Routledge A Level English Guides equip students with the skills they need to explore, evaluate and enjoy English. Books in the series are built around the various skills specified in the assessment objectives (AOs) for all AS and A2 Level English courses. Focusing on the AOs most relevant to their topic, the books help students to develop their knowledge and abilities through analysis of lively texts and contemporary data. Each book in the series covers a different example of language and literary study and offers accessible explanations, examples, exercises, a glossary of key terms and suggested answers. This series has been written by senior examiners in the light of how the new specifications have actually worked out in practice. "Writing for Assessment" helps students to develop the writing skills they need to succeed in AS and A2 Level English. It offers a step-by-step guide to approaching writing tasks and structuring a response, looks at a range of writing tasks - from argumentative essays to data-based investigations - provides Personal Audit Sheets (PASS) to help students assess their own writing skills and make practical steps to develop them, and can be used as preparati

What they are saying about Don't Mess with the Press: Tony Seton's Don't Mess with the Press is instructive and delightful. Both the beginner who is already on her way and the veteran broadcaster who thinks he has all the answers should read it. It is a must for any journalist interested in more than wardrobe, hairspray and salary. The glossary is worth the price of the book. -- Doug White, WJAR Anchor Superb -- Tim O'Brien, ABC/CNN Correspondent At some point--often in despair or a heavy sweat--every journalist exclaims: Why didn't someone tell me that? Tony Seton's years of experience provide a collection of such moments of enlightenment for aspiring and perspiring broadcasters. -- Charles Bierbauer, ABC/CNN Correspondent Anyone who wants to know what the increasingly disreputable TV news business could be ought to read this book, because it's written by a guy who helped make it what it once was. -- Greg Dobbs, ABC Producer/Correspondent Don't Mess with the Press provides a great understanding of both the philosophical underpinning of news as well as the nuts and bolts of producing a newscast. the field of broadcast journalism. -- J-school professor This is an extraordinarily entertaining book, riddled with anecdotes to tickle the funny-bones of those who have devoted their careers to the fascinating, often thrilling, world of television news. It's greater value, however, may be for those who haven't but are interested in giving broadcast journalism a try.] This book is essential reading for the would-be television journalist, told by one who has done it all. Like so much of Tony's work that we so valued at ABC News, this is a tour de force. -- Tim O'Brien, ABC/CNN Correspondent

From a master teacher and writer, a fully revised and updated edition of the results-oriented approach to legal writing that is clear, that persuades--and that WINS.
More than almost any profession, the law has a deserved reputation for opaque, jargon-clogged writing. Yet forceful writing is one of the most potent weapons of legal advocacy. In this new edition of "Writing to Win," Steven D. Stark, a former lecturer on law at Harvard Law School, who has inspired thousands of aspiring and practicing lawyers, applies the universal principles of powerful, vigorous prose to the job of making a legal case--and winning it.
"Writing to Win" focuses on the writing of lawyers, not judges, and includes dozens of examples of effective (and ineffective) real-life legal writing--as well as compelling models drawn from advertising, journalism, and fiction. It deals with the challenges lawyers face in writing, from organization to strengthening and editing prose; offers incisive ways of improving arguments; addresses litigation and technical writing in all its forms; and covers the writing attorneys must perform in their daily practice, from email memos to briefs and contracts. Each chapter opens with a succinct set of rules for easy reference.
With new sections on client communication and drafting affidavits, as well as updated material throughout, "Writing to Win" is the most practical and efficacious legal-writing manual available.

Embodied Playwriting: Improv and Acting Exercises for Writing and Devising is the first book to compile new and adapted exercises for teaching playwriting in the classroom, workshop, or studio through the lens of acting and improvisation. The book provides access to the innovative practices developed by seasoned playwriting teachers from around the world who are also actors, improv performers, and theatre directors. Borrowing from the embodied art of acting and the inventive practice of improvisation, the exercises in this book will engage readers in performance-based methods that lead to the creation of fully imagined characters, dynamic relationships, and vivid drama. Step-by-step guidelines for exercises, as well as application and coaching advice, will support successful lesson planning and classroom implementation for playwriting students at all levels, as well as individual study. Readers will also benefit from curation by editors who have experience with high-impact educational practices and are advocates for the use of varied teaching strategies to increase accessibility, inclusion, skill-building, and student success. Embodied Playwriting offers a wealth of material for teachers and students of playwriting courses, as well as playwrights who look forward to experimenting with dynamic, embodied writing practices.

Leading scientists are identified as much by their ability to communicate ideas and results as by the quality of their research. Ideas and results that are not communicated effectively will not contribute to new knowledge, so it is important that scientists learn to improve their communication skills. There are many types of scientific communication, the principal ones being journal papers and popular science articles, as well as oral and poster presentations at scientific meetings. In each case, the ABC of science communication is that it should be Accurate and Audience adapted, Brief and Clear. presentations so that your message can be transmitted clearly and concisely to the reader or listener. Techniques for improving your writing, literature searching and training students in communication are also discussed. In this revised edition a few more topics have been added, such as electronic submission of manuscripts, writing statistics, and writing research proposals. research results, experienced scientists wanting to make their communications more effective, university students at all levels, and teachers involved in the instruction of communication skills.

How to cite, reference & avoid plagiarising at university Is there a secret to successful study? The answer is 'yes'! There are some essential skills and smart strategies that will help you to improve your results at university. This easy-to-use guide helps to develop the essential academic skills of writing and thinking needed to cite and reference with confidence in your academic studies. Plagiarism and the most common methods of quoting, summarising and paraphrasing are explained and modelled throughout the book. HOW TO CITE, REFERENCE & AVOID PLAGIARISM AT UNIVERSITY provides tips, tools and techniques you will need to perform with excellence, including how to: * understand the importance of correct citation and referencing in academic writing * be aware of the facts about plagiarism and how it can be identified and avoided * search for and evaluate sources from the literature * introduce the work of others into your own text * understand and use the five most common citation and referencing styles. Visit www.smarterstudyskills.com to access a wealth of useful information, tips, templates and interactive activities that will support your skills development.

Whether you are a novice writer, or an immediate journalism student; in a freshmen English class; writing a speech, a technical report, advertising copy, or promotional or publicity material; beginning a magazine article or book; or working on any other writing project, you need to face the demands of that blank computer screen. You need to not only fill the blank screen, you need to begin your project effectively, introducing your subject to your reader with exactly the right beginning, and with confidence that you are expressing the right tone and style. Writing Solutions fills a universal gap - this is a "generic" style book.

No two writing situations are exactly the same and skilled writers, like skilled painters, must develop the know-how to represent the objects of their writing as part of a flexible art. This special art of writing lies hidden between grammar--the well-formedness of sentences--and genre--the capacity of texts to perform culturally holistic communicative functions (e.g., the memo, the strategic report, the letter to the editor). Concealed between grammar and genre, this less visible art of writing is what Kaufer and Butler call "representational composition." Texts within this hidden art are best viewed not primarily as grammatical units or as genre functions, but as bearers of design elements stimulating imagistic, narrative, and information-rich worlds, and as an invitation to readers to explore and interact with them.
This volume presents a systematic study of the principles that underlie writing as representational composition. Drawing from student models derived from a studio method, the authors use each chapter to present a different aspect of what unfolds--across the course of the book--into a cumulative, interactive, and unified body of representational principles underlying the design of texts. They reveal what makes the textual representations achieved by expert writers worthwhile, and, at the same time, difficult for novice writers to reproduce. Extending the framework of their 1996 volume, "Rhetoric and the Arts" of Design, into a realm of textual design, this volume will interest students and instructors of writing, rhetoric, and information design.

In every field of therapeutic practice a significant amount of time is spent writing letters about and to patients. In Letters From the Clinic Derek Steinberg applies detailed literary and psychological analysis to over 40 letters, highlighting why certain words or phrases were used, how they could have been put better, and builds around them principles and theoretical positions based on narrative therapy, consultative approaches and the psychological impact of words and phrases.
Using the context of child, adolescent and family psychiatry, while also applicable to all therapeutic work, the book deals with issues such as
* explaining clinical conditions and treatments
* confirming clinical contracts
* conveying difficult advice and painful news
* missed appointments and other practicalities
Each letter is followed by detailed annotations and discussion.
Letters From the Clinic will prove a valuable tool to all those working in clinical and therapeutic practice.

This text is both about writing up qualitative research and is itself a qualitative study. The written reflections of students on the writing process and the interpretations and presentations of their findings provide a base of data which the authors have, in turn, analyzed and incorporated into their text. They have added accounts of their own experiences, and those of their colleagues and other published authors. All of these are woven into a theoretical framework that discusses them in detail.

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