Cumberland Island is the largest and most beloved of the Georgia barrier islands. Although it can be reached only by boat, more than forty thousand people make the trip each year to enjoy the island's natural splendor and solitude. As on most barrier islands, human activity has long been a shaping force on Cumberland. It is among the few islands, however, that we have let return to a relatively natural state. With its expansive oceanfront beaches, dunes, interior maritime forests, freshwater ponds, tidal creeks, and salt marshes, Cumberland Island is all the more special for its restored natural environment. In The Seasons of Cumberland Island, naturalist and photographer Fred Whitehead captures the unique allure of the island's flora and fauna in 118 stunning full-color photographs. Moving through seasons punctuated by the comings and goings of such animals as the migratory birds that pass through in autumn and spring and the loggerhead turtles that nest here in summer, the photographs reveal the subtle but important effect of cyclical change on the island's ecosystems. The lush color images, which are often paired with detailed captions, include spectacular views of muscadine vines and Virginia creeper in autumn, a prowling bobcat in winter, a nest of pileated woodpeckers in the spring, and a green tree frog announcing an impending summer rain shower. Featuring an introduction on the importance of the complex ecosystems of barrier islands like Cumberland, the book informs as it enchants. Here is a stunning tribute to Cumberland's sublime treasures that also serves as a thoughtful reminder to respect and protect the wildness of our barrier islands.

The photographic journey begins in the streets of Jo'burg in the late 1970's and ends in the rural and desert landscapes of the millennium. It is not a political A to Z or a documentary of our political past, but an observation of the lives of ordinary people and their daily survival choices as they have struggled and overcome the limiting circumstances of their lives - or simply reflected the tenor of their times. Most of the images are unpublished because they were taken in a time when there was no space for the ordinary. They 'fell through the cracks' because they were often considered too 'off beat' to make it. These photographs capture glimpses of life between the cracks before, after and while the political wheel was turning. They are about how people try to survive in so many different and extraordinary ways and the survival choices they make under often extreme conditions of hardship how they reflected themselves and how I absorbed their reflections, how they danced with reality, made light in the dark spaces, embraced each other at great risk.

Lee Miller, 1927 - New York: A classically beautiful young woman, she is discovered by Conde Nast, hits the cover of Vogue and is immortalized by Steichen, Hoyningen-Huene, Horst and other famous photographers. Lee Miller, 1929 - Paris: Protege and lover of Man Ray, she invents with him the solarization technique of photography, develops into a brilliant Surrealist photographer, and plays the statue in Cocteau's film Blood of a Poet. Lee Miller, 1939-45 - Europe: Living at times with her future husband, the painter Roland Penrose, she becomes a US war correspondent and covers the siege of St Malo and the liberation of Paris. Her photographs of Dachau concentration camp shock the world. These are but three of the many lives of Lee Miller, intimately recorded here by her son, Antony Penrose. Featuring a selection of her finest work, including portraits of her friends Picasso, Ernst and Miro, Penrose's tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived. With 116 illustrations

To be a skateboarder today is a much different experience than it was for much of the 1990s. The photographs, quotes, and anecdotal text in '93 til captures a time in skateboarding when making a liveable income as a professional skater was a luxury and public understanding of skateboarding was at an all-time low. It was a time when skateboarding was searching for an identity, a time before Instagram and big corporate influences. Street skating was coming of age, testing its limitations and aligning itself with a new and innovative style of hip-hop culture that was emerging. Looking back, many skaters today feel as though the '90s were the golden years of skateboarding. '93 til is a captivating portal into a decade and a culture that is remembered with warmth and nostalgia. Much of the photography that Pete has unearthed for '93 til was buried in boxes for close to two decades and has never been seen or published before. The 250-page book also contains several timeless images from his years shooting for SLAP and Transworld Skateboarding Magazine that will be familiar to the initiated. In addition to his stunning action shots are plenty of portraits and unguarded, candid moments that span from the late '80s up through 2004. The book reveals a raw, unapologetic perspective of a world that no longer exists. Also included in the book alongside Pete's imagery are quotes and anecdotes from legends like Tony Hawk, Arto Saari, Jamie Thomas, Guy Mariano, Nyjah Huston, Geoff Rowley, Stevie Williams and others.

Elinor De Wire has been writing about lighthouses and their keepers since 1972. During that time she found that hundreds of lighthouse animals wandered into her research notes and photo collection. This book is the story of all these cold-nosed, whiskered, wooly, hoofed, horned, slithery, buzzing, feathered, and finned keepers of the lights. Where else would a dog learn to ring a fogbell; a cat go swimming and catch a fish for its supper; or a parrot cuss the storm winds rattling its cage? Who other than a lightkeeper would swim a cow home, tame a baby seal, adopt an orphan alligator, send messages via carrier pigeons, or imagine mermaids coming to visit? The Lightkeepers' Menagerie gathers together animal stories from lighthouses all around the world, tales of happiness and sadness, courage and cowardice, tragedy and comedy, even absurdity. Sometimes, fur, feathers, and fins tell the best tales.