The American photographer Francesca Woodman (1958–1981) created a body of fascinating photographic works in a few intense years before her premature death. Her oeuvre has been the object of numerous in-depth studies and major exhibitions in recent years, and her photographs have inspired artists all over the world. Woodman’s photographs explore gender, representation, sexuality and body. Her production includes several self-portraits, using herself and her friends as models. The figures are often placed behind furniture and other interior elements; occasionally, the images are blurred in such a way that their identity is hidden from the viewer. The intimate nature of the subject matter is enhanced by the small formats. Woodman worked in unusual settings such as derelict buildings, using mirrors and glass to evoke surrealist and occasionally claustrophobic moods. Moderna Museet will present some hundred photographs by Francesca Woodman, with a selection from the series and themes she explored. The exhibition is produced by Moderna Museet in association with Betty and George Woodman and the Estate of Francesca Woodman. Alongside this exhibition, Moderna Museet will present a compilation of photography from the same period from its collection, to show Francesca Woodman in context and expand the perspective on her oeuvre to the public.

With texts by Mark Sealy, Garry Hesse and Anne McNeil. In our unpredictable world there is one certainty upon which we can always rely; yet death, when it comes, is never easy. In this body of work, Max Handhola photographed his father in the final stages of cancer, taking serenely abstract images of blood, urine, hair, and ultimately even ash, which form a counterpoint to the haunting final photographs made at his father's bedside, including the moments just before and after death. An intensely personal, honest and moving narrative.

Mention Staffordshire to most people and they immediately think of a county dominated by heavy industry. While it certainly has a rich industrial heritage - with the Potteries in the north and the iron ore, limestone and coal of the Black Country in the south - there are many more treasures to discover. This north Midlands county has a wealth of natural beauty; sweeping hills and valleys shape its magnificent landscape, which includes moorland, heathland and the Staffordshire Peak District. In this book, professional photographer Noel Bennett captures Staffordshire's diverse and dramatic landscapes. From the cities of Lichfield, Stoke-on-Trent and Stafford to the scenic villages, and the industrial heritage to the breathtaking countryside, Staffordshire in Photographs is an exceptional portrait of the county by a photographer who knows it well. Readers will discover the endless variety of scenery, the hidden delights and the well-loved places that make Staffordshire special.

'They're Not Pets, Susan, ' says a stern father who has just shot a bumblebee, its wings sparkling in the evening sunlight; a lone office worker, less than an inch high, looks out over the river in his lunch break, 'Dreaming of Packing it all In'; and a tiny couple share a 'Last Kiss' against the soft neon lights of the city at midnight.

Mixing sharp humour with a delicious edge of melancholy, "Little People in the City" brings together the collected photographs of Slinkachu, a street-artist who for several years has been leaving little hand-painted people in the bustling city to fend for themselves, waiting to be discovered. . .

'Oddly enough, even when you know they are just hand-painted figurines, you can't help but feel that their plights convey something of our own fears about being lost and vulnerable in a big, bad city.' "The Times"

"A new photobook recalls the crucial but often overlooked role played by women in the Black Panther party" - The Guardian "... I guarantee this book will give you a new respect for a generation of women militants." - Socialist Worker "Comrade Sisters pairs Stephen's intimate, incisive, and inspiring portraits and documentary photographs with testimonies from many surviving members and their kin." - i-D France Many of us have heard these three words: Black Panther Party. Some know the Party's history as a movement for the social, political, economic and spiritual upliftment of Black and indigenous people of colour - but to this day, few know the story of the backbone of the Party: the women. It's estimated that six out of ten Panther Party members were women. While these remarkable women of all ages and diverse backgrounds were regularly making headlines agitating, protesting, and organising, off-stage these same women were building communities and enacting social justice, providing food, housing, education, healthcare, and more. Comrade Sisters is their story. The book combines photos by Stephen Shames, who at the time was a 20-year-old college student at Berkeley. With the complete trust of the Black Panther Party, Shames took intimate, behind-the-scenes photographs that fully portrayed Party members' lives. This marks his third photo book about the Black Panthers and includes many never before published images. Ericka Huggins, an early Party member and leader along with Bobby Seale and Huey Newton, has written a moving text, sharing what drew so many women to the Party and focusing on their monumental work on behalf of the most vulnerable citizens. Most importantly, the book includes contributions from over 50 former women members - some well-known, others not - who vividly recall their personal experiences from that time. Other texts include a foreword by Angela Davis and an afterword by Alicia Garza. All Power to the People.

To celebrate the centennial of America's National Park Service, Picturing America's National Parks brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America's National Parks have been enjoyed through photographs for over 150 years. This book traces that his - tory and delights readers with stunning photographs of the best American landscapes. An informative essay from curator Jamie M. Allen unfolds the role of photography in promoting America's national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America's National Parks and pays homage to a practice that has defined the way we see America, particularly the American West.