paint and finish it.

This bumper edition of Aidan Meehan's practical guides to the art and design of the Celts brings together three of his bestselling titles, A Beginner's Manual, Knotwork and Illuminated Letters. This practical, step-by-step manual provides an invaluable, comprehensive source of instruction and inspiration for artists, designers and craftspeople of all kinds.

A New York Times best art book of 2022 Traces the history of lace in fashion from its sixteenth-century origins to the present   Threads of Power: Lace from the Textilmuseum St. Gallen offers a look at one of the world’s finest collections of historical lace. It traces the development of European lace from its emergence in the sixteenth century to the present, elucidating its important role in fashion. The book explores the longstanding connections between lace and status, addressing styles in lace worn at royal courts, including Habsburg Spain and Bourbon France, as well as lace worn by the elite ruling classes and Indigenous peoples in the Spanish Americas.   Featuring new research, the publication covers a range of topics related to lace production, lace in fashion and portraiture, lace revivals, the mechanization of the lace industries in the nineteenth and twentieth centuries, and contemporary innovations in lace. With a focus on lace techniques, women lace makers, and lace as a signifier of wealth and power, this richly illustrated book includes wide-ranging contributions by curators and experts from major museums and academic institutions.   Distributed for Bard Graduate Center   Exhibition Schedule:   Bard Graduate Center, New York (September 16, 2022–January 1, 2023)

Take your carpentry skills to the next level as you explore an array of woodworking techniques, complete with step-by-step instructions and photographs. Want to master your woodworking techniques but don't know where to begin? Don't worry, DK has got you covered! Introducing Woodwork - a step-by-step guide to mastering key woodworking techniques - from basic through to more advanced types of wood joints, finishing, wood-turning, and furniture restoration. Discover how best to use all the essential woodworking tools, including hand tools, power tools, and machine tools. Become knowledgeable about woods so that you can choose the right wood for the job - with more than 100 hard and softwood profiles covered! Then, put your skills into practice with 25 DIY woodworking projects, which have detailed plans and instructions and are arranged in order of complexity. Dive right into this wonderful book on woodworking to discover: - 25 project to choose from with step-by-step instructions and photographs for all techniques featured. - Advice and top tips on using a range of hand tools, power tools and woodwork machinery Whether you wish to make a simple chopping board or wine rack as small weekend projects, or try more advanced woodworking ideas such as a linen chest, dresser, or chair, this woodworking book includes a wide range of creative crafts for adults, so no matter your skill level or abilities, there's something for everyone to explore, learn, and create! A must-have volume for those new to woodwork who want to learn about the basic tools and techniques, and doubling up as a handy guide for experienced woodworkers looking to hone their core skills and embark on more ambitious furniture projects. Accredited by the Worshipful Company of Carpenters, Woodwork is a complete illustrated woodworking course, giving you all the carpentry skills and techniques you need to create well-crafted and practical objects in treated wood.

The Rosalinde and Arthur Gilbert Collection celebrates some of the most beautiful objects ever made, many in precious materials, and often on a small scale. Focussing on 50 exquisite works from the collection, this beautiful little book showcases the decorative art of creating small-scale carvings, snuffboxes, inlay pictorial illusions, and more, in cut-and-polished natural stones, often incorporating the widely known technique of pietre dure. Demonstrating remarkable skill and ingenuity, many of the works were commissioned by the powerful Medici family and royal families across Europe as symbols of their power and prestige. With detailed photography and extended captions the books explores the fascinating interplay of craftsmanship with the natural beauty of stones such as amethyst, lapis lazuli and jasper.

Representing the third generation of Vuittons, Gaston-Louis's wide interests and voracious curiosity were intimately bound with the future of the family business. A collector since his childhood, Gaston-Louis Vuitton (1883-1970) accumulated hundreds of objects over his lifetime. In addition to forming a collection of trunks - his first motivation and the one he announced publicly - his roving eye lit upon rare antique travel articles, locks and escutcheons, hand tools, perfume bottles, African masks, walking canes, vintage children's toys, books, hotel labels (usually fixed on customers' trunks), printed monograms and other typographical rarities. Together they form a rich personal evocation of curiosites industrielles, or quirks of the trade, as Gaston-Louis liked to call them. He described himself as an `unrepentant collector', delighted by the `joy of the treasure hunter, the toil of the collector, [...] an inexhaustible source of inspiration'. This is a collection that will capture the imagination of anyone inspired by bizarre and eclectic curiosities, or those with an interest in the cultural taste and interests of someone who lived through the height of the Art Deco period - indeed, someone whose life was defined by the rigours and the rewards of world travel. It exhibits the highest design and production values for discerning international voyagers in search of the sources of luxury creativity.

Carving Kitchen Tools is the beginning of your woodworking journey and is a practical guide to creating your own beautiful utensils. From the all-important wooden spoon to butter knives, salad servers and spatulas, Moa Brannstroem Ott shows you how to create kitchen implements that will bring individuality and personality to your home. As well as this, Carving Kitchen Tools explores the variety of different woods, their properties and the whittling techniques to which they are most suited. With step-by-steps to illustrate the correct grips for knife and wood, tips on how to source your wood and details on the tools you need, this book is the perfect guide to this surprisingly simple and mindful craft. Projects include: Butter knives Frying utensils Straight spoons Curved spoons Salad servers Kuksa cups

This book features seven unique hollow-form projects, presented in order of difficulty. It includes all the practical knowledge needed to get started; comprehensive chapters on tools, equipment and understanding wood. Form templates are included for people to scan, cut out and use on their own projects. For thousands of years mankind has created hollow forms to store either everyday objects or things of value - but functional objects can also be beautiful in their own right. This comprehensive book will guide the beginner through everything they need to know to get started with turning their own hollow forms. You will learn how to work with different types of wood, which tools to use and how to apply basic techniques with confidence. You can learn the basic principles of form, proportion and design and how to apply this knowledge to your own work. Seven striking projects are set out in a clear step-by-step format and progress in difficulty.

This title offers 25 step-by-step hand-crafted projects. It shows you how to master decorative wood techniques including carving, pyrography, marquetry and fretwork, as well as basic automata and construction. It offers 25 stunning projects that include a tomato box chest, a carved maple clock with carved numerals, a rodeo toy, mirror frame and a contemporary shelf. It offers step-by-step instructions for techniques and ideas with over 300 photographs. Simple materials and equipment are used to create a diverse range of wooden objects. It introduces an inspiring variety of contemporary work by leading craftspeople. Essential information for selecting and preparing wood is included, with details of the main hard- and softwoods, the tools and the basic techniques. For anyone who enjoys creative crafts, working with wood is a perfect medium for both practical and artistic purposes. This book introduces a variety of decorative wood techniques, that are used in 25 appealing projects, which range from a simple keepsake card in balsa wood requiring the minimum of equipment, a harlequin book end, and a sturdy five-piece bench constructed in hardwood parana pine. Other imaginative projects use found or dismantled wooden objects, such as the Mirror Frame with stair spindles or the Lamp Base made from orange boxes. Every project is designed to reveal the characteristic grain, natural shade and texture of the individual wood. Although to make a number of these projects you will need a drill and a jigsaw, many do not require elaborate power tools. Don't be put off by sophisticated techniques, but connect with this natural resource at the most basic level, enjoying its classic, natural simplicity.

Born in England into a unionist family, the artist Frances Georgiana Chenevix Trench became an ardent nationalist and quickly involved herself in the movement for Home Rule and political freedom in Dublin. Before the outbreak of the First World War, Cesca, as she was known, attended art school in Paris, where she associated with students from other small countries seeking freedom. Her passion for Ireland influenced her art, her love life, and her relations with her unionist family. Cesca's seven manuscript journals, originally written in Irish, English, and French, have been translated and set in the context of their times by Hilary Pyle. Heavily illustrated with her portrait sketches of friends and associates in the movement, as well as examples of her oil paintings and pastels, the book is a fascinating account of a young woman in early twentieth-century Ireland.

Canada's ceramists, tapestry weavers, and other craft artists are recognized amongst the world's finest artisans. "Craft Perception and Practice" celebrates the excellence of Canadian crafts by bringing together twenty-four essays and critical commentaries by sixteen independent critics and curators, professional artists, art historians, and studio art instructors. Highly readable texts by internationally published authors Glenn Allison, Amy Gogarty, Paula Gustafson, Paul Mathieu, Gil McElroy, and Anne McPherson--as well as by noted Canadian painter Mary Pratt--discuss the conceptual, social, and cultural significance of craft media, engage linguistic and feminist theories, and consider aspects of tactile, sensual, and tacit knowledge in the context of works by a distinguished group of Canadian craft artists that includes Prix Saidye Bronfman Award winners Steven Heinemann and L opold L. Foulem. The inaugural edition of a three-volume series, "Craft Perception and Practice" features substantive writing about contemporary Canadian craft presented at conferences, in national and international periodicals, and in exhibition catalogues during the past decade. Illustrated with 37 full-page colour photographs. Indexed.

"This important volume promises to provoke critical discussion on the personal, social, and aesthetic programs of artists who work in craft media."

--Dr. Stephen Inglis, Director General of Research, Canadian Museum of Civilization"

Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture. Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity. Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen - they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms. This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea's integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.

In this compilation of projects and plans from "Furniture & Cabinetmaking" magazine, veteran craftsman Mark Ripley puts 20 years' worth of practical tips, refreshing ideas, and innovative approaches on the page. The 24 fully-diagrammed and illustrated designs here offer something to furniture-makers of all abilities, from a simple dining-room table to the more complex breakfront bookcase. And these projects don't require a lavishly-equipped shop: each design requires little more than a bench, a small bandsaw, two or three portable power tools, and a basic kit of hand tools. Before diving into building plans, Ripley helps readers understand the basics of properly choosing materials and harmonizing the elements of furniture design.

Illuminating three centuries of European artistry and ingenuity, this volume in The Met’s acclaimed How to Read series provides a wide-ranging exploration of decorative arts from British writing tables to Russian snuffboxes Spanning three centuries of creativity, from the High Renaissance to the Industrial Revolution, this volume in The Met’s How to Read series provides a peek into daily lives across Europe—from England, Spain, and France to Germany, Denmark, and Russia. Featuring 40 exemplary objects, including furniture, tableware, utilitarian items, articles of personal adornment, devotional objects, and display pieces, this publication covers many aspects of European society and lifestyles, from the modest to the fabulously wealthy. The book considers the contributions of renowned masters, such as the Dutch cabinetmaker Jan van Mekeren and the Italian goldsmith Andrea Boucheron, as well as talented amateurs, among them the anonymous young Englishwoman who embroidered an enchanting chest with scenes from the Story of Esther. The works selected include both masterpieces and less familiar examples, some of them previously unpublished, and are discussed not only in light of their art-historical importance but also with regard to the social issues relevant to each, such as the impact of colonial slavery or the changing status of women artists. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

Over the past 30 years, research on archaeological textiles has developed into an important field of scientific study. It has greatly benefitted from interdisciplinary approaches, which combine the application of advanced technological knowledge to ethnographic, textual and experimental investigations. In exploring textiles and textile processing (such as production and exchange) in ancient societies, archaeologists with different types and quality of data have shared their knowledge, thus contributing to well-established methodology. In this book, the papers highlight how researchers have been challenged to adapt or modify these traditional and more recently developed analytical methods to enable extraction of comparable data from often recalcitrant assemblages. Furthermore, they have applied new perspectives and approaches to extend the focus on less investigated aspects and artefacts. The chapters embrace a broad geographical and chronological area, ranging from South America and Europe to Africa, and from the 11th millennium BC to the 1st millennium AD. Methodological considerations are explored through the medium of three different themes focusing on tools, textiles and fibres, and culture and identity. This volume constitutes a reflection on the status of current methodology and its applicability within the wider textile field. Moreover, it drives forward the methodological debates around textile research to generate new and stimulating conversations about the future of textile archaeology.

In contrast to much current scholarship on women and material culture which focuses primarily on women as consumers, this essay collection provides case studies of women who produced material objects. The essays collected here make an original contribution to material culture studies by focusing on women's social practices in relation to material culture. The essays as a whole are concerned with women's complex and active engagement with material culture in the various stages of the material object's life cycle, from design and production to consumption, use, and redeployment. Also, theorized and described are the ways in which women engaged in meaning making, identity formation, and commemoration through their manipulation of materials and techniques, ranging from taxidermy and shell work to collecting autographs and making scrapbooks. This volume takes as its object of investigation the overlooked and often despised categories of women's decorative and craft activities as sites of important cultural and social work. This volume is interdisciplinary with essays by art historians, social historians, literary critics, rhetoricians, and museum curators. The scope of the volume is international with essays on eighteenth-century German silhouettes, Australian aboriginal ritual practices, Brittany mourning rites, and Soviet-era recipes that provide a comparative framework for the majority of essays which focus on British and North American women who lived and worked in the long nineteenth century. This volume will appeal to a broad range of students and scholars in women's history, art history, cultural studies, museum studies, anthropology, cultural and social history, literature, rhetoric, and material culture studies.

You are invited to take a tour of nine renowned art glass studios located throughout the USA and across Canada. This book contains 96 colour photographs and 48 proposal drawings to create one of the most inspiring collections of designer glass ever assembled. Each studio is featured in an 8 page layout presenting colour photographs of spectacular installations and artist proposals. This book will be a valued addition to all art glass libraries and is essential for architects, interior designers, glass artists and everyone who appreciates beautiful glass.

The Art Of Chip Carving is an easy to follow, step-by-step guide to one of the world's most ancient and widely practiced forms of woodcarving. Anyone, from the completely inexperienced beginner to the veteran craftsperson, can learn to use simple, inexpensive tools and techniques to carve striking decorative designs in wood. Chip carving is an especially good introduction to working wood for the inexperienced because of its low cost-of-entry, and because it puts the most essential concepts of woodworking front and center: safety, precision, and how understanding the nature of the wood itself leads to successful results. This guide is loaded with the technical information you need to start chip carving-the few tools you need and how to sharpen them, how to select and prepare wood for carving, how to transfer carving patterns, how to carve safely and precisely, and how to read and understand wood grain. Clay also teaches the basics of good carving technique, provides step-by-step guidance through two practice boards to build your skills, and then walks you through ten beginner projects that allow you to put your skills to use. The Art Of Chip Carving goes beyond any other how-to manual by introducing techniques and projects for learning freehand carving, and how to use the simple shape-vocabulary of chip carving to create your own carving designs in the style of traditional European folk carvings.

Celebrate the splendor of wood with these wood-crafting projects. From simple woven panels to making a functional yurt, Woodland Craft features an array of easy-to-follow projects that include crafts for the farm, garden, wood fuel, building and domestic use. Green wood - wood that has been recently cut and is therefore still moisture-rich - is the predominant material used in the projects featured in this essential guide for craftsman of all levels. With Woodland Craft: you'll learn all you need to know about tools and devices, both old and new. you'll browse through the directory of tree species and identify the best uses for each. you'll gain the insight you need to make practically anything out of this clean, crisp, beautiful element. Includes 700 illustrations and photographs

The newly revised and expanded study of the world-renowned Finnish design company Artek Best known for the production of Aalto’s famous bentwood furniture, Artek was a multifaceted design company that created numerous innovative products. This extensively illustrated book is based on an extraordinary range of newly discovered archival materials that shed new light on Artek’s history. It looks at the close working relationship between Alvar Aalto and Aino Marsio-Aalto, and the critical roles they played in its establishment and development internationally. Reissued in hard cover and with an enlarged trim size, greater prominence is given to the more than 500 drawings and photographs, including a selection never-before published.  The addition of a chronology that traces the parallel history of Artek and the Aalto office offers an unprecedented understanding of the many projects they created together.  The original text received the 2018 Philip Johnson Award for outstanding exhibition catalogue by the Society of Architectural Historians. Distributed for the Bard Graduate Center and the Alvar Aalto Foundation

This is a new, revised edition of an essential book on pyrography. It offers updated with current work practices and an extended gallery of inspirational work from the very best pyrography artisans. It features 12 design projects that are presented in clear step-by-step process. This new revised edition of Stephen Poole's detailed guide to pyrography will be updated with some current work practices and an extended gallery of inspirational work from the very best pyrography artisans. Stephen's book comprehensively covers the subject from the history of the craft, materials and equipment required through to all the skills to create 'burnt wood art decoration'. Starting with basic tracing, Poole explores all the techniques to recreate lifelike textures and shading to conjure up inspiring images of nature, still-life and atmospheric scenes. The author gives indispensible instruction specifically on pyrography for woodturned objects and how to protect and finish the work. Projects include: rolling pin, wooden spoon, earrings, brooch, frame, key ring, jotter board, breadboard, cheese platter