Since its publication in 1959, Individuals has become a modern philosophical classic. Bold in scope and ambition, it continues to influence debates in metaphysics, philosophy of logic and language, and epistemology. Peter Strawson's most famous work, it sets out to describe nothing less than the basic subject matter of our thought. It contains Strawson's now famous argument for descriptive metaphysics and his repudiation of revisionary metaphysics, in which reality is something beyond the world of appearances. Throughout, Individuals advances some highly influential and controversial ideas, such as 'non-solipsistic consciousness' and the concept of a person a 'primitive concept'

Francis Hutcheson (1694-1746) was the first major philosopher of the Scottish Enlightenment, and one of the great thinkers in the history of British moral philosophy. He firmly rejected the reductionist view, common then as now, that morality is nothing more than the prudent pursuit of self-interest, arguing in favour of a theory of a moral sense. The two texts presented here are the most eloquent expressions of this theory. The Reflections on our Common Systems of Morality insists on the connection between moral philosophy and moral improvement, and was a preview of his first major work, the Inquiry of 1725. The lecture On the Social Nature of Man, arguing against the psychological egoism of Hobbes, appears here in an English translation for the first time. Thomas Mautner's introduction and editorial apparatus provide a mass of new information, helping to give the reader a sense of the intellectual climate in which Hutcheson lived.

Berkeley's Three Dialogues is a key text in the history of philosophy - the dialogues are, with the exception of Hume's, arguably the most important philosophical dialogues written in English. As such, this is a hugely exciting, yet challenging, piece of philosophical writing. In Berkeley's 'Three Dialogues': A Reader's Guide, Aaron Garrett offers a clear and thorough account of this key philosophical work. The book offers a detailed review of the key themes and a lucid commentary that will enable readers to rapidly navigate the text. Geared towards the specific requirements of students who need to reach a sound understanding of the dialogues as a whole, the guide explores the complex and important ideas inherent in the text and provides a cogent survey of the reception and influence of Berkeley's work.

The purpose of art, according to the artist Banksy, is to comfort the disturbed and disturb the comfortable. The purpose of that creative practice called "theory" is to disturb everyone-to perpetually unsettle all our staid assumptions, all our fixed understandings, all our familiar identities. An alternative to the typically large and unwieldy theory anthology, Adventures in Theory offers a manageably short collection of writings that have famously enacted the central purpose of theory. Adventures in Theory takes readers on a steadily unsettling tour, spanning the most significant thought provocations in the history of theoretical writing from Marx and Nietzsche through Foucault and Derrida to Butler, Zizek, and Edelman. Engagingly lean and enjoyably mean, this is a minimalist anthology with maximal impact.

This is a major study of the theological thought of John Calvin, which examines his central theological ideas through a philosophical lens, looking at issues in Metaphysics, Epistemology, and Ethics. The study, the first of its kind, is concerned with how Calvin actually uses philosophical ideas in his work as a theologian and biblical commentator. The book also includes a careful examination of those ideas of Calvin to which the Reformed Epistemologists appeal, to find grounds and precedent for their development of Reformed Epistemology', notably the sensus divinitatis and the internal testimony of the Holy Spirit.

These essays examine the contribution of Ortega y Gasset, reflecting his own diversity of interests with topics on philosophy, history, literature, esthetics, language and art. The collection draws together scholars from a variety of disciplines in an effort to deepen appreciation for one of the leading writers of modern Spain. Originally delivered at Espectador Universal to mark the 100th anniversay of Ortega y Gasset's birth, these essays are sure to open new perspectives on the thought and work of one who has long been regarded as the prototytpe to the twentieth century humanist.

Translated by Elizabeth S. Haldane and G.R.T. Ross. Edited with an Introduction by Enrique Chavez-Arvizo. Rene Descartes (1569-1650), the 'father' of modern philosophy, is without doubt one of the greatest thinkers in history: his genius lies at the core of our contemporary intellectual identity. Breaking with the conventions of his own time and suffering persecution by the Church as a consequence, Descartes in his writings - most of which are philosophical classics - attempted to answer the central questions surrounding the self, God, free-will and knowledge, using the science of thought as opposed to received wisdom based on the tenets of faith. This edition, the most comprehensive one-volume selection of Descartes' works available in English, includes his great essay, Discourse on Method.

At the end of the eighteenth century, Jeremy Bentham devised a scheme for a prison that he called the panopticon. It soon became an obsession. For twenty years he tried to build it; in the end he failed, but the story of his attempt offers fascinating insights into both Bentham's complex character and the ideas of the period. Basing her analysis on hitherto unexamined manuscripts, Janet Semple chronicles Bentham's dealings with the politicians as he tried to put his plans into practice. She assesses the panopticon in the context of penal philosophy and eighteenth-century punishment and discusses it as an instrument of the modern technology of subjection as revealed and analysed by Foucault. Her entertainingly written study is full of drama: at times it is hilariously funny, at others it approaches tragedy. It illuminates a subject of immense historical importance and which is particularly relevant to modern controversies about penal policy.

This book gathers together an array of international scholars, critics, and artists concerned with the issue of walking as a theme in modern literature, philosophy, and the arts. Covering a wide array of authors and media from eighteenth-century fiction writers and travelers to contemporary film, digital art, and artists' books, the essays collected here take a broad literary and cultural approach to the art of walking, which has received considerable interest due to the burgeoning field of mobility studies. Contributors demonstrate how walking, far from constituting a simplistic, naive, or transparent cultural script, allows for complex visions and reinterpretations of a human's relation to modernity, introducing us to a world of many different and changing realities.

French philosopher Gilles Deleuze wrote two 'logic' books: Francis Bacon: The Logic of Sensation and The Logic of Sense. However, in neither of these books nor in any other works does Deleuze articulate in a formal way the features of the logic he employs. He certainly does not use classical logic. And the best options for the non-classical logic that he may be implementing are: fuzzy, intuitionist, and many-valued. These are applicable to his concepts of heterogeneous composition and becoming, affirmative synthetic disjunction, and powers of the false. In The Logic of Gilles Deleuze: Basic Principles, Corry Shores examines the applicability of three non-classical logics to Deleuze's philosophy, by building from the philosophical and logical writings of Graham Priest, the world's leading proponent of dialetheism. Through so doing, Shores argues that Deleuze's logic is best understood as a dialetheic, paraconsistent, many-valued logic.

This book examines the theoretical links between Edward W. Said and Sigmund Freud as well the relationship between psychoanalysis, postcolonialism and decoloniality more broadly. The author begins by offering a comprehensive review of the literature on psychoanalysis and postcolonialism, which is contextualized within the apparatus of racialized capitalism. In the close analysis of the interconnections between the Freud and Said that follows, there is an attempt to decolonize the former and psychoanalyze the latter. He argues that decolonizing Freud does not mean canceling him; rather, he employs Freud's sharpest insights for our time, by extending his critique of modernity to coloniality. It is also advanced that psychoanalyzing Said does not mean psychologizing the man; instead the book's aim is to demonstrate the influence of psychoanalysis on Said's work. It is asserted that Said began with Freud, repressed him, and then Freud returned. Reading Freud and Said side by side allows for the theorization of what the author calls contrapuntal psychoanalysis as liberation praxis, which is discussed in-depth in the final chapters. This book, which builds on the author's previous work, Decolonial Psychoanalysis, will be a valuable text to scholars and students from across the psychology discipline with an interest in Freud, Said and the broader relationship between psychoanalysis and colonialism.

This text examines Kant's theory of self-consciousness and argues that it succeeds in explaining how both subjective and objective experience are possible. Previous interpretations of Kant's theory have held that he treats all self-consciousness as knowledge of objective states of affairs, and also that self-consciousness can be interpreted as knowledge of personal identity. By contrast, Keller argues for a new understanding of Kant's conception of self-consciousness as the capacity to abstract not only from what one happens to be experiencing, but also from one's own personal identity. By developing this new interpretation he is able to argue that transcendental self-consciousness underwrites a general theory of objectivity and subjectivity at the same time.

Well-written and engaging, this volume explores the most important questions and issues that have absorbed philosophers over the past twenty-five centuries. The quest to define reality, the problem of the existence of God, the search for moral values, the problem of evil, the discovery of the self, and other philosophical issues are clearly outlined in six thematic chapters. The ideas of ancient, medieval, and modern philosophers are integrated into a reflective and compelling narrative, which aims at emphasizing the timeless relevance of these questions and concerns and at eliciting from the readers their own responses to the issues raised. The book includes a comprehensive bibliography and two extensive glossaries that outline the theories of all the philosophers mentioned and explain the main philosophical terms used in the text. Designed specifically for undergraduate students taking their first courses in philosophy and for anybody who wishes to gain acquaintance with the subject, this comprehensive volume sheds light on the significance of the philosophical adventure.

This is a monograph offering new analysis of the philosophical connection between Hopkins and Heidegger which has been repeatedly mentioned but not fleshed out in the literature of either literary criticism or philosophy. "Hopkins & Heidegger" is a new exploration of Gerard Manley Hopkins' poetics through the work of Martin Heidegger. More radically, Brian Willems argues that the work of Hopkins does no less than propose solutions to a number of hitherto unresolved questions regarding Heidegger's later writings, vitalizing the concepts of both writers beyond their local contexts. Willems examines a number of cross-sections between the poetry and thought of Hopkins and the philosophy of Heidegger. While neither writer ever directly addressed the other's work - Hopkins died the year Heidegger was born, 1899, and Heidegger never turns his thoughts on poetry to the Victorians - a number of similarities between the two have been noted but never fleshed out. Willems' readings of these cross-sections are centred on Hopkins' concepts of 'inscape' and 'instress' and around Heidegger's reading of both appropriation (Ereignis) and the fourfold (das Geviert). This study will be of interest to scholars and postgraduates in both Victorian literature and Continental philosophy.

This book offers an exciting reinterpretation of Auguste Comte, the founder of French sociology. Andrew Wernick provides the first in-depth critique of Comte's concept of religion and its place in his thinking on politics, sociology and philosophy of science. He places Comte's ideas within the context of post-1789 French political and intellectual history, and of modern philosophy, especially postmodernism. Wernick relates Comte to Marx and Nietzsche as seminal figures of modernity and examines key features of modern and postmodern French social theory, tracing the inherent flaws and disintegration of Comte's system.

This book suggests that applied linguistics research is inherently concerned with complexity, emergence and causality, and because of this it also requires a robust social ontology. The book identifies and unpacks a range of conceptual issues in applied linguistics from a social realist perspective, and provides a critique of successionism and interpretivism as two dominant and enduring empiricist tendencies in the field. From this critique, it considers the emergence of complex dynamic system theory as viable yet not entirely unproblematic conceptual sophistication of current applied linguistics research. Although the growing popularity of complex dynamic system theory is undeniable and understandable, this book argues that its integration within a social realist ontology is necessary for further developments in the field. The book will be of interest to applied linguists and social scientists interested in language-related issues including language learning and teaching, language change, language policy and planning, bilingualism/multilingualism, and language and identity.

This book presents, for the first time in English, a comprehensive anthology of essays on Christian Wolff's psychology written by leading international scholars. Christian Wolff is one of the towering figures in 18th-century Western thought. In the last decades, the publication of Wolff's Gesammelte Werke by Jean Ecole and collaborators has aroused new interest in his ideas, but the meaning, scope, and impact of his psychological program have remained open to close and comprehensive analysis and discussion. That is what this volume aims to do. This is the first volume in English completely devoted to Wolff's efforts to systematize empirical and rational psychology, against the background of his understanding of scientific method in metaphysics. Wolff thereby paved the way to the very idea of a scientific psychology. The book is divided into two parts. The first one covers the theoretical and historical meaning and scope of Wolff's psychology, both in its internal structure and in its relation to other parts of his philosophical system, such as logic, cosmology, aesthetics, or practical philosophy. The second part deals with the reception and impact of Wolff's psychology, starting with early reactions from his disciples and opponents, and moving on to Kant, Hegel, and Wundt. The Force of an Idea: New Essays on Christian Wolff's Psychology shows not only that Wolff's psychological ideas have been misinterpreted, but also that they are historically more significant than traditional wisdom has it. The book, therefore, will be of interest to historians and philosophers of science, historians of philosophy and psychology, as well as to philosophers and psychologists interested in understanding the roots of scientific psychology in 18th and 19th century German philosophy.

This book argues for a modern version of liberal arts education, exploring first principles within the divine comedy of educational logic. By reforming the three philosophies of metaphysics, nature and ethics upon which liberal arts education is based, Tubbs offers a profound transatlantic philosophical and educational challenge to the subject.