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Books > Language & Literature > Literary & linguistic reference works > Writing & editing guides > General
Using the example of nonfinite verbal construction ( Me give up? ), this book tries to move from the everyday use of grammatical construction to its representation in linguistic usage knowledge. Some characteristics of nonfinite verbal constructions are discussed across languages and with a view to the problem area of speech and writing."
This book offers practical advice on every aspect of writing novels and short stories: plotting and narrative development, characterization and dialogue, sources of material, planning an opening, roughing out chapters, using suspense and emotional color, rewriting and highlighting and much more. Examples drawn from the works of outstanding writers, past and present, illustrate each point, making this the perfect handbook for professional writers and students.
Here's the bestselling guide that teaches aspiring novelists how to employ the 14 structural elements common to all novels.
Stein on Writing provides immediately useful advice for all writers of fiction and nonfiction, whether they are newcomers or old hands, students or instructors, amateurs or professionals. As the always clear and direct Stein explains here, "This is not a book of theory. It is a book of usable solutions—how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place." With examples from bestsellers as well as from students' drafts, Stein offers detailed sections on characterization, dialogue, pacing, flashbacks, trimming away flabby wording, the so-called "triage" method of revision, using the techniques of fiction to enliven nonfiction, and more.
Its misleading to think of writers as special creatures, word sorcerers who possess some sort of magic knowledge hidden from everyone else. Writers are ordinary people who like to write. They feel the urge to write, and scratch that itch every chance they have. Writers get their ideas down on paper using particular strategies that seem to work for them. These strategies are available to anyone who wants to be a writer There is no secret. But there is a process. If you like to write, there are definite steps you can take to help you reach your goals. Good writing isn't forged by magic or hatched out of thin air. Good writing happens when human beings follow particular steps to take control o their sentences-to make their words do what they want them to do. This book will show you how writers work, how you can become a writer, and how you can find a process that works for you
This excellent book covers editing in the digital age, demonstrating the tools needed for effective text editing. Learn how to write powerful headlines and captions, and how to edit body text quickly and cleanly. It also concentrates on design in the digital environment, introducing typography and the related issues of readability and legibility. The skills of picture editing are explored, including image selection, cropping, manipulation and the ethics involved. These core skills and methods are then applied to the World Wide Web. Recent research into how people navigate Web pages is considered, and recommends ways to write more effectively for the online medium. The first section concentrates on editing in the digital age,
demonstrating the tools needed for effective text editing. Dr Quinn
shows how to write powerful headlines and captions, and how to edit
body text quickly and cleanly.
'After a number of years teaching writing courses and appearing at writers' conferences, I began to see that creating a process book utilising one of my novels as an example of each step of my process might prove useful to people who are interested in novel writing or in how this individual writer approaches the complicated task of putting together a British crime novel.' As the author of twenty-four novels, Elizabeth George is one of the most successful - and prolific - novelists today. In Mastering the Process, George offers a master class in the art and science of crafting a novel, sharing her wealth of experience with would-be novelists, and with crime fiction fans. Using her actual work to illustrate the various steps of novel writing that she explores in this book, she illustrates her points about plotting, characterisation and technique with great clarity and generosity. Drawing from her personal photos, early notes, character analyses, and rough drafts for every stage of her novel Careless in Red, George offers us an intimate look at the procedures she follows, from researching location to imagining plot to creating characters to the actual writing and revision processes themselves. At the same time, she gives invaluable advice for writers about what has worked for her - and what hasn't. Mastering the Process provides writers with practical, prescriptive, and achievable tools for creating a novel, editing a novel, and problem solving when in the midst of a novel, from a master storyteller at the top of her game. Elizabeth George has taught creative writing both nationally and internationally for over thirty years and is the author of Write Away, described as 'one novelist's approach to fiction and the writing life'.
The information technology sector has experienced a rapid growth in importance. Going along with this, IT security has become a delicate and often discussed topic worldwide. In order to facilitate the communication on this international basis, the "Multilingual Dictionary of IT Security" provides approximately 3,500 basic and up-to-date technical terms, in English, German, French, Spanish and Italian. The main section is arranged alphabetically by the English term. Each entry here gives translations into the four other languages. To help users find the appropriate English-language entry in the main section there are four bilingual indexes which are arranged as separate dictionaries for each individual language: German-English, French-English, Spanish-English and Italian-English.
This book is for graduate students, and others, who want to become more productive writers. It's especially written for those who want to: increase their motivation, focus, and persistence to move a project to completion overcome procrastination and perfectionistic tendencies reduce (or write in spite of) their anxiety and fear of writing manage their time, work, energy (and advisor) for greater productivity The process or craft of sustained writing is not a matter that's taught to undergraduate or graduate students as part of their studies, leaving most at sea about how to start a practice that is central to a career in academe and vital in many other professional occupations. This book grew out of conversations Jan Allen has held with her graduate students for over 30 years and reflects the fruit of the writing workshops and boot camps she has conducted at three universities, her own and numerous colleagues' experiences with writing and advising, as well as the feedback she receives from her popular Productive Writer listserv. While Jan Allen recognizes that writing is not an innate talent for most of us, she demonstrates that it is a process based on skills, which we can identify, learn, practice and refine. She focuses both on the process and habits of writing as well as on helping you uncover what kind of writer are you, and reflect on your challenges and successes. With a light touch and an engaging sense of humor, she proposes strategies to overcome procrastination and distractions, and build a writing practice to enable you to become a more productive and prolific writer. Jan Allen proposes that you read one of her succinct chapters - each devoted to a specific strategy or writing challenge - each day, or once a week. When you find one that increases your concentration, motivation or endurance, make it a habit. Try it for two weeks, charting the resulting increased productivity. It will become part of your repertoire of writing and productivity tools to which you can progressively add.
A complete guide to the art and craft of creative nonfiction--from
one of its pioneer practitioners
If you follow only a third of Jean's advice, you'll have a
successful book. --Jeremy Tarcher, Publisher Jeremy P. Tarcher,
Inc.
Psychobiography is often attacked by critics who feel that it trivialises complex adult personalities, "explaining the large deeds of great individuals," as George Will wrote, "by some slight the individual suffered at a tender age, say seven, when his mother took away a lollipop." And yet, as Alan Elms argues in Uncovering Lives, in the hands of a skilled practitioner, psychobiography can rival the very best traditional biography in the insights it offers. Elms makes a strong case for the value of psychobiography, arguing in large part from his own fascinating case studies of over a dozen prominent figures, including George Bush, Saddam Hussein, and Sigmund Freud. Written with great clarity and wit, Uncovering Lives illuminates the contributions that psychology can make to biography. Elm's enthusiasm for his subject is contagious and will inspire would-be psychobiographers as well as win over the most hardened skeptics.
Anton Chekhov is revered as a boldly innovative playwright and short story writer - but he wrote more than just plays and stories. In "Alive in the Writing" - an intriguing hybrid of writing guide, biography, and literary analysis - anthropologist and novelist Kirin Narayan introduces readers to some other sides of Chekhov: his pithy, witty observations on the writing process; his life as a writer through accounts by his friends, family, and lovers; and his venture into nonfiction through his book "Sakhalin Island". By closely attending to the people who lived under the appalling conditions of the Russian penal colony on Sakhalin, Chekhov showed how empirical details combined with a literary flair can bring readers face to face with distant, different lives, enlarging a sense of human responsibility. Highlighting this balance of the empirical and the literary, Narayan uses Chekhov to bring new energy to the writing of ethnography and creative nonfiction alike. Weaving together selections from writing by and about him with examples from other talented ethnographers and memoirists, she offers practical exercises and advice on topics such as story, theory, place, person, voice, and self. A new and lively exploration of ethnography, "Alive in the Writing" shows how the genre's attentive, sustained connection with the lives of others can become a powerful tool for any writer.
A complete guide to the art and craft of creative nonfiction—from one of its pioneer practitioners The challenge of creative nonfiction is to write the truth in a style that is as accurate and informative as reportage, yet as personal, provocative, and dramatic as fiction. In this one-of-a-kind guide, award-winning author, essayist, teacher, and editor Lee Gutkind gives you concise, pointed advice on every aspect of writing and selling your work, including:
Information technology is changing the way we write. Special features such as outliners, spelling checkers and graphic facilities have transformed word processors into document processors; document processors have, in turn, integrated with other electronic resources such as e-mail and the Internet to provide a complete writing environment. The New Writing Environment examines the knowledge that is needed in order to develop, use and evaluate computer-based writing environments. The emphasis is firmly on practical issues: tasks performed by writers at work, problems they encounter, and documents they actually produce. Writing is defined within a wide social and organisational context, in order to give an accurate assessment of how the new technology affects the social and cooperative aspects of authorship. The result is a wide-ranging and comprehensive assessment of the relationship between writing and computers.
Are you unsure what your report should look like or how you'll ever finish it in time? Are you freaking out about starting on an extended piece of writing? Help is here! In this handy little book, you'll find expert guidance to enable you to produce a successful report or dissertation. With a focus on developing an effective writing style and argument, this book shows you, step-by-step, how to plan and deliver a perfect piece of writing to gain top marks. Open up to find advice on: What makes dissertations and reports distinctive Organising your time and materials Finding the right planning method for you How to structure your writing successfully Writing good sentences, paragraphs, sections and chapters. Read this book and you're on your way to writing a great report or dissertation! The Student Success series are essential guides for students of all levels. From how to think critically and write great essays to planning your dream career, the Student Success series helps you study smarter and get the best from your time at university. Visit the SAGE Study Skills hub for tips and resources for study success!
Information design is an emerging area in technical communication,
garnering increased attention in recent times as more information
is presented through both old and new media. In this volume,
editors Michael J. Albers and Beth Mazur bring together scholars
and practitioners to explore the issues facing those in this
exciting new field.
The volume sounds out the methodological potential of the central narratological category of 'voice' in its relation to 'person' and specifies this category principally against the background of Genette and Bachtin. In addition to papers with a theoretical orientation, there are also case studies, these always being linked with more general methodological concerns. The main focus is on borderline cases for unequivocally determining the position of the speaker or speech in texts. The papers examine, for example, the position and function of the text itself as a literary 'voice', and whether polyphony can be described as a variety of 'autonomous voices' without recourse to the concept of 'person'. The authors draw up new concepts of 'voice' in narrative theory, discuss the phenomenon of 'multiple voices' in literary texts and examine the category of 'voice' for its relevance as an instrument of textual analysis. The volume investigates all aspects of the relationship between the narrator's speech and that of the narrative figures within the triad of author, narrator and figure, drawing in historical aspects and insights from the psychology of cognition and reception. In this it presents innovative fundamental research on central questions of modern narrative theory.
This guide to all aspects of the reporter's job, has been
extensively revised and updated for a third edition. It considers:
The book also includes an important new chapter on the place of
local government in newspaper coverage and it examines a
newspaper's internal structure and the reporter's daily work in the
light of the latest technology.
In Sounding Composition Steph Ceraso reimagines listening education to account for twenty-first century sonic practices and experiences. Sonic technologies such as audio editing platforms and music software allow students to control sound in ways that were not always possible for the average listener. While digital technologies have presented new opportunities for teaching listening in relation to composing, they also have resulted in a limited understanding of how sound works in the world at large. Ceraso offers an expansive approach to sonic pedagogy through the concept of multimodal listening-a practice that involves developing an awareness of how sound shapes and is shaped by different contexts, material objects, and bodily, multisensory experiences. Through a mix of case studies and pedagogical materials, she demonstrates how multimodal listening enables students to become more savvy consumers and producers of sound in relation to composing digital media, and in their everyday lives. |
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