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Books > Language & Literature > Literary & linguistic reference works > Writing & editing guides > General
Everything you need to know about writing for business - from
working out the message you want to send, to understanding your
audience. As everyone adjusts to hybrid and remote ways of working
with others around the world, and we develop more ways of
communicating, how you can use words to engage, inform, persuade,
or sell to others is increasingly important. And writing clear,
error-free content that is appropriate for its intended purpose is
something that anyone can learn to do. Writing Skills for Business
is packed full of quick tips and nuggets of advice on how to
communicate better in your writing. From choosing the most relevant
type of communication, to understanding the needs of your intended
audience, and selecting the right layout and the most persuasive
tone and style, this new guide will help you produce the most
effective communications - whether that's internal reports,
business plans, day-to-day emails and team briefings, social media
posts or slideshow presentations. Practical, easy to read and
jargon-free, the book contains step-by-step guidance and action
points, top tips to bear in mind for the future, common mistakes
and advice on how to avoid them, summaries of key points, and some
resources links for those looking to improve their writing skills
even further.
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Doing Effective Fieldwork
(Hardcover)
Elia Shabani Mligo; Preface by Loreen Iminza Maseno; Foreword by Zorodzai Dube
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R941
R805
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Do you feel stuck with your writing, or even overwhelmed by the
terrifying task of writing a book? It doesn't have to be so hard.
You have something to share, which is why you're here reading this
right now. In this book you will uncover a proven 17-step plan that
will lead you step-by-step through writing a short, nonfiction
ebook. No fluff. No overwhelm. Just helpful advice.
In the third edition of "On Writing Fiction," Jackson discusses
points of view, the passage of time, plot & movement, dialog,
character development, setting the scene, symbol & allusion,
theme & style, artistic growth (and stagnation),
autobiographicism, and art's higher purpose.
New to this edition is discussion of the treatment of sex and love
in fiction, and personal and professional insight on the myths,
lies, and potential pitfalls of an author's life.
Creating Texts emphasises a practical approach to composition and
enables students to understand what is involved in the creation of
a text and to learn from the practice of other writers. Extensively
rewritten and updated from Walter Nash's earlier volume, Designs in
Prose, attention is paid to the general theory of composition, in
both traditional and original terms, so that students are made
familiar with the basic resources of composition, in grammar and in
the lexicon. The essence of every chapter is the discussion of
examples of text, sometimes devised by the authors, but more often
drawn from the work of authors writing in diverse styles of
English. This practical approach is most evident in the final
section of the book where detailed suggestions for projects and
exercises reinforce the connection between theory and practice, and
encourage students to develop their creative sense and to adapt
their style of writing to fit the particular audience and context.
In addition, this section is cross-referenced to the main text to
allow students to consult easily the relevant chapter.
This book undertakes a general framework within which to consider
the complex nature of the writing task in English, both as a first,
and as a second language. The volume explores varieties of writing,
different purposes for learning to write extended text, and
cross-cultural variation among second-language writers. The volume
overviews textlinguistic research, explores process approaches to
writing, discusses writing for professional purposes, and
contrastive rhetoric. It proposes a model for text construction as
well as a framework for a more general theory of writing. Later
chapters, organised around seventy-five themes for writing
instruction are devoted to the teaching of writing at the
beginning, intermediate, and advanced levels. Writing assessment
and other means for responding to writing are also discussed.
William Grabe and Robert Kaplan summarise various theoretical
strands that have been recently explored by applied linguists and
other writing researchers, and draw these strands together into a
coherent overview of the nature of written text. Finally they
suggest methods for the teaching of writing consistent with the
nature, processes and social context of writing.
EasyWriter gives friendly, reliable writing help in formats that
are easy to use and easy to afford. What's more, this little book
offers big ideas from Andrea Lunsford: that reading critically and
writing well empower us, that language helps writers face
challenges and meet opportunities, and that engaging with others
and in our own learning is transformative. Inspiring and trusted
advice plus powerful digital tools means the choice is Easy.
This book brings together a variety of voices - students and
teachers, journal editors and authors, writers from the global
north and south - to interrogate the notion of risk as it applies
to the production of academic writing. Risk-taking is viewed as a
productive force in teaching, learning and writing, and one that
can be used to challenge the silences and erasures inherent in
academic tradition and convention. Widening participation and the
internationalisation of higher education make questions of
language, register, agency and identity in postgraduate writing all
the more pressing, and this book offers a powerful argument against
the further reinforcement of a 'northern' Anglophone understanding
of knowledge and its production and dissemination. This volume will
provide food-for-thought for postgraduate students and their
supervisors everywhere.
The Writer's Market Deluxe Edition 2019 incorporates all the great
information writers have come to expect for 98 years with new
instruction articles and thousands of publishing opportunities.
Writers will be able to use the book and website to find success
getting published and paid for their writing. FEATURES Updated
listings for literary agents, book publishers, consumer magazines,
trade journals, and contests New! Scriptwriting markets included in
this edition Articles on submitting, managing, and promoting
writing Includes a subscription to WM online (complete access to
all sections of WritersMarket.com) Online submission and searching
tools on WritersMarket.com Daily updates on the website Exclusive
webinar
The success of Steve Allen's How To Be Funny led first to the
republication of that book, and now occasioned a companion volume,
Make 'Em Laugh. This new how-to book about the art of comedy
includes an even richer assortment of examples of the author's
unique humor.
In Make 'Em Laugh, Allen laces his formal instruction with
hilarious ad-libs, written jokes, TV comedy sketches, satires, song
parodies, humorous essays, amusing autobiographical reminiscences,
one-act plays, witty speeches, and stand-up monologues from his
comedy concerts.
Noel Coward called Steve Allen the most talented man in America,
and he is probably the most borrowed-from comedian of all time. The
perceptive reader will recognize many of the comic ideas that Allen
originated during the "Golden Age" of television comedy - ideas
that are still influential in the 1990's.
If there were a college course in creating and performing comedy,
Make 'Em Laugh would be the ideal textbook.
Stunning Sentences, Powerful Paragraphs, and Riveting Reports A source book of proven tips and techniques to make your writing clearer, simpler, and more memorable.
Whether it's a Web page on the Internet or a chapter in an annual budget report, readers today have less time to spend wading through text-they want the writing they read to be articulate and to the point. Effective Writing will help writers at any level of proficiency produce clear, concise writing structured around the messages they want to convey to their audience, and supported with strong, well-developed paragraphs and sentences.
Written in plain language and a relaxed style, this book is easily adaptable to a wide variety of writing styles and tasks, and will be helpful at any stage of the process: conceptuali-zation, writing, or editing. - Any writer weary from the battle with words will be grateful for the no-nonsense, straightforward approach in this book: no pronouncements on the nature of writing, no lists of rules, but clear recommendations backed by a wealth of examples.
- Also available in three individual paperback volumes
This is the first full-scale study of French autobiography. Whereas
earlier critics have engaged primarily in theoretical discussion of
the genre, or in analyses of individual works or authors, Michael
Sheringham identifies sixteen key autobiographical texts and
situates them in the context of an evolving set of challenges and
problems. Informed by a sophisticated awareness of recent
theoretical debates, Sheringham conceives autobiography as a
distinctively open form of writing, perpetually engaged with
different forms of `otherness'. Manifestations of the Other in the
autobiographical process - from the reader, who incarnates other
people, to ideology, against which individual truth must be pitted,
to the potential otherness of memory itself - are traced through a
scrutiny of the `devices and desires' at work in a range of texts
from Rousseau's Confessions, to Stendhal's Vie de Henry Brulard and
Sartre's Les Mots. Other writers examined include Chateaubriand,
Gide, Green, Leiris, Leduc, Gorz, Barthes, Perec, and Sarraute.
French Autobiography: Devices and Desires represents both the first
attempt to assemble a canon in one volume and a strikingly original
contribution to the theory of autobiography.
The Professional Writing Guide is for people who wish to improve
the quality of their documents and the efficiency of their
writing.Busy executives and other writers in organisations, who may
spend between 30 and 80 per cent of their working time writing,
will find it invaluable because it clearly outlines the principles
that underlie effective documents. This book will enable executives
to write confidently, competently, and persuasively.High quality
output is crucial to a company's image and to a professional's own
career advancement. Errors in a document can prove expensive. The
Professional Writing Guide is an indispensable and accessible
reference tool as well as a comprehensive style manual for writers
who wish to avoid those expensive mistakes and make a positive
impression.Written by two long-term professional writing educators
with extensive experience of consulting to Australian business and
industry, this lively and highly practical book features workable,
reliable, and powerful strategies that can be used to
systematically eliminate the writing problems of organisational
writers.
Focusing on the introductions to research articles in a variety of
disciplines, the author uses appraisal theory to analyze how
writers bring together multiple resources to develop their
positions in the flow of discourse. It will be most useful for
researchers new to appraisal, and to EAP teachers.
Being aware of thesis and dissertation pitfalls can help the
graduate student make efficient use of resources available to him
or her and bring precision to research and writing of that
important project. The authors present 61 cases cast as an
envisioned conversation between a student and a professor whom the
student consults about a problem.
The cases are presented within ten chapters that proceed through
a sequence of typical stages in the production of a thesis or
dissertation. Chapter titles include Choosing and Defining a
Research Topic, Searching the Professional Literature, Developing a
Proposal, Getting Help, Devising Data-Collection Procedures,
Organizing the Collected Information, Interpreting the Results,
Writing the Report, Defending the Finished Product, and Publishing
the Study.
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