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Books > Language & Literature > Literary & linguistic reference works > Writing & editing guides > General
The best, most comprehensive book for writers is now completely revised and updated to address ongoing changes in publishing. Published in 2005 as "Putting Your Passion Into Print," this is the book that s been praised by both industry professionals ( Refreshingly honest, knowledgeable and detailed. . . . An invaluable resource Jamie Raab, publisher, Grand Central Publishing) and bestselling authors ( A must-have for every aspiring writer. Khaled Hosseini, author of "The Kite Runner"). With its extensive coverage of e-books, self-publishing, and online marketing, "The Essential Guide to Getting Your Book Published" is more vital than ever for anyone who wants to mine that great idea and turn it into a successfully published book. Written by experts with thirteen books between them as well as many years experience as a literary agent (Eckstut) and a book doctor (Sterry), this nuts-and-bolts guide demystifies every step of the publishing process: how to come up with a blockbuster title, create a selling proposal, find the right agent, understand a book contract, develop marketing and publicity savvy, and self-publish. There s new information on how to build up a following (and even publish a book) online; the importance of a search-engine-friendly title; producing a video book trailer; and e-book pricing and royalties. Includes interviews with hundreds of publishing insiders and authors, including Seth Godin, Neil Gaiman, Amy Bloom, Margaret Atwood, Larry Kirshbaum, Leonard Lopate, plus agents, editors, and booksellers; sidebars featuring real-life publishing success stories; sample proposals, query letters, and a feature-rich website and community for authors."
This excellent book covers editing in the digital age, demonstrating the tools needed for effective text editing. Learn how to write powerful headlines and captions, and how to edit body text quickly and cleanly. It also concentrates on design in the digital environment, introducing typography and the related issues of readability and legibility. The skills of picture editing are explored, including image selection, cropping, manipulation and the ethics involved. These core skills and methods are then applied to the World Wide Web. Recent research into how people navigate Web pages is considered, and recommends ways to write more effectively for the online medium. The first section concentrates on editing in the digital age,
demonstrating the tools needed for effective text editing. Dr Quinn
shows how to write powerful headlines and captions, and how to edit
body text quickly and cleanly.
The Advanced Game Narrative Toolbox continues where the Game Narrative Toolbox ended. While the later covered the basics of writing for games, the Advanced Game Narrative Toolbox will cover techniques for the intermediate and professional writer. The book will cover topics such as how to adapt a novel to a game, how to revive IPs and how to construct transmedia worlds. Each chapter will be written by a professional with exceptional experience in the field of the chapter. Key Features Learn from industry experts how to tackle today's challenges in storytelling for games. A learn by example and exercise approach, which was praised in the Game Narrative Toolbox. An in depth view on advanced storytelling techniques and topics as they are currently discussed and used in the gaming industry. Expand your knowledge in game writing as you learn and try yourself to design quests, write romances and build worlds as you would as a writer in a game studio. Improve your own stories by learning and trying the techniques used by the professionals of game writing.
The information technology sector has experienced a rapid growth in importance. Going along with this, IT security has become a delicate and often discussed topic worldwide. In order to facilitate the communication on this international basis, the "Multilingual Dictionary of IT Security" provides approximately 3,500 basic and up-to-date technical terms, in English, German, French, Spanish and Italian. The main section is arranged alphabetically by the English term. Each entry here gives translations into the four other languages. To help users find the appropriate English-language entry in the main section there are four bilingual indexes which are arranged as separate dictionaries for each individual language: German-English, French-English, Spanish-English and Italian-English.
A complete guide to the art and craft of creative nonfiction--from
one of its pioneer practitioners
If you follow only a third of Jean's advice, you'll have a
successful book. --Jeremy Tarcher, Publisher Jeremy P. Tarcher,
Inc.
Psychobiography is often attacked by critics who feel that it trivialises complex adult personalities, "explaining the large deeds of great individuals," as George Will wrote, "by some slight the individual suffered at a tender age, say seven, when his mother took away a lollipop." And yet, as Alan Elms argues in Uncovering Lives, in the hands of a skilled practitioner, psychobiography can rival the very best traditional biography in the insights it offers. Elms makes a strong case for the value of psychobiography, arguing in large part from his own fascinating case studies of over a dozen prominent figures, including George Bush, Saddam Hussein, and Sigmund Freud. Written with great clarity and wit, Uncovering Lives illuminates the contributions that psychology can make to biography. Elm's enthusiasm for his subject is contagious and will inspire would-be psychobiographers as well as win over the most hardened skeptics.
This accessible guide provides clear, practical explanations of key research methods in business studies, presenting a step-by-step approach to data collection, analysis and problem solving. Readers will learn how to formulate a research question, choose an appropriate research method, argue and motivate, collect and analyse data, and present findings in a logical and convincing manner. The authors evaluate various qualitative and quantitative methods and their consequences, guiding readers to the most appropriate research design for particular questions. Furthermore, the authors provide instructions on how to write reports and dissertations in a clearly structured and concise style. Now in its fifth edition, this popular textbook includes new and dedicated chapters on data collection for qualitative research, qualitative data analysis, data collection for quantitative research, multiple regression, and additional methods of quantitative analysis. Cases and examples have been updated throughout, increasing the applicability of these research methods across various situations.
This book is for graduate students, and others, who want to become more productive writers. It's especially written for those who want to: increase their motivation, focus, and persistence to move a project to completion overcome procrastination and perfectionistic tendencies reduce (or write in spite of) their anxiety and fear of writing manage their time, work, energy (and advisor) for greater productivity The process or craft of sustained writing is not a matter that's taught to undergraduate or graduate students as part of their studies, leaving most at sea about how to start a practice that is central to a career in academe and vital in many other professional occupations. This book grew out of conversations Jan Allen has held with her graduate students for over 30 years and reflects the fruit of the writing workshops and boot camps she has conducted at three universities, her own and numerous colleagues' experiences with writing and advising, as well as the feedback she receives from her popular Productive Writer listserv. While Jan Allen recognizes that writing is not an innate talent for most of us, she demonstrates that it is a process based on skills, which we can identify, learn, practice and refine. She focuses both on the process and habits of writing as well as on helping you uncover what kind of writer are you, and reflect on your challenges and successes. With a light touch and an engaging sense of humor, she proposes strategies to overcome procrastination and distractions, and build a writing practice to enable you to become a more productive and prolific writer. Jan Allen proposes that you read one of her succinct chapters - each devoted to a specific strategy or writing challenge - each day, or once a week. When you find one that increases your concentration, motivation or endurance, make it a habit. Try it for two weeks, charting the resulting increased productivity. It will become part of your repertoire of writing and productivity tools to which you can progressively add.
Information technology is changing the way we write. Special features such as outliners, spelling checkers and graphic facilities have transformed word processors into document processors; document processors have, in turn, integrated with other electronic resources such as e-mail and the Internet to provide a complete writing environment. The New Writing Environment examines the knowledge that is needed in order to develop, use and evaluate computer-based writing environments. The emphasis is firmly on practical issues: tasks performed by writers at work, problems they encounter, and documents they actually produce. Writing is defined within a wide social and organisational context, in order to give an accurate assessment of how the new technology affects the social and cooperative aspects of authorship. The result is a wide-ranging and comprehensive assessment of the relationship between writing and computers.
University literary journals allow students to create their own venue for learning, have a hands-on part of their development in real-world skills and strive towards professional achievement. But producing an undergraduate literary magazine requires commitment, funding and knowledge of the industry. This practical guide assists students and faculty in choosing a workable structure for setting up, and then successfully running, their own literary publication. Whether the journal is print or online, in-house or international, Creating an Undergraduate Literary Journal is a step-by-step handbook, walking the reader through the process of literary journal production. Chapters focus on: defining the journal; the financial logistics; editing the journal; distribution; and what could come next for a student writer-editor after graduation. The first book of its kind to offer instruction directly to those running university-based literary magazines, this book includes insights from former editors, advisers, students and features an extensive list of active student-run literary magazines key literary organizations for writers/ editors who serve literary publications. From Audrey Colombe, faculty adviser on the award-winning Glass Mountain magazine from the University of Houston, this is a text for both newcomers and those more informed on the production process to help them navigate through a successful publishing experience.
'After a number of years teaching writing courses and appearing at writers' conferences, I began to see that creating a process book utilising one of my novels as an example of each step of my process might prove useful to people who are interested in novel writing or in how this individual writer approaches the complicated task of putting together a British crime novel.' As the author of twenty-four novels, Elizabeth George is one of the most successful - and prolific - novelists today. In Mastering the Process, George offers a master class in the art and science of crafting a novel, sharing her wealth of experience with would-be novelists, and with crime fiction fans. Using her actual work to illustrate the various steps of novel writing that she explores in this book, she illustrates her points about plotting, characterisation and technique with great clarity and generosity. Drawing from her personal photos, early notes, character analyses, and rough drafts for every stage of her novel Careless in Red, George offers us an intimate look at the procedures she follows, from researching location to imagining plot to creating characters to the actual writing and revision processes themselves. At the same time, she gives invaluable advice for writers about what has worked for her - and what hasn't. Mastering the Process provides writers with practical, prescriptive, and achievable tools for creating a novel, editing a novel, and problem solving when in the midst of a novel, from a master storyteller at the top of her game. Elizabeth George has taught creative writing both nationally and internationally for over thirty years and is the author of Write Away, described as 'one novelist's approach to fiction and the writing life'.
A complete guide to the art and craft of creative nonfiction—from one of its pioneer practitioners The challenge of creative nonfiction is to write the truth in a style that is as accurate and informative as reportage, yet as personal, provocative, and dramatic as fiction. In this one-of-a-kind guide, award-winning author, essayist, teacher, and editor Lee Gutkind gives you concise, pointed advice on every aspect of writing and selling your work, including:
Information design is an emerging area in technical communication,
garnering increased attention in recent times as more information
is presented through both old and new media. In this volume,
editors Michael J. Albers and Beth Mazur bring together scholars
and practitioners to explore the issues facing those in this
exciting new field.
Get your books into the hands of readers with this simple how-to guide. Self-Publishing For Dummies takes you through the entire process of publishing your own books, starting with the writing and editing process and moving through cover design, printing options, distribution channels, and marketing to a target audience. With the advice in this book, you can tackle self-publishing, no matter what genre you write in. You’ll learn how to retain full control over your work and keep the profits from the sales of your book. In this updated edition, you’ll discover the latest technologies in self-publishing, trends in the world of ebooks, and new marketing techniques you can use online and in the real world. Becoming a published author is easier than ever, thanks to this Dummies guide.
Self-Publishing For Dummies is the perfect choice for anyone with an interest in DIY publishing.
Advanced Creative Nonfiction: A Writers' Guide and Anthology offers expert instruction on writing creative nonfiction in any form-including memoir, lyric essay, travel writing, and more-while taking an expansive approach to fit a rapidly evolving literary art form. From a history of creative nonfiction, related ethical concerns, and new approaches to revision and publishing, this book offers innovative strategies and ideas beyond what's traditionally covered. Advanced Creative Nonfiction: A Writers' Guide and Anthology also includes: * An anthology of contemporary creative nonfiction by some of today's most inventive and celebrated writers * Advanced explorations into the craft of creative nonfiction across forms * In-depth discussion of truth, ethics, and memory * Practical advice on revision, editing, research, and publishing * Writing prompts and exercises throughout the textbook A companion website is also available for the book at http://www.bloomsburyonlineresources.com/advanced-creative-nonfiction
All students need to learn how to write and this guide covers everything from sentence construction, and use of paragraphs to successful essay writing. The book is divided into two sections: a core element focusing on basic skills which everyone needs to master in writing essays and a subject-based section which takes the student to a more advanced level. The book provides examples throughout and gives the student the opportunity to practice skills to improve their standards and understanding of academic writing.
Dunn describes the Renaissance rhetoric of authorship and authority by examining the locus where it appears in its most concentrated form-the preface. He shows how the notion of authorship changed in the shifts to the modern public sphere and from religion to science as legitimizing authorship.
This book is an attempt to answer Michel Foucault's question, 'What is an author?' It examines the relationship between personal identity, the physical person of the writer, and the 'author' projected as a matter of public perception via the reception of written texts. It approaches this problem by analyzing the way Romantic writers play upon and subvert the 'author' position projected upon them in the public reception of their texts, and it sheds light on the use of anonyms and pseudonyms as strategies that subvert the emerging institution of authorship. |
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