Every culture likes to party. Traditional celebrations, whether the Hindu Holi Festival or the Japanese Cherry Blossom Festival, have travelled beyond their origins to become international phenomena. Whether seasonal or religious, such holidays represent the human need for authentic experience, direct encounter, and a sense of time or the spiritual. This volume leads readers back to the roots of these annual events and festivals, exploring their history, meanings, and evolutions. With vibrant photographs as well as practical information on each featured event, it's a captivating journey of cultural exploration and joie de vivre. Text in English and German.

In 1984 Sebastiao Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, "Sahel: The End of the Road" is still painfully relevant. Born in Brazil in 1944, Sebastiao Salgado studied economics in Sao Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. 'The planet remains divided,' Salgado explains. 'The first world in a crisis of excess, the third world in a crisis of need.' This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work.

Capturing Japan in Nineteenth-Century New England Photography Collections examines the evidence left behind from a famous first encounter-that of prominent New England Americans with the remnants of feudal Japan in the 1870s and 1880s. The study reveals that, despite these Americans' varied reasons for traveling to Japan and studying its culture, a common desire united all of their collecting activities: to gather photographic documentation of a Japan they believed was disappearing under the pressures of trade and industrialization. Eleanor Hight focuses on the case studies of six New Englanders, whose travel and photograph collecting influenced the flowering of Japonism in the late nineteenth-century Boston area-still visible today in institutions such as the Boston Museum of Fine Arts, the Peabody Essex Museum, and the Isabella Stewart Gardner Museum. The book also explores the history of Japanese photography and its main themes, from images of travel and historic sites, to exotic subjects such as geisha and samurai. The first history of its kind, this study makes fundamental points about the ways photographs, seeming conveyors of fact, imprint mental images and suppositions on their viewers.

Nominated for World Press Photo and a finalist for the Gran Prix Fotofestival, in The Observation of Trifles the Madrid-born photographer Carlos Alba suggests a unique, random guide through the conventionalisms of a London seen through objects found on its streets. This London is a far cry from postcards and is defined by both these everyday objects (which are therefore forgotten in the routine) and the look of the people that Alba photographed in the neighbourhoods of Hackney and Tower Hamlets, which make up a panoply of stories which may be analytical or superficial but are always poetic.

Newport, Rhode Island, nicknamed "the Queen of Resorts," has been celebrated in beautiful postcard portrayals for over a hundred years. Today, these vintage cards illuminate the glories of the Gilded Age, when huge mansions or "cottages" built by competing industrialists blossomed along Bellevue Avenue and the Cliff Walk, turning a once-quiet New England watering hole into the apex of nouveau riche destinations. This updated and expanded second edition features over 200 period images of the mansions, the beautiful beaches, and the shopping areas where the Newport Summer Colony gathered to do what they did best: spend money. See how Newport was forever changed by the prolific growth of "cottages" during the late nineteenth century. Today, many of these testaments to power and wealth are house museums, where thousands visit annually to see firsthand how the rich and famous lived. Includes a guide to postcard values and collector tips.

Playing cards that feature beautiful hummingbird photography This gorgeous deck of playing cards, put together by award-winning nature photographer Stan Tekiela, features 54 striking photographs of North America's hummingbirds, including the Ruby-throated, Black-chinned and Rufous hummingbirds. Anyone who appreciates birds will love having these cards for playing their favorite games.

To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the early history of photography. The fifteen daguerreotypes―made in 1850 by photographer Joseph T. Zealy―portray Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, men and women of African descent who were enslaved in South Carolina. Since 1976, when the daguerreotypes were rediscovered at Harvard University’s Peabody Museum, the photographs have been the subject of intense and widespread study. To Make Their Own Way in the World features essays by prominent scholars who explore everything from the photographs’ historical context and the "science” of race to the ways in which photography created a visual narrative of slavery and its effects. Multidisciplinary, deeply collaborative, and with more than two hundred illustrations, including new photography by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent contemporary inquiry.

People have always found respite at the beach. The sun, sand, and surf are an alluring cure for cabin fever, an activity as much as an escape. Using pinhole photography, art photographer Phillip Lehans captured five empty East Hampton beaches while people were isolating during the pandemic. His medium -- slow, old-school, and distant -- proved fitting for the times, and his panoramic images evoke the serenity we dream of at the beach. Using a wooden camera with a manual shutter, his prolonged exposures create an ethereal atmosphere, awash in pastels and reminiscent of watercolour paintings. Every subtlety of nature is recorded: a brisk wind pushes clouds across the sky, creating smooth streaks of white and pastel, while the tides render the ocean in creamy tranquillity. In these infinite variations we are reminded of the cycles of nature, the course of time, and the optimism of tomorrow.

This title is an illustrated record of cave and cliff structures built by people in Lesotho and South Africa. It documents a variety of structures built in caves or in the shelter of cliffs, as well as the people who inhabit/inhabited them. The latter include/d: Nguni and Sotho subsistence farmers, initiates, herbalists and traditional healers; European priests; European farmers; and holiday makers and hikers. The title's topic is unique, and it features some very unusual and interesting structures and people, many of them very colourful. It has a strong African heritage component and it is anticipated that it will appeal not only to southern African people interested in African architecture and ethnography, but also to tourists interested in African cultures. This title is primarily a photographic record of some of these structures and the people who once inhabited, or who still inhabit them.

A tribute to the life and work of one of the great musical icons of the twentieth century, reflected through the lenses of the world's greatest photographers. Published to coincide with the fiftieth anniversary of the release in 1964 of her groundbreaking debut single "As Tears Go By," this is the definitive book on Faithfull, one of the most beloved singers of the twentieth century. As a folk singer in London, Marianne Faithfull was discovered in a coffeehouse in 1964 by the manager of the Rolling Stones. Over the five decades since, her work as a musician, her performances as an actress on stage and screen, and her presence as an icon of style have made Faithfull an undisputed icon of pop culture. Edited by the artist herself, with accompanying handwritten captions, this book represents a personal collection of images that tell the stories of her life--from her explosive success in London in the 1960s and her infamous relationships with Mick Jagger and the Rolling Stones, to her rise as an actress and her collaborations with artists as diverse as David Bowie and Nick Cave. Including never-before-seen snapshots from Faithfull's collection, specially commissioned photographs of her home in Paris, and iconic images by many of the world's best-known photographers--Steven Meisel, David Bailey, and Anton Corbijn, among many others--this is a revealing celebration of an extraordinary life in popular culture.

Like its predecessors, "Once Upon a Time" and "A Place in the Sun", "Poolside with Slim Aarons" offers images of jet-setters and the wealthy, of beautiful, glittering people living the glamorous life. Yet this new collection of stunning photographs of the rich and well-connected 'doing attractive things' in their favourite playgrounds has a new twist. The main character is pools and everything that goes with them - magnificent, suntanned bodies, well-oiled skin, bikini-clad women, yachts, summer cocktails, sumptuous buffets, spectacular locations and most of all fun. "Poolside with Slim Aarons" is not so much a Who's Who of society, aristocracy and celebrity - although C. Z. Guest, Lily Pulitzer, Cheryl Tiegs, Peter Beard and many who have appeared in the previous books are here - as it is about leisure time and how the rich make use of it. This is a more intimate peek into very private lives, to which Slim Aarons was given unprecedented access in the fifties, sixties, seventies and eighties. From the Caribbean to Italy and Mexico to Monaco, "Poolside with Slim Aarons" whisks the reader away to an exclusive club where taste, style, luxury and grandeur prevail.

Occasionally, some notably historic piece of Americana--artifacts, photographs, or written materia--turns up from forgotten storage. Such is the case with the 155 pristine negatives printed in Pawnee Bill's Historic Wild West. They were taken while the show was on tour between 1900 and 1905 by cowboy/amateur photographer Harry Bock. This is truly a photo documentary without parallel and offers western, historical, and tent show buffs a visual look back in time with exceptional detail and clarity. These images of the hand-carved wagons, tents, midway crowds, Indians, cowboys, cowgirls, equipment, and buffalo are accompanied by the carefully researched story of the adventure-filled life of Major Gordon W. Lillie/Pawnee Bill--buffalo hunter, plains scout, White Chief of the Pawnees, Wild West showman, land boomer, oilman, banker, conservationist. The photographer, "Buckskin Harry" Bock, another frontier pioneer and cowboy/carpenter, worked many years for Pawnee Bill until becoming a Baptist missionary to the Pawnee Indians. Together their lives provide a fascinating background to accompany this visual close-up look at a period in life that is gone forever--the Wild West show of the early 1900s--the forerunner of our modern rodeo. Pawnee Bill's Historic Wild West belongs in all museum and collectors' libraries.

"It is often said that great things take time and after a twelve year hiatus from publishing, renowned artist Swoon has returned with the must-have monograph, THE RED SKEIN." — Quiet Lunch In 224 pages, with more than 200 colour images, this book explores the work of Caledonia Curry, also known as Swoon, and her aim “to bring a human presence to the street in a delicate way�. Covering her works on the street and in the studio, animation projects, collaborations, museum installations and community-based projects, The Red Skein is the most interesting and valuable collection of the artist’s works. Of particular interest is “Persephone, Medea, Hecate: Constructing a crossroads for art and psychedelic-assisted therapy�, an intimate and moving text in which Caledonia explains her background and what art means for her. The in-depth book includes an introduction by bestselling author Dr Gabor Mate, a Hungarian physician with huge expertise on a range of topics including addiction, stress, and childhood development. There are also essays by RJ Rushmore (one of the youngest and most respected critics of street and graffiti art in the world), Melena Ryzik (New York Times reporter who was part of a team that won a Pulitzer Prize in 2018 for reporting on workplace sexual harassment), Jerry Saltz (American art critic, senior art critic for The Village Voice and columnist for New York magazine) and Pedro Alonzo (Boston-based independent curator and Adjunct Curator at Dallas Contemporary). Other contributors include Hans Ulrich Obrist (director of Serpentine Gallery, Art curator, critic and historian of art), Jeffrey Deitch (art dealer and curator, director of the Moca 2010-2013) and Judy Chicago (feminist artist, art educator and writer).

In the Arena profiles 34 American leaders who captured their party's nomination for the presidency, but never reached the Oval Office. Author Peter Shea tells of the rise, early career, campaign and later achievements of historical giants like Aaron Burr and Henry Clay, up through modern candidates Mitt Romney and Hillary Clinton. A foreword by 1988 candidate Michael Dukakis gives readers more personal insight into what it's like to run for one of the most powerful positions in the world - and come up short. Photos of monuments and other memorials accompany each subject, along with campaign memorabilia, illustrating the legacy many of these candidates left behind after relinquishing their dreams of serving as President of the United States. In a speech that gave the book its name, President Theodore Roosevelt gave ultimate credit "to the man who is actually in the arena...who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat." In the Arena honors, in words and pictures, their courage and sacrifices.

R.J. (Ron) Buckley's photographs show the changing locomotive scene taking place throughout the counties of Northumberland, Durham and Yorkshire, illustrating from the later 1930s those pre-grouping classes that were still working. These included the work of such well known designers as Wilson Wordsell and Vincent Raven of the North Eastern railway, John Aspinall of the Lancashire and Yorkshire railway and Samuel Johnson and Henry Fowler of the Midland Railway. Ron's later photographs, from 1946 onwards, continue to show remaining working pre-grouping locomotives and also portray the newer designs of William Stanier, Charles Fairburn, Edward Thompson and Arthur Peppercorn, as well as standard examples designed under Robert Riddles.

Play draws exclusively on Rankin s archive of photographs of the biggest names in contemporary music from the rock gods who shaped our musical landscape to the British Invasion of the 1990s and the American superstars who mix music and production to define what the record industry is today. Divided by theme Heroes and Girl Gangs and Boy Bands, Cool Britannia and My Generation Play collects almost two hundred of Rankin s favorite images of the most influential artists of the last three decades, from David Bowie and Elton John to Pharrell, the Spice Girls, Grimes, and Bjork. Alongside his photos are anecdotes from Rankin and the artists themselves on the reciprocal relationship between photographer and subject and between the star power of pop music and the iconography of fashion.

Movements, Motions, Moments shows how African Americans have negotiated their participation and engagement in religious spaces. The book is divided into three sections—Movements, Motions, and Moments. Images of figures including Rev. Henry Highland Garnett, Noble Drew Ali, Father Divine, Prophet Elijah Muhammad, Rev. Dr. Martin Luther King Jr., Rev. Pauli Murray, Bishop Myokei Cain-Barrett, and others are depicted next to photographs of religious celebrations, ritual practices, and individual moments of faith and spirituality. Photographers include Lola Flash, Chester Higgins, Jason Miccolo Johnson, Jeanne Moutoussamy-Ashe, Kenneth Royster, James Van Der Zee, Milton Williams, Lloyd W. Yearwood, and others. Photographs in this volume range from the nineteenth, twentieth, and twenty-first centuries and include religious traditions such as Christianity, Islam, Judaism, African indigenous, non-secular, and other religious traditions (Humanism, Atheism, Spiritualism, and others). It also includes photography capturing contemporary events and movements including Black Lives Matter and the global pandemic.

**THE INSTANT NEW YORK TIMES BESTSELLER** Veteran style journalist Elizabeth Holmes expands her popular Instagram series, So Many Thoughts, into a nuanced look at the fashion and branding of the four most influential members of the British Royal Family: Queen Elizabeth II; Diana, Princess of Wales; Catherine, The Duchess of Cambridge; and Meghan, The Duchess of Sussex. Kate Middleton and Meghan Markle are global style icons, their every fashion choice chronicled and celebrated. With all eyes on them, the duchesses select clothes that send a message about their values, interests, and priorities. Their thoughtful sartorial strategies follow in the footsteps of Queen Elizabeth II and Diana, Princess of Wales, two towering figures known for using their personal style to great acclaim. With one section devoted to each woman, HRH is a celebration of their stories and their style, pairing hundreds of gorgeous photographs with extensive research. A picture emerges of the British monarchy's evolution and the power of royal fashion, showing there's always more than what meets the eye.

Dreamscapes is a stunning collection of over fifty of the world's most beautiful gardens from across the globe, photographed by internationally renowned and awarded photographer Claire Takacs. Dreamscapes includes many gardens designed by famous designers such as Piet Oudolf, Paul Bangay, and Spanish designer Fernando Martos among others, with photographed locations including Australia, New Zealand, UK, USA, Europe and Asia. This book will astound and delight you with the diversity and creativity of the gardens featured, all portrayed at that rare moment when they are at their most stunning. Iconic gardens included are the stunning Welsh garden Dyffyryn Fernant, Australia's Cloudehill, Martha Stewart's private garden, the beautiful Edwardian idyll of Bryan's Ground in Herefordshire, the former home of Vita Sackville-West, Long Barn in Kent, the naturalistic French garden of Le Jardin Plume in Normandy, Hermannshof in Germany at the forefront of planting design, and Kenfokuen one of Japan's most beautiful public gardens.

Stunning photographs of Soviet Metro Stations from across the former states of the USSR and Russia itself, many of which have never previously been documented For us, said Nikita Khrushchev in his memoirs, 'there was something supernatural about the Metro'. Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork - a fusion of sculpture, architecture and art, combining Byzantine, medieval, baroque and Constructivist ideas and infusing them with the notion that Communism would mean a 'communal luxury' for all. Today these astonishing spaces remain the closest realisation of a Soviet utopia. Following his best-selling quest for Soviet Bus Stops, Christopher Herwig has completed a subterranean expedition - photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures individual elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine build an unforgettably vivid map of the Soviet Metro. The photographs are introduced by leading architecture, politics and culture author and journalist Owen Hatherley.

This is a collection of exceptional images from past years of the Wildlife Photographer of the Year competition - the most famous and prestigious event of its kind in the world. Each portrait captures an intimate moment and reveals the character of both the individual and often of the species itself. Such images require both photographic skill and an intimacy with the subject that comes from spending long periods in the field. They have been taken by more than 50 award-winning photographers worldwide representing more than 20 countries.