First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

This book examines William Langland's late medieval poem, The Vision of Piers Plowman, in light of contemporary intellectual thought. David Strong argues that where the philosophers John Duns Scotus and William of Ockham revolutionize the view of human potential through their theories of epistemology, ethics, and freedom of the will, Langland vivifies these ideas by contextualizing them in an individual's search for truth and love. Specifically, the text ponders the intersection between reason and the will in expressing love. While scholars have consistently noted the text's indebtedness to these higher strains of thought, this is the first book-length study in over thirty years that explores the depth of this interconnection, and the only one that considers the salience of both Scotus and Ockham. It is essential reading for medieval literary specialists and students as well as any cultural historian who desires to augment their knowledge of truth and love.

This book offers a phenomenologically-inspired approach to sharing stories via 'poetic inquiry', a research approach that is rapidly gaining popularity within psychology and the wider social sciences. Owton begins by framing how poetry can appeal to all of the senses, how it can offer readers a shared experience of the world and why poetry should be used as a research approach. Chapters explore various aspects of poetic inquiry including poetry as data, turning data into poetry, poetry as literature review and poetry as reflective writing. The final chapters consider how one might draw on characterising traits to judge poetic inquiry, and how poetry might resonate with audiences to effect wider dissemination of research. This interdisciplinary exploration will be of interest to scholars in psychology, sociology, social work, and literature, as well as to medical and sports practitioners.

This is an original contribution to understanding of an important but overlooked aspect of modern poetry, offering a comparative approach to the topic.This collection of research explores the interaction of religious awareness and literary expression in English poetry in the late nineteenth and twentieth centuries. Many different types of poetics may be seen to be at work in the period 1875 to 2005, along with various kinds of religious awareness and poetic expression. Religious experience has a crucial influence on literary language, and the latter is renewed by religious culture. The religious dimension has been a decisive factor of modern English poetic expression of the last hundred years or so.The religious and mystical dimension of poetry of the period is borne out by the focus on, among other things, grace and purgation, the tension between time and eternity, redemption and the demands of eschatology, immanence and transcendence, and conversion and martyrdom. The chapters also explore how church practice and ritual, architecture and liturgy, play into the poetry of the period. This volume offers a comprehensive discussion of this important but often overlooked aspect of modern English poetry.

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Combining historical poetics and book history, Romantic Poetry and Literary Coteries shows Romanticism as characterized by tropes and forms that were jointly produced by literary circles. To show these connections, Fulford pulls from a wealth of print material including political squibs, magazine essays, illustrated tour poems, and journals.

This book is the first book devoted entirely to Hughes as an environmental activist and writer. Drawing on the rapidly-growing interest in poetry and the environment, the book deploys insights from ecopoetics, ecocriticism and Anthropocene studies to analyse how Hughes's poetry reflects his environmental awareness. Hughes's understanding of environmental issues is placed within the context of twentieth-century developments in 'green' ideology and politics, challenging earlier scholars who have seen his work as apolitical. The unique strengths of this book lie in its combination of cutting-edge insights on ecocriticism with extensive work on the British Library's new Ted Hughes archive. It will appeal to readers who enjoy Hughes's work, as well as students and academics.

Hallaj is the first authoritative translation of the Arabic poetry of Husayn ibn Mansur al-Hallaj, an early Sufi mystic. Despite his execution in Baghdad in 922 and the subsequent suppression of his work, Hallaj left an enduring literary and spiritual legacy that continues to inspire readers around the world. In Hallaj, Carl W. Ernst offers a definitive collection of 117 of Hallaj's poems expertly translated for contemporary readers interested in Middle Eastern and Sufi poetry and spirituality. Ernst's fresh and direct translations reveal Hallaj's wide range of themes and genres, from courtly love poems to metaphysical reflections on union with God. In a fascinating introduction, Ernst traces Hallaj's dramatic story within classical Islamic civilization and early Arabic Sufi poetry. Setting himself apart by revealing Sufi secrets to the world, Hallaj was both celebrated and condemned for declaring: "I am the Truth." Expressing lyrics and ideas still heard in popular songs, the works of Hallaj remain vital and fresh even a thousand years after their composition. They reveal him as a master of spiritual poetry centuries before Rumi, who regarded Hallaj as a model. This unique collection makes it possible to appreciate the poems on their own, as part of the tragic legend of Hallaj, and as a formidable legacy of Middle Eastern culture.

York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

Siegfried Sassoon: Scorched Glory is the first survey of the poet's published work since his death and the first to draw on the edited diaries and letters. We learn how Sassoon's family background and Jewish inheritance, his troubled sexuality, his experience of war - in particular his public opposition to it - his relationship to the Georgian poets and other writers, and his eventual withdrawal to country life shaped his creativity. Sassoon's status as a war poet has overshadowed his wider achievements and the complex personality behind them. This critical evaluation of Sassoon's work is long overdue and will provide a valuable starting-point for future reappraisals of a writer for whom life and art were fused.

Comic poetry is serious stuff, combining incongruity, satire and psychological effects to provide us a brief victory over reason that could help us save ourselves, if not the world. Taking a theoretical perspective, this book champions the literary movement of American comic poetry, providing historical context and exploring the work of such writers as Denise Duhamel, Campbell McGrath, Billy Collins, Thomas Lux and Tony Hoagland. The techniques of these poets are examined to reveal how they make us laugh while addressing important social concerns.

This is the first study to examine the Arabic translations of a number of major modern poems in the English language, in particular T. S. Eliot's The Waste Land and Walt Whitman's Song of Myself. With case studies dedicated to the Arab translators who were themselves modernist poets, including Badr Shakir al-Sayyab and Saadi Yusuf, the author brings a reading of the translations as literary works in their own right. Revealing why the Arab modernists were drawn to these poems through situational context, Ghareeb Iskander shows that the influence exerted by the English originals stems from the creative manner in which the Arab poet-translators converted them into their own language.

A significant modern biography of the Italian master.

These essays from a distinguished, international group of scholars trace the process of thinking and creation in one of the great literary minds of the twentieth century. Archival and newly available materials reveal this canonical author's composition process and artistic virtuosity.

This book examines sonic signals as something both heard internally and externally, through imagination, memory and direct response. In doing so it explores how the mind 'makes' sound through experience, as it interprets codes on the written page, and creates an internal leitmotif that then interacts with new sounds made through an aural partnership with the external world, chosen and involuntary exposure to music and sound messages, both friendly and antagonistic to the identity of the self. It creates an argument for sound as an underlying force that links us to the world we inhabit, an essential part of being in the same primal sense as the calls of birds and other inhabitants of a shared earth. Street argues that sound as a poetic force is part of who we are, linked to our visualisation and sense of the world, as idea and presence within us. This incredibly interdisciplinary book will be of great interest to scholars of radio, sound, media and literature as well as philosophy and psychology.

Lucretius' philosophical epic De Rerum Natura (On the Nature of Things) is a lengthy didactic and narrative celebration of the universe and, in particular, the world of nature and creation in which humanity finds its abode. This earliest surviving full scale epic poem from ancient Rome was of immense influence and significance to the development of the Latin epic tradition, and continues to challenge and haunt its readers to the present day. A Reading of Lucretius' De Rerum Natura offers a comprehensive commentary on this great work of Roman poetry and philosophy. Lee Fratantuono reveals Lucretius to be a poet with deep and abiding interest in the nature of the Roman identity as the children of both Venus (through Aeneas) and Mars (through Romulus); the consequences (both positive and negative) of descent from the immortal powers of love and war are explored in vivid epic narrative, as the poet progresses from his invocation to the mother of the children of Aeneas through to the burning funeral pyres of the plague at Athens. Lucretius' epic offers the possibility of serenity and peaceful reflection on the mysteries of the nature of the world, even as it shatters any hope of immortality through its bleak vision of post mortem oblivion. And in the process of defining what it means both to be human and Roman, Lucretius offers a horrifying vision of the perils of excessive devotion both to the gods and our fellow men, a commentary on the nature of pietas that would serve as a warning for Virgil in his later depiction of the Trojan Aeneas.

This work is the first academic biography of North Carolina poet laureate James Larkin Pearson (1879-1981). Using material from Pearson's personal archive in Wilkes County, from the North Carolina Collection and the Southern Historical Collection at the University of North Carolina at Chapel Hill, and from contemporary examinations of his life and work, this study offers deeply personal insights into his life and provides extensive examinations of his hopes, joys, fears, pains, and sorrows. The work also includes lengthy studies of his poetry and his journalistic efforts and examines their place within the larger cultural milieu. In the process, the book addresses two themes that become apparent in Pearson's life and work: his Tar Heel spirit and his individualism. He was a fighter who overcame poverty, a poor education, personal tragedies, and professional neglect to achieve great success. He also abided by his own set of religious, artistic, and political values regardless of the consequences. This work thus offers the first personal and professional examination of James Larkin Pearson, provides insights on North Carolina and its people, and examines the benefits and drawbacks of following one's own path.

Winner of both the Pulitzer Prize and the National Book Award, Robert Lowell has left a prodigious literary legacy that includes several verse plays as well as numerous volumes of poetry. His private papers and other unpublished materials provide an illuminating record of a distinguished career and cast light on personal and creative issues of interest to both readers and scholars. The Robert Lowell collection at the Houghton Library at Harvard University comprises some 2,916 items. These include family and literary correspondence, poetic notebooks, and manuscripts covering a period of more than thirty-five years. This annotated guide to the collection is the product of detailed study of Lowell's work, both published and unpublished, and benefits from the poet's own review of some of the papers. Researchers will appreciate the index to the poems, which offers a key to the various drafts of each work. This book will be of interest to all Lowell scholars and to students of twentieth-century American poetry.

Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes ("wise ones") produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede's description of Caedmon's production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian "Golden Age", its manuscripts, hagiography, and writings of Aldhelm and Bede.

Jimi Hendrix, Princess Diana and Syria's Asma Al-Assad rub shoulders with Auden, Eliot and Shelley - and with the Trouser Thief Clive met during ten long weeks locked up in a closed psychiatric ward - in this offbeat and affectionate poetic biography. Since 2010, when Clive was told he had three separate life-threatening conditions, he has poured out a stream of fine poems - sometimes light, witty and paradoxical, sometimes sad, heartfelt and regretful. Some, like `Japanese Maple', an instant Internet sensation, have already made it into the anthologies. Others, like his book-length epic, The River in the Sky, are more demanding. All are packed with the unexpected ideas, inventive imagery and breathtaking wordplay that have helped him achieve his avowed ambition of becoming `a fairly major minor poet'.

Even lovers of Dylan Thomas's poems are often puzzled by his habits of language, which sometimes take the form of unusual diction and unique perceptions. This study, on the hundredth anniversary of his birth, is a must-read for both Thomas's fans and newcomers interested in an introduction to his works and the unique sensibility that created them. Chapters are devoted to his poetic perspectives, ranging from the microscopic to the cosmic; his unusual perceptions of the world, which some critics have described as those of an almost altered reality; his diction, or working vocabulary; his penchant for refurbishing cliches; his hilarious sense of humor and linguistic playfulness; his development as a poet; and his concern for sound, often resulting in a lofty, at times Biblical, though secular, tone. In summary, the study fully explores the heart and mind behind the poems, and shows why his work will always remain in the top rank of English poetry.

With twelve original essays that characterize truly international ecocriticisms, New International Voices in Ecocriticism presents a compendium of ecocritical approaches, including ecocritical theory, ecopoetics, ecocritical analyses of literary, cultural, and musical texts (especially those not commonly studied in mainstream ecocriticism), and new critical vistas on human-nonhuman relations, postcolonial subjects, material selves, gender, and queer ecologies. It develops new perspectives on literature, culture, and the environment. The essays, written by contributors from the United States, Canada, Germany, Turkey, Spain, China, India, and South Africa, cover novels, drama, autobiography, music, and poetry, mixing traditional and popular forms. Popular culture and the production and circulation of cultural imaginaries feature prominently in this volume-how people view their world and the manner in which they share their perspectives, including the way these perspectives challenge each other globally and locally. In this sense the book also probes borders, border transgression, and border permeability. By offering diverse ecocritical approaches, the essays affirm the significance and necessity of international perspectives in environmental humanities, and thus offer unique responses to environmental problems and that, in some sense, affect many beginning and established scholars.