Das Jahrbuch des Oldenburger Bundesinstituts fur Kultur und Geschichte der Deutschen im ostlichen Europa, dessen erster Band 1993 erschien, legt den Akzent auf Berichte uber neue wissenschaftliche Forschungsergebnisse im Bereich Kultur und Geschichte der historischen deutschen Ostprovinzen. Die Dokumentation von Archivbestanden, thematische Bibliographien und Forschungsberichte bilden die inhaltlichen Schwerpunkte; Aufsatze behandeln Einzelaspekte. Das Jahrbuch enthalt den fur jede Ausgabe aktualisierten "Wissenschaftlichen Informationsdienst," eine Dokumentation von Forschungsarbeiten, die im Entstehen begriffen, aber noch nicht erschienen sind. Das Jahrbuch steht Autoren aus dem In- und Ausland offen."

Writing True Stories is the essential book for anyone who has ever wanted to write a memoir or explore the wider territory of creative nonfiction. It provides practical guidance and inspiration on a vast array of writing topics, including how to access memories, find a narrative voice, build a vivid world on the page, create structure, use research-and face the difficulties of truth-telling. This book introduces and develops key writing skills, and then challenges more experienced writers to extend their knowledge and practice of the genre into literary nonfiction, true crime, biography, the personal essay, and travel and sojourn writing. Whether you want to write your own autobiography, investigate a wide-ranging political issue or bring to life an intriguing history, this book will be your guide. Writing True Stories is practical and easy to use as well as an encouraging and insightful companion on the writing journey. Written in a warm, clear and engaging style, it will get you started on the story you want to write-and keep you going until you reach the end.

This will be the fourth edition of a time-tested resource for students writing papers in the fields of religion and theology. It provides essential guidance for writing assignments typical in graduate programs in religion and has served as a standard textbook for seminary research courses. The fourth edition is updated to include information on Turabian 9th edition, SBL Handbook 2nd edition, new resource lists, and additional help with online resources and formatting issues. Most importantly, this new edition is revised from the perspective of information abundance rather than information scarcity. Today's research mindset has shifted from "find anything" and "be satisfied with anything" to "choose intentionally" reliable and credible sources. Quality Research Papers will guide students through an overabundance of online and library resources and help them craft excellent essays.

You don’t have to be especially "creative." And you can forget about writer’s block. Because now, even if you’ve never written advertising before, there’s a simple proven way to Write *ADS* Great copywriters aren’t born. They’re made! That’s because writing isn’t a talent you’re born with—it’s a skill as learnable as driving a car or typing. Write Great Ads takes the mystery out of copywriting and shows how to write effective advertising copy for print ads, direct mail packages, radio spots, and television commercials. Write Great Ads takes you, step-by-step, through every aspect of the process. You’ll learn:

• How to zero in on the key features and benefits of your ad
• How to write a headline that really sells
• How to come up with an original, effective selling concept
• How to put all the facts together and craft an irresistible call to action—guaranteed to pull in sales!

The ability to communicate effectively is the most valuable skill any employee can bring to the job. That's even more true for planners, who must frequently convey an abundance of very complex, technical information to people who don't share their planning background or vocabulary. Unfortunately, the language in planning documents frequently is so convoluted, bureaucratic, and padded that its meaning is lost or completely misunderstood. Here is help for planners who write. In Planning in Plain English: Writing Tips for Urban and Environmental Planners, Natalie Macris draws from more than a decade of editing experience to explain how to craft clear, understandable, and highly readable planning documents. She suggests ways to overcome planners' most common writing foibles: acronymns, jargon, and overuse of the passive voice. And she provides handy lists to transform mushy nouns into powerful verbs, pare down bloated sentences, and translate "bureaucratese" into everyday language. She even includes practice exercises designed to help you recognize and overcome bad writing habits. But even the best writing skills won't help if your document is organized poorly and aimed at the wrong audience. Macris also explains why it's essential to know who your readers are before you start writing and how to organize your work so that it will be easy to understand and use.

With Point Made, legal writing expert, Ross Guberman, throws a life preserver to attorneys, who are under more pressure than ever to produce compelling prose. What is the strongest opening for a motion or brief? How to draft winning headings? How to tell a persuasive story when the record is dry and dense? The answers are "more science than art," says Guberman, who has analyzed stellar arguments by distinguished attorneys to develop step-by-step instructions for achieving the results you want. The author takes an empirical approach, drawing heavily on the writings of the nation's 50 most influential lawyers, including Barack Obama, John Roberts, Elena Kagan, Ted Olson, and David Boies. Their strategies, demystified and broken down into specific, learnable techniques, become a detailed writing guide full of practical models. In FCC v. Fox, for example, Kathleen Sullivan conjures the potentially dangerous, unintended consequences of finding for the other side (the "Why Should I Care?" technique). Arguing against allowing the FCC to continue fining broadcasters that let the "F-word" slip out, she highlights the chilling effect these fines have on America's radio and TV stations, "discouraging live programming altogether, with attendant loss to valuable and vibrant programming that has long been part of American culture." Each chapter of Point Made focuses on a typically tough challenge, providing a strategic roadmap and practical tips along with annotated examples of how prominent attorneys have resolved that challenge in varied trial and appellate briefs. Short examples and explanations with engaging titles-"Brass Tacks," "Talk to Yourself," "Russian Doll"-deliver weighty materials with a light tone, making the guidelines easy to remember and apply. In addition to all-new examples from the original 50 advocates, this Second Edition introduces eight new superstar lawyers from Solicitor General Don Verrilli, Deanne Maynard, Larry Robbins, and Lisa Blatt to Joshua Rosencranz, Texas Senator Ted Cruz, Judy Clarke, and Sri Srinvasan, now a D.C. Circuit Judge. Ross Guberman also provides provocative new examples from the Affordable Care Act wars, the same-sex marriage fight, and many other recent high-profile cases. Considerably more commentary on the examples is included, along with dozens of style and grammar tips interspersed throughout. Also, for those who seek to improve their advocacy skills and for those who simply need a step-by-step guide to making a good brief better, the book concludes with an all-new set of 50 writing challenges corresponding to the 50 techniques.

Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.

Good writing and communication skills are essential in many areas of science and engineering - to communicate, to help you observe, think and remember, to organise your work and to avoid stress. Written by a scientist, this book is much more than a textbook of English grammar - it is a valuable source of information on all aspects of writing in scientific and technical situations.
This new edition of Scientists Must Write has been revised and updated to take account of the changes in information and communications technology, including word processing and information storage and retrieval, It includes new appendices on punctuation, spelling and computers, and useful exercises to improve your writing.

Jack Hart, master writing coach and former managing editor of the Oregonian, has guided several Pulitzer Prize-winning narratives to publication. Since its publication in 2011, his book Storycraft has become the definitive guide to crafting narrative nonfiction. This is the book to read to learn the art of storytelling as embodied in the work of writers such as David Grann, Mary Roach, Tracy Kidder, and John McPhee. In this new edition, Hart has expanded the book's range to delve into podcasting and has incorporated new insights from recent research into storytelling and the brain. He has also added dozens of new examples that illustrate effective narrative nonfiction. This edition of Storycraft is also paired with Wordcraft, a new incarnation of Hart's earlier book A Writer's Coach, now also available from Chicago.

Volume 60 includes: Martin Hollender: "An Ideen fehlt es mir ja nie, nur an Geld." Die Berliner BuchhAndlerin Tilly Meyer (1904--1978) und ihre Dahlemer BA1/4cherstube; Anneliese Schmitt: Die ehemalige Franziskanerbibliothek zu Brandenburg an der Havel. Rekonstruktion -- Geschichte -- Gegenwart; Kerstin Reichwein: Deutsche Musikalienverlage wAhrend des Nationalsozialismus; Jonathan Green: Marginalien und Leserforschung anhand der Schedelschen Weltchronik; Ludwig Gieseke: Die kursAchsische Ordnung fA1/4r BuchhAndler und Buchdrucker von 1594. Reviews: Blick hinter die Fassade der Macht. Aktuelle Biographien A1/4ber zwei Leitfiguren des NS-Staates (Jan-Pieter Barbian); "Diese merkwA1/4rdige Verbindung von Freund und GeschAftsmann ...." Anmerkungen zu Carl Zuckmayers Briefwechsel mit seinem Verleger Gottfried Bermann Fischer 1935--1977 (Susanne Buchinger); Verlagsgeschichten (Monika Estermann).

It's not easy getting published, but everyone has to do it. Writing for Peer Reviewed Journals presents an insider's perspective on the secret business of academic publishing, making explicit many of the dilemmas and struggles faced by all writers, but rarely discussed. Its unique approach is theorised and practical. It offers a set of moves for writing a journal article that is structured and doable but also attends to the identity issues that manifest on the page and in the politics of academic life. The book comprehensively assists anyone concerned about getting published; whether they are early in their career or moving from a practice base into higher education, or more experienced but still feeling in need of further information. Avoiding a 'tips and tricks' approach, which tends to oversimplify what is at stake in getting published, the authors emphasise the production, nurture and sustainability of scholarship through writing - a focus on both the scholar and the text or what they call text work/identity work. The chapters are ordered to develop a systematic approach to the process, including such topics as: The writer The reader What's the contribution? Beginning work Refining the argument Engaging with reviewers and editors Writing for Peer Reviewed Journals uses a wide range of multi-disciplinary examples from the writing workshops the authors have run in universities around the world: including the UK, Canada, Australia, New Zealand, Ireland, South Africa, Norway, Sweden, Denmark and the United States. This international approach coupled with theoretically grounded strategies to guide the authoring process ensure that people at all stages of their career are addressed. This lively book uses a combination of personal stories, student texts, published journal abstracts and excerpts from interviews with journal editors and publishers. Written in an accessible style, one which does not use the patronising 'you' of advice books, it offers a collegial approach to a task which is difficult for most scholars, regardless of their years of experience.

The Craft of Editing offers a rare insight into the unique dynamic between author and editor. In this illuminating book, Adnan Mahmutovic and Lucy Durneen lead a cohort of industry experts to bring transparency to the mystique that often surrounds the craft and practice of editing. Using genuine case studies from published works - including annotated manuscripts - this book prepares writers for potential dialogue and critique from editors. The Craft of Editing follows the journey from rough draft to publication, an essential part of any writing experience, while showing the singular and authentic approach each editor takes. Using original pitches, debates, emails, and instant messages to shed light on the collaboration between authors and editors, The Craft of Editing is an indispensable tool to creative writers and students alike.

This volume includes contributions from the conference 'Buch und Bibliothek als WissensrAume', e.g.: Margaret M. Smith: 'From Manuscript to Print: Early Design Changes'; Oliver Duntze: 'Text und Kommentar in juristischen Drucken der FrA1/4hen Neuzeit'; Renate Wittern-Sterzel: 'Die PrAsentation des anatomischen Wissens im Buch des 16. Jahrhunderts'; Ulrich Johannes Schneider: 'Der Ort der BA1/4cher in der Bibliothek und im Katalog am Beispiel von Herzog Augusts WolfenbA1/4tteler BA1/4chersammlung'; Alfredo Serrai: 'Bibliothekarische Kataloge als Spiegel und Instrumente von Wissensordnungen in der FrA1/4hen Neuzeit'. Further: 'Electronic Publishing und E-Commerce im Buchhandel. Ein Forschungsbericht fA1/4r den Publikationszeitraum 1995 bis 2004' (Volker Titel).

Talk about Writing: The Tutoring Strategies of Experienced Writing Center Tutors offers a book-length empirical study of the discourse between experienced tutors and student writers in satisfactory conferences. It analyzes writing center talk, focusing on tutors' verbal strategies, at the macro- and microlevels. The study details tutors' use of three categories of tutoring strategies-instruction, cognitive scaffolding, and motivational scaffolding-with each chapter of the analysis ending in practical advice about tutor training. The second edition adds to the discussion of research provided in the first edition, maintaining the two previous goals: to provide a theory-based coding scheme for analyzing tutoring strategies according to their potential for instructing and scaffolding student writers' learning, and to demonstrate that analysis on 10 satisfactory conferences conducted by experienced writing center tutors. New to this edition, the authors expand the previous discussion of the coding scheme with additional details about its development. Along with the expanded Chapter 3 about research methods, this edition features new examples from the corpus of conferences and updates the literature review.

Writing Picture Books Revised and Expanded Edition builds off its predecessor's reputation as the go-to resource for any writer just beginning to concept a picture book to writers who have published several books for children and are looking to take their work to another level. Intensely craft-heavy, this book covers topics such as, story frameworking, storytelling, creating characters, developing a three-act structure, determining page turns, using rhyming, and more. It also delves into what you need to do to sell your book--from making a dummy (something unique to picture book writers), researching the market, developing a platform, finding an agent, and more. This revised and expanded edition will delve into more craft topics, including new chapters on the importance of page turns and how word count has changed over the years, plus the ever-evolving marketplace of publishing and children's books.

New in This Edition

- Updated examples from picture books throughout the book.

- Brand new quizzes and examples to help you clarify and hone your craft.

- Updated and expanded content throughout to reflect the changes in the picture book market.

- A new chapter with greater emphasis on finding an agent, working with an agent, submitting to small presses, and self-publishing.

Global Writing for Public Relations: Connecting in English with Stakeholders and Publics Worldwide provides multiple resources to help students and public relations practitioners learn best practices for writing in English to communicate and connect with a global marketplace. Author Arhlene Flowers has created a new approach on writing for public relations by combining intercultural communication, international public relations, and effective public relations writing techniques. Global Writing for Public Relations offers the following features: Insight into the evolution of English-language communication in business and public relations, as well as theoretical and political debates on global English and globalization; An understanding of both a global thematic and customized local approach in creating public relations campaigns and written materials; Strategic questions to help writers develop critical thinking skills and understand how to create meaningful communications materials for specific audiences; Storytelling skills that help writers craft compelling content; Real-world global examples from diverse industries that illustrate creative solutions; Step-by-step guidance on writing public relations materials with easy-to-follow templates to reach traditional and online media, consumers, and businesses; Self-evaluation and creative thinking exercises to improve cultural literacy, grammar, punctuation, and editing skills for enhanced clarity; and Supplemental online resources for educators and students. English is the go-to business language across the world, and this book combines the author's experience training students and seasoned professionals in crafting public relations materials that resonate with global English-language audiences. It will help public relations students and practitioners become proficient and sophisticated writers with the ability to connect with diverse audiences worldwide.

Global Writing for Public Relations: Connecting in English with Stakeholders and Publics Worldwide provides multiple resources to help students and public relations practitioners learn best practices for writing in English to communicate and connect with a global marketplace. Author Arhlene Flowers has created a new approach on writing for public relations by combining intercultural communication, international public relations, and effective public relations writing techniques. Global Writing for Public Relations offers the following features: Insight into the evolution of English-language communication in business and public relations, as well as theoretical and political debates on global English and globalization; An understanding of both a global thematic and customized local approach in creating public relations campaigns and written materials; Strategic questions to help writers develop critical thinking skills and understand how to create meaningful communications materials for specific audiences; Storytelling skills that help writers craft compelling content; Real-world global examples from diverse industries that illustrate creative solutions; Step-by-step guidance on writing public relations materials with easy-to-follow templates to reach traditional and online media, consumers, and businesses; Self-evaluation and creative thinking exercises to improve cultural literacy, grammar, punctuation, and editing skills for enhanced clarity; and Supplemental online resources for educators and students. English is the go-to business language across the world, and this book combines the author's experience training students and seasoned professionals in crafting public relations materials that resonate with global English-language audiences. It will help public relations students and practitioners become proficient and sophisticated writers with the ability to connect with diverse audiences worldwide.

This book emerges from within the everyday knowledge practices of International Relations (IR) scholarship and explores the potential of experimental writing as an alternative source of 'knowledge' and political imagination within the modern university and the contemporary structures of neoliberal government. It unlocks and foregrounds the power of writing as a site of resistance and a vehicle of transformation that is fundamentally grounded in reflexivity, self-crafting and an ethos of care. In an attempt to cultivate new sensibilities to habitual academic practice the project re-appropriates the skill of writing for envisioning and enacting what it might mean to be working in the discipline of IR and inhabiting the usual spaces and scenes of academic life differently. The practice of experimental writing that intuitively unfolds and develops in the book makes an important methodological intervention into conventional social scientific inquiry both regarding the politics of writing and knowledge production as well as the role and position of the researcher. The formal innovations of the book include the actualization and creative remaking of the Foucaultian genre of the 'experience book,' which seeks to challenge scholarly routine and offers new experiences and modes of perception as to what it might mean to 'know' and to be a 'knowing subject' in our times. The book will be of interest to researchers engaged in critical and creative research methods (particularly narrative writing, autobiography, storytelling, experimental and transformational research), Foucault studies and philosophy, as well as critical approaches to contemporary government and studies of resistance.