The second edition of Sports Journalism: An Introduction to Reporting and Writing has passed the test of time, been used in classrooms internationally, received approval and praise from professors and students, and now it, too, has moved into the new environment of sports media. New chapters on social media and topical issues in the sports world, as well as fresh examples and new references to current technology fill its pages whether you choose to read from a tablet, a Smartphone, a Chromebook or old-fashioned paper wrapped in a cardboard cover. Inside this new edition you'll find * Three new chapters devoted to the evolution from a daily news source to a 24/7 news cycle. * Interviews with journalists whose circulation is measured in the number of Twitter followers he or she has. * A chapter encouraging discussion of ethical issues affecting today's athletes: Should college athletes be paid to compete? Can play be too violent? Is there a level playing field for men and women? How should eligibility be determined for athletes who may be transitioning their gender identity? * A glossary that includes terms such as 'hot takes,' 'scrum,' 'trolls.'

Casts a revealing light on modern cultural conflicts through the lens of rhetorical education.
Contemporary efforts to revitalize the civic mission of higher education in America have revived an age-old republican tradition of teaching students to be responsible citizens, particularly through the study of rhetoric, composition, and oratory. This book examines the political, cultural, economic, and religious agendas that drove the various--and often conflicting--curricula and contrasting visions of what good citizenship entails. Mark Garrett Longaker argues that higher education more than 200 years ago allowed actors with differing political and economic interests to wrestle over the fate of American citizenship. Then, as today, there was widespread agreement that civic training was essential in higher education, but there were also sharp differences in the various visions of what proper republic citizenship entailed and how to prepare for it.
Longaker studies in detail the specific trends in rhetorical education offered at various early institutions--such as Yale, Columbia, Pennsylvania, and William and Mary--with analyses of student lecture notes, classroom activities, disputation exercises, reading lists, lecture outlines, and literary society records. These documents reveal an extraordinary range of economic and philosophical interests and allegiances--agrarian, commercial, spiritual, communal, and belletristic--specific to each institution. The findings challenge and complicate a widely held belief that early-American civic education occurred in a halcyon era of united democratic republicanism. Recognition that there are multiple ways to practice democratic citizenship and to enact democratic discourse, historically as well as today, best serves the goal of civic education, Longaker argues.
"Rhetoric and the Republic" illuminates an important historical moment in the history of American education and dramatically highlights rhetorical education as a key site in the construction of democracy.

Now in its fourth edition, Television and Screen Writing: From Concept to Contract is a classic resource for students and professionals in screenwriting and television writing. This book will teach you how to become a creative and marketable writer in every professional arena - including major studios, production companies, networks, cable and pay TV, animation, and interactive programs. Specific techniques and script samples for writing high-quality and producible "spec" scripts for theatrical motion pictures, the sitcom series, one-hour dramatic series, longform television, soaps, talk show, variety, animation, interactive and new media are provided. Television and Screen Writing: From Concept to Contract, Fourth Edition also offers a fully detailed examination of the current marketplace, and distinct strategies for marketing your scripts, from registering and copyrighting the script to signing with an agent.

This new edition has been expanded to include the most up-to-date creative and professional script samples, marketing resources, and practical information possible. The companion website (www.focalpress.com/companions) offers a wide range of contacts and resources for you to explore, and Internet links to professional resources. There is also an Annotated and Selected Bibliography for your reference
Covers all aspects of scriptwriting, from visuilization to marketing
New information on competitions, festivals, and workshops
Now includes internet sources for screenwriters

This handy guide offers a complete introduction to the craft of travel writing and shows unpublished writers how to identify suitable markets for their work and persuade editors to take a chance on them. It asks the all-important question, 'What is travel writing?' It analyzes your different genre options and explores ways to come up with great ideas and pitch them successfully. There is a strong emphasis on dissecting the technical aspects of creating fresh and vivid prose, including the art of writing unputdownable openings, compelling descriptions and authentic quotes. The book assesses whether and how even novices can make travel writing pay, and delves into the brave new world of blogging. Contains fascinating interviews with key travel writing figures, including the guidebook publisher Hilary Bradt and acclaimed travel writer Will Gray. By appraising extracts from the works of such renowned writers as Gerald Durrell, Peter Matthiessen and Redmond O'Hanlon, as well features from key publications such as Lonely Planet and National Geographic Traveller magazines, the book illustrates exactly what makes memorable writing - and what doesn't.

The Storytelling Workbook is a nine-week programme (based on Anthony Tasgal's 'rule of three') to help you learn to better tell your own narrative and present your story whether it be for your CV, your dating apps or your own personal writing. It is an entertaining, instructive and interactive guide to becoming a better storyteller across all facets of your personal and professional life. Including a mix of case studies, advice and exercises, this workbook is structured into three sections: before, during and after. In the before section, you will learn to free yourself from reductionism, obsession with numbers, facts, data and 'messaging'; in the during section, you will concentrate on finding simplicity, meaning and depth; while finally, in after, you will come to understand how to write less and think more and ultimately to keep writing again and again.

When the editors of two of the most prominent medical journals in the world--the "New England Journal of Medicine" and the "Journal of the American Medical Association (JAMA)"--were fired in the same year, under circumstances that ranged from acrimonious to politically sensational, media attention again focused on biomedical publication. The controversy highlighted yet another ethical dimension of scientific research and its publication, topics that have generated intense scrutiny in recent years. As research funding has become scarcer and competition fiercer, with links between scientific discovery and commercial applications increasingly tighter and more lucrative, allegations of misconduct have also increased. Universities and research institutions, notably the NIH, have created offices of scientific integrity and mandated educational programs to investigate such allegations and to train researchers in the highest standards of sound, ethical scientific research.

Focusing on publication ethics as an essential aspect of responsible scientific conduct, "Ethical Issues in Biomedical Publication" examines a variety of troublesome issues, including authorship, peer review, repetitive publication, conflict of interest, and electronic publishing. The contributors include the editors of distinguished biomedical journals (among them, past or present editors of "Academic Medicine, Annals of Internal Medicine, British Medical Journal, JAMA, " and the "Lancet"), humanities scholars, scientists, lawyers, and a university administrator. Chapters address specific ethical issues and offer recommendations for preventing or solving problems associated with them. The result is a book that will serve as a standard reference for biomedical researchers, authors, editors, and teachers of research ethics.

"Educators, administrators, scientists, editors, and students should all welcome this comprehensive new book. Anne Hudson Jones and Faith McLellan have gathered a veritable who's who in the field of publication ethics for biomedical research. All those with a stake in biomedical research will surely want this volume on their bookshelf."--from the Foreword by Jordan J. Cohen, M.D., President, Association of American Medical Colleges

Expressive writing is life-based writing that focuses on authentic expression of lived experience, with resultant insight, growth and skill-building. For decades, it has been the province of journals, memoirs, poets, and language arts classrooms. Social science research now provides indisputable evidence that expressive writing is also healing. In this remarkable collection, eight leading experts from education, counseling, and community service join to offer compelling guidance from applied practice. You'll discover: *How writing poetry helps primary school children develop emotional intelligence *A model for helping teens at risk write safely about their deepest hurts *How to engage reluctant writers and help them develop vital writing skills *A simple and effective way to build structure, pacing, and containment into life-based writing *How discovering the wellspring of inner speech helps strengthen writing skills *A method to transform expressive writing into insightful problem-solving *Easy strategies to write family stories *Innovative ways to bring literature into the classroom to hone critical thinking skills through reflective practice *Practical, time-tested ways for expressive writing in guidance and counseling *Case studies for all levels of learners: Primary, teens, college-age, and adults Whether you are an educator, a counselor, a facilitator or a writer, you'll find this volume an invaluable and innovative resource for the foundations of practice of expressive writing.

Good writing engages as it informs and feature journalism offers writers the opportunity to tell deep, affecting stories that look beyond the immediate mechanics of who, what, where and when and explore the more difficult-and more rewarding- questions: how and why? Whether you're a blogger, a news journalist or an aspiring lifestyle reporter, a strong voice and a fresh, informed perspective remain in short supply and strong demand; this book will help you craft the kind of narratives people can't wait to share on their social media feeds. Writing Feature Stories established a reputation as a comprehensive, thought-provoking and engaging introduction to researching and writing feature stories. This second edition is completely overhauled to reflect the range of print and digital feature formats, and the variety of online, mobile and traditional media in which they appear. This hands-on guide explains how to generate fresh ideas; research online and offline; make the most of interviews; sift and sort raw material; structure and write the story; edit and proofread your work; find the best platform for your story; and pitch your work to editors. 'A wide-ranging, much-needed master class for anyone who tells true yarns in this fast-changing journalistic marketplace' - Bruce Shapiro, Columbia University 'Useful and thought provoking' - Margaret Simons, journalist and author 'A must read for any digital storyteller who wants to write emotive, engaging, believable content.' - Nidhi Dutt, foreign correspondent

This book is also available through the Introductory Engineering Custom Publishing System. If you are interested in creating a course-pack that includes chapters from this book, you can get further information by calling 212-850-6272 or sending email inquiries to engineerjwiley.com. Good writing is brief and clear. This new edition of the popular handbook offers updated, practical advice on writing effective letters, reports, and memos, while retaining the easy-to-read format that made the first edition so popular. Presents examples of good writing to serve as models and also shows what to avoid. Includes illustrations (many more than in the 1st edition) of many types of good writing, culled from diverse sources. There is new material on writing minutes, news releases, resumes, and style guides. The section on writing reports has been thoroughly revised--every phase from initial organization to final selection of style has been updated to reflect modern practice. Suitable for classroom use or self-study.

A thoroughly revised and updated classic. This step-by-step guide takes masters and doctoral students through the five stages of writing a thesis or dissertation: preparing the way, choosing and defining research topics, collecting and organizing information, interpreting the results, presenting the finished product. The authors have successfully led hundreds of graduate students through the masters theses and disseration process. This comprehensive guidebook includes helpful checklists, multiple examples, and practical strategies. It covers both qualitative, quantitative, and mixed methods research.

Blue Sky Body: Thresholds for Embodied Research is the follow-up to Ben Spatz's 2015 book What a Body Can Do, charting a course through more than twenty years of embodied, artistic, and scholarly research. Emerging from the confluence of theory and practice, this book combines full-length critical essays with a kaleidoscopic selection of fragments from journal entries, performance texts, and other unpublished materials to offer a series of entry points organized by seven keywords: city, song, movement, theater, sex, document, politics. Brimming with thoughtful and sometimes provocative takes on embodiment, technology, decoloniality, the university, and the politics of knowledge, the work shared here models the integration of artistic and embodied research with critical thought, opening new avenues for transformative action and experimentation. Invaluable to scholars and practitioners working through and beyond performance, Blue Sky Body is both an unconventional introduction to embodied research and a methodological intervention at the edges of contemporary theory.

This concise guide emphasizes clear and logical structure as the key to a well-written thesis. The book uses a direct and conversational tone while offering concrete examples of common structural problems and the numerous devices, tricks, and tests for avoiding them. It proves that the astute researcher must no longer regard writing as the last chore but rather as a crucial part of the research process. This updated edition demonstrates how computer software can be advantageous and includes a checklist to keep students organized.

Twenty original, classroom-tested exercises: This innovative guide for conducting college writing assignments explores the practical applications of each lesson. Drawing upon current best practices, each assignment includes discussion of the rationale behind the exercise, along with supplemental elements such as guidelines for evaluation, prewriting exercises and tips for avoiding common pitfalls. Assignments are designed for a range of courses, from first-year composition to upper-division writing in various disciplines.

Artists need to write, every day, to support their studio practice and careers. Working artists know this. Newly minted art graduates and emerging artists learn this the hard way-usually when a gallerist asks for basic documents like an artist resume, biography, and statement to support an upcoming exhibition! Conversational and instructive, this practical primer helps artists learn the best writing and research strategies for their letters, biographies, statements, proposals, applications, wall text, and more. Kate Kramer, lecturer in critical writing at the University of Pennsylvania, aligns writing strategies with art school curriculum (foundations, topics, capstones, professional development). This is the book every artist will turn to again and again. In addition to models, templates, worksheets, and sample analyses of calls for entry, it references readily available and public resources throughout. Ultimately, this primer brings writing process into practice so the art work can continue to thrive.

Not sure how to begin writing? Four assignments and only four weeks to go before the deadline? Then this book is for you.Find out the rules of the essay-writing game: how to muckrake for information, write drafts, handle references, and do analysis. Discover where you win and lose marks. Learn how to take the right short cuts and make the most of your time.Get Great Marks for Your Essays, Reports, and Presentations tells you all you need to know to write successful essays and reports, and create attention-grabbing presentations in the social sciences and humanities.This third edition is fully revised in response to readers' suggestions and includes extensive coverage of online resources, tips for getting the best from your computer tools, and guidance on how to pitch to your audience.'This guide is great. I had a lot of trouble passing my essays. After reading this book I found I wasn't alone. This book has helped me to understand how to improve my writing. It's easy to read and it's pretty cool too!' - Student comment

As advanced composition continues to grow as an important sub-area of rhetoric and composition, it becomes increasingly more important for scholars and teachers to have access to key studies produced in the field. Providing a comprehensive overview of significant work on the theory and pedagogy of advanced composition generated between 1980 and 1995, this collection contains 24 essays and articles previously published in major scholarly books and journals.
Divided into four major areas, this book:
* explores how individuals and institutions over the last 15 years have constructed advanced composition courses and programs,
* attempts to articulate what distinguishes advanced composition courses, students, and pedagogies from those commonly encountered in first-year composition,
* outlines specific pedagogies for advanced composition, and
* investigates how scholarship can inform advanced composition and examines several political and ethical issues.
The essays presented here chronicle composition's struggle to define and construct an appropriate writing course on the advanced level. Although these essays have clear historical value -- in that together they trace attempts to come to terms with advanced composition -- they also have implications for future work in the area. They suggest how educators might continue to draw on scholarship both within and outside of composition to investigate relevant theoretical issues and to construct effective advanced pedagogies.

Contents:
Preface 1. Introduction 2. Argument and Evidence 3. Context, Convention and Communication 4. An informal Analysis of Arguments 5. Patterns of Reasoning 6. Establishing Validity 7. Critical Analysis in Practice 8.Assumptions 9. Evidence as Ground Belief 10. What Counts as Evidence? 11. Presenting and Summarising Evidence 12. Furthering Knowledge 13. Probability and Uncertainty 14. Probability Theory applied 15. Estimation and Reliability 16. Testing Hypotheses; Appendices; Glossery; References

Expressive writing is life-based writing that focuses on authentic expression of lived experience, with resultant insight, growth and skill-building. For decades, it has been the province of journals, memoirs, poets, and language arts classrooms. Social science research now provides indisputable evidence that expressive writing is also healing. In this remarkable collection, eight leading experts from education, counseling, and community service join to offer compelling guidance from applied practice. You'll discover: *How writing poetry helps primary school children develop emotional intelligence *A model for helping teens at risk write safely about their deepest hurts *How to engage reluctant writers and help them develop vital writing skills *A simple and effective way to build structure, pacing, and containment into life-based writing *How discovering the wellspring of inner speech helps strengthen writing skills *A method to transform expressive writing into insightful problem-solving *Easy strategies to write family stories *Innovative ways to bring literature into the classroom to hone critical thinking skills through reflective practice *Practical, time-tested ways for expressive writing in guidance and counseling *Case studies for all levels of learners: Primary, teens, college-age, and adults Whether you are an educator, a counselor, a facilitator or a writer, you'll find this volume an invaluable and innovative resource for the foundations of practice of expressive writing.

This text helps developing writers in the academy and beyond think through their writing process and develop strategies for styling their writing to meet the demands of a wide range of goals. The book imagines writing as an assortment of "outfits"- bundles of styles and strategies through which one approaches a writing purpose, such as writing focused on experimentation and growth or writing focused on a professional task. By assessing the outfits writers feel most and least confident in, and examining how to be more at home in the outfits that matter to them, this book helps students develop both specific skills and their overall identity as writers. Readers are guided through before-, during-, and after-writing strategies and techniques, including: freewriting, outlining, visual planning, and composing in multimodal forms. Readers are also introduced to the importance of setting clear writing goals and sharing their work in a variety of ways, both in preparation for classroom success through peer review and writing center visits, and beyond the classroom in virtual and in-person spaces. This book serves as a core or supplemental text for writing courses at the undergraduate, graduate, or high school level, or as a writing guide for individual readers.

Fur diesen Band wurden Texte von Daniel Buren ausgewahlt, die seine kunstlerische wie theoretische Arbeit seit 1967 besonders anschaulich dokumentieren. Vor allem die Schriften, die bereits einen festen Platz in der kunstgeschichtlichen Literatur einnehmen, wurden ausnahmslos aufgenommen. Fur eine detaillierte Auseinandersetzung mit allen Formen der Textproduktion Burens - vor allem den zahlreichen Werkbeschreibungen und Interviews - verweisen wir auf die dreibandige Schriftenausgabe Daniel Buren. Les Ecrits (1965-1990), die 1991 vom Musee d'art contemporain de Bordeaux herausgegeben wurde. Die Texte erscheinen in chronologischer Reihenfolge. Texts by Daniel Buren were selected for this volume, his artistic and theoretical work Documented particularly clearly since 1967. In front all the fonts that already have a permanent place in the occupy literature on art history recorded without exception. For a detailed discussion with all forms of text production Burens - especially the numerous work descriptions and interviews - we refer to the three-volume. Written edition by Daniel Buren. Les Ecrits (1965-1990), the 1991 of the Musee d'art contemporain de Bordeaux was issued. The texts appear in chronological order.