Mary Sidney Herbert, Countess of Pembroke, is the most important Elizabethan woman writer and patron outside the royal family. By astute use of the genres permitted to women, she supported the Protestant cause, introduced continental literary genres, expanded opportunities for later women writers, and influenced seventeenth-century lyric and drama by such writers as John Donne, George Herbert, Mary Wroth, and William Shakespeare. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed `Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.

These essays from a distinguished, international group of scholars trace the process of thinking and creation in one of the great literary minds of the twentieth century. Archival and newly available materials reveal this canonical author's composition process and artistic virtuosity.

Conversations with Sterling Plumpp is the first collection of interviews with the renowned poet of Home/Bass and other much-admired works. Spanning thirty years and drawn from literary and scholarly journals and other media, these interviews offer insights into his poetic innovation of blues and jazz and his mastery of black vernacular in poetry. This collection seems fundamental to an understanding of the life and work of an African American poet who has been innovative in fusing blues and jazz rhythms with poetic insight and in vivifying the vernacular landscape of African American poetry. Born in 1940 in Clinton, Mississippi, Plumpp has been living in Chicago since 1962. Home/Bass received the 2014 American Book Award. The finest blues poet of his generation, Plumpp became a model for contemporary poetry and poetics and a leading figure in the tradition of blues/jazz poetry. He continues to reinvent the language while exploring the registers of individual and communal memory, local, national, and global history. His poetry is important in attempts to define the black aesthetic from the era of the Harlem Renaissance to the seminal Black Arts Movement. It is also important for its re-articulation of the Great Migration, especially expressed by blues musicians who left Mississippi for Chicago.

The life and work of C.S. Lewis after his conversion in 1931 is well known and his reputation shows no signs of diminishing. His earlier years have not been so well studied, particularly between the ages of 16 and 22 when he studied privately and at Oxford, served in the British army, was wounded in France, entered into his affair with Janie Moore, and wrote and published his first book of poems. To correct and augment the limited accounts of this period, Lewis s life is presented with the general and specific background which makes it more meaningful, particularly as it throws light on his character. The romantic myth of him as a "soldier-poet" is dispelled, largely through an extensive review of the poems in "Spirits in Bondage" and the self-centered life that produced them. A valuable comparison not to the advantage of Lewis is drawn with two undoubted soldier-poets, Robert Graves and Siegfried Sassoon. The purpose is not to disparage or belittle Lewis but to show what had to be overcome in his limited and unpleasant early moral character in order to produce the devoted Christian of later years."

This book examines sonic signals as something both heard internally and externally, through imagination, memory and direct response. In doing so it explores how the mind 'makes' sound through experience, as it interprets codes on the written page, and creates an internal leitmotif that then interacts with new sounds made through an aural partnership with the external world, chosen and involuntary exposure to music and sound messages, both friendly and antagonistic to the identity of the self. It creates an argument for sound as an underlying force that links us to the world we inhabit, an essential part of being in the same primal sense as the calls of birds and other inhabitants of a shared earth. Street argues that sound as a poetic force is part of who we are, linked to our visualisation and sense of the world, as idea and presence within us. This incredibly interdisciplinary book will be of great interest to scholars of radio, sound, media and literature as well as philosophy and psychology.

After a distinguished career as a teacher, scholar, bibliographer and literary critic, Stanley Brian Greenfield, Professor of English at the University of Oregon, one of the founders of the annual Anglo-Saxon England and of the International Society of Anglo-Saxonists, died in 1987. He wrote primarily on Anglo-Saxon topics as well as later English poetry. He deeply explored the Old English poetic corpus, pointing out important meanings and qualities in insightful and sensitive readings. Hero and Exile brings together some of his most important essays, divided into three sections - Beowulfian Studies, The Old English Elegies and The Theme of Exile - attesting to his long and fruitful engagement with Old English literature.

York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. The Medicamina Faciei Femineae is a didactic elegy which showcases an early example of Ovid's trademark combination of a moralistic, instructive form and trivial subject and meter. Exploring female beauty and cosmetics, with particular emphasis on the concept of 'cultus', the poem also presents five practical recipes for cosmetic treatments used by Roman women. Covering both didactic parody and pharmacological reality, this deceptively complex poem possesses wit, vivacity and importance. The first full study devoted to this little-researched but multi-faceted poem, Ovid on Cosmetics includes an in-depth introduction which situates the poem within its literary heritage of didactic and elegiac poetry, its place in Ovid's oeuvre and its relevance to social values, personal aesthetics and attitudes to female beauty in Roman society. The Latin text is presented on parallel pages alongside a new literal and quality translation, and all Latin phrases are translated for the non-specialist reader. Detailed commentary notes elucidate the text and individual phrases still further.The volume also contains related passages with translations and commentaries from Ovid's Ars Amatoria 3.101-250, on dress, appearance and make-up, and Amores 1.114, on hair dye and resulting baldness.Ovid on Cosmetics presents and explicates this witty, subversive yet significant poem, as well as contextualises its importance for gender and sexuality studies, women's life in antiquity, eroticism, aesthetics and social attitudes to women and beauty in Ancient Rome.

The contributors analyze Whitman's life and work as a reflection of his concerns for such societal issues as war and peace, women's rights, and the threat of slavery to American democracy, as well as a reflection of more personal issues of sexual preference and familial ties. Each of these and many other topics receive careful consideration and attention by scholars who have devoted much of their professional lives to aspects of Whitman's life and work.

The English poet John Gower (ca. 1340-1408) wrote important Latin poems witnessing the two crucial political events of his day: the Peasants' Revolt of 1381 and in 1399 the deposition of Richard II, in the Visio Anglie (A Vision of England) and Cronica tripertita (A Chronicle in Three Parts), respectively. Both poems, usually transmitted with Gower's major Latin work, Vox clamantis, are key primary sources for the historical record, as well as marking culminating points in the development of English literature. The earlier Visio Anglie is verbally derivative of numerous, varied sources, by way of its literary allusions, but is also highly original in its invention and disposition. On the other hand, the Cronica tripertita's organization, even in details, is highly derivative, and from a single source, but its verbal texture is all invented. This volume includes Latin texts of these poems of Gower, newly established from the manuscripts, with commentary on Gower's relation with the rest of the contemporary historical record and with his literary forebears and contemporaries, including Ovid, Virgil, Peter Riga, Nigel Witeker, and Godfrey of Viterbo. This volume also includes Modern English verse translations of the two poems, which are at once critically accurate and enjoyably accessible.

This is a pioneering scholarly collection of essays outlining W.B. Yeats' reception and influence in Europe. The intellectual and cultural impact of British and Irish writers cannot be assessed without reference to their reception in European countries. These essays, prepared by an international team of scholars, critics and translators, record the ways in which W. B. Yeats has been translated, evaluated and emulated in different national and linguistic areas of continental Europe. There is a remarkable split between the often politicized reception in Eastern European countries and Spain on the one hand, and the more sober scholarly response in Western Europe. Yeats's Irishness and the pre-eminence of his lyrical work have posed continuous challenges. Three further essays describe the widely divergent reactions to Yeats in his native Ireland, during his lifetime and up to the most recent years. Our knowledge of British and Irish authors is incomplete and inadequate without an understanding of the perspectives of other nations, traditions and individuals on them. This series profiles literary and political figures as well as philosophers, historians and scientists. Each volume examines how authors have been translated, published, distributed, read, reviewed and discussed in Europe. In doing so it throws light not only on the specific strands of intellectual and cultural history but also on the processes involved in the dissemination of ideas.

This is a monograph offering new analysis of the philosophical connection between Hopkins and Heidegger which has been repeatedly mentioned but not fleshed out in the literature of either literary criticism or philosophy. "Hopkins & Heidegger" is a new exploration of Gerard Manley Hopkins' poetics through the work of Martin Heidegger. More radically, Brian Willems argues that the work of Hopkins does no less than propose solutions to a number of hitherto unresolved questions regarding Heidegger's later writings, vitalizing the concepts of both writers beyond their local contexts. Willems examines a number of cross-sections between the poetry and thought of Hopkins and the philosophy of Heidegger. While neither writer ever directly addressed the other's work - Hopkins died the year Heidegger was born, 1899, and Heidegger never turns his thoughts on poetry to the Victorians - a number of similarities between the two have been noted but never fleshed out. Willems' readings of these cross-sections are centred on Hopkins' concepts of 'inscape' and 'instress' and around Heidegger's reading of both appropriation (Ereignis) and the fourfold (das Geviert). This study will be of interest to scholars and postgraduates in both Victorian literature and Continental philosophy.

Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes ("wise ones") produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede's description of Caedmon's production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian "Golden Age", its manuscripts, hagiography, and writings of Aldhelm and Bede.

A recent upsurge in interest in Der Struwwelpeter, written by Heinrich Hoffman has initiated a new wave of spin-offs, parodies, and retellings of these immensely popular stories. Hoffman's style, which is instructive and moralistic, coupled with the sadistic content of his works lend a unique quality to the stories that we don't see in contemporary children's literature. Struwwelpeter: Humor or Horror? is a critical analysis of the now infamous Struwwelpeter stories. While Hoffman intended his depictions of amputated limbs and burning children to be humorous and to warn children against misbehavior, some find the punishments can be excessively vicious. Looking beyond the history of child rearing practices and children's literature, Barbara Smith Chalou considers the socio-historic context in which the book was written and makes comparisons to contemporary children's fare that is similarly violent, but intended to be humorous.

Jimi Hendrix, Princess Diana and Syria's Asma Al-Assad rub shoulders with Auden, Eliot and Shelley - and with the Trouser Thief Clive met during ten long weeks locked up in a closed psychiatric ward - in this offbeat and affectionate poetic biography. Since 2010, when Clive was told he had three separate life-threatening conditions, he has poured out a stream of fine poems - sometimes light, witty and paradoxical, sometimes sad, heartfelt and regretful. Some, like `Japanese Maple', an instant Internet sensation, have already made it into the anthologies. Others, like his book-length epic, The River in the Sky, are more demanding. All are packed with the unexpected ideas, inventive imagery and breathtaking wordplay that have helped him achieve his avowed ambition of becoming `a fairly major minor poet'.

Poet, critic, biographer and Catholic intellectual, Paul Mariani delivers huge armfuls of experience and knowledge in this wide-ranging collection of twenty-four essays. As a man of faith in a secular world, Mariani brings to light issues surrounding spirituality and poetry through discussions of the Gnostics, Roman history, the Bible, John of the Cross, Rilke, Robert Pack, Galway Kinnell, Philip Levine, and the poets he most admires - Gerard Manley Hopkins, William Carlos Williams, Hart Crane, John Berryman, and Robert Lowell. Charged with spiritual and intellectual awe, Mariani fully engages with his subjects, from their lives to their works to their grand impact on Mariani's own life as a poet. His prose flows easily from anecdote to analysis, from Paterson, the setting of Williams's great tribute poem, to Manhattan, where Mariani haunts old neighborhoods and the Brooklyn Bridge, searching for traces of Hart Crane. By infusing scholarly criticism with a personal voice, Mariani allows us to see the relationship between poetry and a sublime presence in the universe. Serious reading for anyone interested in modern and contemporary poetry, God and the Imagination offers elegant and original insights into a wide variety of poetic concerns. But it is most extraordinary for its celebration of the lives of the poets, which allow us, in Mariani's words, ""to recover what would otherwise be lost to time and silence.

Poetry's relevancy as a tool for social and political change continues to be overlooked in a global context. Looking to writers as diverse as Derek Walcott, Paul Muldoon, and Daljit Nagra, Hena shows that poets throughout the world have reinvigorated older poetic traditions to address political realities and the sweeping pressures of modernity.

Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing. Coauthored by Bruce Andrews, Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman, the work was composed on typewriters and developed through the mail. The twenty-six poems of the volume bring together every possible permutation of collaborative authorship in one-, two-, three-, and five-author combinations, revealing the evolution of distinctive styles against and in conversation with others. Along with a complete reproduction of the original text, LEGEND: The Complete Facsimile in Context includes a critical introduction by editors Matthew Hofer and Michael Golston, a generous selection of material from the authors' correspondence, and a new collaborative piece by the authors. This book will be an essential resource to students and scholars in twentieth-century poetry and poetics.

HarperCollins is proud to present its new range of best-loved, essential classics. 'Clanless, lawless, homeless is he who is in love with civil war, that brutal ferocious thing.' The epic poem The Iliad begins nine years after the beginning of the Trojan War and describes the great warrior Achilles and the battles and events that take place as he quarrels with the King Agamemnon. Attributed to Homer, The Iliad, along with The Odyssey, is still revered today as the oldest and finest example of Western Literature.

Unstated meaning has always been a feature of poetry, but it is in our own century that it has established itself not only as the prevailing mode of expression but also as the central concern of analytic criticism. Although a variety of terms, such as Ambiguity, Irony and Gesture, have been employed to discuss this aspect of poetry and have gained popularity, Professor Rayan shows that 'Suggestion', occurring as far back as in Edgar Allan Poe's writings and later in Symbolist theorizing, is a concept of much longer standing and of equal serviceability. In examining Suggestion, particularly as the only mode of presentation of emotion, he makes fruitful use of some central ideas from ninth-century Sanskrit aesthetics. The contrasted techniques of Suggestion and Statement are studied in relation to each other and with reference to many poetic examples, past and present.

Matthew Arnold, the foremost Victorian 'man of letters', forged a unique literary career, first as an important post-Romantic poet and then as a prose writer who profoundly influenced the formation of modern literary and cultural studies. Machann challenges the popular image of Arnold as an elitist intellectual and shows how his poetry and prose grew out of his personal life and his passionate engagement with the world, emphasizing the journal publications that drove his career as a literary, social, and religious critic.

Sylvia Plath and the Theatre of Mourning challenges the critical tendency to see Plath's writing in `confessional' terms, and draws attention to its self-reflexivity. The book argues that Plath developed a theatrical conception of the speaking subject. In her closely sustained study, Britzolakis relates the texts both to their historical moment and to contemporary debates about language, gender, and subjectivity.