"Hijacked 2" is an expansive photographic anthology that compels us to consider two socially divergent and disparate photographic nations. Germany and Australia are juxtaposed to stimulate conversation, suggesting connection and inviting deconstruction. "Hijacked 2" showcases the diverse talents and perspectives of thirty-two contemporary German and Australian photographers.

Features the work of such artists as Narelle Autio, James Brickwood, Michael Corridore, Andrew Cowen, Tamara Dean, Suzie Fox, Lee Grant, Derek Henderson, Ingvar Kenne, Bronek Kozka, Conor O'Brien, Polixeni Papapetrou, Johanna Ahlert, Jorg Bruggemann, Thekla Ehling, Albrecht Fuchs, Jan v. Holleben, Karsten Kronas, Anne Lass, Jens Liebchen, Oliver Sieber, Ivonne Thein, Olaf Unverzart, Sascha Weidner, and more.

?????? Alixandra Fazzina has followed the desperate exodus of Somalians excaping the violence of their Country, thorned by a ferocious civil war now in its seventeenth year. She captures their voyage from both sides of the water; from the established smuggling routes out of Somalia, to the migrants' subsequent fate as they arrive in Yemen. Many, however, do not make it this far. ??????Life in this volatile region is so cheap, that people are willing to bet everything for just $50- one million Somali shillings. ?????? Risking capsizing, or robbery, rape and violent attack by the smugglers themselves, the refugees face just a one in twenty chance of making it across alive. ?????? Despite the risks, tens of thousands each year take their chances at sea rather than stare death in the face at home.

The Theatre of Apparitions is a highly anticipated body of work by one of the most original image-makers of our times, whose remarkable artistic trajectory spans the past 40 years. This book is the culmination of his ongoing study of the connections between photography, drawing, the mind and the body. Created between the years 2004 and 2008, these 90-odd black-and-white images encourage viewers to delve deep into the darkest part of their psyches. The images in this new monograph were inspired by the simple act of drawing on windows - a practice that Ballen observed first-hand in many communities. From there, he started to experiment using different spray paints on glass and then `drawing on' or removing the paint with a sharp object to let natural light through. Finally, he photographed the results with a macro lens using black-and-white film. These black, dimensionless spaces effectively operate as canvases onto which Ballen projects pictorially his thoughts and emotions, creating, in effect, a theatre of the mind. The plates are separated into seven chapters or `acts', with each one introduced by a text written by Ballen himself. Carving out a realm that is both earthly and otherworldly, physical and spiritual, his work transcends all traditional concepts of photography.

"The photographs of William Claxton define the essence of cool." - Jason Ankeny (AllMusic) "Claxton's innovative choices and airy style, which he called 'jazz for your eyes', worked sublimely to document and promote the rise of trumpeter and singer Chet Baker, especially." - Howard Mandel Born in Pasadena, California, photographer William Claxton (1927-2008) is best known for his dozens of splendid portraits of jazz stars (especially those of Chet Baker, of whom he made the first professional photos) and Hollywood stars (such as his friend Steve McQueen). In 1952, while shooting Gerry Mulligan and Chet Baker at the Haig Club, he met Richard Bock, founder of Pacific Jazz, who quickly hired him as art director and house photographer. During his time at the label, Claxton snapped and designed album covers at a rate of roughly one per week, in the process establishing the visual identity of the West Coast jazz movement. Where previous jazz photographers captured their subjects in the dark, smoky environs of nightclubs, Claxton capitalised on the sun and surf of southern California, posing artists in unorthodox outdoor settings to represent a new era in the music's continued evolution. Claxton's images graced the covers of numerous music albums, and his work regularly appeared in such magazines as Life, Paris Match and Vogue. Claxton wrote 13 books, held dozens of exhibitions of his photographs around the world, and won numerous photography awards. This book presents a selection of more than 150 superb images by the great photographer. Among the multiple artists portrayed are Louis Armstrong, Chet Baker, Art Blakey, Clifford Brown, Dave Brubeck, Ray Charles, Ornette Coleman, John Coltrane, Miles Davis, Bill Evans, Stan Getz, Billie Holiday, Antonio Carlos Jobim, Charles Mingus, Thelonious Monk, Wes Montgomery, Lee Morgan, Art Pepper, Sonny Rollins, Dinah Washington, and Muddy Waters. Text in English, with an introduction in English, French and Spanish.

Introduction by Jonathan MontaldoForeword by Brother Patrick Hart, OCSO

For twenty-seven years, renowned and beloved monk Thomas Merton (1915-1968) belonged to Our Lady of Gethsemani, a Trappist monastery established in 1848 amid the hills and valleys near Bardstown, Kentucky. In Thomas Merton's Gethsemani, dramatic black-and-white photographs by Harry L. Hinkle and artful text by Merton scholar Monica Weis converge in a unique experience for lovers of Merton.

Hinkle was allowed unprecedented access to many areas inside the monastery and on its grounds that are generally restricted. His photographs invite the reader to experience the various knobs, lakes, woods, and hermitages Merton sought out for times of solitude and contemplation and for reading and writing. These unique images, each accompanied by a passage from Merton's writings, evoke personal reflection and a deeper understanding of how and why Merton came to recognize himself as a part of his Kentucky landscape.

Woven throughout the book, Weis's text explores Merton's fascination with nature not only at Gethsemani, but during his early childhood, throughout his spiritual conversion to Roman Catholicism, and while a member of the Trappist community. She examines how Merton's lifelong interaction with nature subtly revealed and informed his profound spiritual experiences and his writing about contemplation. Thomas Merton's Gethsemani replicates Merton's path on his solitary hikes in the woods and conveys the wonder of the landscapes that inspired him.

This is a story of two brothers, Geoffrey and Bevis, and their exquisite gardens, Brief and Lunuganga, set in the lush tropical landscape of Sri Lanka. It begins with a largely photographic overview of the country's natural features, showing the varied palette of landscapes that inspired Bawa's sensitive treatment of architecture. At the very heart of the book is an intimate portrait of two gloriously detailed gardens and the personalities that brought them into being. But it is also a story about the nature and landscape of an island of exceptional beauty. As such, the book has something to offer followers of Geoffrey Bawa, tropical-garden enthusiasts and to all those seeking a photographic portrait of Sri Lanka.