This book re-evaluates the perception of "courtly love" in Old French verse. Adams traces how these verses explore the emotional trials of "amour" and propose coping methods for the lovelorn.

Exploring the complex relationship between aesthetic experience and personal identity in Larkin's work, this book gives close and original readings of three major poems ('Here', 'Livings' and 'Aubade'), and two neglected but important themes (Larkin and the supernatural, Larkin and Flaubert).

Emily Dickinson's Rich Conversation: Poetry, Philosophy, Science is a comprehensive account of Emily Dickinson's aesthetic and intellectual life. Through her letters and poems, Richard E. Brantley identifies Dickinson's dialogue with John Locke's rational empiricism, Charles Darwin's evolutionary biology, Wordsworth's 'natural methodism, ' Ralph Waldo Emerson's idealism, and European and American intellectual traditions. Contrary to the image of the isolated poet, this ambitious study reveals Dickinson's agile mind developing through conversation with a community of contemporaries.

This book provides provocative information on poetry written in response to the most revolutionary set of events seen in Britain since the 1640s: "Peterloo," a peaceful protest that became a massacre; "Cato Street," a government scripted rebellion; and the "Queen Caroline Controversy," when the estranged wife of George IV tried to claim her crown.

Rufus Hallmark's book explores Robert Schumann's beloved yet controversial song cycle Frauenliebe und Leben and the poems of Adelbert von Chamisso on which it is based, setting them in the context of the challenges and social expectations faced by women in early nineteenth-century Germany. Hallmark provides the most extensive English-language study of Chamisso, a poet little known today outside Germany, including a biographical sketch and excerpts from his other poetry. He examines a range of poems about women, by Chamisso and others, and discusses the reception of the poetic and musical cycles, including illustrated editions, contemporary reviews, and other musical settings. Based on new studies of Schumann's manuscript sources and on comparative analyses of his songs and settings by Carl Loewe, Heinrich Marschner, Franz Lachner and others, Hallmark provides fresh musical and interpretive insights into each song.

At the center of Hardy's aesthetic practice is the recognition of desire as a necessary and fundamental condition of human existence. Yearning, disappointment, frustration and loss determine the relationship of his characters and poetic personae to the world and the systems in which their sense of self is expressed and constituted. Yet his work also explores the positive, dynamic and productive dimension of desire. Structured around the themes of home and homelessness; eroticism; Poor Men, Ladies and social aspiration; the transgressivity of cross dressing; the creation of "sapphic spaces;" aesthetic desire and its fulfilment in the achieved work of art, Thomas Hardy and Desire demonstrates Hardy's commitment, as an artist in pursuit of "a way to the better," to exploring how the energy of desire pushes beyond the boundaries of class, sexuality, gender and even language itself to bring new ways of being and doing into the realm of knowledge.

sta recopilaci n de memorias migrantes, presenta una sola historia. Es la historia de un pueblo-el oprimido, el pueblo vagabundo-el cual sabe del dolor que dejan las balas, el hambre y la sangre derramada, propiciadas por los pilares de un sistema antidemocr tico y capitalista. En ese pueblo ambulante, sus seres aun creen en los sue os, buscan con fervor aquel mundo ecu nime, donde a todos los hombres y mujeres se les trata con dignidad y respeto. Mortales decisiones pol ticas, sangrientas guerras, viajes lejanos, derramando sangre y en oscuridad; estos han sido la herencia reservada para el inmigrante. Las An cdotas Mojadas cuenta narraciones de eventos catastr fico e inexplicables; pero tambi n expresa gritos de esperanza y de amores que perduran eternamente en las humildes familias inmigrantes. Ni os, hombres, mujeres y ancianos quienes desde hace ya muchos a os han sido sometidos a un mundo en llamas y de esclavitud. En Las An cdotas Mojadas, Alex Iraheta narra historias, poes as, reflexiones y prosas que nos recuerdan quienes somos, quien es esa gente y ese pueblo que ha luchado de diferentes formas, contra los estragos de la violencia y la corrupci n. S ntomas que aun persisten y que ahora son mas venenosos que nunca. Aqu, en estas An cdotas, aparecen aquellos hombres de bigote largo, personas chaparritas y que sudan mucho, y mujeres cargadas de ni os. Aqu se encuentran todos ellos, los que se creyeron los cuentos de lugares m gico y paradisiacos, donde la vida, se dice, es como en un reino celestial. Desafortunadamente todo es reservado para los hijos del capital y la injusticia, quienes se lo reparten entre muy pocos y prefieren desperdiciarlo antes de compartirlo con alguien. Para el emigrante queda el l tigo y la esclavitud como nico reconocimiento por su lucha.

Richard Cardwell was given the Elma Dangerfield Award of the International Byron Society for the best book on Byron in 2005-06 Byron, arguably, was and remains the most famous and infamous English poet in the modern period in Continental Europe. From Portugal in the West to Russia in the East, from Scandinavia in the North to Spain in the South he inspired and provoked, was adored and reviled, inspired notions of freedom in subject lands and, with it, the growth of national idealisms which, soon, would re-draw the map of Europe. At the same time the Byronic persona, incarnate in Childe Harold, Manfred, Lara and others, was received with enthusiasm and fear as experience demonstrated that Byron's Romantic outlook was two-edged, thrilling and appalling in the same moment. All the great writers-Goethe, Mickiewicz, Lermontov, Almeida Garret, Espronceda, Lamartine, among many others-strove to outdo, imitate, revise, and integrate the sublime Lord into their own cultures, to create new national voices, and to dissent from the old order. The volume explores Byron's European reception in its many guises, bringing new evidence, challenging old assumptions, and offering fresh perspectives on the protean impact of Lord Byron on the Continent. This book consistes of two volumes. Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London Contributors Richard A. Cardwell, University of Nottingham, UK Joanne Wilkes, University of Auckland, NZ Peter Cochran, Cambridge, UK Ernest Giddey, University of Lausanne, Switzerland Edoardo Zuccato, IULM University, Milan Giovanni Iamartino, University of Milan, Italy Derek Flitter, University of Birmingham, UK Maria Leonor Machado de Sousa, University of Lisbon, Portugal Mihaela Anghelescu Irimia, University of Bucharest, Romania Frank Erik Pointner, University of Duisburg-Essen, Germany Achim Geisenhansluke, University of Duisburg-Essen, Germany Theo D'haen, Leiden University, The Netherlands Martin Prochazka, Charles University, Prague, Czech Republic Miroslawa Modrzewska, University of Gdansk, Poland Orsolya Rakai, Budapest, Hungary Nina Diakonova, St. Petersburg, Russia Vitana Kostadinova, Plovdiv University, Bulgaria Jorgen E. Nielsen, Copenhagen, Denmark Bjorn Tysdahl, University of Oslo, Norway Ingrid Elam, Sweden Anahit Bekaryan, Institute of Fine Arts of the National Academy of Sciences of the Republic of Armenia Innes Merabishvili, State University of Tbilisi, Georgia Litsa Trayiannoudi, Aristotle University of Thessaloniki, Greece Massimiliano Demata, Mansfield College, Oxford, UK

Christopher Marlowe is known not only as Shakespeare's most notable contemporary playwright, but also as one of the most intriguing figures of the English Renaissance. The mystery of his death in a fray at the age of 29 has inspired writers around the world, and his fiery career is no less intriguing. This New Casebook offers a wide-ranging selection of essays on Marlowe's major plays. Articles from the last two decades by leading critics of English early modern drama provide a variety of fresh, controversial and enlightening critical perspectives on five of Marlowe's plays: Tamburlaine the Great Parts One and Two, The Jew of Malta, Doctor Faustus, and Edward II.

The conventional picture of the young Hopkins as a conservative High-Church ritualist is starkly contested by this study which draws upon his unpublished Oxford essays on philosophy to reveal a boldly speculative intellectual liberal. Less concerned with Christian factionalism than with countering contemporary threats to faith itself, Hopkins' thought is seen to follow that of his teachers Benjamin Jowett and T. H. Green, who turned to Kant and Hegel to vouchsafe the grounds of Christian belief against contemporary scientism. Hopkins' personal metaphysic of 'inscape' and 'instress', which has long been recognized as crucial to the understanding of his poetry, is traced here to concepts derived from the 'British Idealism' he encountered at Oxford and the new energy physics of the 1850s and 1860s. By locating his thought at the intellectual avant-garde of his age, the striking modernity of his poetry need no longer be seen as an historical anomaly. The book offers radical re-readings not only of his metaphysics and theology, but also of his best-known poems.

This collection of twelve critical essays on women's poetry of the eighteenth century and enlightenment is the first to range widely over individual poets and to undertake a comprehensive exploration of their work. Experiment with genre and form, the poetics of the body, the politics of gender, revolutionary critique, and patronage, are themes of the collection, which includes discussions of the distinctive projects of Mary Leapor, Ann Yearsley, Helen Maria Williams, Joanna Baillie, Charlotte Smith, Anna Barbauld and Lucy Aikin.

Surveying the later work of W.B. Yeats and Wallace Stevens, Edward Clarke unfolds their very last poems and considers the two poets' relations with western literature and tradition. This book shows how these two latecomers transform the ways in which we read earlier poets.

This book uses the theme of "debatable lands," a term first applied to disputed parts of the Anglo-Scottish border, to explore aspects of writing in the Romantic period. Walter Scott brought it to a wider public, and the phrase came to be applied, by metaphorical extension, to debates which were not so much geographical but intellectual, political or artistic. These debates are pursued in a collection of essays grouped under the headings "Britain and Ireland" and Europe and Beyond."

A groundbreaking contribution to the critical literature, this volume represents the most extensive study of the fantastic in poetry published to date. Designed to serve both as an introduction to and a historical overview of fantastic poetry in the Anglo-American tradition, the authors closely analyze specific periods and poems in order to illuminate more clearly the relationships among fantasty, the fantastic, science fiction, and poetry. The scope of the study is unusually broad and encompasses material from Spenser through the work of a wide range of contemporary American and British poets. Although the contributors focus primarily on English-language authors, their essays provide theoretical and practical criticism relevant to the study of the fantastic in poetry in any language. Among the innovative approaches developed are a feminist-fantastic revisionary reading of Keat's Lamia and a conceptualization of the role of fantasy in the writing of holocaust poetry. In addition, the contributors analyze such works as C.S. Lewis's Dymer, Ed Dorn's Slinger, Victorian women's fantasies, the poetry of Margaret Atwood, Anne Sexton, Ursula K. Le Guin, and many others. Taken together, these essays should not only spark critical debate on the intersection of fantasy and poetry but also become the essential starting point for any new criticism of fantastic poems.

This book is a full-length study of the British novelist, poet, and illustrator Stevie Smith (1902-1971). It draws on extensive archival material to offer new insights into her work, challenging conventional readings of her as an eccentric. It reveals the careful control with which she managed her public persona, reassesses her allusive poetry in the light of her own conflicted response to written texts, and traces her simultaneous preoccupation with and fear of her reading public. William May considers the influence of artists such as George Grosz and Aubrey Beardsley on her apparently artless illustrations and explores her use of fiction and book reviews as a way of generating contexts for her poetry, offering readers a fascinating in-depth study that not only radically alters our understanding of Smith and her work, but provides new perspectives on British twentieth-century poetry and its reception.

Caribbean poetry written in English has been attracting growing amounts of scholarly attention. The first substantial annotated bibliography of primary and secondary materials related to the topic, this reference chronicles the development of Anglophone Caribbean poetry from 1970 through 2001. Included are nearly 900 entries for anthologies, reference works, conference proceedings, critical studies, interviews, and recorded works. The volume also includes a chronology, an overview of the development and significance of Caribbean poetry in English, and extensive indexes.

In 1971 the Association for Commonwealth Literature and Language Studies held a conference on West Indian literature at the University of the West Indies. This was the first assembly for the discussion of West Indian literature by West Indian people on West Indian soil. Since then, interest in Caribbean poetry written in English has grown dramatically. Caribbean poetry was influenced by the American Black Power movement during the 1970s, and women poets began to contribute their voices throughout the 1980s. Caribbean poets have, in turn, gained greater access to publishing outlets, resulting in a wider international readership and a corresponding increase in scholarly and critical studies. This book is the first substantial annotated bibliography of primary and secondary materials related to Caribbean poetry written in English.

The volume begins with the rise of interest in Anglophone Caribbean poetry in the 1970s and continues through 2001. Included are entries for nearly 900 anthologies, reference works, conference proceedings, critical studies, interviews, and recordings. The entries are grouped in chapters devoted to particular types of works. In addition, the volume includes a chronology, a discussion of the history of Anglophone Caribbean poetry, and extensive indexes.

This book explores Sara Coleridge's critical intelligence and theoretical reach. It shows her in various critical guises: editing works by her father, Samuel Taylor Coleridge, commenting on her own poetry and prose, and writing diversely brilliant criticism of classical and English literature.

Queer Lyrics fills a gap in queer studies: the lyric, as poetic genre, has never been directly addressed by queer theory. Vincent uses formal concerns, difficulty and closure, to discuss innovations specific to queer American poets. He traces a genealogy based on these queer techniques from Whitman, through Crane and Moore, to Ashbery and Spicer. Queer Lyrics considers the place of form in queer theory, while opening new vistas on the poetry of these seminal figures.

This book re-conceives Christina Rossetti's poetic identity by exposing the androcentric bias inherent in the histories of the Rossetti family and of Pre-Raphaelitism, by turning new attention to the Rossetti women, and by reconstituting a female and religious community for Rossetti's writing. Drawing on extensive archival research, Mary Arseneau investigates how Rossetti's religious faith sustains her poetic practice and authorizes her cultural and aesthetic critique; the result is a re-evaluation and re-contextualization of the whole range of Rossetti's writing.

ROLAND BLEIKER is Professor of International Relations at the University of Queensland, Australia. His previous books include Popular Dissent, Human Agency and Global Politics and Divided Korea: Toward a Culture of Reconciliation. He worked as a Swiss diplomat in the Korean DMZ and held visiting fellowships at Harvard, Cambridge, Humboldt, Tampere, Yonsei and Pusan National University as well as the Swiss Federal Institute of Technology and the Institute of Social Studies in The Hague.

"Modern Poetry and Ethnography: Yeats, Frost, Warren, Heaney, and the Poet as Anthropologist maps a new approach to the works of W.B. Yeats, Robert Frost, Robert Penn Warren, and Seamus Heaney. Heuston analyzes the ways the works of each writer represent and explain a country or region (Ireland for Yeats, New England for Frost, the American South for Warren, and Northern Ireland for Heaney) as if the writers were anthropologists or ethnographers. This project argues provocatively that literary critics can benefit greatly from the insights and theories of anthropology and ethnography"--

Peter McDonald offers a controversial reading of twentieth-century British and Irish poetry centred on six figures, all of whom are critics as well as poets: W. B. Yeats, T. S. Eliot, W. H. Auden, Louis MacNeice, Seamus Heaney, and Geoffrey Hill. Serious Poetry provocatively returns these writers to the elements of difficulty and cultural disagreement where they belong.

This is a study of allusions to Alfred Tennyson's poetry in works of fiction from the Victorian period to the present day. Until now, the study of literary allusion has focused on allusions made by poets to other poets. In "Tennyson Among the Novelists", John Morton presents the first book-length account of the presence of a poet's work in works of prose fiction. As well as shedding new light on the poems of Tennyson and their reception history, Morton covers a wide variety of novelists including Thomas Hardy, James Joyce, Evelyn Waugh, and Andrew O'Hagan, offering a fresh look at their approach to writing. Morton shows how Tennyson's poetry, despite its frequent depreciation by critics, has survived as a vivifying presence in the novel from the Victorian period to the present day.