Dialogues in Space: Process and Ideas in the work of Wendell Burnette Architects is the first multi-project monograph on this American architects selective body of work. The title alludes to the architects view that architecture is a constructed conversation between people, things and time. Six singular projects from the architects oeuvre are presented in-depth through the architects' own words, drawings and photography. Also included is a comprehensive essay by the celebrated architectural writer / critic Robert McCarter entitled Crafting Space: Composition and Construction in the Architecture of Wendell Burnette that examines the "thinking and making" process behind the built and un-built work across 15 years of practice. The different typologies of the work explores authentic human experience through provocative spatial constructions - public and private in diverse locales - that attempt to promote an expansive dialogue with our places, our environment, our communities, ourselves, and our time. Through extensive research into the 'art of building' - the specificity of place and locally appropriate construction systems, materials, craft, and their infinite capacity to transcend mere construction, the work strives toward an architecture that is at once functional and poetic.

When we think about what home is, many of us would say a house that is soulful and welcoming, a place with an inviting porch and a lush garden, a welcoming entryway and well-crafted living spaces that will nurture our private moments and expand to welcome guests. In this alluring new book, Keith Summerour shares nine houses, exploring their architecture, interiors, and grounds, to illustrate a new idea of home. Reinterpreting and making new his own Southern legacy that speaks both of aristocratic charm and homespun appeal, these homes range from rustic retreats that draw their power from the land to elegant manor houses, but all share extraordinary character and charm that nod to history while reflecting the way people wish to live in the world today. Enriched by the work of some of the top interior decorators working today, including Beth Webb, Barbara Westbrook, Circa Interiors, and Liza Bryan, as well as world-renowned landscape designers Jeremy Smearman and John Howard, and beautifully illustrated with all-new photography, Creating Home is the ultimate dream book.

Dirigido especialmente a estudiantes y maestros de las carreras de ingeniería topográfica e ingeniería civil, este libro ofrece un amplio panorama, que va de lo más simple a lo más complejo en materia de topografía. A través de la presentación de problemas, preguntas y respuestas, el autor ha desarrollado un manual destinado a la comprensión del tema por parte de estudiantes y profesores.

This book offers a scholarly guide to the tangible and intangible heritage of the 19th- and 20th-century district of Downtown Cairo. For the first time, a detailed survey is presented of the architectural plans and typologies of Downtown Cairo's apartment buildings. Linking the apartments to their inhabitants' memories and stories, this book maps changes over time in how space was used in Cairo. In doing so, it illuminates some of the workings behind changes in Cairo's society. The book contains thirty-eight building profiles with technical and historical descriptions; they are organised in chronological order to give a panorama of the developmental history of Downtown architecture. Interspersed short texts provide insider glimpses into specific aspects of Downtown, such as historical backgrounds, narratives of private spaces, and observations on particular architectural phenomena. The buildings featured are connected through an overview map with five walking tours for navigating and discovering Downtown: the Dolce Vita tour includes cinemas, bars, cafes, and the homes of the stars of yesterday and today; the romantic tour explores buildings with elaborate staircases, interesting balconies, and fascinating architectural details; the modernist tour surveys striking buildings with clear lines and modern shapes; the urban context tour points out buildings with a special relation to their urban context. Finally our best-of guide leads the readers to the authors' favourite buildings, as their personal declaration of love to the inhabitants and the buildings of Downtown Cairo.

For some time now, school buildings have represented an important field in architecture, and there is an enduring interest in the challenges this design task presents. This publication explains in eleven chapters the central parameters for this architectural typology: The role of the school in the community or neighborhood, questions of sustainability, flexible spaces for learning, the role of furniture, participation in the design process, learning outside the classroom, landscape design, opportunities and challenges of special schools, and the role of new pedagogical concepts. Each theme is thoroughly investigated and illustrated with numerous buildings presenting model solutions for specific problems or aspects.

American Architects and the Single-Family Home explains how a small group of architects started the Architects' Small House Service Bureau in 1919 and changed the course of twentieth-century residential design for the better. Concepts and principles they developed related to public spaces, private spaces, and service spaces for living; details about the books they published to promote good design; as well as new essays from contemporary practitioners will inspire your own designs. More than 200 black and white images.

A showcase of sustainable living in prefab, solar, mobile and modular houses.

In this book, architect Ana Maria Alvarez presents an array of the world's best sustainable residential architecture. Studying houses in many countries, she provides photographs, floor plans and elevations, mechanical schematics showing water and air circulation, and more to reveal how even the smallest home can be sustainable, functional and beautiful.

Each of the homes is examined in numerous spreads over 400 inspirational pages. The homes range in style, setting, cost, and in some cases, purpose.

For example, the entirely self-sufficient Solar Active House was assembled on site of prefab pine panels and 263.7 sq ft of photovoltaic modules that produce all the energy it consumes. Triple pane insulation and heat recovery systems reduce temperature, and windows open automatically when there is a lack of oxygen or excess interior moisture. Shutters provide protection from heat and create a second layer of insulation, cooling in summer and warming in winter.

The Sunset Cabin (323 sq ft/30 m2) is set in a mixed wood on an Ontario lakeside and has one bedroom and one washroom. Its plywood and cedar frame and pine walls were built in a month in a city lot in Toronto. It then took just 10 days to dismantle the structure, sort the pieces and reassemble the house overlooking Lake Simcoe. Two reinforced steel beams over four concrete pylons lift the house off the ground for a good view of stunning lake sunsets.

The Study Box/Read-Nest is a petite (105 sq ft. /9.8 m2) mobile 1-bedroom hideaway perched on adjustable pylons. For easy and inexpensive mobility the factory timber frame and wood slat walls are easy to disassemble and re-assemble. Designed as a hideaway for reading, sleeping or simply relaxing, the Study Box has tons of shelving and, if needed, a foldable bed perfectly situated under a skylight.

Surveying original homes from around the world, "Sustainable Residential Architecture" is an exceptional resource, reference and book of inspiration for architects, designers, homeowners, and contractors. For all who seek to live with less cost to the environment, this gorgeous book will both inform and delight.

Early nomadic shelters, including caves, animal skin tents, and igloos, were used for protection against wind, rain, snow, sunlight, and other forces of nature. These basic homes also provided defence against predators and were used to store a few important possessions. They were temporary, and proximity to a water source was of prime importance. For hunters and gatherers, shelter was an important aspect of survival. Health and comfort were not yet under consideration. As civilisation evolved, housing became more permanent, with increasing attention to well-being. The housing and utilities available in rich countries are vastly different from those in poorer settings. Unlike in industrialised countries where piped-in water, indoor toilets, and sewage systems are the norm, in the developing world these facilities are often not available. Waterborne enteric diseases, preventable by the supply of safe water, hand washing, and appropriate sanitation, continue to be a major disease burden in poor countries. Vector-borne diseases that can be controlled by screening and other barrier methods also remain an important health problem. Safe, comfortable, and healthy homes are an essential requisite for healthy living around the world, irrespective of culture or socio-economic status. Throughout the tropics there is a huge diversity in house design and use of building supplies based on centuries of indigenous experience, customs, and availability of local resources for construction. These differences in building style and materials affect the indoor conditions and comfort of occupants, which in turn influence the occupants' exposure to certain infectious diseases. In this book the authors describe the architectural designs and materials of rural houses in two countries in Asia (Thailand, Philippines) and two in Africa (The Gambia, Tanzania). They analyse the effect of design on the indoor climate and relate these factors to health, notably the risk of mosquito-borne infectious diseases such as malaria. Based on their findings and a detailed understanding of local building styles and preferences, they describe a series of house modifications that could enhance comfort whilst reducing health risks.

Log cabins and houses are more than historical curiosities. Throughout the nineteenth century, they were symbols of American frontier ingenuity. Their images were used in political campaigns and on commercial products to represent trustworthiness and quality.

When new building techniques were developed, however, they became representatives of the primitive past that were best left behind. Now log dwellings are making a comeback for urbanites trying to get back to the land.

In 1979, the staff of the Historical Collection at what is now the University of North Texas assembled an exhibit on the Texas log house that was funded by the National Endowment for the Humanities. The exhibit travelled the country and was supported by this beautifully illustrated book, now being made available again by the University of North Texas Press. Chapters cover subjects such as the early building techniques as well as the symbolism attached. Photos record the conditions of those structures still standing in Texas and demonstrate their ingenious re-use. The book's design won the 1980 Mitchell A. Wilder Award by the Texas Association of Museums.

First published in 1968, The Buildings of Detroit: A History by W. Hawkins Ferry is the definitive resource on the architecture of Detroit and its adjacent communities, from pioneering times to the end of the twentieth century. Ferry based his impressive volume on thirteen years of meticulous research, interviews with many prominent architects, and hundreds of photos commissioned specifically for the book. Ferry revised The Buildings of Detroit in 1980, adding the Renaissance Center and other modern works, and this re-released version presents the revised edition adding only a new foreword by John Gallagher. spans from the early 1700s, when the city was a fur-trading post in the wilderness, to its more contemporary position as the capital of the automotive industry and a major industrial city. Along the way, Ferry offers glimpses of the log cabins of early explorers and soldiers, the Victorian mansions of lumber barons, and the Grosse Pointe and Bloomfield Hills residences of motor magnates. He traces the development of new building techniques that gave rise to the American skyscraper and the modern factory. Ferry details all of downtown's landmark buildings, including many that are no longer standing, and visits fascinating neighborhood structures like movie theatres, hotels, shopping centres, and apartment buildings. In each chapter, readers will meet the visionary architects and clients whose foresight and initiative helped shape the fabric of one of America's great cities. The Buildings of Detroit also includes a selected chronology, maps, references, notes, an extensive index, and 475 illustrations. Previously out of print and difficult to find, this re-released classic will be treasured by Detroit history buffs and architectural historians.

"High Country Summers "considers the emergence of the "summer home" in Colorado's Rocky Mountains as both an architectural and a cultural phenomenon. It offers a welcome new perspective on an often-overlooked dwelling and lifestyle. Writing with affection and insight, Melanie Shellenbarger shows that Colorado's early summer homes were not only enjoyed by the privileged and wealthy but crossed boundaries of class, race, and gender. They offered their inhabitants recreational and leisure experiences as well as opportunities for individual re-invention--and they helped shape both the cultural landscapes of the American West and our ideas about it.
Shellenbarger focuses on four areas along the Front Range: Rocky Mountain National Park and its easterly gateway town, Estes Park; "recreation residences" in lands managed by the US Forest Service; Lincoln Hills, one of only a few African-American summer home resorts in the United States; and the foothills west of Denver that drew Front Range urbanites, including Denver's social elite. From cottages to manor houses, the summer dwellings she examines were home to governors and government clerks; extended families and single women; business magnates and Methodist ministers; African-American building contractors and innkeepers; shop owners and tradespeople. By returning annually, Shellenbarger shows, they created communities characterized by distinctive forms of kinship.
"High Country Summers "goes beyond history and architecture to examine the importance of these early summer homes as meaningful sanctuaries in the lives of their owners and residents. These homes, which embody both the dwelling (the house itself) and dwelling (the act of summering there), resonate across time and place, harkening back to ancient villas and forward to the present day.

Eastern European prefabricated housing blocks are often vilified as the visible manifestations of everything that was wrong with state socialism. For many inside and outside the region, the uniformity of these buildings became symbols of the dullness and drudgery of everyday life. "Manufacturing a Socialist Modernity" complicates this common perception. Analyzing the cultural, intellectual, and professional debates surrounding the construction of mass housing in early postwar Czechoslovakia, Zarecor shows that these housing blocks served an essential function in the planned economy and reflected an interwar aesthetic, derived from constructivism and functionalism, that carried forward into the 1950s.
With a focus on prefabricated and standardized housing built from 1945 to 1960, Zarecor offers broad and innovative insights into the country's transition from capitalism to state socialism. She demonstrates that during this shift, architects and engineers consistently strove to meet the needs of Czechs and Slovaks despite challenging economic conditions, a lack of material resources, and manufacturing and technological limitations. In the process, architects were asked to put aside their individual creative aspirations and transform themselves into technicians and industrial producers.
"Manufacturing a Socialist Modernity" is the first comprehensive history of architectural practice and the emergence of prefabricated housing in the Eastern Bloc. Through discussions of individual architects and projects, as well as building typologies, professional associations, and institutional organization, it opens a rare window into the cultural and economic life of Eastern Europe during the early postwar period.

This title offers a window into the roles and construction of Michigan family farms. Michigan's family farms form the backbone of the state. One need only see the Centennial Farm signs that dot the sides of the state's country roads to understand that. Hemalata Dandekar shows in her new book just how connected those family farm buildings are to the families that inhabit them. Eight family-farm case studies display farm buildings' relationship to the land they sit on, their function on the farm, the materials they're made with, the farm enterprises themselves, and the families who own them. Photographs, plans, elevations, and sections of typical, exemplary traditional farm buildings show the aesthetic and architectural qualities of those types of buildings across the state. The ways in which the buildings serve the productive activities of the farm, shelter and nourish the people and livestock, yield a living, and enable the aspirations of farm people are shown in the words and photographs of the farmers themselves. The buildings form a window into the lives of Michigan's family farms and into the hearts and minds of the people who have lived and worked in them their entire lives.

To continue developing existing building types in an intelligent way is a crucial task in the field of residential building. For the success of the individual design, as well as for ensuring that tried and tested structures can be utilized, repeated, and varied, a deeper grasp of the underlying types is indispensable. For this typology of residential buildings, the authors have developed systematic new presentations of the most innovative types. Each individual volume lays out the possibilities for using and transforming a particular form of residential structure. The fourth volume deals with the types of freestanding houses, whose all-around orientation allows for the optimal arrangement of all dwellings. A presentation of the freestanding house as an isolated element and as a building block for larger structures is followed by discussions of topics such as self-sufficiency versus neighborhoods, "Raumplan" versus "plan libre," and individuality versus density. Within each type, variants are distinguished according to type of access, number of floors, etc. The range of possible solutions is presented in uniform ground plans and sections newly drawn to scale.

Michael Zaretsky s Precedents in Zero-Energy Design is such an important book it will help readers recognize that design comes before technology and renewable energy systems alone can t solve the problems we face John D. Quale, Assistant Professor of Architecture and ecoMOD Project Director, University of Virginia

The world is currently facing an environmental crisis and as anyone interested in sustainable or zero-energy design knows the design and building industries have the potential to significantly reduce greenhouse gas emissions across the globe.

The Solar Decathlon is an international event in which universities from around the world compete in the design and construction of a one-bedroom, zero-energy house. This book provides an in-depth, yet accessible analysis of the architecture and passive design strategies of the houses in the 2007 Solar Decathlon. These houses are the result of thousands of hours of research and development from twenty universities around the world. Divided into three parts, the book provides:

• an initial section investigating the architecture, passive design and systems layout of the twenty houses;
• a diagrammatic comparison of the architecture and passive design characteristics of each of the twenty houses in order of ranking by the Architecture, Comfort Zone and overall scores received in the competition;
• a deep analysis of the relationship between architecture, passive design and mechanical systems design as compared to the rankings received in the various contests. This analysis considers the decisions made by the competing teams and highlights the success of the design strategies employed.

Students, educators, practitioners and researchers of architecture, design and engineering will find this an informative and inspirational book. It examines the relationship between design and environmental principles and provides invaluable insight into some of the most innovative, off-the-grid and zero-energy houses in the world.

With a Foreword by John D. Quale, Assistant Professor of Architecture and ecoMOD Project Director, University of Virginia

This book addresses the need for an in-depth study into design quality in new housing. The wider implications of policy and design are examined through a series of case studies of new housing projects in the UK and the Netherlands.

Dutch interdisciplinary design and modern methods of construction are widely considered to be of the highest quality from which much can be learned and understood. This new guide offers architects the best practice for the design, policy and construction of new homes. The author considers proposals for the Thames Gateway and government incentives to create better quality housing, including the 60,000 house and design reviews. The wider implications of skills and training of architects, planners, design professionals and those parties involved in housing are also addressed.

More than one third of the world's population lives in houses made of unfired earth bricks or stamped earth, materials also known as mud brick, adobe, "terre crue, pise, or rammed earth. Houses in the middle east have been made out this material for at least 10,000 years, but in many places this form of architecture is slowly being superceded by more recent building techniques using reinforced concrete and concrete blocks. This study contains a description of the remaining mud brick architecture in several villages in the Dakhleh Oasis in Egypt. It includes a brief history of mud brick, a discussion of the distinct local building techniques of the Oasis, and three architectural case studies of traditional mud brick houses in the Oasis, and it has many plans and photographs of local houses. The study was carried out as preparation for the design and construction of an archaeological working and training centre in the Dakhleh Oasis, which has been made according to the local traditions in mud brick vernacular. It is based on a field trip carried out in 1997 by Wolf Schijns (architect), Margriet Schijns (architect), Olaf E Kaper (Egyptologist) and Joris D Kila (art historian).

Die sakralen Raume deutscher Stadte haben in den letzten Jahrzehnten an Vielfalt gewonnen. Neben etablierten Institutionen erheben neue Stimmen Anspruch auf Partizipation im Neben- und Miteinander religioeser Ideen wie auch im architektonischen Ausdruck. Sakralitat im Wandel dokumentiert diese sakraltopografischen Veranderungen seit 1990 sowohl in quantitativer als auch in qualitativer Hinsicht am Beispiel judischer, christlicher und muslimischer Sakralbauten. Es thematisiert das Ringen um die urbane Sichtbarkeit und leistet damit einen wichtigen Beitrag zur ubergeordneten Fragestellung, wie Architektur einerseits Ausdruck gesellschaftlicher Ordnungen und andererseits zugleich sozial wirksam sein kann.

In this detailed history of domestic architecture in West Africa, Peter Mark shows how building styles are closely associated with social status and ethnic identity. Mark documents the ways in which local architecture was transformed by long-distance trade and complex social and cultural interactions between local Africans, African traders from the interior, and the Portuguese explorers and traders who settled in the Senegambia region. What came to be known as "Portuguese" style symbolized the wealth and power of Luso-Africans, who identified themselves as "Portuguese" so they could be distinguished from their African neighbors. They were traders, spoke Creole, and practiced Christianity. But what did this mean? Drawing from travelers accounts, maps, engravings, paintings, and photographs, Mark argues that both the style of "Portuguese" houses and the identity of those who lived in them were extremely fluid. "Portuguese" Style and Luso-African Identity sheds light on the dynamic relationship between identity formation, social change, and material culture in West Africa."

Michael Harker drove past old barns on gravel roads and blacktop highways for years. He generally dismissed them as obsolete outbuildings until November 1993, when he felt compelled to photograph a windmill in Clutier, Iowa. This single photograph launched him on a seven-and-a-half-year mission to document Iowa's barns and all they represent. The result is "Harker's Barns: Visions of an American Icon."

Each of the seventy-five black-and-white images featured in "Harker's Barns" beautifully and heartbreakingly captures the glory and ultimate demise of one of rural America's most enduring icons. From square to round, wood to brick, Dutch to Swedish, occupied or abandoned, the barns documented in this stunning collection are a testament to a passing way of life that was once the lifeblood of Iowa and the Midwest.

Complementing Harker's photographs are vignettes by poet and writer Jim Heynen. Both whimsical and endearing, each vignette treats barns as organic and intelligent entities, reflecting the living history that can be found inside each rural structure.
Iowa's barns are disappearing and with them a way of life; "Harker's Barns" brilliantly documents their heritage for future generations. As Jim Heynen says, "A good photograph can maintain an old barn through blizzards and hail storms and tornadoes. It is the best support beam and wood preservative an old barn can have."

During the Gilded Age, Jekyll Island, Georgia, was one of the most exclusive resort destinations in the United States. Owned by the most elite and inaccessible social club in America, a group whose members included Rockefellers, Pulitzers, Vanderbilts, Goulds, and Morgans, this quiet refuge in the Golden Isles was the perfect winter getaway for the wealthy new industrial class of the snowbound North. In this delightful book, a companion volume to The Jekyll Island Club: Southern Haven for America's Millionaires, June Hall McCash focuses on the social club's members and the "cottages" they built near the clubhouse between 1888 and 1928. Illustrated with hundreds of never-before-published photographs from private family collections, The Jekyll Island Cottage Colony tells the stories of each home, the owners' connections with the island, and their interactions with one another. While quite grand by today's standards, these homes were relatively simple in design, built to enhance rather than subdue the island's wild beauty. The cottages of Jekyll's "Millionaire's Row" were not nearly as lavish as their Newport counterparts, but typified Victorian resort architecture from New England to Florida, ranging from Queen Anne to shingle to Spanish and Mediterranean styles. After the Jekyll Island Club disbanded following World War II, the state of Georgia acquired the island to ensure its conservation. Once threatened by years of neglect and disrepair, the elegant clubhouse has been converted to a hotel, and many of the gracious cottages have been restored to their original condition. The Jekyll Island Cottage Colony is a fascinating guide to a unique treasure of architectural history, as well as a personal look at golden days gone by.

Le Corbusier: "La Roche, when one owns such a splendid art collection as yours, one must construct a house that does it honour." - La Roche: "Very well then, build this house for me." This was the genesis of the Villa La Roche (1923-1925), a brilliant synthesis of residence and private gallery, as recounted by the Swiss banker and collector of Cubist art, Raoul la Roche. The developmental leap which Le Corbusier made in his architecture and the liberty of expression in his use of colour, light and spatial organisation which he discovered during the final stages of this project inaugurated his rise to one of the giants of 20th century architecture. This guide leads the reader through both the Villa La Roche and the attached Villa Jeanneret, which houses the Fondation Le Corbusier.

A new edition of this long unavailable classic reproduces photographic prints made from original negatives and features an extensive analytical introduction by the noted architectural historian Dell Upton.Before the 1936 publication of The Early Architecture of Western Pennsylvania, the architectual heritage of a region prominent in the history of early America had been almost totally neglected. Based on a four-year survey conducted by the Pittsburgh chapter of the American Istitute of Architects, Charles Morse Stotz's book provides the definitive description and analysis of structures ranging from log houses to colonial and Georgian structures to examples of the pre-Civil War Gothic revival. The volume defines the local architectural idiom as an expression of the frontier and early industrial societies that played such an important part in the history of nineteenth century America.This oversized volume of 416 black-and-white photographs, 81 measured drawings and an extensive text presents a splendid array of early dwellings, barns, and other outbuildings, churches, arsenals, banks, inns, commercial buildings, tollhouses, mills, and even tombstones. Time has proved this work to be the definitive record of an architectural heritage that was fast disappearing with the economic boom of World War II and the postwar years.The Early Architecture of Western Pennsylvania is also a work of precision, beauty, and integrity. The drawings ignore alterations made after 960 and shoe the buildings in their original condition, giving special attention to details such as window sashes, shutters, cornices, and roofs. The floor plan of each structure is included, and line drawings display the profiles of moldings and ornamentation. Signature stones and hardware convey the quality of the early craftsmen's work. In all cases, stone joining has been faithfully drawn, joint for joint, to record the charm of old wall patterns.This new edition makes a landmark book available to a new generation of readers - one especially aware of the importance of architectural preservation and guarding the history of the Western Pennsylvania region.

The McFaddin-Ward House, home to the prominent McFaddin family, was built in 1906 in the prestigious neighborhood around Calder Avenue. This entertaining volume tells the story of this house and the people who lived in it, bringing out the personalities of the principal inhabitants--W. P. H. McFaddin, his second wife Ida, their daughter Mamie, and Mamie's husband Carroll Ward.