If John Lennon, Gertrude Stein, Stephen Hawking, and Mother Goose had conspired to write a grammar book, "GRAM-O-RAMA" would be it.

Suited both for an audience of word-lovers and for students in the classroom, this textbook contains dozens of unconventional exercises geared toward learning grammar. Its interactive method offers students and teachers a smart approach by focusing on the musical side of language. Exercises encourage the writer to experiment with style, pitch, rhythm, and sound to realize the levels behind words and structures.

Although this work includes rules as backup reference, it points students toward hearing language rather than memorizing rules. Inevitably, they'll have fun By reading and performing the exercises out loud, students will come to understand and appreciate grammar in a new and irresistible way.

Classroom tested with hilarious results for participants and audiences.

"Not your grandma's grammar, these irresistible exercises prod and provoke, delight and inspire. They rattle students (and teachers) out of boredom, apathy, and fear and awaken them to the power and possibilities of language."
-Elizabeth Moose, instructor of English,
North Carolina School of Science and Math

Whether you are a graduate student seeking to publish your first article, a new Ph.D. revising your dissertation for publication, or an experienced author working on a new monograph, textbook, or digital publication, Handbook for Academic Authors provides reliable, concise advice about selecting the best publisher for your work, maintaining an optimal relationship with your publisher, submitting manuscripts to book and journal publishers, working with editors, navigating the production process, and helping to market your book. It also offers information about illustrations, indexes, permissions, and contracts and includes a chapter on revising dissertations and one on the financial aspects of publishing. The book covers not only scholarly monographs but also textbooks, anthologies, multiauthor books, and trade books. The fifth edition has been revised and updated to align with new technological and financial realities, taking into account the impact of digital technology and the changes it has made in authorship and publishing.

Now in its 10th edition, English Skills with Readings emphasizes personalized learning to address student deficits in grammar and mechanics. Throughout the book, students are exposed to examples of writing that reflect the three key realms of their lives - personal, academic, and workplace. Seeing these different types of writing helps students understand the critical way in which writing will have an impact on the many facets of their lives. English Skills with Readings continues to encourage new writers to see writing as a skill that can be learned and a process that must be explored. The four skills, or bases, for effective writing are as follows: * Unity: Discover a clearly stated point, or topic sentence, and make sure that all other information in the paragraph or essay supports that point. * Support: Support the points with specific evidence, and plenty of it. * Coherence: Organize and connect supporting evidence so that paragraphs and essays transition smoothly from one bit of supporting information to the next. *Sentence skills: Revise and edit so that sentences are error-free for clearer and more effective communication. The four bases are essential to effective writing, whether it be a narrative paragraph, a cover letter for a job application, or an essay assignment. The new edition also includes a new and updated focus on information literacy, working with sources and writing research papers, making this a powerful and flexible text for students and instructors alike.

The Practice of Technical and Scientific Communication is a detailed description of the work done by technical and scientific communicators in a variety of professional settings. It is designed mainly as an educational and career planning tool for students preparing for careers in technical communication. However, it may also be used by educators who teach and advise students, by researchers who need a comprehensive picture of technical communication practice, and by employers who need a more thorough understanding of how technical communicators can contribute to their businesses.

Creating a book for the academic or professional market is a major undertaking--one that is likely to require an investment of hundreds of hours. This book offers a complete guide to the process, from weighing the costs and benefits of becoming an author, through negotiating a contract, to marketing the final book.

The information, which is presented from an author's perspective, includes: selecting the most appropriate publisher(s) to which to submit a proposal, factors to consider when drafting a proposal, contract negotiation, joint collaboration agreements, time management and other writing tips, academically respectable ways to facilitate marketing, and working with the IRS.

This reference handbook surveys research on the central issue associated with the teaching of unprepared writers. Though basic writing has only been recognized as a distinct area of teaching and research since 1975, the existing bibliographic texts already seem limited due to their age or lack of annotation. This volume provides current and extensive bibliographic essays and will help to define this new field of study for teachers and researchers.

Following an introduction that summarizes the origins and significant texts in basic writing, the book is divided into three sections, Social Science Perspectives, Linguistic Perspectives, and Pedagogical Perspectives. The first section, which contains three essays, views the field through the lens of social, psychological, and political issues. The second section, also containing three essays, examines contributions made from studies of grammar, dialects, and second-language acquisition. The third section, in its four essays, focuses on the design, development, administration, and evaluation of basic writing courses, the use of computers in basic writing classrooms, the role of the writing lab, and the preparation of basic writing teachers. An appendix that reviews current textbooks for basic writing courses is also included, as well as an index. This book will be a valuable resource for teachers of basic writing, in education courses and workshops that train teachers and tutors, and in fields such as linguistics, technical writing, and Teaching English as a Second Language. It will also be an important addition to public and university libraries and many education programs.

"GENADMIN: THEORIZING WPA IDENTITIES IN THE TWENTY-FIRST CENTURY makes an important contribution to writing studies in general by showing how the identification of writing program administration as scholarly and creative (not merely administrative) invites new ways to think about and theorize composition's place in the field and in institutional structures. GENADMIN also contributes to WPA scholarship by opening a rich and textured discussion of a very specific moment in which WPA work becomes a focus for graduate studies in the field. . . . GENADMIN speaks with equal importance to junior and senior WPAs, to the people who train graduate students for WPA work, and to those who hire new WPAs." -Nancy C. DeJoy, Michigan State University GENADMIN: THEORIZING WPA IDENTITIES IN THE TWENTY-FIRST CENTURY examines identity formation in a generation of rhetoric and composition professionals who have had explicit preparation in scholarly dimensions of writing program work. GENADMIN disrupts histories and narratives that posit writing program administration as managerial, where the most one can hope for is to become a hero who successfully champions writing rather than a victim of an untenable job. The authors draw on composition and rhetorical theory, WPA experiences and scholarship, and contemporary philosophy to offer writing program administration as an epistemology and a discourse for change. GENADMIN repositions WPAs as agents and reclaims writing program administration as a positive professional commitment that looks toward, rather than simply stems from, current challenges in higher education. An Afterword by Jeanne Gunner, Joseph Harris, Dennis Lynch, and Martha Townsend continues the important conversation, setting the stage for future discussion of the issues raised in this groundbreaking account of a new generation of writing program administrators. COLIN CHARLTON is Associate Professor of Rhetoric and Composition and coordinator of developmental reading/writing at the University of Texas-Pan American. JONIKKA CHARLTON is Associate Professor of Rhetoric and Composition and coordinator of first-year writing at the University of Texas-Pan American. TAREZ SAMRA GRABAN is Assistant Professor of English and coordinator of multilingual writing at Indiana University. KATHLEEN J. RYAN is Associate Professor of English and Director of Composition at the University of Montana. AMY FERDINANDT STOLLEY is Assistant Professor of English and Writing Program Director at Saint Xavier University.

The EPA investigation of a 1994 chemical plant tragedy concluded that "the explosion resulted from a lack of written safe operating procedures..." While good written procedures can't guarantee zero accidents, they can reduce the number of accidents caused by human error. This new book shows how to remedy this problem through selecting and implementing actions that promote safe, efficient operations and maintenance, improve quality, continuity, profitability and cost control, build upon and record process experience, and promote the concept that operating and maintenance procedures are vital plant components. It includes practical samples of procedure formats, checklists and many references.

Within the past decade paperback books have gained respectability among bibliophiles and scholars of popular culture. One of the most collectible runs of paperbacks by a single publisher is the 2,168 Dell Paperbacks produced between 1942 and May, 1962. During that period Dell books were grouped into distinct series and retained an identifiable look. In this catalog-index each of the paperbacks is entered separately in the catalog of series listings. Main entries include the full title and subtitle of the book, the author's byline, head or title notes, pagination, printing date and size of the print run, publication date (if known), identification of the cover artist, full annotation of the back cover map when appropriate, and other annotations such as contents of collections and anthologies, and identification of ghost writers. The bibliography also indexes anonymous titles, subjects, maps, geographical areas, motion picture, television, and play tie-ins, actors and actresses pictured on Dell covers, special series, and advance blurbs.

This book deals with editing Yeats' poems and is a companion to the revised edition of W.B.Yeats "The Poems - A New Edition". It outlines the complex problems facing an editor of Yeats' poetry and explains the solutions adopted in the new text. Manuscript materials are drawn on extensively, including some which have recently come to light in the Scribner archives at the Univeristy of Texas and at Princeton University. Compared with the first edition of this volume, there is an additional chapter on the order of the poems as well as new information on the Scribner edition and other revisions throughout.;Richard Finneran is the editor of "Yeats: An Annual of Critical and Textual Studies".

Dell paperbacks accounted for nearly 20 percent of the paperbacks published between 1942 and 1962--a popular cultural phenomenon worthy of historical recognition. Putting Dell on the Map is an objective appraisal, rather than a court history of this major mass-market publisher. Early Dell books emphasized genre fiction--mysteries, romances, and westerns. Later the company published an important line of First Editions, which included the writings of authors such as Kurt Vonnegut, Jr., John D. MacDonald, Richard Jessup, and Robert Penn Warren. Dell also expanded its reprint efforts with Laurel Editions which emphasized quality reprints. In addition to their widespread popularity, Dell paperbacks are notable for their aesthetics. Dell's cover artwork alone spans a wide range of commercial art style from color airbrush front covers and distinctive back cover maps, to pulp and then neo-realist illustrations.

This bibliography lists most of the literature on editing written from 1960 through 1988, with particular focus on those works pertaining to the acquisition and preparation of texts for publication. Recognizing the wide range of functions performed by an editor, Bruce W. Speck accesses information about the editor's involvement in all aspects of the publishing process from initiating contacts with authors and marking manuscripts to discussing production specifications with the printer and creating advertising copy. The entries are arranged alphabetically by author and fall under the headings of general editing, technical editing, and the editing of particular types of documents. Each citation is presented in standard bibliographic form, and the contents of each work summarized briefly using quotations and examples to highlight each book's most salient points. In order to facilitate identification of entries, the list is numbered consecutively with the subject index keyed to the numbered entry instead of the page number. Thoughtful organization and thorough documentation make this manual a handy reference volume for libraries, professional editors, and teachers of editing.