This compendium of poems by Gerard Manley Hopkins includes his most famous works, together with a careful selection of his most critically acclaimed verses. Hopkins is one of the Victorian era's best appreciated poets, gaining much of his fame for his unique and religiously inspired subjects. A committed Jesuit, his poems were notable for including a technique of Hopkins' own invention named sprung rhythm. This connotes verse which is designed to imitate the patterns and pace of typical human speech. By 1918, when this collection of Hopkins' poetry first appeared, he had gained much renown. To emphasise that several of the entries had never been published previously, the subtitle of 'Now First Published' was appended. This and other anthologies helped introduce the talents of Hopkins to a wider audience, cementing his status in England's literary pantheon.

Despite the brevity of its run and the diminutive size of its audience, The English Intelligencer is a key publication in the history of literary modernism in the British Isles. Emerging in the mid-1960s from a dissatisfaction with the prevailing norms of 'Betjeman's England', the young writers associated with it were catalysed by the example of Donald Allen's The New American Poetry as they sought to establish a revitalised modernist poetics. Late Modernism and The English Intelligencer gives the first full account of the extraordinary history of this publication, bringing to light extensive new archival material to establish an authoritative contextualisation of its operation and its relationship with post-war British poetry. This material provides compelling new insights into the work of the Intelligencer poets themselves and, more broadly, the continued presence of an international poetic modernism as a vital force in Britain in the second half of the twentieth century.

The Saints in Old Norse and Early Modern Icelandic Poetry is a complimentary volume to The Legends of the Saints in Old Norse-Icelandic Prose (UTP 2013). While its predecessor dealt primarily with medieval prose texts about the saints, this volume not only focuses on medieval poems about saints but also on Icelandic devotional poetry created during the early modern period. The handlist organizes saints' names, manuscripts, and editions of individual poems with references to approximate dates of the manuscripts, as well as modern Icelandic editions and translations. Each entry concludes with secondary literature about the poem in question. These features combine to make The Saints in Old Norse and Early Modern Icelandic Poetry an invaluable resource for scholars and students in the field.

Poetry. These poems reflect the inner life of the poet through a strong connection to nature, to shape, and to color. When you read these poems, many of which are poems of love and beauty, you are taking a journey into the "every day" mind and heart of an artist. They are often mysterious, often passionate, always provocative."As quiet as a moment just before sleep, Sarah Plimpton's poems are like preludes to dreams. The everyday happens daily, but it is also rare and precious in Ms. Plimpton's transparent telling."--John Ashbery

In the last couple of decades there has been a surge of interest in Octavio Paz's life and work, and a number of important books have been published on Paz. However, most of these books are of a biographical nature or they examine Paz's role in the various intellectual initiatives he headed in Mexico, specifically the journals he founded. Reality in Movement looks at a wide range of topics of interest in Paz's career, including his engagement with the subversive, adversary strain in Western culture, his meditations on questions of cultural identity and intercultural contact, his dialogue with both leftist and conservative ideological traditions, his interest in feminism and psychoanalysis, as well as his theory of poetry, concluding with a chapter on Octavio Paz as a literary character-a kind of reception study. The book offers a complex and nuanced portrait of Paz as a writer and thinker, as well as an understanding of the era in which he lived. Reality in Movement: Octavio Paz as Essayist and Public Intellectual will appeal to students of Octavio Paz, of Mexican literature more generally, as well as to readers with an interest in the many significant literary, cultural, political and historical topics Paz wrote about over the course of his long career.

Milton and Questions of History considers the contribution of several classic studies of Milton written by Canadians in the twentieth century. It contemplates whether these might be termed a coherent 'school' of Milton studies in Canada and it explores how these concerns might intervene in current critical and scholarly debates on Milton and, more broadly, on historicist criticism in its relationship to renewed interest in literary form.

The volume opens with a selection of seminal articles by noted scholars including Northrop Frye, Hugh McCallum, Douglas Bush, Ernest Sirluck, and A.S.P. Woodhouse. Subsequent essays engage and contextualize these works while incorporating fresh intellectual concerns. The Introduction and Afterword frame the contents so that they constitute a dialogue between past and present critical studies of Milton by Canadian scholars.

In Search of Singularity introduces a new "compairative" methodology that seeks to understand how the interplay of paired texts creates meaning in new, transcultural contexts. Bringing the worlds of contemporary Polish and Chinese poetry since 1989 into conversation with one another, Joanna Krenz applies the concept of singularity to draw out resonances and intersections between these two discourses and shows how they have responded to intertwined historical and political trajectories and a new reality beyond the human. Drawing on developments such as AI poetry and ecopoetry, Krenz makes the case for a fresh approach to comparative poetry studies that takes into account new forms of poetic expression and probes into alternative grammars of understanding.

In Dante and the Sense of Transgression, William Franke combines literary-critical analysis with philosophical and theological reflection to cast new light on Dante's poetic vision. Conversely, Dante's medieval masterpiece becomes our guide to rethinking some of the most pressing issues of contemporary theory. Beyond suggestive archetypes like Adam and Ulysses that hint at an obsession with transgression beneath Dante's overt suppression of it, there is another and a prior sense in which transgression emerges as Dante's essential and ultimate gesture. His work as a poet culminates in the Paradiso in a transcendence of language towards a purely ineffable, mystical experience beyond verbal expression. Yet Dante conveys this experience, nevertheless, in and through language and specifically through the transgression of language, violating its normally representational and referential functions. Paradiso's dramatic sky-scapes and unparalleled textual performances stage a deconstruction of the sign that is analyzed philosophically in the light of Blanchot, Levinas, Derrida, Barthes, and Bataille, as transgressing and transfiguring the very sense of sense.

Indian writing in English, especially fiction, continues to capture the attention of readers all over the English-speaking world. Conversely, the strong and flourishing tradition of poetry in English from India has not impacted the contemporary world in the same manner as the fiction. This book creates a debate to highlight the well-grounded and confident tradition of Indian Poetry in English which began almost two hundred years ago with the advent of the British. Individual essays on poets before and since the Indian Independence focus on the poetry of Derozio, Tagore, Aurobindo and Naidu right down to the modern and contemporary poets like Ezekiel, Mahapatra, Ramanujan, Kolatkar, Das, Moraes, Daruwalla, de Souza, Jussawalla and Patel who ushered in a change both in terms of subject matter and style. On either side of the Atlantic, this book which includes a substantial Introduction, Select Bibliography and Index is of value to scholars, teachers and researchers on Indian Poetry in English.

"Savage Songs & Wild Romances "considers the various types of poetry - from short songs and laments to lengthy ethnographic epics - which nineteenth-century settlers wrote about indigenous peoples as they moved into new territories in North America, South Africa, and Australasia. Drawing on a variety of texts (some virtually unknown), the author demonstrates the range and depth of this verse, suggesting that it exhibited far more interest in, and sympathy for, indigenous peoples than has generally been acknowledged. In so doing, he challenges both the traditional view of this poetry as derivative and eccentric, and more recent postcolonial condemnations of it as racist and imperialist. Instead, he offers a new, more positive reading of this verse, whose openness towards the presence of the indigenous Other he sees as an early expression of the tolerance and cultural relativity characteristic of modern Western society. Writers treated include George Copway, Alfred Domett, Henry Wadsworth Longfellow, George McCrae, Thomas Pringle, George Rusden, Lydia Sigourney, and Alfred Street.

Virgil's story of Aeneas, exiled from fallen Troy and leading his people to a new life through the founding of Rome, was familiar in the middle ages. The first true and full translation into any form of English was completed in Scotland in 1513 by Gavin Douglas and published in print forty years later. His version (still considered by some to be the finest of all) is significant historically but also for its intrinsic qualities: vigour, faithfulness, and a remarkable flair for language. Douglas was a scholar as well as a poet and brought to his task a detailed knowledge of the Latin text and of its major commentators, together with a sensitive mastery of his own language, both Scots and English, contemporary and archaic. The present edition is the first to regularise his spelling and make access easier for the modern reader without compromising the authentic Scots-English blend of his language. Glossaries (side- and end-) explain obscurities in his vocabulary while the introduction and notes set the work in context and indicate how Douglas understands and refocusses the great Virgilian epic. It will be of interest to medievalists and Renaissance scholars, to classicists and to students of the English language, and not least to the general reader whom Douglas had especially in mind. Gordon Kendal is an Honorary Research Fellow in the School of English, University of St Andrews.

"Poetic Revolutionaries" is an exploration of the relationship between radical textual practice, social critique and subversion. From an introduction considering recent debates regarding the cultural politics of intertextuality allied to avant-garde practice, the study proceeds to an exploration of texts by a range of writers for whom formal and poetic experimentation is allied to a subversive politics: Jean Genet, Monique Wittig, Angela Carter, Kathy Acker, Kathleen Mary Fallon, Kim Scott and Brian Castro. Drawing on theories of avant-garde practice, intertextuality, parody, representation, and performance such as those of Mikhail Bakhtin, Julia Kristeva, Gerard Genette, Margaret A. Rose, Linda Hutcheon, Fredric Jameson, Ross Chambers and Judith Butler, these readings explore how a confluence of writing strategies - covering the structural, narratological, stylistic and scenographic - can work to boost a text's subversive power.

Virgil's story of Aeneas, exiled from fallen Troy and leading his people to a new life through the founding of Rome, was familiar in the middle ages. The first true and full translation into any form of English was completed in Scotland in 1513 by Gavin Douglas and published in print forty years later. His version (still considered by some to be the finest of all) is significant historically but also for its intrinsic qualities: vigour, faithfulness, and a remarkable flair for language. Douglas was a scholar as well as a poet and brought to his task a detailed knowledge of the Latin text and of its major commentators, together with a sensitive mastery of his own language, both Scots and English, contemporary and archaic. The present edition is the first to regularise his spelling and make access easier for the modern reader without compromising the authentic Scots-English blend of his language. Glossaries (side- and end-) explain obscurities in his vocabulary while the introduction and notes set the work in context and indicate how Douglas understands and refocusses the great Virgilian epic. It will be of interest to medievalists and Renaissance scholars, to classicists and to students of the English language, and not least to the general reader whom Douglas had especially in mind. Gordon Kendal is an Honorary Research Fellow in the School of English, University of St Andrews.

This important new book is the first monograph on children's poetry written between 1780 and 1830, when non-religious children's poetry publishing came into its own. Introducing some of the era's most significant children's poets, the book shows how the conventions of children's verse and poetics were established during the Romantic era.

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world. Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

This is a book about the biographical afterlives of the Romantic poets and the creation of literary biography as a popular form. It focuses on the Lives of six major poets of the period: Byron, Shelley, Wordsworth, Coleridge, Felicia Hemans, and Letitia Landon, published from the 1820s, by Thomas Moore, Mary Shelley, Thomas De Quincey, and others. It situates these within the context of the development of biography as a genre from the 1780s to the 1840s. Starting with Johnson, Boswell, and female collective Lives, it looks at how the market success of biography was built on its representation and publication of domestic life. In the 1820s and 30s biographers 'domesticated' Byron, Shelley, and other poets by situating them at home, opening up their (often scandalous) private lives to view, and bringing readers into intimate contact with greatness.
Biography was an influential transmitter of the myth of 'the Romantic poet', as the self-creating, masculine genius, but it also posed one of the first important challenges to that myth, by revealing failures in domestic responsibility that were often seen as indicative of these writers' inattention to the needs of the reader. The Domestication of Genius is the most comprehensive account to date of the shaping of the Romantic poets by biography in the nineteenth-century.
Written in a lively and accessible style, it casts new light on the literary culture of the 1830s and the transition between Romantic and Victorian conceptions of authorship. It offers a powerful re-evaluation of Romantic literary biography, of major biographers of the period, and of the posthumous reputations of the Romantic poets.

This comprehensive overview of Julia Alvarez's fiction, nonfiction, and poetry offers biographical information and parses the author's important works and the intentions behind them. Reading Julia Alvarez reviews the author's acclaimed body of writing, exploring both the works and the woman behind them. The guide opens with a brief biography that includes the saga of the Alvarez family's flight from the Dominican Republic when Julia was ten, and carries her story through the philanthropic organic coffee farm that she and her husband now operate in that nation. The heart of the book is a broad overview of Alvarez's literary achievements, followed by chapters that discuss individual works and a chapter on her poetry. The book also looks at how the author's writings grapple with and illuminate contemporary issues, and at Alvarez's place in pop culture, including an examination of film adaptations of her books. Through this guide, readers will better understand the relevance of Alvarez's works to their own lives and to new ways of thinking about current events. Chapters on individual works to help the user understand the author's plots, themes, settings, characters, and style Discussion questions in each chapter to foster student research and facilitate book-club discussion Sidebars of interesting information An up-to-date guide to Internet and print resources for further study

This title provides a comprehensive guide to studying Wordsworth at undergraduate level. William Wordsworth continues to be one of the most popular and widely studied poets from the nineteenth century. This Reader's Guide provides an overview of Wordsworth's career, which began in obscurity, persisted through ridicule, and culminated finally in popular success and acclaim. It introduces readers to the literary, philosophical, and political contexts crucial to understanding Wordsworth's poetry, offering fresh approaches for reading his most important poems in light of recent developments in literary studies while also spotlighting traditional ones. This guide explores the reasons why Wordsworth continues to be the leading figure of British Romantic literature. It is an indispensable guide to studying Wordsworth's poetry, language, contexts and criticism. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the "digital humanities," or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, "news that stays news."